UPC · Release
Harald Schmidt
Last verified:
The UPC for “LiveMitSchmidt” by Harald Schmidt is 0602498742969. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2005-01-01. Label: Deutsche Grammophon Literatur. This release contains 34 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Back in Tschechien | — | ||
| 2 | Es werde Comedy | — | ||
| 3 | Hansi und Hegel | — | ||
| 4 | Zweistimmige Invention | — | ||
| 5 | Herr Andrack kommt | — | ||
| 6 | Franz, Nervöse Ticks, Ratten | — | ||
| 7 | Fototermin im Saal | — | ||
| 8 | Papi spielt Orgel | — | ||
| 9 | Kafka, volkstümlich | — | ||
| 10 | Henry und Joopi | — | ||
| 11 | Zabels Brille | — | ||
| 12 | Volkstheater und Hochzeitsfotos | — | ||
| 13 | Htobias | — | ||
| 14 | Ticks plus Didi in Dresden | — | ||
| 2-1 | Fanfare | — | ||
| 2-2 | Willkommen im Stau | — | ||
| 2-3 | Jägerchor "Freischütz" | — | ||
| 2-4 | Plötzlich in Harvard | — | ||
| 2-5 | Fanfare | — | ||
| 2-6 | Selbstkritik am frühen Schmidt | — | ||
| 2-7 | Bonjour, Claudette | — | ||
| 2-8 | Der verrauchte Musikmoderator | — | ||
| 2-9 | Hammerklavier-Sonate, 2. Satz | — | ||
| 2-10 | Migräne im Intercity | — | ||
| 2-11 | Tschuldigung, liebe Senioren | — | ||
| 2-12 | Unter Donner und Blitz | — | ||
| 2-13 | Spielregeln Memory | — | ||
| 2-14 | Fanfare | — | ||
| 2-15 | Für Elvira Waninger | — | ||
| 2-16 | Fanfare | — | ||
| 2-17 | Ich und Bekett und tschüss | — | ||
| 2-18 | Jupiter-Symphonie, 1. Satz | — | ||
| 2-19 | Frohe Pfingsten | — | ||
| 2-20 | Die Internationale (für Hans R. Beierlein) | — |
Creative Contributors (ISNI)
Credits Graph
0602498742969 is a Universal Product Code (UPC) assigned to LiveMitSchmidt by Harald Schmidt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 34 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “LiveMitSchmidt” by Harald Schmidt is 0602498742969. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2005-01-01. Label: Deutsche Grammophon Literatur. This release contains 34 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Back in Tschechien | — | ||
| 2 | Es werde Comedy | — | ||
| 3 | Hansi und Hegel | — | ||
| 4 | Zweistimmige Invention | — | ||
| 5 | Herr Andrack kommt | — | ||
| 6 | Franz, Nervöse Ticks, Ratten | — | ||
| 7 | Fototermin im Saal | — | ||
| 8 | Papi spielt Orgel | — | ||
| 9 | Kafka, volkstümlich | — | ||
| 10 | Henry und Joopi | — | ||
| 11 | Zabels Brille | — | ||
| 12 | Volkstheater und Hochzeitsfotos | — | ||
| 13 | Htobias | — | ||
| 14 | Ticks plus Didi in Dresden | — | ||
| 2-1 | Fanfare | — | ||
| 2-2 | Willkommen im Stau | — | ||
| 2-3 | Jägerchor "Freischütz" | — | ||
| 2-4 | Plötzlich in Harvard | — | ||
| 2-5 | Fanfare | — | ||
| 2-6 | Selbstkritik am frühen Schmidt | — | ||
| 2-7 | Bonjour, Claudette | — | ||
| 2-8 | Der verrauchte Musikmoderator | — | ||
| 2-9 | Hammerklavier-Sonate, 2. Satz | — | ||
| 2-10 | Migräne im Intercity | — | ||
| 2-11 | Tschuldigung, liebe Senioren | — | ||
| 2-12 | Unter Donner und Blitz | — | ||
| 2-13 | Spielregeln Memory | — | ||
| 2-14 | Fanfare | — | ||
| 2-15 | Für Elvira Waninger | — | ||
| 2-16 | Fanfare | — | ||
| 2-17 | Ich und Bekett und tschüss | — | ||
| 2-18 | Jupiter-Symphonie, 1. Satz | — | ||
| 2-19 | Frohe Pfingsten | — | ||
| 2-20 | Die Internationale (für Hans R. Beierlein) | — |