UPC · Release
Muddy Waters
Last verified:
0602517982918 is the Universal Product Code (UPC barcode) for the release “Authorized Bootleg: Live at the Fillmore Auditorium, San Francisco, Ca Nov 04-06 1966” by Muddy Waters, released 2009-03-28. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 13 tracks, each with its own ISRC. Tracks include USUM70956514, USUM70956466, USUM70956521.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Forty Days and Forty Nights | Muddy Waters | — | |
| 2 | (I’m Your) Hoochie Coochie Man | Muddy Waters | T-060.569.990-8 | |
| 3 | Rock Me | Muddy Waters | T9092461591 | |
| 4 | Baby Please Don't Go | Muddy Waters | T-070.232.857-1 | |
| 5 | She Moves Me | Muddy Waters | T7000622595 | |
| 6 | Got My Mojo Working | Muddy Waters | T-302.148.122-7 | |
| 7 | You Can’t Lose What You Ain’t Never Had | Muddy Waters | — | |
| 8 | Forty Days and Forty Nights | Muddy Waters | — | |
| 10 | Thirteen Highway | Muddy Waters | T-925.058.117-0 | |
| 12 | Honey Bee (a/k/a Sail On) | Muddy Waters | T0710632033 | |
| 13 | Trouble No More | Muddy Waters | T-070.940.639-2 | |
| 14 | I’m Your Hoochie Coochie Man | Muddy Waters | T-060.569.990-8 | |
| 15 | Long Distance Call | Muddy Waters | T-071.000.793-4 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Rock Me | Muddy Waters | T9092461591 |
| Baby Please Don't Go | Muddy Waters | T-070.232.857-1 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
0602517982918 is a Universal Product Code (UPC) assigned to Authorized Bootleg: Live at the Fillmore Auditorium, San Francisco, Ca Nov 04-06 1966 by Muddy Waters. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 13 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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