UPC · Release
De tijd van toen, 2: Liedjes & melodietjes uit vervlogen tijd
Various Artists
Last verified:
0600753386453 is the Universal Product Code (UPC barcode) for the release “De tijd van toen, 2: Liedjes & melodietjes uit vervlogen tijd” by Various Artists, released 2012-01-01 on ARS Entertainment. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 60 tracks, each with its own ISRC. Tracks include BEX561000048, BEQ025800008, BEUM70600079.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (60)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Aan het Noordzeestrand | — | ||
| 2 | Ik zoek een meisje | — | ||
| 3 | Café zonder bier | Bobbejaan Schoepen | T-922.661.975-6 | |
| 4 | Blaas eens in het zakje | — | ||
| 5 | Hou van mij… altijd | — | ||
| 6 | Limburg allein | — | ||
| 7 | Op de purp’ren hei | — | ||
| 8 | Lied van Lima | — | ||
| 9 | Met je handen | — | ||
| 10 | Marjoleintje | Jo Leemans | — | |
| 11 | Bonpapa | — | ||
| 12 | Ik geloof | — | ||
| 13 | Tom Pilibi | — | ||
| 14 | Wie is Loesje | — | ||
| 15 | El sol | — | ||
| 16 | Geef mij nog een kans | — | ||
| 17 | Ik bewonder jou | — | ||
| 18 | Oh! Wat zij‐de schoon! | — | ||
| 19 | Johnny’s potpourri deel 1 | — | ||
| 20 | Daar is de orgelman | — | ||
| 2-1 | Boemel‐potpourri “Bij Madelonneke” | — | ||
| 2-2 | Kus kus polka | — | ||
| 2-3 | Pinten pinten | — | ||
| 2-4 | Het minirokje | — | ||
| 2-5 | Alle Schotten | — | ||
| 2-6 | Het was in Monte Carlo | — | ||
| 2-7 | Liedje voor Mary‐Ann | Norbert | — | |
| 2-8 | De laatste dans | — | ||
| 2-9 | Sophietje | — | ||
| 2-10 | Kwezelke | — | ||
| 2-11 | De doddelaar | — | ||
| 2-12 | De witte muis | — | ||
| 2-13 | Santé santé (In ’t stamcafé) | — | ||
| 2-14 | Zwarte Lola | — | ||
| 2-15 | De trekpiano | — | ||
| 2-16 | Als wij marcheren | — | ||
| 2-17 | Als iemand je 1000 kussen beloofd | — | ||
| 2-18 | Alleen | John Larry | — | |
| 2-19 | Ik lees in je ogen | — | ||
| 2-20 | We Gotta Stop | — | ||
| 3-1 | Hou toch van mij | Bob Benny | — | |
| 3-2 | Poinciana | — | ||
| 3-3 | Er speelt een orgel | — | ||
| 3-4 | Rood is je mond | — | ||
| 3-5 | Papieren rozen | — | ||
| 3-6 | Rosmarie | — | ||
| 3-7 | Ja was jij maar… bij moeder thuis gebleven! | — | ||
| 3-8 | Ach vaderlief | — | ||
| 3-9 | Brandend zand | — | ||
| 3-10 | Spiegelbeeld | — | ||
| 3-11 | Sproetje | — | ||
| 3-12 | Weet je, weet je | — | ||
| 3-13 | Zonder jou | — | ||
| 3-14 | Een en twintig rozen | — | ||
| 3-15 | Oh Johnny | — | ||
| 3-16 | Rode rozen, rode lippen, rode wijn | — | ||
| 3-17 | Zeeman | — | ||
| 3-18 | Marina | Rocco Granata | T1063543144 | |
| 3-19 | Het schrijverke | — | ||
| 3-20 | Goeden nacht en welterusten | — |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Hou toch van mij | Bob Benny | — |
| Marina | Rocco Granata | — |
| Hou toch van mij | Bob Benny | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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Credits Graph
People also ask
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What is UPC 0600753386453?
0600753386453 is a Universal Product Code (UPC) assigned to De tijd van toen, 2: Liedjes & melodietjes uit vervlogen tijd by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 60 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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