UPC · Release
The Last of the Teenage Idols
Alex Harvey
Last verified:
0600753621202 is the Universal Product Code (UPC barcode) for the release “The Last of the Teenage Idols” by Alex Harvey, released 2016-01-01 on Universal Music Catalogue. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 213 tracks, each with its own ISRC. Tracks include DEN120307195, DEN120307196, DEN120307197.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (213)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | What’s Wrong With Me Baby | — | ||
| 2 | The Liverpool Scene | — | ||
| 3 | Going Back to Birmingham | — | ||
| 4 | Jailhouse Rock | — | ||
| 5 | Framed | — | ||
| 6 | I Ain’t Worrying Baby | — | ||
| 7 | Backwater Blues | — | ||
| 8 | Let the Good Times Roll | — | ||
| 9 | Going Home | — | ||
| 10 | I’ve Got My Mojo Working | — | ||
| 11 | Teensville USA | — | ||
| 12 | New Orleans | — | ||
| 13 | Bo Diddley Is a Gun Slinger | — | ||
| 14 | When I Grow to Old to Rock | — | ||
| 15 | Evil Hearted Man | — | ||
| 16 | I Just Wanna Make Love to You | — | ||
| 17 | The Blind Man | — | ||
| 18 | Reeling and Rocking | — | ||
| 19 | Lord Randall | — | ||
| 20 | Born With the Blues | — | ||
| 21 | House of the Rising Sun | — | ||
| 2-1 | Shout | — | ||
| 2-2 | Sticks and Stones | — | ||
| 2-3 | Take Out Some Insurance on Me Baby | — | ||
| 2-4 | Long Long Gone | — | ||
| 2-5 | Penicillin Blues | — | ||
| 2-6 | Shakin’ All Over | — | ||
| 2-7 | Outskirts of Town | — | ||
| 2-8 | Tutti Frutti | — | ||
| 2-9 | My Kind of Lovin’ | — | ||
| 2-10 | Parchman Farm | — | ||
| 2-11 | Ten a Penny | — | ||
| 2-12 | Canoe Song | — | ||
| 2-13 | You Ain’t No Good to Me | — | ||
| 2-14 | You’ve Put a Spell on Me | — | ||
| 2-15 | Hoochie Coochie Man | — | ||
| 2-16 | Elevator Rock | — | ||
| 2-17 | You Are My Sunshine | — | ||
| 2-18 | Ain’t That Just to Bad | — | ||
| 2-19 | The Little Boy That Santa Claus Forgot | — | ||
| 3-1 | Trouble in Mind | — | ||
| 3-2 | Honey Bee | — | ||
| 3-3 | I Learned About Women | — | ||
| 3-4 | Danger Zone | — | ||
| 3-5 | The Riddle Song | — | ||
| 3-6 | Waltzing Matilda | — | ||
| 3-7 | T. B. Blues | — | ||
| 3-8 | Big Rock Candy Mountain | — | ||
| 3-9 | The Michigan Massacre | — | ||
| 3-10 | No Peace | — | ||
| 3-11 | Nobody Knows You When You’re Down and Out | — | ||
| 3-12 | St James Infirmary Blues | — | ||
| 3-13 | Strange Fruit | — | ||
| 3-14 | Kisses Sweeter Than Wine | — | ||
| 3-15 | Good God Almighty | — | ||
| 3-16 | Agent 00 Soul | — | ||
| 3-17 | Go Away Baby | — | ||
| 4-1 | Work Song | — | ||
| 4-2 | I Can Do Without You | — | ||
| 4-3 | The Sunday Song | — | ||
| 4-4 | Horizons | — | ||
| 4-5 | Maybe Some Day | — | ||
| 4-6 | Curtains for My Baby | — | ||
| 4-7 | Midnight Moses | — | ||
| 4-8 | Hello L.A. Bye Bye Birmingham | — | ||
| 4-9 | Broken Hearted Fairytale | — | ||
| 4-10 | Donna | — | ||
| 4-11 | Roman Wall Blues | — | ||
| 4-12 | Jumpin’ Jack Flash | — | ||
| 4-13 | Hammer Song | — | ||
| 4-14 | Let My Bluebird Sing | — | ||
| 4-15 | Maxine | — | ||
| 4-16 | Down at Bart’s Place | — | ||
| 4-17 | Candy | — | ||
| 5-1 | Hair | — | ||
| 5-2 | Royal International Love‐In | — | ||
| 5-3 | Bond Street Baby | — | ||
| 5-4 | Birthday | — | ||
| 5-5 | Ice Cold | — | ||
| 5-6 | You to Lose | — | ||
| 5-7 | Hole in Her Stocking | — | ||
| 5-8 | Wade in the Water | — | ||
| 5-9 | Born in the City | — | ||
| 5-10 | The Joker Is Wild | — | ||
| 5-11 | Penicillin Blues | — | ||
| 5-12 | I Just Wanna Make Love to You | — | ||
| 5-13 | I’m Just a Man | — | ||
| 5-14 | He Ain’t Heavy, He’s My Brother | — | ||
| 5-15 | Silhouette and Shadow | — | ||
| 5-16 | Hare Krishna / Willie the Pimp (medley) | — | ||
| 5-17 | Flying Saucer’s Daughter | — | ||
| 6-1 | Framed | The Sensational Alex Harvey Band | T-070.055.454-6 | |
| 6-2 | Hammer Song | The Sensational Alex Harvey Band | T-010.436.355-4 | |
| 6-3 | Midnight Moses | The Sensational Alex Harvey Band | T-010.051.683-3 | |
| 6-4 | Isobel Goudie: My Lady of the Night / Coitus Interruptus / Virgin and the Hunter | The Sensational Alex Harvey Band | — | |
| 6-5 | Buff’s Bar Blues | The Sensational Alex Harvey Band | T-011.376.574-4 | |
| 6-6 | I Just Want to Make Love to You | The Sensational Alex Harvey Band | T-906.252.887-4 | |
| 6-7 | Hole in Her Stocking | The Sensational Alex Harvey Band | — | |
| 6-8 | There’s No Lights on the Christmas Tree Mother, They’re Burning Big Louie Tonight | The Sensational Alex Harvey Band | — | |
| 6-9 | St. Anthony | The Sensational Alex Harvey Band | T-010.610.079-1 | |
| 6-10 | Harp | — | ||
| 6-11 | Midnight Moses | — | ||
| 6-13 | Framed | — | ||
| 6-14 | There’s No Lights on the Christmas Tree Mother, They’re Burning Big Louie Tonight | — | ||
| 6-15 | Hole in Her Stocking | — | ||
| 7-1 | Swampsnake | The Sensational Alex Harvey Band | — | |
| 7-2 | Gang Bang | The Sensational Alex Harvey Band | T-011.376.567-5 | |
| 7-3 | The Faith Healer | The Sensational Alex Harvey Band | T-010.066.312-4 | |
| 7-4 | Giddy Up A Ding Dong | The Sensational Alex Harvey Band | T-070.064.066-9 | |
| 7-5 | Next | The Sensational Alex Harvey Band | T-071.200.479-9 | |
| 7-6 | Vambo Marble Eye | The Sensational Alex Harvey Band | T-011.376.583-5 | |
| 7-7 | The Last of the Teenage Idols | The Sensational Alex Harvey Band | T-011.591.244-1 | |
| 7-8 | The Faith Healer | — | ||
| 7-9 | Midnight Moses | — | ||
| 7-10 | Gang Bang | — | ||
| 7-11 | The Last of the Teenage Idols | — | ||
| 7-12 | Giddy Up A Ding Dong | — | ||
| 7-14 | The Faith Healer | — | ||
| 8-1 | The Hot City Symphony, Part 1: Vambo | — | ||
| 8-2 | The Hot City Symphony, Part 2: The Man in the Jar | — | ||
| 8-3 | River of Love | — | ||
| 8-4 | Long Hair Music | — | ||
| 8-5 | Hey | — | ||
| 8-6 | Sergeant Fury | The Sensational Alex Harvey Band | — | |
| 8-7 | Weights Made of Lead | — | ||
| 8-8 | Money Honey / The Impossible Dream | — | ||
| 8-9 | Tomahawk Kid | — | ||
| 8-10 | Anthem | — | ||
| 8-11 | The Faith Healer | — | ||
| 8-12 | Giddy Up A Ding Dong | — | ||
| 8-13 | Alex Harvey Talks About Everything – An in Depth Session With Alex Harvey of the Sensational Alex Harvey Band | — | ||
| 9-1 | Action Strasse | The Sensational Alex Harvey Band | T-011.376.045-4 | |
| 9-2 | Snake Bite | — | ||
| 9-3 | Soul in Chains | — | ||
| 9-4 | The Tale of the Giant Stone Eater | — | ||
| 9-5 | Ribs and Balls | — | ||
| 9-6 | Give My Compliments to the Chef | The Sensational Alex Harvey Band | T-011.376.584-6 | |
| 9-7 | Sharks Teeth | — | ||
| 9-8 | Shake That Thing | — | ||
| 9-9 | Tomorrow Belongs to Me | — | ||
| 9-10 | To Be Continued | — | ||
| 9-11 | Give My Compliments to the Chef | — | ||
| 9-12 | Action Strasse | — | ||
| 9-13 | Soul in Chains | — | ||
| 9-14 | The Tale of the Giant Stone Eater | — | ||
| 10-1 | Fanfare (Justly, Skillfully, Magnanimously) | — | ||
| 10-2 | The Faith Healer | — | ||
| 10-3 | Tomahawk Kid | — | ||
| 10-4 | Vambo | — | ||
| 10-5 | Give My Compliments to the Chef | — | ||
| 10-6 | Delilah | The Sensational Alex Harvey Band | T-010.597.101-4 | |
| 10-7 | Framed | — | ||
| 10-8 | Sergeant Fury | — | ||
| 10-9 | Gang Bang | — | ||
| 10-10 | Midnight Moses | — | ||
| 10-11 | Tomorrow Belongs to Me | — | ||
| 10-12 | Delilah | — | ||
| 11-1 | I Wanna Have You Back | — | ||
| 11-2 | Jungle Jenny | — | ||
| 11-3 | Runaway | — | ||
| 11-4 | Love Story | — | ||
| 11-5 | School’s Out | — | ||
| 11-6 | Goodnight Irene | — | ||
| 11-7 | Say You’re Mine (Every Cowboy Song) | — | ||
| 11-8 | Gamblin’ Bar Room Blues | — | ||
| 11-9 | Crazy Horses | — | ||
| 11-10 | Cheek to Cheek | — | ||
| 11-11 | Tomahawk Kid | — | ||
| 11-12 | Isobel Goudie | — | ||
| 11-13 | Dance to Your Daddy | — | ||
| 11-14 | Framed | — | ||
| 11-15 | The Boston Tea Party | — | ||
| 12-1 | Dance to Your Daddy | — | ||
| 12-2 | Amos Moses | — | ||
| 12-3 | Jungle Rub Out | — | ||
| 12-4 | Sirocco | — | ||
| 12-5 | Boston Tea Party | — | ||
| 12-6 | Sultan’s Choice | — | ||
| 12-7 | $25 for a Massage | — | ||
| 12-8 | Dogs of War | — | ||
| 12-9 | Satchel and the Scalp Hunter | — | ||
| 12-10 | Boston Tea Party | — | ||
| 12-11 | Amos Moses | — | ||
| 13-1 | Rock Drill | — | ||
| 13-2 | The Dolphins | — | ||
| 13-3 | Rock & Rool | — | ||
| 13-4 | King Kong | — | ||
| 13-5 | Booids | — | ||
| 13-6 | Who Murdered Sex? | — | ||
| 13-7 | Nightmare City | — | ||
| 13-8 | Water Beastie | — | ||
| 13-9 | Mrs. Blackhouse | — | ||
| 13-10 | No Complaints Department | — | ||
| 13-11 | Engine Room Boogie | — | ||
| 13-12 | King Kong | — | ||
| 13-13 | Midnight Moses | — | ||
| 13-14 | Rock & Rool | — | ||
| 14-1 | Introduction | — | ||
| 14-2 | Mrs. Grant of Invermorriston | — | ||
| 14-3 | Billy Kennedy | — | ||
| 14-4 | I Love Monsters Too | — | ||
| 14-5 | Back in the Depot | — | ||
| 14-6 | The Mafia Stole My Guitar | — | ||
| 14-7 | Shakin’ All Over | — | ||
| 14-8 | The Whalers (Thar She Blows) | — | ||
| 14-9 | Just a Gigolo / I Ain’t Got Nobody | — | ||
| 14-10 | Wake Up Davis (Sings the Oil Man Boogie) | — | ||
| 14-11 | Big Tree (Small Axe) | — | ||
| 14-12 | Mitzi | — | ||
| 14-13 | Snowshoe Thompson | — | ||
| 14-14 | Roman Wall Blues | — | ||
| 14-15 | The Poet and I | — | ||
| 14-16 | Carry the Water | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| St. Anthony | The Sensational Alex Harvey Band | T-010.610.079-1 |
| Next | The Sensational Alex Harvey Band | T-071.200.479-9 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 0600753621202?
0600753621202 is a Universal Product Code (UPC) assigned to The Last of the Teenage Idols by Alex Harvey. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 213 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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