UPC · Release
100 Film Classics
Various Artists
Last verified:
0600753029275 is the Universal Product Code (UPC barcode) for the release “100 Film Classics” by Various Artists, released 2007-01-01 on Universal Music Belgium. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include USIR20300267, GB8XC1049435, USCRB0000546.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Calling You | Jevetta Steele | T-070.233.222-6 | |
| 2 | Over the Rainbow | Judy Garland | T-070.159.949-6 | |
| 3 | Makin’ Whoopee | — | ||
| 4 | Unchained Melody | The Righteous Brothers | T-070.193.442-0 | |
| 5 | Brokeback Mountain 2 | — | ||
| 6 | Paris, Texas | Ry Cooder | T-070.235.818-6 | |
| 7 | L’uomo dell’armonica | Ennio Morricone | T-005.001.608-4 | |
| 8 | Harry Lime Theme | — | ||
| 9 | The Godfather Waltz | — | ||
| 10 | Nuit sur les Champs‐Élysées | — | ||
| 11 | La valse d’Amélie | — | ||
| 12 | Moon River | Henry Mancini, His Orchestra, Chorus | T-070.111.569-6 | |
| 13 | Mrs. Robinson | Simon & Garfunkel | T-071.001.053-9 | |
| 14 | Silent Sigh | — | ||
| 15 | Repilado: Chan Chan | — | ||
| 16 | Jungle Fever | Chakachas | — | |
| 17 | Soul Bossa Nova | Quincy Jones and His Orchestra | T-071.286.789-4 | |
| 18 | Forbidden Colors | — | ||
| 19 | Playground Love | Air, Gordon Tracks | T-004.176.800-6 | |
| 20 | Dead Already | — | ||
| 2-1 | James Bond Theme (Dr. No) | The John Barry Orchestra | T-011.221.662-2 | |
| 2-2 | THE PINK PANTHER THEME | Henry Mancini, His Orchestra | T-070.167.283-4 | |
| 2-3 | Zorba the Greek | — | ||
| 2-4 | The Lonely Shepherd | Gheorghe Zamfir | T-802.062.591-7 | |
| 2-5 | Il buono, il brutto, il cattivo | Ennio Morricone | T-005.003.653-7 | |
| 2-6 | Lara’s Theme | The City of Prague Philharmonic Orchestra, Paul Bateman | T-924.554.663-8 | |
| 2-7 | Theme From Love Story | — | ||
| 2-8 | When a Man Loves a Woman | Percy Sledge | T-011.238.602-3 | |
| 2-9 | God Only Knows | — | ||
| 2-10 | In Dreams | Roy Orbison | T-070.919.142-3 | |
| 2-11 | Koyaanisqatsi | Albert de Ruiter, Michael Riesman | T-900.058.422-5 | |
| 2-12 | Masked Ball | — | ||
| 2-13 | Alfie’s Theme Differently | Sonny Rollins | — | |
| 2-14 | The Bridge on the River Kwai: Colonel Bogey | — | ||
| 2-15 | America | Rita Moreno, Suzie Kaye, George Chakiris, Yvonne Othon | T-070.001.097-4 | |
| 2-16 | Any Other Name | — | ||
| 2-17 | Deportation / Iguazu | Gustavo Santaolalla | T-904.635.013-4 | |
| 2-18 | Still | — | ||
| 2-19 | Main Title (I Had a Farm in Africa) | John Barry | T-300.346.542-3 | |
| 2-20 | Now We Are Free | The Lyndhurst Orchestra, Gavin Greenaway | T-801.189.846-8 | |
| 3-1 | Prelude (from ‘Also sprach Zarathustra’) | — | ||
| 3-2 | Walkürenritt (from ‘Die Walküre’) | — | ||
| 3-3 | O Fortuna / Fortune plango vulnera (from ‘Carmina Burana’) | Ernst Senff, Rundfunkchor Berlin, Radio-Symphonie-Orchester Berlin, Riccardo Chailly | T-800.639.771-4 | |
| 3-4 | Toccata (from ‘Toccata and Fugue in D minor, BWV 565) | — | ||
| 3-5 | An der schönen blauen Donau, op. 314 | — | ||
| 3-6 | Bagatelle in A minor, WoO 59 “Für Elise”: Poco moto | Anatol Ugorski | T-304.254.199-7 | |
| 3-7 | Clarinet Concerto in A major, K. 622: II. Adagio | — | ||
| 3-8 | Griet’s Theme | Pro Arte Orchestra of London, Alexandre Desplat | — | |
| 3-9 | Gabriel’s Oboe (theme from ‘The Mission’) | — | ||
| 3-10 | Main Title From Braveheart | London Symphony Orchestra | T-070.019.178-1 | |
| 3-11 | The Rach. 3 (Part One) | — | ||
| 3-12 | Clair de lune (from ‘Suite bergamasque’) | Alexis Weissenberg | T-914.291.310-8 | |
| 3-13 | O mio babbino caro (from ‘Gianni Schicchi’) | — | ||
| 3-14 | Intermezzo sinfonico (from ‘Cavalleria rusticana’) | — | ||
| 3-15 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique” (Birdy’s Pathétique) | — | ||
| 3-16 | The Promise (from ‘The Piano’) | — | ||
| 3-17 | Requiem, op. 48: IV. Pie Jesu | — | ||
| 3-18 | Lacrimosa (from Requiem in D minor, K. 626) | — | ||
| 3-19 | Theme From ‘Schindler’s List’ | — | ||
| 3-20 | Adagio for Strings, op. 11 | Academy of St Martin in the Fields, Sir Neville Marriner | T-070.000.199-5 | |
| 4-1 | Born to Be Wild | Steppenwolf | T-070.234.631-3 | |
| 4-2 | Whiskey in the Jar | Thin Lizzy | T-010.452.848-4 | |
| 4-3 | Sweet Home Alabama | Lynyrd Skynyrd | T-070.924.653-6 | |
| 4-4 | Stuck in the Middle With You | Stealers Wheel | T-011.029.669-9 | |
| 4-5 | White Rabbit | Jefferson Airplane | T-070.247.962-6 | |
| 4-6 | Son of a Preacher Man | Dusty Springfield | T-070.243.820-7 | |
| 4-7 | You Can Leave Your Hat On | Joe Cocker | T-071.194.128-4 | |
| 4-8 | Who Is He (and What Is He to You)? | Bill Withers | T-070.247.969-3 | |
| 4-9 | Green Onions | — | ||
| 4-10 | Theme From Shaft | Isaac Hayes | T-042.106.730-2 | |
| 4-11 | Papa Was a Rollin’ Stone | — | ||
| 4-12 | Let’s Get It On | Marvin Gaye | T-070.099.434-8 | |
| 4-13 | Try a Little Tenderness | The Commitments | T-070.181.385-5 | |
| 4-14 | I Walk the Line | — | ||
| 4-15 | California Dreamin’ | The Mamas and the Papas | T-070.248.475-0 | |
| 4-16 | I’m Sorry | — | ||
| 4-17 | Sea of Love | Phil Phillips | T-904.171.564-4 | |
| 4-18 | Up Where We Belong | Joe Cocker, Jennifer Warnes | T-070.194.066-0 | |
| 4-19 | Ain’t No Sunshine | Bill Withers | T-070.880.581-5 | |
| 4-20 | What a Wonderful World | Kenny G, Louis Armstrong | T-070.201.791-1 | |
| 5-1 | Don’t You (Forget About Me) | Simple Minds | T-801.040.830-8 | |
| 5-2 | Lovefool | The Cardigans | T-000.030.597-4 | |
| 5-3 | The Seed (2.0) | — | ||
| 5-4 | Sinnerman (Felix da Housecat’s Heavenly House mix) | Nina Simone | T-901.130.714-5 | |
| 5-5 | Summer’s Here | — | ||
| 5-6 | Good Bye Emmanuelle | Serge Gainsbourg | T-003.979.589-5 | |
| 5-7 | The Ballad of Lucy Jordan | — | ||
| 5-8 | State of Independence | Jon and Vangelis | T-072.270.413-3 | |
| 5-9 | Out of Reach | Gabrielle | T-010.489.679-8 | |
| 5-10 | Love Is All Around | Wet Wet Wet | — | |
| 5-11 | When You Say Nothing at All | Ronan Keating | T-070.247.910-4 | |
| 5-12 | Everlasting Love | Jamie Cullum | T-070.050.551-6 | |
| 5-13 | You Sexy Thing | Hot Chocolate | T-010.459.942-9 | |
| 5-14 | Spooky | Dusty Springfield | T-070.243.889-8 | |
| 5-15 | (I’ve Had) The Time of My Life | Bill Medley, Jennifer Warnes | T-070.186.750-6 | |
| 5-16 | If I Can’t Have You | Yvonne Elliman | T-070.919.118-3 | |
| 5-17 | Tiny Dancer | Elton John | T-070.183.697-6 | |
| 5-18 | Wand’rin’ Star | — | ||
| 5-19 | Always Look on the Bright Side of Life | — | ||
| 5-20 | Singin’ in the Rain | Gene Kelly | T-900.301.991-8 |
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Jungle Fever | Chakachas | — |
| Jungle Fever | Chakachas | T-070.090.782-9 |
| Jungle Fever | Chakachas | — |
| Living on the Ceiling | Blancmange | T-011.284.145-8 |
| Maggie Mae | Rod Stewart | T-070.112.990-9 |
| Braveheart ‘Main Title’ | Martin Neary, Westminster Abbey Choir, London Symphony Orchestra, James Horner | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+20 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+20 more
Identifier Graph
People also ask
Verified on
What is UPC 0600753029275?
0600753029275 is a Universal Product Code (UPC) assigned to 100 Film Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm