UPC · Release
Dreamboats & Petticoats: Silver Linings
Various Artists
Last verified:
0600753888810 is the Universal Product Code (UPC barcode) for the release “Dreamboats & Petticoats: Silver Linings” by Various Artists, released 2019-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 97 tracks, each with its own ISRC. Tracks include GBAYE6700089, USSM16401202, ES5709651260.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (97)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Hi Ho Silver Lining | Jeff Beck | — | |
| 2 | Oh, Pretty Woman | — | ||
| 3 | Then I Kissed Her | — | ||
| 4 | If You Gotta Go, Go Now | — | ||
| 5 | On the Beach | — | ||
| 6 | Here Comes My Baby | — | ||
| 7 | Save Me | — | ||
| 8 | Rubber Ball | — | ||
| 9 | Hello Mary Lou, Goodbye Heart | — | ||
| 10 | Walkin’ Back to Happiness | — | ||
| 11 | Hang On Sloopy | The McCoys | T-070.918.635-5 | |
| 12 | You Never Can Tell | Chuck Berry | T-070.940.913-1 | |
| 13 | I Only Want to Be With You | Dusty Springfield | T-010.434.463-9 | |
| 14 | Saturday Night at the Movies | — | ||
| 15 | Getaway | Georgie Fame & the Blue Flames | T-010.824.858-3 | |
| 16 | It’s the Same Old Song | Four Tops | T-070.241.296-1 | |
| 17 | Build Me Up Buttercup | — | ||
| 18 | Dancing in the Street | — | ||
| 19 | Going to a Go-Go | — | ||
| 20 | Stop Her on the Sight (S.O.S.) | — | ||
| 21 | I WAS MADE TO LOVE HER [SINGLE VERSION / MONO] | STEVIE WONDER | T-931.292.612-8 | |
| 22 | In the Midnight Hour | — | ||
| 23 | Ain’t Too Proud to Beg | The Temptations | T-070.231.874-8 | |
| 24 | Rescue Me | — | ||
| 25 | Where Did Our Love Go | Diana Ross & The Supremes | T-070.247.921-7 | |
| 2-1 | Just One Look | — | ||
| 2-2 | Sugar and Spice | — | ||
| 2-3 | Take Good Care of My Baby | — | ||
| 2-4 | Jealousy | — | ||
| 2-5 | Oh! Carol | Neil Sedaka | T-071.001.197-4 | |
| 2-6 | It Might as Well Rain Until September | — | ||
| 2-7 | Sherry | — | ||
| 2-8 | Bang Bang (My Baby Shot Me Down) | Cher | T-070.232.912-1 | |
| 2-9 | Delilah | Tom Jones | T-010.597.101-4 | |
| 2-10 | Dream Lover | — | ||
| 2-11 | Daydream Believer | — | ||
| 2-12 | California Girls | — | ||
| 2-13 | Mr. Tambourine Man | The Byrds | T-042.625.833-4 | |
| 2-14 | Bend Me Shape Me | — | ||
| 2-15 | I’ve Been a Bad Boy | — | ||
| 2-16 | The Sound of Silence | — | ||
| 2-17 | Ginny Come Lately (single version) | — | ||
| 2-18 | You’re Sixteen | — | ||
| 2-19 | The Game of Love | Wayne Fontana, The Mindbenders | T-070.065.821-4 | |
| 2-20 | The Fortune Teller | — | ||
| 2-21 | I Don’t Know Why | — | ||
| 2-22 | The Single Girl | — | ||
| 2-24 | Crying Time Again | — | ||
| 2-25 | Dreamboats and Petticoats | Jason Donovan, Hank Marvin | T-061.474.716-8 | |
| 3-1 | Everlasting Love | — | ||
| 3-2 | You’ve Lost That Lovin’ Feelin’ | — | ||
| 3-3 | Poetry in Motion | — | ||
| 3-4 | Don’t Throw Your Love Away | — | ||
| 3-5 | True Love Ways | — | ||
| 3-6 | Lonely Boy | — | ||
| 3-7 | As Tears Go By | — | ||
| 3-8 | Venus in Blue Jeans | — | ||
| 3-9 | Let the Heartaches Begin | — | ||
| 3-10 | Until It’s Time for You to Go | — | ||
| 3-11 | You’ll Never Walk Alone | — | ||
| 3-12 | Where the Boys Are | — | ||
| 3-13 | Like I Do | — | ||
| 3-14 | Only One Woman | — | ||
| 3-15 | Don’t Make Me Over | — | ||
| 3-16 | Make It Easy on Yourself | — | ||
| 3-17 | Do You Want to Know a Secret? | — | ||
| 3-18 | All I Have to Do Is Dream | Bobbie Gentry, Glen Campbell | T-070.231.895-3 | |
| 3-19 | Take Me in Your Arms and Love Me | — | ||
| 3-20 | Let There Be Love | — | ||
| 3-21 | Semi-Detached Suburban Mr James | Manfred Mann | — | |
| 3-22 | There’s a Kind of Hush (All Over the World) | — | ||
| 3-23 | Eloise | — | ||
| 3-24 | Go Now | — | ||
| 3-25 | Somewhere | — | ||
| 4-1 | Goldfinger | Shirley Bassey | T-011.220.215-9 | |
| 4-2 | From Russia With Love | Matt Monro | T-010.547.763-1 | |
| 4-3 | Thunderball | Tom Jones | T-010.986.118-8 | |
| 4-4 | Runaway ’67 | — | ||
| 4-5 | All Day and All of the Night | The Kinks | T-010.078.509-8 | |
| 4-6 | Wild Thing | The Troggs | T-070.248.029-2 | |
| 4-7 | We’ve Gotta Get Out of This Place | — | ||
| 4-8 | On the Road Again (single version) | — | ||
| 4-9 | Keep On Running | — | ||
| 4-10 | This Wheel’s on Fire | — | ||
| 4-11 | Sha La La La Lee | — | ||
| 4-12 | I Put a Spell on You | — | ||
| 4-13 | My Baby Left Me | — | ||
| 4-14 | Cathy’s Clown | The Everly Brothers | T-070.233.277-1 | |
| 4-15 | Poor Me | — | ||
| 4-16 | Let’s Jump the Broomstick (single version) | — | ||
| 4-17 | Stupid Cupid | — | ||
| 4-18 | Poison Ivy | The Coasters | T-010.436.574-3 | |
| 4-19 | Because They’re Young | — | ||
| 4-20 | Summertime Blues | Eddie Cochran | T-070.244.055-8 | |
| 4-21 | Sweet Little Sixteen | — | ||
| 4-22 | Lawdy Miss Clawdy (take 1, alternate) | Lloyd Price | T-070.241.591-5 | |
| 4-24 | Ding Dong Daddy | — |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Bad to Me | Billy J. Kramer | T-010.162.722-8 |
| I Was Made to Love Her | Stevie Wonder | T-070.080.455-2 |
| I WAS MADE TO LOVE HER [STEVIE WONDER] | VARIOUS ARTISTS | T-931.292.612-8 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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Credits Graph
People also ask
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What is UPC 0600753888810?
0600753888810 is a Universal Product Code (UPC) assigned to Dreamboats & Petticoats: Silver Linings by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 97 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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