UPC · Release
Paco de Lucía
Last verified:
0602498653814 is the Universal Product Code (UPC barcode) for the release “Integral” by Paco de Lucía, released 2003-01-01 on Universal. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 248 tracks, each with its own ISRC. Tracks include ES5709901928, ES5709901929, ES5709901930.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Jerez en fiestas | — | ||
| 2 | En la Alcazaba | — | ||
| 3 | Gaditanas | — | ||
| 4 | Tientos del amanecer | — | ||
| 5 | Guajira flamenca | — | ||
| 6 | Real de la feria | — | ||
| 7 | Taconeo gitano | — | ||
| 8 | Sortilegio | — | ||
| 9 | Seguiriya tradicional | — | ||
| 10 | Entre arranyanes | — | ||
| 11 | Fuente de Carmona | — | ||
| 12 | La Caleta | — | ||
| 2-1 | Zorongo gitano | — | ||
| 2-2 | Sevillanas del siglo XVIII | — | ||
| 2-3 | Las morillas de Jaén | — | ||
| 2-4 | Anda jaleo | — | ||
| 2-5 | Los mozos de Monleon | — | ||
| 2-6 | Los reyes de la baraja | — | ||
| 2-7 | Los cuatro muleros | — | ||
| 2-8 | Nana de Sevilla | — | ||
| 2-9 | Café de Chinitas | — | ||
| 2-10 | El Vito | — | ||
| 2-11 | Los peregrinitos | — | ||
| 2-12 | Las tres hojas | — | ||
| 3-1 | Malagueña | — | ||
| 3-2 | A tu vera | — | ||
| 3-3 | María de la O | — | ||
| 3-4 | Moliendo café | — | ||
| 3-5 | Tangos de la Vieja Rica | — | ||
| 3-6 | Sevillanas populares | — | ||
| 3-7 | Ojos verdes | — | ||
| 3-8 | La luna y el toro | — | ||
| 3-9 | La niña de la Puerta oscura | — | ||
| 3-10 | La cárcel de oro | — | ||
| 3-11 | No me digas que no | — | ||
| 3-12 | El emigrante | — | ||
| 4-1 | Gitanos Trianeros | — | ||
| 4-2 | Llanto a Cadiz | — | ||
| 4-3 | Recuerdo a Patiño | — | ||
| 4-4 | Punta Umbría | — | ||
| 4-5 | Jerezana | — | ||
| 4-6 | Viva la unión | — | ||
| 4-7 | Llora la siguiriya | — | ||
| 4-8 | En la Caleta | — | ||
| 4-9 | Impetu | — | ||
| 4-10 | El Tajo | — | ||
| 5-1 | Que viene el coco | — | ||
| 5-2 | La Zarzamora | — | ||
| 5-3 | Canción del río | — | ||
| 5-4 | Al conquero | — | ||
| 5-5 | Los piconeros | — | ||
| 5-6 | Roja de celos | — | ||
| 5-7 | Pepa Banderas | — | ||
| 5-8 | El Inclusero | — | ||
| 5-9 | Limosna de amores | — | ||
| 5-10 | Romance gitano | — | ||
| 5-11 | Te lo juro yo | — | ||
| 5-12 | Abril en Sevilla | — | ||
| 6-1 | Cielito lindo | — | ||
| 6-2 | Alma llanera | — | ||
| 6-3 | Mañana de carnaval | — | ||
| 6-4 | El jarabe tapatio | — | ||
| 6-5 | La flor de la canela | — | ||
| 6-6 | A pesar de todo | — | ||
| 6-7 | Siboney | — | ||
| 6-8 | Granada | — | ||
| 6-9 | Fina estampa | — | ||
| 6-10 | Virgen de amor | — | ||
| 6-11 | Malagueña salerosa | — | ||
| 6-12 | Tomo y obligo | — | ||
| 7-1 | Aires de Linares | — | ||
| 7-2 | Mi inspiración | — | ||
| 7-3 | Guajiras de Lucía | — | ||
| 7-4 | Mantilla de feria | — | ||
| 7-5 | El Tempul | — | ||
| 7-6 | Panderos flamencos | — | ||
| 7-7 | Generalife bajo la luna | — | ||
| 7-8 | Fiesta en Moguer | — | ||
| 7-9 | Lamento minero | — | ||
| 7-10 | Celosa | — | ||
| 8-1 | Amapola | — | ||
| 8-2 | Pajaro chogüí | — | ||
| 8-3 | Yo vendo unos ojos negros | — | ||
| 8-4 | Guadalajara | — | ||
| 8-5 | Limeña | — | ||
| 8-6 | Las mañanitas | — | ||
| 8-7 | Alma, corazón y vida | — | ||
| 8-8 | Quizás, quizás, quizás | — | ||
| 8-9 | Tico tico | — | ||
| 8-10 | Lamento Borincano | — | ||
| 8-11 | Y todo a media luz | — | ||
| 8-12 | La paloma | — | ||
| 9-1 | Los Pescadores de Perlas | — | ||
| 9-2 | Tango de la rosa | — | ||
| 9-3 | Si no me more | — | ||
| 9-4 | El amor de Laura | — | ||
| 9-5 | La luna sobre las ruinas del castillo | — | ||
| 9-6 | Celos | — | ||
| 9-7 | La Virgen de la Macarena | — | ||
| 9-8 | Que será será | — | ||
| 9-9 | Yo que no vivo sin tí | — | ||
| 9-10 | Reserva el último baile para mí | — | ||
| 9-11 | Bésame mucho | — | ||
| 9-12 | Perfidia | — | ||
| 10-1 | Guajiras de Lucía | — | ||
| 10-2 | Con el pensamiento | — | ||
| 10-3 | Al Tempul | — | ||
| 10-4 | Al puerto | — | ||
| 10-5 | María de los Dolores | — | ||
| 10-6 | Taconeo gitano | — | ||
| 10-7 | Callecita que subes | — | ||
| 10-8 | Recuerdos | — | ||
| 10-9 | El Impetu | — | ||
| 10-10 | El Rinconcillo | — | ||
| 11-1 | El Vito | — | ||
| 11-2 | Mi inspiración | — | ||
| 11-3 | Malagueña de Lecuona | — | ||
| 11-4 | Serranía de Ronda | — | ||
| 11-5 | Rumba improvisada | — | ||
| 11-6 | Temas del pueblo | — | ||
| 11-7 | Plazuela | — | ||
| 11-8 | Zarda de Monty | — | ||
| 11-9 | Andalucía de Lecuona | — | ||
| 11-10 | Fuente Nueva | — | ||
| 12-1 | Percusión Flamenca | Paco de Lucía | T-041.027.133-8 | |
| 12-2 | Barrio la Viña | Paco de Lucía | T-041.026.752-5 | |
| 12-3 | Doblan Campanas | Paco de Lucía | T-041.026.710-5 | |
| 12-4 | Entre dos aguas | Paco de Lucía | T-041.030.460-7 | |
| 12-5 | Tientos del Mentidero | Paco de Lucía | T-041.027.192-9 | |
| 12-6 | Farolillo de Feria | Paco de Lucía | T-041.026.590-5 | |
| 12-7 | De Madrugá | Paco de Lucía | T-041.026.411-7 | |
| 12-8 | Cuando canta el gallo | Paco de Lucía | T-041.026.507-4 | |
| 12-9 | Punta del faro | Paco de Lucía | T-041.027.045-9 | |
| 12-10 | Canastera | Paco de Lucía | T-041.026.481-1 | |
| 13-1 | Entre dos aguas | Paco de Lucía | T-041.030.460-7 | |
| 13-2 | Aires choqueros (Fandangos de Huelva) | Paco de Lucía | T-041.031.089-2 | |
| 13-3 | Reflejo de luna (Granaína) | Paco de Lucía | T-041.031.334-6 | |
| 13-4 | Solera (Bulería por Soleá) | Paco de Lucía | T-041.031.388-0 | |
| 13-5 | Fuente y caudal | Paco de Lucía | T-041.031.170-4 | |
| 13-6 | Cepa andaluza | Paco de Lucía | T-041.031.084-7 | |
| 13-7 | Los pinares (Tangos) | Paco de Lucía | T-041.031.316-4 | |
| 13-8 | Plaza de San Juan (Alegrías) | Paco de Lucía | T-041.031.317-5 | |
| 14-1 | Alegrías | Paco de Lucía | — | |
| 14-2 | Tarantas | Paco de Lucía | T-041.294.549-3 | |
| 14-3 | Granaínas | Paco de Lucía | T-041.366.892-4 | |
| 14-4 | Zapateado | Paco de Lucía | T-041.366.893-5 | |
| 14-5 | Soleá | Paco de Lucía | T-041.040.966-3 | |
| 14-6 | Fandangos | Paco de Lucía | T-041.031.089-2 | |
| 14-7 | Guajiras | Paco de Lucía | — | |
| 14-8 | Rumba | Paco de Lucía | T-041.032.282-5 | |
| 15-1 | Almoraima | Paco de Lucía | T-041.039.481-8 | |
| 15-2 | El Cueva del gato (Rondeña) | Paco de Lucía | T-041.040.940-3 | |
| 15-3 | Cobre | Paco de Lucía | T-041.040.852-4 | |
| 15-4 | A la perla de Cádiz (Cantiñas) | Paco de Lucía | T-041.040.808-0 | |
| 15-5 | Ole (Jaleos) | Paco de Lucía | T-041.041.341-0 | |
| 15-6 | Plaza alta (Soleá) | Paco de Lucía | T-041.040.966-3 | |
| 15-7 | Río Ancho | Paco de Lucía | T-041.041.047-7 | |
| 15-8 | Llanos del real (Minera) | Paco de Lucía | — | |
| 16-1 | Danza de los vecinos | Paco de Lucía | T-928.239.492-7 | |
| 16-2 | Danza ritual del fuego | Paco de Lucía | T-041.489.063-3 | |
| 16-3 | Introducción y pantomima | Paco de Lucía | T-916.179.442-9 | |
| 16-4 | El paño moruno | Paco de Lucía | T-910.762.583-2 | |
| 16-5 | Danza del molinero | Paco de Lucía | — | |
| 16-6 | Danza | Paco de Lucía | T-070.906.423-2 | |
| 16-7 | Escena | Paco de Lucía | T-041.489.062-2 | |
| 16-8 | Canción del fuego fatuo | Paco de Lucía | T-041.489.063-3 | |
| 16-9 | Danza del terror | Paco de Lucía | — | |
| 16-10 | Danza de la molinera | Paco de Lucía | T-041.489.062-2 | |
| 17-1 | Monasterio de Sal | — | ||
| 17-2 | Gitanos andaluces | — | ||
| 17-3 | Castro Marín | — | ||
| 17-4 | Herencia | — | ||
| 17-5 | Convite | — | ||
| 17-6 | Palenque | — | ||
| 17-7 | Huida | — | ||
| 18-1 | Sólo quiero caminar | — | ||
| 18-2 | La tumbona | — | ||
| 18-3 | Convite | — | ||
| 18-4 | Montiño | — | ||
| 18-5 | Chanela | — | ||
| 18-6 | Monasterio de sal | — | ||
| 18-7 | Piñonate | — | ||
| 18-8 | Palenque | — | ||
| 19-1 | Palenque | — | ||
| 19-2 | Alta mar | — | ||
| 19-3 | Sólo quiero caminar | — | ||
| 19-4 | Chiquito | — | ||
| 19-5 | Gitanos andaluces | — | ||
| 20-1 | La Cañada | — | ||
| 20-2 | Mi niño curro | — | ||
| 20-3 | La Barrosa | — | ||
| 20-4 | Caña de azucar | — | ||
| 20-5 | El pañuelo | — | ||
| 20-6 | Callejón del muro | — | ||
| 20-7 | Casilda | — | ||
| 20-8 | Gloria al Niño Ricardo | — | ||
| 21-1 | Soniquete | — | ||
| 21-2 | Tío Sabas | — | ||
| 21-3 | Chick | — | ||
| 21-4 | Comprades | — | ||
| 21-5 | Zyryab | — | ||
| 21-6 | Canción de amor | — | ||
| 21-7 | Plaza del Carmen | — | ||
| 21-8 | Almonte | — | ||
| 22-1 | Concerto de Aranjuez: 1. Allegro con spirito | Orquestra de Cadaqués, Edmon Colomer, Paco de Lucía | T-041.489.061-1 | |
| 22-2 | Concerto de Aranjuez: 2. Adagio | Orquestra de Cadaqués, Edmon Colomer, Paco de Lucía | T-041.489.061-1 | |
| 22-3 | Concerto de Aranjuez: 3. Allegro gentile | Orquestra de Cadaqués, Edmon Colomer, Paco de Lucía | T-041.489.061-1 | |
| 22-4 | Ibéria: 1. Triana | Paco de Lucía, José M. Bandera, Juan Manuel Cañizares | T-041.538.731-3 | |
| 22-5 | Ibéria: 2. El Albaicin | Paco de Lucía, José M. Bandera, Juan Manuel Cañizares | T-041.538.731-3 | |
| 22-6 | Ibéria: 3. El puerto | Paco de Lucía, José M. Bandera, Juan Manuel Cañizares | T-041.538.731-3 | |
| 23-1 | Mi niño curro | — | ||
| 23-2 | La Barrosa | — | ||
| 23-3 | Alcazar de Sevilla | — | ||
| 23-4 | Peroche | — | ||
| 23-5 | Tío Sabas | — | ||
| 23-6 | Soniquete | — | ||
| 23-7 | Zyryab | — | ||
| 23-8 | Buana buana King Kong | — | ||
| 24-1 | La estiba | Paco de Lucía, Al Di Meola, John McLaughlin | T-041.432.411-0 | |
| 24-2 | Beyond the Mirage | Paco de Lucía, Al Di Meola, John McLaughlin | — | |
| 24-3 | Midsummer Night | Paco de Lucía, Al Di Meola, John McLaughlin | T-031.701.131-6 | |
| 24-4 | Manhã de carnaval | Paco de Lucía, Al Di Meola, John McLaughlin | T-003.905.377-4 | |
| 24-5 | Letter From India | Paco de Lucía, Al Di Meola, John McLaughlin | T-031.793.136-4 | |
| 24-6 | Espiritu | Paco de Lucía, Al Di Meola, John McLaughlin | T-070.262.569-1 | |
| 24-7 | Le Monastère dans les Montagnes | Paco de Lucía, Al Di Meola, John McLaughlin | T-031.731.764-8 | |
| 24-8 | Azzura | Paco de Lucía, Al Di Meola, John McLaughlin | T-070.256.964-9 | |
| 24-9 | Cardeosa | Paco de Lucía, Al Di Meola, John McLaughlin | T-041.432.412-1 | |
| 25-1 | Río de la miel | Paco de Lucía | T-041.485.204-2 | |
| 25-2 | La villa vieja | Paco de Lucía | — | |
| 25-3 | Calle munición | Paco de Lucía | — | |
| 25-4 | Me regalé | Paco de Lucía | T-041.485.207-5 | |
| 25-5 | Luzia | Paco de Lucía | T-041.485.208-6 | |
| 25-6 | Manteca colorá | Paco de Lucía | T-041.485.209-7 | |
| 25-7 | El chorruelo | Paco de Lucía | T-041.485.210-0 | |
| 25-8 | Camarón | Paco de Lucía | T-041.485.211-1 | |
| 26-1 | Rondeñas | — | ||
| 26-2 | Aires andaluces | — | ||
| 26-3 | Piropo Gaditano | — | ||
| 26-4 | Cielo Sevillano | — | ||
| 26-5 | Esencia gitana | — | ||
| 26-6 | ¿Por dónde caminas? | — | ||
| 26-7 | Tema de amor | — | ||
| 26-8 | Tema de Celos | — | ||
| 26-9 | Tema andaluz | — | ||
| 26-10 | Sevillanas | — | ||
| 26-11 | Gabarre | — | ||
| 26-12 | Plaza Real | — | ||
| 26-13 | Niquelao | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
0602498653814 is a Universal Product Code (UPC) assigned to Integral by Paco de Lucía. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 248 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
0602498653814 is the Universal Product Code (UPC barcode) for the release “Integral” by Paco de Lucía, released 2003-01-01 on Universal. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 248 tracks, each with its own ISRC. Tracks include ES5709901928, ES5709901929, ES5709901930.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Jerez en fiestas | — | ||
| 2 | En la Alcazaba | — | ||
| 3 | Gaditanas | — | ||
| 4 | Tientos del amanecer | — | ||
| 5 | Guajira flamenca | — | ||
| 6 | Real de la feria | — | ||
| 7 | Taconeo gitano | — | ||
| 8 | Sortilegio | — | ||
| 9 | Seguiriya tradicional | — | ||
| 10 | Entre arranyanes | — | ||
| 11 | Fuente de Carmona | — | ||
| 12 | La Caleta | — | ||
| 2-1 | Zorongo gitano | — | ||
| 2-2 | Sevillanas del siglo XVIII | — | ||
| 2-3 | Las morillas de Jaén | — | ||
| 2-4 | Anda jaleo | — | ||
| 2-5 | Los mozos de Monleon | — | ||
| 2-6 | Los reyes de la baraja | — | ||
| 2-7 | Los cuatro muleros | — | ||
| 2-8 | Nana de Sevilla | — | ||
| 2-9 | Café de Chinitas | — | ||
| 2-10 | El Vito | — | ||
| 2-11 | Los peregrinitos | — | ||
| 2-12 | Las tres hojas | — | ||
| 3-1 | Malagueña | — | ||
| 3-2 | A tu vera | — | ||
| 3-3 | María de la O | — | ||
| 3-4 | Moliendo café | — | ||
| 3-5 | Tangos de la Vieja Rica | — | ||
| 3-6 | Sevillanas populares | — | ||
| 3-7 | Ojos verdes | — | ||
| 3-8 | La luna y el toro | — | ||
| 3-9 | La niña de la Puerta oscura | — | ||
| 3-10 | La cárcel de oro | — | ||
| 3-11 | No me digas que no | — | ||
| 3-12 | El emigrante | — | ||
| 4-1 | Gitanos Trianeros | — | ||
| 4-2 | Llanto a Cadiz | — | ||
| 4-3 | Recuerdo a Patiño | — | ||
| 4-4 | Punta Umbría | — | ||
| 4-5 | Jerezana | — | ||
| 4-6 | Viva la unión | — | ||
| 4-7 | Llora la siguiriya | — | ||
| 4-8 | En la Caleta | — | ||
| 4-9 | Impetu | — | ||
| 4-10 | El Tajo | — | ||
| 5-1 | Que viene el coco | — | ||
| 5-2 | La Zarzamora | — | ||
| 5-3 | Canción del río | — | ||
| 5-4 | Al conquero | — | ||
| 5-5 | Los piconeros | — | ||
| 5-6 | Roja de celos | — | ||
| 5-7 | Pepa Banderas | — | ||
| 5-8 | El Inclusero | — | ||
| 5-9 | Limosna de amores | — | ||
| 5-10 | Romance gitano | — | ||
| 5-11 | Te lo juro yo | — | ||
| 5-12 | Abril en Sevilla | — | ||
| 6-1 | Cielito lindo | — | ||
| 6-2 | Alma llanera | — | ||
| 6-3 | Mañana de carnaval | — | ||
| 6-4 | El jarabe tapatio | — | ||
| 6-5 | La flor de la canela | — | ||
| 6-6 | A pesar de todo | — | ||
| 6-7 | Siboney | — | ||
| 6-8 | Granada | — | ||
| 6-9 | Fina estampa | — | ||
| 6-10 | Virgen de amor | — | ||
| 6-11 | Malagueña salerosa | — | ||
| 6-12 | Tomo y obligo | — | ||
| 7-1 | Aires de Linares | — | ||
| 7-2 | Mi inspiración | — | ||
| 7-3 | Guajiras de Lucía | — | ||
| 7-4 | Mantilla de feria | — | ||
| 7-5 | El Tempul | — | ||
| 7-6 | Panderos flamencos | — | ||
| 7-7 | Generalife bajo la luna | — | ||
| 7-8 | Fiesta en Moguer | — | ||
| 7-9 | Lamento minero | — | ||
| 7-10 | Celosa | — | ||
| 8-1 | Amapola | — | ||
| 8-2 | Pajaro chogüí | — | ||
| 8-3 | Yo vendo unos ojos negros | — | ||
| 8-4 | Guadalajara | — | ||
| 8-5 | Limeña | — | ||
| 8-6 | Las mañanitas | — | ||
| 8-7 | Alma, corazón y vida | — | ||
| 8-8 | Quizás, quizás, quizás | — | ||
| 8-9 | Tico tico | — | ||
| 8-10 | Lamento Borincano | — | ||
| 8-11 | Y todo a media luz | — | ||
| 8-12 | La paloma | — | ||
| 9-1 | Los Pescadores de Perlas | — | ||
| 9-2 | Tango de la rosa | — | ||
| 9-3 | Si no me more | — | ||
| 9-4 | El amor de Laura | — | ||
| 9-5 | La luna sobre las ruinas del castillo | — | ||
| 9-6 | Celos | — | ||
| 9-7 | La Virgen de la Macarena | — | ||
| 9-8 | Que será será | — | ||
| 9-9 | Yo que no vivo sin tí | — | ||
| 9-10 | Reserva el último baile para mí | — | ||
| 9-11 | Bésame mucho | — | ||
| 9-12 | Perfidia | — | ||
| 10-1 | Guajiras de Lucía | — | ||
| 10-2 | Con el pensamiento | — | ||
| 10-3 | Al Tempul | — | ||
| 10-4 | Al puerto | — | ||
| 10-5 | María de los Dolores | — | ||
| 10-6 | Taconeo gitano | — | ||
| 10-7 | Callecita que subes | — | ||
| 10-8 | Recuerdos | — | ||
| 10-9 | El Impetu | — | ||
| 10-10 | El Rinconcillo | — | ||
| 11-1 | El Vito | — | ||
| 11-2 | Mi inspiración | — | ||
| 11-3 | Malagueña de Lecuona | — | ||
| 11-4 | Serranía de Ronda | — | ||
| 11-5 | Rumba improvisada | — | ||
| 11-6 | Temas del pueblo | — | ||
| 11-7 | Plazuela | — | ||
| 11-8 | Zarda de Monty | — | ||
| 11-9 | Andalucía de Lecuona | — | ||
| 11-10 | Fuente Nueva | — | ||
| 12-1 | Percusión Flamenca | Paco de Lucía | T-041.027.133-8 | |
| 12-2 | Barrio la Viña | Paco de Lucía | T-041.026.752-5 | |
| 12-3 | Doblan Campanas | Paco de Lucía | T-041.026.710-5 | |
| 12-4 | Entre dos aguas | Paco de Lucía | T-041.030.460-7 | |
| 12-5 | Tientos del Mentidero | Paco de Lucía | T-041.027.192-9 | |
| 12-6 | Farolillo de Feria | Paco de Lucía | T-041.026.590-5 | |
| 12-7 | De Madrugá | Paco de Lucía | T-041.026.411-7 | |
| 12-8 | Cuando canta el gallo | Paco de Lucía | T-041.026.507-4 | |
| 12-9 | Punta del faro | Paco de Lucía | T-041.027.045-9 | |
| 12-10 | Canastera | Paco de Lucía | T-041.026.481-1 | |
| 13-1 | Entre dos aguas | Paco de Lucía | T-041.030.460-7 | |
| 13-2 | Aires choqueros (Fandangos de Huelva) | Paco de Lucía | T-041.031.089-2 | |
| 13-3 | Reflejo de luna (Granaína) | Paco de Lucía | T-041.031.334-6 | |
| 13-4 | Solera (Bulería por Soleá) | Paco de Lucía | T-041.031.388-0 | |
| 13-5 | Fuente y caudal | Paco de Lucía | T-041.031.170-4 | |
| 13-6 | Cepa andaluza | Paco de Lucía | T-041.031.084-7 | |
| 13-7 | Los pinares (Tangos) | Paco de Lucía | T-041.031.316-4 | |
| 13-8 | Plaza de San Juan (Alegrías) | Paco de Lucía | T-041.031.317-5 | |
| 14-1 | Alegrías | Paco de Lucía | — | |
| 14-2 | Tarantas | Paco de Lucía | T-041.294.549-3 | |
| 14-3 | Granaínas | Paco de Lucía | T-041.366.892-4 | |
| 14-4 | Zapateado | Paco de Lucía | T-041.366.893-5 | |
| 14-5 | Soleá | Paco de Lucía | T-041.040.966-3 | |
| 14-6 | Fandangos | Paco de Lucía | T-041.031.089-2 | |
| 14-7 | Guajiras | Paco de Lucía | — | |
| 14-8 | Rumba | Paco de Lucía | T-041.032.282-5 | |
| 15-1 | Almoraima | Paco de Lucía | T-041.039.481-8 | |
| 15-2 | El Cueva del gato (Rondeña) | Paco de Lucía | T-041.040.940-3 | |
| 15-3 | Cobre | Paco de Lucía | T-041.040.852-4 | |
| 15-4 | A la perla de Cádiz (Cantiñas) | Paco de Lucía | T-041.040.808-0 | |
| 15-5 | Ole (Jaleos) | Paco de Lucía | T-041.041.341-0 | |
| 15-6 | Plaza alta (Soleá) | Paco de Lucía | T-041.040.966-3 | |
| 15-7 | Río Ancho | Paco de Lucía | T-041.041.047-7 | |
| 15-8 | Llanos del real (Minera) | Paco de Lucía | — | |
| 16-1 | Danza de los vecinos | Paco de Lucía | T-928.239.492-7 | |
| 16-2 | Danza ritual del fuego | Paco de Lucía | T-041.489.063-3 | |
| 16-3 | Introducción y pantomima | Paco de Lucía | T-916.179.442-9 | |
| 16-4 | El paño moruno | Paco de Lucía | T-910.762.583-2 | |
| 16-5 | Danza del molinero | Paco de Lucía | — | |
| 16-6 | Danza | Paco de Lucía | T-070.906.423-2 | |
| 16-7 | Escena | Paco de Lucía | T-041.489.062-2 | |
| 16-8 | Canción del fuego fatuo | Paco de Lucía | T-041.489.063-3 | |
| 16-9 | Danza del terror | Paco de Lucía | — | |
| 16-10 | Danza de la molinera | Paco de Lucía | T-041.489.062-2 | |
| 17-1 | Monasterio de Sal | — | ||
| 17-2 | Gitanos andaluces | — | ||
| 17-3 | Castro Marín | — | ||
| 17-4 | Herencia | — | ||
| 17-5 | Convite | — | ||
| 17-6 | Palenque | — | ||
| 17-7 | Huida | — | ||
| 18-1 | Sólo quiero caminar | — | ||
| 18-2 | La tumbona | — | ||
| 18-3 | Convite | — | ||
| 18-4 | Montiño | — | ||
| 18-5 | Chanela | — | ||
| 18-6 | Monasterio de sal | — | ||
| 18-7 | Piñonate | — | ||
| 18-8 | Palenque | — | ||
| 19-1 | Palenque | — | ||
| 19-2 | Alta mar | — | ||
| 19-3 | Sólo quiero caminar | — | ||
| 19-4 | Chiquito | — | ||
| 19-5 | Gitanos andaluces | — | ||
| 20-1 | La Cañada | — | ||
| 20-2 | Mi niño curro | — | ||
| 20-3 | La Barrosa | — | ||
| 20-4 | Caña de azucar | — | ||
| 20-5 | El pañuelo | — | ||
| 20-6 | Callejón del muro | — | ||
| 20-7 | Casilda | — | ||
| 20-8 | Gloria al Niño Ricardo | — | ||
| 21-1 | Soniquete | — | ||
| 21-2 | Tío Sabas | — | ||
| 21-3 | Chick | — | ||
| 21-4 | Comprades | — | ||
| 21-5 | Zyryab | — | ||
| 21-6 | Canción de amor | — | ||
| 21-7 | Plaza del Carmen | — | ||
| 21-8 | Almonte | — | ||
| 22-1 | Concerto de Aranjuez: 1. Allegro con spirito | Orquestra de Cadaqués, Edmon Colomer, Paco de Lucía | T-041.489.061-1 | |
| 22-2 | Concerto de Aranjuez: 2. Adagio | Orquestra de Cadaqués, Edmon Colomer, Paco de Lucía | T-041.489.061-1 | |
| 22-3 | Concerto de Aranjuez: 3. Allegro gentile | Orquestra de Cadaqués, Edmon Colomer, Paco de Lucía | T-041.489.061-1 | |
| 22-4 | Ibéria: 1. Triana | Paco de Lucía, José M. Bandera, Juan Manuel Cañizares | T-041.538.731-3 | |
| 22-5 | Ibéria: 2. El Albaicin | Paco de Lucía, José M. Bandera, Juan Manuel Cañizares | T-041.538.731-3 | |
| 22-6 | Ibéria: 3. El puerto | Paco de Lucía, José M. Bandera, Juan Manuel Cañizares | T-041.538.731-3 | |
| 23-1 | Mi niño curro | — | ||
| 23-2 | La Barrosa | — | ||
| 23-3 | Alcazar de Sevilla | — | ||
| 23-4 | Peroche | — | ||
| 23-5 | Tío Sabas | — | ||
| 23-6 | Soniquete | — | ||
| 23-7 | Zyryab | — | ||
| 23-8 | Buana buana King Kong | — | ||
| 24-1 | La estiba | Paco de Lucía, Al Di Meola, John McLaughlin | T-041.432.411-0 | |
| 24-2 | Beyond the Mirage | Paco de Lucía, Al Di Meola, John McLaughlin | — | |
| 24-3 | Midsummer Night | Paco de Lucía, Al Di Meola, John McLaughlin | T-031.701.131-6 | |
| 24-4 | Manhã de carnaval | Paco de Lucía, Al Di Meola, John McLaughlin | T-003.905.377-4 | |
| 24-5 | Letter From India | Paco de Lucía, Al Di Meola, John McLaughlin | T-031.793.136-4 | |
| 24-6 | Espiritu | Paco de Lucía, Al Di Meola, John McLaughlin | T-070.262.569-1 | |
| 24-7 | Le Monastère dans les Montagnes | Paco de Lucía, Al Di Meola, John McLaughlin | T-031.731.764-8 | |
| 24-8 | Azzura | Paco de Lucía, Al Di Meola, John McLaughlin | T-070.256.964-9 | |
| 24-9 | Cardeosa | Paco de Lucía, Al Di Meola, John McLaughlin | T-041.432.412-1 | |
| 25-1 | Río de la miel | Paco de Lucía | T-041.485.204-2 | |
| 25-2 | La villa vieja | Paco de Lucía | — | |
| 25-3 | Calle munición | Paco de Lucía | — | |
| 25-4 | Me regalé | Paco de Lucía | T-041.485.207-5 | |
| 25-5 | Luzia | Paco de Lucía | T-041.485.208-6 | |
| 25-6 | Manteca colorá | Paco de Lucía | T-041.485.209-7 | |
| 25-7 | El chorruelo | Paco de Lucía | T-041.485.210-0 | |
| 25-8 | Camarón | Paco de Lucía | T-041.485.211-1 | |
| 26-1 | Rondeñas | — | ||
| 26-2 | Aires andaluces | — | ||
| 26-3 | Piropo Gaditano | — | ||
| 26-4 | Cielo Sevillano | — | ||
| 26-5 | Esencia gitana | — | ||
| 26-6 | ¿Por dónde caminas? | — | ||
| 26-7 | Tema de amor | — | ||
| 26-8 | Tema de Celos | — | ||
| 26-9 | Tema andaluz | — | ||
| 26-10 | Sevillanas | — | ||
| 26-11 | Gabarre | — | ||
| 26-12 | Plaza Real | — | ||
| 26-13 | Niquelao | — |
