UPC · Release
De pré historie: De jaren ’80, vol. 2: De ultieme 10 CD collectie
Various Artists
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0600753943830 is the Universal Product Code (UPC barcode) for the release “De pré historie: De jaren ’80, vol. 2: De ultieme 10 CD collectie” by Various Artists, released 2021-01-01 on Universal Music Belgium. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 199 tracks, each with its own ISRC. Tracks include SEAYD7901030, USMO18000379, DEA370400368.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (199)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | I Have a Dream | ABBA | T-000.006.390-0 | |
| 2 | Upside Down | Diana Ross | T-070.194.015-9 | |
| 3 | Que sera mi vida (If You Should Go) | Gibson Brothers | T-900.344.266-8 | |
| 4 | Driver’s Seat | Sniff ’n’ the Tears | T-011.412.088-5 | |
| 5 | Coming Up | — | ||
| 6 | Late in the Evening | — | ||
| 7 | THE TIDE IS HIGH (REMASTERED) | VARIOUS ARTISTS | T-011.525.312-7 | |
| 8 | Enola Gay | Orchestral Manoeuvres in the Dark | T-010.095.711-6 | |
| 9 | A Forest | The Cure | T-010.472.419-7 | |
| 10 | Echo Beach | Martha and the Muffins | T-071.576.720-6 | |
| 11 | The Ballad of Lucy Jordan | — | ||
| 12 | Feels Like I’m in Love | — | ||
| 13 | Oops Upside Your Head | The Gap Band | T-906.447.830-4 | |
| 14 | On the Radio | Donna Summer | T-070.242.672-9 | |
| 15 | And the Beat Goes On | — | ||
| 16 | Zondag | — | ||
| 17 | Coward of the County | Kenny Rogers | T-070.259.575-2 | |
| 18 | Special Lady | — | ||
| 19 | Santa Maria | Roland Kaiser | T-800.712.712-1 | |
| 20 | Crying | — | ||
| 2-1 | Under Pressure | — | ||
| 2-2 | (Just Like) Starting Over | John Lennon, Yoko Ono | T-070.939.667-7 | |
| 2-3 | Kids in America | Kim Wilde | T-911.534.625-3 | |
| 2-4 | Runaway Boys | Stray Cats | T-070.940.096-3 | |
| 2-5 | Let’s Groove | Earth, Wind & Fire | T-070.268.857-0 | |
| 2-6 | Lay All Your Love on Me | ABBA | T-000.006.397-7 | |
| 2-7 | Pull Up to the Bumper | Grace Jones | T-070.119.563-2 | |
| 2-8 | Shaddap You Face | Joe Dolce | T-060.208.839-0 | |
| 2-9 | Fade to Grey | Visage | T-011.375.166-8 | |
| 2-10 | Hands Up (Give Me Your Heart) | — | ||
| 2-11 | Jealous Guy | — | ||
| 2-12 | Funkin’ for Jamaica (N.Y.) | — | ||
| 2-13 | On the Beat | — | ||
| 2-14 | Love Games | — | ||
| 2-15 | (Feels Like) Heaven | Fiction Factory | T-010.092.238-0 | |
| 2-16 | I’m So Glad That I’m a Woman | — | ||
| 2-17 | If You Could Read My Mind | — | ||
| 2-18 | You Drive Me Crazy | — | ||
| 2-19 | Looking for Clues | Robert Palmer | — | |
| 2-20 | How ’bout Us | Champaign | T-070.240.402-1 | |
| 3-1 | Blue Eyes | Elton John | T-010.476.525-4 | |
| 3-2 | Words | F.R. David | T-071.017.467-6 | |
| 3-3 | Eye of the Tiger | Survivor | T-070.051.080-0 | |
| 3-4 | Freeze‐Frame | The J. Geils Band | T-070.058.001-3 | |
| 3-5 | Baby Makes Her Blue Jeans Talk | Dr. Hook | T-070.232.855-9 | |
| 3-6 | Ein bisschen Frieden | Nicole | T-801.657.733-7 | |
| 3-7 | Je suis venue te dire que je m’en vais | — | ||
| 3-8 | Just an Illusion | — | ||
| 3-9 | I Can’t Go for That (No Can Do) | Daryl Hall & John Oates | T-042.108.182-4 | |
| 3-10 | Dreiklangs‐Dimensionen | — | ||
| 3-11 | Hold On | Santana | T-071.520.276-8 | |
| 3-12 | Stool Pigeon | — | ||
| 3-13 | Eye in the Sky | The Alan Parsons Project | T-042.632.550-9 | |
| 3-14 | The Look of Love | ABC | T-010.246.421-0 | |
| 3-15 | Let It Whip | — | ||
| 3-16 | It’s Raining Men | — | ||
| 3-17 | Promised You a Miracle | Simple Minds | T-010.757.524-5 | |
| 3-18 | Wishing (If I Had a Photograph of You) | A Flock of Seagulls | T-010.093.917-0 | |
| 3-19 | Biscaya | — | ||
| 3-20 | Les lacs du connemara | Michel Sardou | T-900.772.173-5 | |
| 4-1 | Say Say Say | — | ||
| 4-2 | Undercover of the Night | — | ||
| 4-3 | Love Is a Stranger | Eurythmics | T-010.477.059-3 | |
| 4-4 | Uptown Girl | Billy Joel | T-070.194.092-2 | |
| 4-5 | Islands in the Stream | Kenny Rogers, Dolly Parton | T-070.939.700-1 | |
| 4-6 | Vamos a la playa | Righeira | T-005.001.250-4 | |
| 4-7 | The Heat Is On | Agnetha Fältskog | T-010.482.753-3 | |
| 4-8 | Long Hot Summer | The Style Council | T-010.303.663-0 | |
| 4-9 | Heartache Avenue | — | ||
| 4-10 | Time (Clock of the Heart) | Culture Club | — | |
| 4-11 | Mirror Man | The Human League | T-011.280.406-4 | |
| 4-12 | Tonight, I Celebrate My Love | — | ||
| 4-13 | L’italiano | Toto Cutugno | T-005.000.974-9 | |
| 4-14 | Just Be Good to Me | — | ||
| 4-15 | Paris latino | Bandolero | T-003.042.700-9 | |
| 4-16 | White Lines (Don’t Do It) | — | ||
| 4-17 | Comment ça va (Dutch version) | The Shorts | — | |
| 4-18 | Madame | Claude Barzotti | T-106.359.135-3 | |
| 4-19 | Up Where We Belong | Joe Cocker, Jennifer Warnes | T-070.194.066-0 | |
| 4-20 | Total Eclipse of the Heart | Bonnie Tyler | T-072.441.997-9 | |
| 5-1 | I Want to Break Free | Queen | T-010.304.847-0 | |
| 5-2 | Relax | Frankie Goes to Hollywood | T-011.295.555-1 | |
| 5-3 | Dance Hall Days (remix) | Wang Chung | T-010.303.172-6 | |
| 5-4 | Locomotion | Orchestral Manoeuvres in the Dark | T-307.510.644-0 | |
| 5-5 | To France | Mike Oldfield | T-900.071.491-0 | |
| 5-6 | I’m So Excited | — | ||
| 5-7 | Footloose | Kenny Loggins | T-070.058.407-1 | |
| 5-8 | Wishful Thinking | China Crisis | T-011.295.629-2 | |
| 5-9 | A Rockin’ Good Way (to Mess Around and Fall in Love) | Shakin’ Stevens, Bonnie Tyler | T-070.126.994-4 | |
| 5-10 | Adult Education | Daryl Hall & John Oates | T-918.219.058-5 | |
| 5-11 | Jenseits von Eden | Nino de Angelo | T-800.731.883-5 | |
| 5-12 | Hilversum III | Herman van Veen | T-800.431.465-3 | |
| 5-13 | Shout to the Top! | — | ||
| 5-14 | Wouldn’t It Be Good | Nik Kershaw | T-010.103.192-8 | |
| 5-15 | Geh’ nicht in die Stadt | — | ||
| 5-16 | Slippery People | — | ||
| 5-17 | Vergeet Barbara | — | ||
| 5-18 | I treni di Tozeur | Alice, Franco Battiato | T-005.005.508-7 | |
| 5-19 | Do They Know It’s Christmas? | — | ||
| 5-20 | Hello | Lionel Richie | T-906.882.591-2 | |
| 6-1 | Alive and Kicking | Simple Minds | T-011.238.704-8 | |
| 6-2 | Everybody Wants to Rule the World | Tears for Fears | T-011.306.552-3 | |
| 6-3 | A Good Heart | — | ||
| 6-4 | Live Is Life | Opus | T-001.125.085-3 | |
| 6-5 | Say You, Say Me | Lionel Richie | T-070.146.358-2 | |
| 6-6 | Do What You Do | — | ||
| 6-7 | Fresh | — | ||
| 6-8 | Let It Swing | Bobbysocks | — | |
| 6-9 | Jump (For My Love) | The Pointer Sisters | T-070.910.581-6 | |
| 6-10 | In the Heat of the Night | — | ||
| 6-11 | West End Girls | — | ||
| 6-12 | The Riddle | Nik Kershaw | T-011.302.881-1 | |
| 6-13 | The Power of Love | Huey Lewis and the News | T-070.120.217-6 | |
| 6-14 | Clouds Across the Moon | — | ||
| 6-15 | Miami Vice Theme | — | ||
| 6-16 | See the Day | — | ||
| 6-17 | Fotonovela | Iván | T-041.222.931-2 | |
| 6-18 | Don’t Stop the Dance | — | ||
| 6-19 | Everytime You Go Away | — | ||
| 6-20 | All at Once | Whitney Houston | T-071.056.482-1 | |
| 7-1 | The Harlem Shuffle | — | ||
| 7-2 | Manic Monday | Bangles | T-070.115.406-4 | |
| 7-3 | Take My Breath Away | — | ||
| 7-4 | Bad Boy | — | ||
| 7-5 | J’aime la vie | Sandra Kim | T-901.131.571-2 | |
| 7-6 | The Final Countdown | Europe | T-010.318.670-4 | |
| 7-7 | (I Just) Died in Your Arms | Cutting Crew | T-010.042.996-6 | |
| 7-8 | Kyrie | Mr. Mister | T-070.093.418-4 | |
| 7-9 | Thought You Were on My Side | — | ||
| 7-10 | Rumors | — | ||
| 7-11 | We Don’t Have to Take Our Clothes Off | — | ||
| 7-12 | Alice, I Want You Just for Me | Full Force | — | |
| 7-13 | Word Up | Cameo | T-070.940.865-0 | |
| 7-14 | Goin’ to the Bank | Commodores | T-911.059.930-9 | |
| 7-15 | Human | The Human League | T-070.078.416-2 | |
| 7-16 | Sing Our Own Song | — | ||
| 7-17 | Addicted to Love | — | ||
| 7-18 | In the Army Now | Status Quo | T-031.502.326-7 | |
| 7-19 | Rock Me Baby | — | ||
| 7-20 | Through the Barricades | — | ||
| 8-1 | The Great Pretender | — | ||
| 8-2 | Showing Out (Get Fresh at the Weekend) | Mel & Kim | T-011.329.628-8 | |
| 8-3 | Whenever You Need Somebody | Rick Astley | T-011.323.041-3 | |
| 8-4 | Let’s Work | — | ||
| 8-5 | Under the Boardwalk | — | ||
| 8-6 | Soldiers of Love | — | ||
| 8-7 | Lass die Sonne in dein Herz | Wind | T-800.125.178-2 | |
| 8-8 | Call Me | Spagna | T-005.002.067-1 | |
| 8-9 | Joe Le Taxi | — | ||
| 8-10 | Wild Horses | — | ||
| 8-11 | Wishing Well | Terence Trent D’Arby | T-010.315.470-6 | |
| 8-12 | The Night You Murdered Love | ABC | T-010.314.709-6 | |
| 8-13 | Voyage, voyage | Desireless | T-003.049.520-5 | |
| 8-14 | Breakout | Swing Out Sister | T-011.352.086-7 | |
| 8-15 | Just a Friend of Mine | — | ||
| 8-16 | Just Around the Corner (special version) | Cock Robin | T-070.241.410-5 | |
| 8-17 | Shattered Dreams | Johnny Hates Jazz | T-070.940.190-0 | |
| 8-18 | Weak in the Presence of Beauty | Alison Moyet | T-011.323.334-3 | |
| 8-19 | Don’t Look Any Further | — | ||
| 8-20 | Caravan of Love | The Housemartins | T-070.030.864-0 | |
| 9-1 | Get Outta My Dreams, Get Into My Car | Billy Ocean | T-011.348.376-3 | |
| 9-2 | Teardrops | — | ||
| 9-3 | The Only Way Is Up | — | ||
| 9-4 | Push It | Salt-N-Pepa | T-070.120.548-2 | |
| 9-5 | Big Fun (remix) | Inner City | T-930.379.975-9 | |
| 9-6 | Riding on a Train | — | ||
| 9-7 | Wild World | Maxi Priest | T-010.134.011-7 | |
| 9-8 | Bamboleo | Gipsy Kings | T-900.777.514-6 | |
| 9-9 | Indestructible | — | ||
| 9-10 | Hungry Eyes | Eric Carmen | T-070.078.578-9 | |
| 9-11 | Turn Back the Clock | — | ||
| 9-12 | Breakfast in Bed | — | ||
| 9-13 | When Will I Be Famous? | Bros | T-010.245.992-6 | |
| 9-14 | The Sound of C | — | ||
| 9-15 | Nuit de folie | Début de Soirée | T-003.057.405-0 | |
| 9-16 | A Little Piece of Heaven | — | ||
| 9-17 | Sweet Little Mystery | Wet Wet Wet | T-011.367.247-1 | |
| 9-18 | Don’t Be Afraid of the Dark | The Robert Cray Band | — | |
| 9-20 | Stop Loving You | — | ||
| 10-1 | I Want It All | — | ||
| 10-2 | Lambada | Kaoma | T-801.613.996-2 | |
| 10-3 | All Around the World | Lisa Stansfield | T-011.367.555-0 | |
| 10-4 | Lily Was Here | David A. Stewart, Candy Dulfer | T-010.202.190-8 | |
| 10-5 | This Time I Know It’s for Real | Donna Summer | T-070.187.203-8 | |
| 10-6 | Oye mi canto (Hear My Voice) | — | ||
| 10-7 | Swing the Mood | — | ||
| 10-8 | Good Life | Inner City | T-070.234.303-0 | |
| 10-9 | She’s a Mystery to Me | — | ||
| 10-10 | Mooi, ’t leven is mooi | — | ||
| 10-11 | I’d Rather Jack | — | ||
| 10-12 | Manchild | — | ||
| 10-13 | Miss You Like Crazy | — | ||
| 10-14 | Amor de mis amores | — | ||
| 10-15 | Look Who’s Dancing | — | ||
| 10-16 | Sweet Surrender | — | ||
| 10-17 | I Don’t Want a Lover | — | ||
| 10-18 | Don’t Cry for Louie | — | ||
| 10-19 | Girl I’m Gonna Miss You | Milli Vanilli | T-800.864.915-9 | |
| 10-20 | Especially for You | Kylie Minogue, Jason Donovan | T-011.364.297-9 |
Additional database matches (5)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Que será mi vida | Gibson Brothers | T-900.344.266-8 |
| Mirror Man | The Human League | T-011.102.190-9 |
| Time (Clock of the Heart) | Culture Club | — |
| Time (Clock of the Heart) | Culture Club | T-900.046.799-2 |
| Big Fun | Inner City | T-930.379.975-9 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
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What is UPC 0600753943830?
0600753943830 is a Universal Product Code (UPC) assigned to De pré historie: De jaren ’80, vol. 2: De ultieme 10 CD collectie by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 199 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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