UPC · Release
La Soul : C’était mieux avant
Various Artists
Last verified:
0600753757550 is the Universal Product Code (UPC barcode) for the release “La Soul : C’était mieux avant” by Various Artists, released 2017-05-17. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include USIR20200274, USMO17790023, GBBXS2032754.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I Got a Woman | — | ||
| 2 | Let the Music Play | Barry White | T-070.241.675-8 | |
| 3 | Got to Give It Up, Pt. 1 | Marvin Gaye | T-070.066.909-5 | |
| 4 | Body Talk | Imagination | T-904.065.829-5 | |
| 5 | These Arms of Mine | — | ||
| 6 | Someone Like You | — | ||
| 7 | People Get Ready | — | ||
| 8 | Sweet Thing | Rufus, Chaka Khan | T-070.276.007-3 | |
| 9 | Our Day Will Come | — | ||
| 10 | Chained | Mavis Staples | T-070.238.763-0 | |
| 11 | Mr. Big Stuff | — | ||
| 12 | Whatcha See Is Whatcha Get | The Dramatics | T-070.203.497-6 | |
| 13 | I Like It | The Emotions | T-924.601.606-8 | |
| 14 | Signed, Sealed and Delivered | — | ||
| 15 | Sugar | — | ||
| 16 | I Just Want to Make Love to You | Etta James | T-070.241.429-6 | |
| 17 | Rescue Me | — | ||
| 18 | If You Need Me | — | ||
| 19 | Money Honey | — | ||
| 20 | Every Little Bit Hurts | — | ||
| 2-1 | (Sittin’ on) The Dock of the Bay | — | ||
| 2-2 | Try a Little Tenderness | Aretha Franklin | T-070.181.385-5 | |
| 2-3 | My Baby Just Cares for Me | Nina Simone | T-070.110.622-0 | |
| 2-4 | Stand by Me | — | ||
| 2-5 | Lean on Me | — | ||
| 2-6 | Theme From Shaft | Isaac Hayes | T-042.106.730-2 | |
| 2-7 | Unchain My Heart | — | ||
| 2-8 | Shop Around | — | ||
| 2-9 | I’m Shakin’ | — | ||
| 2-10 | See See Rider | — | ||
| 2-11 | Money (That’s Wat I Want) | — | ||
| 2-12 | Woman to Woman | — | ||
| 2-13 | My Guy | — | ||
| 2-14 | You Are Everything | — | ||
| 2-15 | It’s a Shame | — | ||
| 2-16 | Good to Me | Irma Thomas | T-914.884.736-3 | |
| 2-17 | I Can’t Give Back the Love I Feel for You | — | ||
| 2-18 | You Keep Me Hangin’ On | — | ||
| 2-19 | Ladies Night | Kool & the Gang | T-070.100.650-9 | |
| 2-20 | Strawberry Letter 23 | The Brothers Johnson | T-070.244.013-8 | |
| 3-1 | Ain’t No Mountain High Enough | — | ||
| 3-2 | Signed, Sealed, Delivered (I’m Yours) | — | ||
| 3-3 | Keep on Pushing | — | ||
| 3-4 | What’d I Say | — | ||
| 3-5 | Trilogy | — | ||
| 3-6 | Wherever There’s Love | — | ||
| 3-7 | Son of a Preacher Man | Dusty Springfield | T-070.243.820-7 | |
| 3-8 | Please Mr. Postman | — | ||
| 3-9 | Save the Last Dance for Me | — | ||
| 3-10 | Last Night | — | ||
| 3-11 | Cut It Out | — | ||
| 3-12 | Ya Ya | — | ||
| 3-13 | It Never Really Ended | — | ||
| 3-14 | You’ll Never Realize | — | ||
| 3-15 | Can I Believe in You? | — | ||
| 3-16 | Falling for That Feeling | — | ||
| 3-17 | I’m Hopelessly in Love With You | — | ||
| 3-18 | High on a Melody | — | ||
| 3-19 | Do You Love Me | — | ||
| 3-20 | Sweet Love | Commodores | T-070.924.730-2 | |
| 4-1 | Georgia on My Mind | — | ||
| 4-2 | Don’t Play That Song | — | ||
| 4-3 | Stomp! | The Brothers Johnson | T-070.100.771-7 | |
| 4-4 | H.A.P.P.Y. Radio | Edwin Starr | T-010.469.865-8 | |
| 4-5 | Catch Up on Love | — | ||
| 4-6 | Daytime Nigh Time | — | ||
| 4-7 | Baby | — | ||
| 4-8 | Promise Your Love | — | ||
| 4-9 | Green Onions | — | ||
| 4-10 | Gee Whiz! | — | ||
| 4-11 | Reet Petite (The Finest Girl You Ever Want to Meet) | Jackie Wilson | T-070.126.305-9 | |
| 4-12 | Love Don’t Hurt People | — | ||
| 4-13 | Walk On By | Isaac Hayes | T-070.201.312-4 | |
| 4-14 | Sing It Low | — | ||
| 4-15 | You Know Me, I Know You | — | ||
| 4-16 | The Biggest Mistake | — | ||
| 4-17 | Hercules | — | ||
| 4-18 | Soul Street | — | ||
| 4-19 | Lucky | — | ||
| 4-20 | Sunny | — | ||
| 5-1 | You’ve Really Got a Hold on Me | — | ||
| 5-2 | My Girl | The Temptations | T-070.112.259-9 | |
| 5-3 | (Love Is Like a) Heat Wave | Martha Reeves and the Vandellas | T-071.000.840-4 | |
| 5-4 | Super Freak | Rick James | T-070.144.382-4 | |
| 5-5 | It’s the Same Old Song | — | ||
| 5-6 | Sunny | — | ||
| 5-7 | Soulman | — | ||
| 5-8 | Say You Love Me Again | — | ||
| 5-9 | Morning Much Better | — | ||
| 5-10 | I Never Thought I’d Love You | — | ||
| 5-11 | Love at First Sight | — | ||
| 5-12 | Turn Out the Lights | — | ||
| 5-13 | I Should Have Said No | — | ||
| 5-14 | Between Two Memories | — | ||
| 5-15 | Primitive Soul | — | ||
| 5-16 | Love Is Gonna Be on Your Side | — | ||
| 5-17 | Step by Step | — | ||
| 5-18 | Ain’t Nothing Stronger Than Love | — | ||
| 5-19 | Take Me to the Top | — | ||
| 5-20 | Backtracking | — |
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Body Talk | Imagination | — |
| Body Talk | Imagination | T-200.688.411-0 |
| Stomp! | The Brothers Johnson | T-070.143.944-2 |
| Heatwave | Martha Reeves and the Vandellas | T-071.000.840-4 |
| Let the Music Play | Barry White | T-070.098.092-2 |
| Try a Little Tenderness (2002 mix) | Aretha Franklin | T-070.181.385-5 |
What other identifiers does this connect to?
Musical Works (ISWC)
+20 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+20 more
Identifier Graph
People also ask
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What is UPC 0600753757550?
0600753757550 is a Universal Product Code (UPC) assigned to La Soul : C’était mieux avant by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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