UPC · Release
Classical for Reading: Debussy
Claude Debussy
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0602445511198 is the Universal Product Code (UPC barcode) for the release “Classical for Reading: Debussy” by Claude Debussy, released 2022-01-24. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 74 tracks, each with its own ISRC. Tracks include DEN961700734, GBBBA7171308, DEF057104353.
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Track List (74)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Suite bergamasque, L. 75: IV. Passepied | Seong-Jin Cho | — | |
| 2 | Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Jean-Rodolphe Kars | — | |
| 3 | Children’s Corner, L.113: 3. Serenade For The Doll | Dino Ciani | — | |
| 4 | Préludes, Livre I - I. Danseuses de Delphes | Zoltán Kocsis | — | |
| 5 | Children’s Corner, L. 113: 5. The Little Shepherd | Nelson Freire | — | |
| 6 | Children’s Corner, L. 113 - Orch. Caplet: Doctor Gradus ad Parnassum | Orchestre symphonique de Montréal, Charles Dutoit | T-912750359-7 | |
| 7 | Children’s Corner, L. 113: 4. The Snow Is Dancing | Alexis Weissenberg | — | |
| 8 | Suite bergamasque, L.75: Clair de lune in D-flat major - Andante très expressif - Snippet | Daria Hovora, Mischa Maisky | — | |
| 9 | Morceau de Concours, L. 108 | Jean-Yves Thibaudet | — | |
| 10 | Douze Études pour piano : 6. Pour les huits doigts | Mitsuko Uchida | T3260349080 | |
| 11 | Hommage à Joseph Haydn | Jean-Yves Thibaudet | — | |
| 12 | La Boîte à joujoux, L.128: Quatrième Tableau | Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 13 | 6 épigraphes antiques, L 131: III. Pour que la nuit soit propice | Werner Haas | — | |
| 14 | 6 Épigraphes antiques, L. 131: No. 4. Pour la danseuse aux crotales | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 15 | Élégie, L.138 | Gordon Fergus-Thompson | — | |
| 16 | Danse bohémienne, L.9 | Gordon Fergus-Thompson | — | |
| 17 | Petite Pièce for Clarinet and Piano | Reginald Kell, Brooks Smith | — | |
| 18 | Préludes / Book 1, L. 117: 11. La danse de Puck | Jean-Rodolphe Kars | — | |
| 19 | Pelléas et Mélisande, L.88 / Act 2: Interlude | Orchestre symphonique de Montréal, Charles Dutoit | T0030138034 | |
| 20 | La Boîte à joujoux: Prélude. Le Sommeil de la boîte | Orchestre symphonique de Montréal, Charles Dutoit | T9007986143 | |
| 21 | Syrinx | Wolfgang Schulz | — | |
| 22 | Petite Suite: En bateau | Katia & Marielle Labèque | — | |
| 23 | Children’s Corner, L.113: 4. The Snow Is Dancing | Dino Ciani | — | |
| 24 | Nocturnes, L. 91: 3. Sirènes - Excerpt | Chœur des femmes de l’Orchestre symphonique de Montréal, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 25 | Deux Arabesques L. 66: No. 2 Allegretto scherzande | Tamás Vásáry | T3107950410 | |
| 26 | Sonata for Violoncello and Piano in D minor: 2. Sérénade. Modérément animé | Hélène Grimaud, Sol Gabetta | — | |
| 27 | 6 Épigraphes antiques, L. 131: No. 2. Pour un tombeau sans nom | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 28 | Préludes / Book 1, L. 117: I. Danseuses de Delphes | Arturo Benedetti Michelangeli | — | |
| 29 | Sonata in D Minor for Cello & Piano, L.135, Finale (Animé) | Mischa Maisky, Martha Argerich | T3070684270 | |
| 30 | Petite Suite For Piano (4-hands), L. 65: I. En bateau | Klavierduo Kontarsky | — | |
| 31 | La damoiselle élue, L. 62: Beginning | London Symphony Orchestra, Claudio Abbado | T9200358834 | |
| 32 | Rêverie, L. 68 | Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | T-011110020-9 | |
| 33 | String Quartet in G minor, op. 10, L. 85: 2. Scherzo (Assez vif et bien rythmé) | Melos Quartett | — | |
| 34 | Sonata in G minor For Violin & Piano, L. 140: 2. Intermède (Fantasque et léger) | Frida Bauer, Давид Фёдорович Ойстрах | — | |
| 35 | La plus que lente, L.121 (Arr. Hutchins) | Janet Creaser Hutchins, Timothy Hutchins | — | |
| 36 | Images pour orchestre Nᵒ 2 « Ibéria », L 122: 3. Le matin d’un jour de fête. Dans un rythme de marche lointaine, alerte et joyeuse | London Symphony Orchestra, Claudio Abbado | — | |
| 37 | Danses for Harp and Orchestra, L.103: 2. Danse profane | Vera Badings, Koninklijk Concertgebouworkest, Bernard Haitink | — | |
| 38 | Estampes, L. 100: 1. Pagodes | Zoltán Kocsis | — | |
| 39 | Pour le Piano: II. Sarabande | Zoltán Kocsis | — | |
| 40 | Danses pour harpe et orchestre à cordes : Danse sacrée | Royal Concertgebouw Orchestra, Bernard Haitink | — | |
| 41 | Sonata for Flute, Viola and Harp, L. 137: 3. Finale | 今井信子, Aurèle Nicolet, 吉野直子 | — | |
| 42 | Sonata for Violin and Piano in G minor, L. 140: I. Allegro vivo | Augustin Dumay, Maria João Pires | — | |
| 43 | Rêverie, L. 68 (Arr. by Badzura) | Daniel Hope, Zürcher Kammerorchester | T-926359993-5 | |
| 44 | La Damoiselle élue : Prélude | Víkingur Ólafsson | — | |
| 45 | Suite bergamasque: Clair de lune | Julian Lloyd Webber, Royal Philharmonic Orchestra, Nicholas Cleobury | T0117722027 | |
| 46 | La Fille aux Cheveux de Lin (From 24 Preludes, L. 117) | Albrecht Mayer, Academy of St Martin in the Fields, Mathias Mönius | T3241614477 | |
| 47 | Beau soir | Bruno Canino, Lynn Harrell | — | |
| 48 | Children's Corner: IV. The Snow is Dancing | Theodore Baskin, Orchestre symphonique de Montréal, Charles Dutoit | — | |
| 49 | Children’s Corner: I. Doctor Gradus ad Parnassum | Alexis Weissenberg | — | |
| 50 | Clair de Lune | L’Orchestre de la Suisse Romande, Ernest Ansermet | T0117722027 | |
| 51 | Clair de lune, for piano (Suite Bergamasque No. 3), L. 75/3 | Itamar Golan, Janine Jansen | T-011772202-7 | |
| 52 | Nocturnes, L.91 - Transcr. Ravel: 1. Nuages | Richard McMahon, Anne Shasby | — | |
| 53 | Nocturnes, L.91 - Transcr. Ravel: 3. Sirènes | Richard McMahon, Anne Shasby | — | |
| 54 | Etude retrouvée | Jean-Yves Thibaudet | — | |
| 55 | 12 Etudes, L.136: 11. Pour les Arpèges composés | Jean-Yves Thibaudet | — | |
| 56 | Préludes / Book 1, L.117: 3. Le vent dans la plaine | Jean-Yves Thibaudet | — | |
| 57 | Préludes / Book 1, L. 117: 6. Des pas sur la neige | Jean-Rodolphe Kars | — | |
| 58 | Études, Livre I: III. Pour les quartes | Jean-Yves Thibaudet | — | |
| 59 | Préludes, Livre I: IX. La sérénade interrompue | Jean-Yves Thibaudet | — | |
| 60 | Études, Livre II: X. Pour les sonorités opposées | Jean-Yves Thibaudet | — | |
| 61 | La plus que lente, L. 121 (Arr. Roques) | Charles Reiner, Henryk Szeryng | — | |
| 62 | 12 Etudes, L.136: 1. Pour les | Jean-Yves Thibaudet | — | |
| 63 | Préludes / Book 1, L. 117: 10. La cathédrale engloutie | Daniel Barenboim | — | |
| 64 | 12 Etudes, L.136: 4. Pour les Sixtes | Jean-Yves Thibaudet | — | |
| 65 | La fille aux cheveux de lin (Prelude), L. 117/8 | Andrés Segovia | T3241614477 | |
| 66 | Études, Livre I: II. Pour les tierces | Jean-Yves Thibaudet | — | |
| 67 | Études, Livre II: VIII. Pour les agréments | Jean-Yves Thibaudet | — | |
| 68 | Préludes / Book 1, L. 117: 4. Les sons et les parfums tournent dans l'air du soir | Daniel Barenboim | — | |
| 69 | 12 Etudes, L.136: 9. Pour les Notes répétées | Jean-Yves Thibaudet | — | |
| 70 | Préludes / Book 1, L.117: 12. Minstrels | Maurizio Pollini | — | |
| 71 | Pour le Piano: I. Prélude | Jean-Yves Thibaudet | — | |
| 72 | Epigraphes antiques - Pour la danseuse aux crotales | Klavierduo Kontarsky | — | |
| 73 | Petite Suite For Piano (4-hands), L. 65: III. Menuet | Klavierduo Kontarsky | — | |
| 74 | Études, Livre II: XII. Pour les accords | Jean-Yves Thibaudet | — |
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What is UPC 0602445511198?
0602445511198 is a Universal Product Code (UPC) assigned to Classical for Reading: Debussy by Claude Debussy. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 74 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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