UPC · Album
Sounds of the 80s: Like a Record Baby (1984-1986)
Various Artists
Last verified:
0600753850145 is the Universal Product Code (UPC barcode) for the release “Sounds of the 80s: Like a Record Baby (1984-1986)” by Various Artists, released 2019-01-01 on UMC. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 60 tracks, each with its own ISRC. Tracks include DEC731400129, DEC738600004, DEE860003002.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (156)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Brother Louie | Modern Talking | DEC731400129 |
| Brother Louie (new version) | Modern Talking | DEC738600004 |
| 99 Red Balloons | Nena | DEE860003002 |
| 99 Red Balloons | Nena | DEE868300052 |
| 99 Red Balloons | Nena | DEE868300053 |
| The Power of Love | Huey Lewis and the News | DEE868400010 |
| Two Tribes (For the Victims of Ravishment) | Frankie Goes to Hollywood | GB2DY2000070 |
| Together in Electric Dreams | Giorgio Moroder, Philip Oakey | GBAAA0300612 |
| Together in Electric Dreams | Giorgio Moroder, Philip Oakey | GBAAA0300613 |
| Human | The Human League | GBAAA0300615 |
| I Got You Babe | UB40, Chrissie Hynde | GBAAA0800950 |
| Together in Electric Dreams | Giorgio Moroder, Philip Oakey | GBAAA8400009 |
| Too Late for Goodbye | Julian Lennon | GBAAA8400024 |
| Together in Electric Dreams | Giorgio Moroder, Philip Oakey | GBAAA8400231 |
| We Don’t Have to Take Our Clothes Off | Jermaine Stewart | GBAAA8500015 |
| I Got You Babe | UB40, Chrissie Hynde | GBAAA8500021 |
| I Got You Babe | UB40, Chrissie Hynde | GBAAA8500025 |
| Hangin’ on a String (single version) | Loose Ends | GBAAA8500453 |
| Human | The Human League | GBAAA8600003 |
| Human | The Human League | GBAAA8600331 |
| Human | The Human League | GBAAA8600340 |
| Human | The Human League | GBAAA8700047 |
| Touch Me (I Want Your Body) | Samantha Fox | GBAHK9500206 |
| When the Going Gets Tough, the Tough Get Going | Billy Ocean | GBAHK9700110 |
| When the Going Gets Tough, the Tough Get Going | Billy Ocean | GBAHK9700262 |
| Two Tribes | Frankie Goes to Hollywood | GBAHW0100372 |
| Close (to the Edit) | Art of Noise | GBAHW1000010 |
| Two Tribes (For the Victims of Ravishment) | Frankie Goes to Hollywood | GBAHW1200106 |
| Two Tribes | Frankie Goes to Hollywood | GBAHW9900024 |
| White Lines (Don’t Do It) | Grandmaster & Melle Mel | GBAJE0402339 |
| White Lines (Don’t Do It) | Grandmaster & Melle Mel | GBAJE0609103 |
| White Lines (Don’t Do It) | Grandmaster Flash & Melle Mel | GBAJE8300075 |
| Girlie Girlie | Sophia George | GBAJE8300261 |
| Girlie Girlie | Sophia George | GBAJE8500212 |
| I Wanna Wake Up With You | Boris Gardiner | GBAJE8600128 |
| My Ever Changing Moods | The Style Council | GBAKW8400003 |
| My Ever Changing Moods | The Style Council | GBAKW8400527 |
| Cry | Godley & Creme | GBAKW8500003 |
| Cry | Godley & Creme | GBAKW8501005 |
| Warning Sign | Nick Heyward | GBARK8400001 |
| You Take Me Up | Thompson Twins | GBARK8400012 |
| Love Resurrection | Alison Moyet | GBARL0901097 |
| Talking in Your Sleep | Bucks Fizz | GBARL8400090 |
| System Addict | Five Star | GBARL8500044 |
| Digging Your Scene | The Blow Monkeys | GBARL8600021 |
| What’s Love Got to Do With It | Tina Turner | GBAYE1401507 |
| The Reflex | Duran Duran | GBAYE8300061 |
| The Reflex | Duran Duran | GBAYE8300145 |
| The Reflex | Duran Duran | GBAYE8300271 |
| Chain Reaction | Diana Ross | GBAYE8500113 |
| Chain Reaction | Diana Ross | GBAYE9300783 |
| You Spin Me Round (Like a Record) | Dead or Alive | GBBBM8400015 |
| You Spin Me Round (Like a Record) | Dead or Alive | GBBBM8502013 |
| My Favourite Waste of Time | Owen Paul | GBBBM8600006 |
| You Spin Me Round (Like a Record) | Dead or Alive | GBBBM9999987 |
| (Feels Like) Heaven | Fiction Factory | GBBBN8302003 |
| (Feels Like) Heaven | Fiction Factory | GBBBN8400001 |
| Love & Pride | King | GBBBN8400002 |
| Love Resurrection | Alison Moyet | GBBBN8402003 |
| When Love Breaks Down | Prefab Sprout | GBBBN8500003 |
| Roses | Haywoode | GBBBN8500004 |
| Stay With Me | Eighth Wonder | GBBBN8500009 |
| (Feels Like) Heaven | Fiction Factory | GBBBN9302003 |
| Love Resurrection | Alison Moyet | GBBBN9999953 |
| I Got You Babe | UB40, Chrissie Hynde | GBDDH8500001 |
| Everybody Wants to Rule the World | Tears for Fears | GBF088590110 |
| Down to Earth | Curiosity Killed the Cat | GBF088600037 |
| The Honeythief | Hipsway | GBF088690113 |
| The Honeythief | Hipsway | GBF088691013 |
| Everybody Wants to Rule the World | Tears for Fears | GBFO88590110 |
| Down to Earth | Curiosity Killed the Cat | GBHCD2300900 |
| Everybody Wants to Rule the World (single version) | Tears for Fears | GBUM70501053 |
| Tarzan Boy | Baltimora | ITD001000193 |
| Tarzan Boy | Baltimora | ITD001000194 |
| Tarzan Boy | Baltimora | ITD008500001 |
| Tarzan Boy | Baltimora | ITD008500034 |
| Tarzan Boy | Baltimora | ITD008500035 |
| Somebody’s Watching Me | Rockwell | NLD910701710 |
| Frankie | Sister Sledge | USAT20102190 |
| Frankie | Sister Sledge | USAT20110324 |
| Frankie | Sister Sledge | USAT20616113 |
| Frankie | Sister Sledge | USAT20703356 |
| The Power of Love | Huey Lewis and the News | USCA20600519 |
| What’s Love Got to Do With It | Tina Turner | USCA28400002 |
| Solid | Ashford & Simpson | USCA29000329 |
| Let’s Go All the Way | Sly Fox | USCA29200364 |
| Let’s Go All the Way | Sly Fox | USCA29400411 |
| What’s Love Got to Do With It | Tina Turner | USCA29401293 |
| What’s Love Got to Do With It | Tina Turner | USCA29700644 |
| The Power of Love | Huey Lewis & the News | USCH38500008 |
| The Power of Love | Huey Lewis and the News | USCH39100005 |
| The Power of Love | Huey Lewis and the News | USCH39700078 |
| 99 Red Balloons | Nena | USCK30802605 |
| The Power of Love | Huey Lewis and the News | USEM39100518 |
| Body Rock | Maria Vidal | USEM39300080 |
| Ain’t Nothin’ Goin’ on but the Rent | Gwen Guthrie | USF068625830 |
| Dance Hall Days (remix) | Wang Chung | USGF18400401 |
| Candy | Cameo | USIR20000787 |
| Addicted to Love | Robert Palmer | USIR20300761 |
| Addicted to Love | Robert Palmer | USIR20400147 |
| Somebody’s Watching Me | Rockwell | USM018400484 |
| Axel F | Harold Faltermeyer | USMC10200811 |
| Axel F (from “Beverly Hills Cop” soundtrack) | Harold Faltermeyer | USMC18416586 |
| Somebody’s Watching Me | Rockwell | USMO10000307 |
| Treat Her Like a Lady | The Temptations | USMO18400060 |
| Somebody's Watching Me | Rockwell | USMO18400484 |
| Don’t Look Any Further | Dennis Edwards, Siedah Garrett | USMO18482582 |
| Rhythm of the Night | DeBarge | USMO18500526 |
| Fresh | Kool & the Gang | USPR38400045 |
| White Lines (Don’t Do It) | Grandmaster & Melle Mel | USRH10651162 |
| White Lines (Don’t Do It) | Grandmaster & Melle Mel | USRH10903053 |
| Chain Reaction | Diana Ross | USRH11000529 |
| The Sun Always Shines on T.V. | a-ha | USRH11600697 |
| What’s Love Got to Do With It | Tina Turner | USRHD0532195 |
| Dr. Beat | Miami Sound Machine | USSD19004008 |
| Girls Just Want to Have Fun | Cyndi Lauper | USSM10011849 |
| It’s Raining Men | The Weather Girls | USSM10314028 |
| Girls Just Want to Have Fun | Cyndi Lauper | USSM10701823 |
| Dr. Beat | Miami Sound Machine | USSM10702822 |
| It’s Raining Men | The Weather Girls | USSM18200370 |
| It's Raining Men | The Weather Girls | USSM18200372 |
| It’s Raining Men | The Weather Girls | USSM18200382 |
| It’s Raining Men | The Weather Girls | USSM18200686 |
| It’s Raining Men | The Weather Girls | USSM18200687 |
| Girls Just Want to Have Fun | Cyndi Lauper | USSM18300001 |
| Girls Just Want to Have Fun | Cyndi Lauper | USSM18300144 |
| Girls Just Want to Have Fun | Cyndi Lauper | USSM18300231 |
| 99 Red Balloons | Nena | USSM18300517 |
| Girls Just Want to Have Fun | Cyndi Lauper | USSM18300546 |
| Girls Just Want to Have Fun | Cyndi Lauper | USSM18300548 |
| Footloose | Kenny Loggins | USSM18400107 |
| Holding Out for a Hero | Bonnie Tyler | USSM18400378 |
| Dr. Beat | Miami Sound Machine | USSM18400404 |
| Footloose | Kenny Loggins | USSM18400522 |
| Footloose | Kenny Loggins | USSM18400907 |
| Footloose | Kenny Loggins | USSM18400908 |
| Shake You Down | Gregory Abbott | USSM18600059 |
| Shake You Down | Gregory Abbott | USSM18600202 |
| Shake You Down | Gregory Abbott | USSM18600269 |
| Shake You Down | Gregory Abbott | USSM18600471 |
| Girls Just Want to Have Fun | Cyndi Lauper | USSM19400155 |
| Girls Just Want to Have Fun | Cyndi Lauper | USSM19500144 |
| Holding Out for a Hero | Bonnie Tyler | USSM19802579 |
| Footloose | Kenny Loggins | USSM19803320 |
| Holding Out for a Hero | Bonnie Tyler | USSM19803326 |
| It’s Raining Men | The Weather Girls | USSM19913325 |
| Addicted to Love | Robert Palmer | USUMG9900746 |
| I Feel for You | Chaka Khan | USWB10300867 |
| The Sun Always Shines on T.V. | a-ha | USWB10301215 |
| The Sun Always Shines on T.V. | a-ha | USWB10403932 |
| The Sun Always Shines on T.V. | a-ha | USWB11001077 |
| The Sun Always Shines on T.V. | a-ha | USWB11001330 |
| The Sun Always Shines on T.V. | a-ha | USWB11506479 |
| I Feel for You | Chaka Khan | USWB18400025 |
| I Got You Babe | UB40, Chrissie Hynde | USWB19900776 |
| The Sun Always Shines on T.V. | a-ha | USWB19901219 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
People also ask
What is UPC 0600753850145?
0600753850145 is a Universal Product Code (UPC) assigned to Sounds of the 80s: Like a Record Baby (1984-1986) by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 60 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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