UPC · Release
The Kinks at the BBC
The Kinks
0602527972183
188 tracksReleased 2012-01-01Sanctuary
Last verified:
0602527972183 is the Universal Product Code (UPC barcode) for the release “The Kinks at the BBC” by The Kinks, released 2012-01-01 on Sanctuary. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 188 tracks, each with its own ISRC. Tracks include GBUM70804354, GBUM71100334, GBUM70804345.
Format
060GS1 prefix
2527Company prefix
97218Product
3Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
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Credit Chain
UPCThe Kinks at the BBC
ISRC54 recordings
ISWC102 works
Track List (188)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Interview: Meet The Kinks (Saturday Club, 1964) | — | ||
| 2 | Cadillac (Saturday Club, 1964) | The Kinks | T-700.004.402-2 | |
| 3 | Interview: Ray talks about ‘You Really Got Me’ (Saturday Club, 1964) | The Kinks | T-010.160.498-1 | |
| 4 | You Really Got Me (live at the Playhouse Theatre, September 1964) | The Kinks | T-010.160.498-1 | |
| 5 | Little Queenie | The Kinks | T-071.000.761-6 | |
| 6 | I’m a Lover Not a Fighter (BBC live) | The Kinks | T-700.026.429-1 | |
| 7 | Interview: The Shaggy Set (Top Gear, 1964) | — | ||
| 9 | All Day and All of the Night (BBC live) | The Kinks | T-010.078.509-8 | |
| 10 | Iʼm a Lover, Not a Fighter (Saturday Club, 1964) | — | ||
| 11 | Interview: Ray talks about the USA (Saturday Club, 1964) | — | ||
| 12 | I’ve Got That Feeling | The Kinks | T-010.018.796-9 | |
| 13 | All Day and All of the Night (Saturday Club, 1964) | — | ||
| 14 | You Shouldnʼt Be Sad (Saturday Club, 1965) | The Kinks | T-010.160.513-3 | |
| 15 | Interview: Ray talks about records (Saturday Club, 1965) | — | ||
| 16 | Tired of Waiting for You (Saturday Club, 1965) | The Kinks | T-010.066.689-4 | |
| 17 | Everybodyʼs Gonna Be Happy (Saturday Club, 1965) | The Kinks | T-010.160.197-1 | |
| 18 | This Strange Effect (“You Really Got…” 1965) | The Kinks | T-010.160.509-7 | |
| 19 | Interview: Ray talks about “See My Friends” (“You Really Got…” 1965) | — | ||
| 20 | See My Friends (“You Really Got…” 1965) | The Kinks | T-010.160.543-9 | |
| 21 | Hide and Seek (“You Really Got…” 1965) | The Kinks | — | |
| 22 | Milk Cow Blues (Saturday Club, 1965) | — | ||
| 23 | Interview: Ray Talks About Songwriting (Saturday Club, 1965) | — | ||
| 24 | Never Met a Girl Like You Before (Saturday Club, 1965) | The Kinks | T-010.144.159-1 | |
| 25 | Wonder Where My Baby is Tonight (Saturday Club, 1965) | The Kinks | T-010.160.532-6 | |
| 26 | Interview: Meet Pete Quaife (Saturday Club, 1965) | — | ||
| 27 | Till the End of the Day (Saturday Club, 1965) | The Kinks | T-010.153.222-2 | |
| 28 | A Well Respected Man (Saturday Club, 1965) | The Kinks | T-010.160.496-9 | |
| 29 | Where Have All the Good Times Gone? (Saturday Club, 1965) | The Kinks | T-010.171.748-9 | |
| 30 | Love Me till the Sunshines (Saturday Club, 1967) | — | ||
| 31 | Interview: Meet Dave Davies (Saturday Club, 1967) | — | ||
| 32 | Death of a Clown (Saturday Club, 1967) | The Kinks | T-010.115.283-3 | |
| 33 | Good Luck Charm (Saturday Club, 1967) | The Kinks | — | |
| 34 | Sunny Afternoon (Top Gear, 1967) | The Kinks | T-010.153.223-3 | |
| 35 | Autumn Almanac (Top Gear, 1967) | — | ||
| 36 | Harry Rag (Top Gear, 1967) | The Kinks | T-010.448.765-1 | |
| 37 | Mr Pleasant (Top Gear, 1967) | The Kinks | T-010.162.824-3 | |
| 2-1 | Susannah's Still Alive (live at Maida Vale Studios, 1967) | The Kinks | T-010.171.211-1 | |
| 2-2 | David Watts (Top Gear, 1967) | The Kinks | T-010.166.601-6 | |
| 2-3 | Waterloo Sunset (Top Gear, 1968) | The Kinks | T-010.153.220-0 | |
| 2-4 | Interview: Ray talks about working (Top Gear, 1968) | — | ||
| 2-5 | Days (Top Gear, 1968) | The Kinks | T-010.153.225-5 | |
| 2-6 | Interview: Ray talks about solo records (Saturday Club, 1968) | — | ||
| 2-7 | Love Me Till the Sun Shines (live at the Playhouse Theatre, 1968) | The Kinks | T-010.157.268-2 | |
| 2-8 | Monica (Saturday Club, 1968) | The Kinks | T-010.482.675-6 | |
| 2-9 | Interview: Ray talks about “Village Green” (Saturday Club, 1968) | — | ||
| 2-10 | The Village Green Preservation Society (Saturday Club, 1968) | The Kinks | T-010.160.135-7 | |
| 2-11 | Animal Farm (Saturday Club, 1968) | — | ||
| 2-12 | Where Did My Spring Go? (Where Was Spring? 1969) | The Kinks | T-010.205.728-2 | |
| 2-13 | When I Turn Off the Living Room Lights (Where Was Spring? 1969) | The Kinks | T-011.276.314-0 | |
| 2-14 | Plastic Man (Symonds on Sunday, 1969) | — | ||
| 2-15 | King Kong (Symonds on Sunday, 1969) | — | ||
| 2-16 | Do You Remember Walter (Symonds on Sunday, 1969) | — | ||
| 2-17 | Interview: Ray talks about rumours (Symonds on Sunday, 1969) | — | ||
| 2-18 | Victoria (David Lee Travis Show, 1969) | — | ||
| 2-19 | Mr Churchill Says (David Lee Travis Show, 1969) | — | ||
| 2-20 | Arthur (David Lee Travis Show, 1969) | — | ||
| 2-21 | Interview: Ray talks with Keith Altham (David Lee Travis Show, 1970) | — | ||
| 2-22 | Lola (David Lee Travis Show, 1970) | — | ||
| 2-23 | Mindless Child of Motherhood (David Lee Travis Show, 1970) | The Kinks | T-010.068.431-8 | |
| 2-24 | Days (David Lee Travis Show, 1970) | — | ||
| 2-25 | Apeman (David Lee Travis Show, 1970) | — | ||
| 2-26 | Acute Schizophrenia Paranoia Blues (BBC John Peel Show 16.5.72) | The Kinks | T-010.159.954-5 | |
| 2-27 | Holiday (BBC John Peel Show 16.5.72) | The Kinks | T-010.160.145-9 | |
| 2-28 | Skin and Bone (John Peel Show, 1972) | The Kinks | T-010.160.514-4 | |
| 3-1 | Supersonic Rocket Ship (John Peel Show, 1972) | The Kinks | T-010.160.750-4 | |
| 3-2 | Here Comes Yet Another Day (Dave Lee Travis Show, 1973) | — | ||
| 3-3 | Demolition (John Peel Show, 1974) | The Kinks | T-010.159.959-0 | |
| 3-4 | Mirror of Love (John Peel Show, 1974) | The Kinks | T-010.160.161-9 | |
| 3-5 | Money Talks (John Peel Show, 1974) | The Kinks | T-010.160.162-0 | |
| 3-6 | DJ Alan Black introduces “In Concert” (In Concert, 1974) | — | ||
| 3-7 | Victoria (In Concert, 1974) | The Kinks | T-010.162.480-9 | |
| 3-8 | Here Comes Yet Another Day (In Concert at the Hippodrome Theatre, 1974) | The Kinks | T-010.160.143-7 | |
| 3-9 | Mr. Wonderful (In Concert, 1974) | — | ||
| 3-10 | Money Talks (In Concert, 1974) | — | ||
| 3-11 | Dedicated Follower of Fashion (In Concert, 1974) | The Kinks | T-010.153.221-1 | |
| 3-12 | Mirror of Love (In Concert, 1974) | — | ||
| 3-13 | Celluloid Heroes (In Concert, 1974) | The Kinks | T-010.159.956-7 | |
| 3-14 | You Really Got Me / All Day and All of the Night (In Concert, 1974) | — | ||
| 3-15 | DJ Alan Black talks about “Preservation Act 2” (In Concert, 1974) | — | ||
| 3-16 | Daylight (In Concert, 1974) | The Kinks | T-010.159.960-3 | |
| 3-17 | Here Comes Flash (In Concert, 1974) | The Kinks | T-010.160.155-1 | |
| 3-18 | Demolition (In Concert, 1974) | — | ||
| 3-19 | Heʼs Evil (In Concert, 1974) | The Kinks | T-010.160.160-8 | |
| 3-20 | Lola (In Concert, 1974) | The Kinks | T-010.167.046-5 | |
| 3-21 | Outro (In Concert, 1974) | — | ||
| 3-22 | Skin and Bone / Dry Bones (In Concert, 1974) | — | ||
| 4-1 | Alan Freeman introduces “The Kinks Christmas Concert” (The Kinksʼ Christmas Concert, 1977) | — | ||
| 4-2 | Juke Box Music (The Kinksʼ Christmas Concert, 1977) | — | ||
| 4-3 | Bob Harris Introduction (The Kinksʼ Christmas Concert, 1977) | — | ||
| 4-4 | Sleepwalker (The Kinksʼ Christmas Concert, 1977) | The Kinks | T-010.160.525-7 | |
| 4-5 | Life on the Road (The Kinksʼ Christmas Concert, 1977) | The Kinks | T-010.160.222-5 | |
| 4-6 | A Well Respected Man (The Kinksʼ Christmas Concert, 1977) | — | ||
| 4-7 | Death of a Clown (The Kinksʼ Christmas Concert, 1977) | — | ||
| 4-8 | Sunny Afternoon (The Kinksʼ Christmas Concert, 1977) | — | ||
| 4-9 | Waterloo Sunse (The Kinksʼ Christmas Concert, 1977) | — | ||
| 4-10 | All Day and All of the Night (The Kinksʼ Christmas Concert, 1977) | — | ||
| 4-11 | Slum Kids (The Kinksʼ Christmas Concert, 1977) | The Kinks | T-010.160.524-6 | |
| 4-12 | Celluloid Heroes (The Kinksʼ Christmas Concert, 1977) | — | ||
| 4-13 | Get Back in the Line (The Kinksʼ Christmas Concert, 1977) | The Kinks | T-010.169.116-0 | |
| 4-14 | The Hard Way (The Kinksʼ Christmas Concert, 1977) | The Kinks | T-010.160.167-5 | |
| 4-15 | Lola (The Kinksʼ Christmas Concert, 1977) | — | ||
| 4-16 | Alcohol (The Kinksʼ Christmas Concert, 1977) | The Kinks | T-010.159.955-6 | |
| 4-17 | Skin and Bones / Dry Bones (The Kinksʼ Christmas Concert, 1977) | — | ||
| 4-18 | Father Christmas (The Kinksʼ Christmas Concert, 1977) | — | ||
| 4-19 | You Really Got Me (The Kinksʼ Christmas Concert, 1977) | — | ||
| 4-20 | Interview: Ray talks to Johnny Walker (The Johnny Walker Show, 1994) | — | ||
| 4-21 | Phobia (The Johnny Walker Show, 1994) | — | ||
| 4-22 | Interview: Ray introduces “Over the Edge” (The Johnny Walker Show, 1994) | — | ||
| 4-23 | Over the Edge (The Johnny Walker Show, 1994) | — | ||
| 4-24 | Wall of Fire (The Johnny Walker Show, 1994) | — | ||
| 4-25 | Till the End of the Day (The Johnny Walker Show, 1994) | — | ||
| 5-1 | All Day and All of the Night (The Emma Freud Show, 1994) | — | ||
| 5-2 | Waterloo Sunset (The Emma Freud Show, 1994) | — | ||
| 5-3 | Iʼm Not Like Everybody Else (The Emma Freud Show, 1994) | — | ||
| 5-4 | Till the End of the Day (The Emma Freud Show, 1994) | — | ||
| 5-5 | You Really Got Me (The Emma Freud Show, 1994) | — | ||
| 5-6 | Louie Louie (Saturday Club, 1964) | — | ||
| 5-7 | Stop Your Sobbing (Saturday Club, 1964) | — | ||
| 5-8 | Milk Cow Blues (‟You Really Got…” 1965) | — | ||
| 5-9 | Milk Cow Blues (Saturday Club, 1965) | — | ||
| 5-10 | I Am Free (Saturday Club, 1965) | — | ||
| 5-11 | Susannahʼs Still Alive (Saturday Club, 1968) | — | ||
| 5-12 | Days (Saturday Club, 1968) | — | ||
| 5-13 | Dedicated Follower of Fashion / A Well Respected Man / Death of a Clown (Late Night Line‐Up: Colour Me Pop, 1968) | — | ||
| 5-14 | Sunny Afternoon (Late Night Line‐Up: Colour Me Pop, 1968) | — | ||
| 5-15 | Two Sisters (Late Night Line‐Up: Colour Me Pop, 1968) | — | ||
| 5-16 | Sitting by the Riverside (Late Night Line‐Up: Colour Me Pop, 1968) | — | ||
| 5-17 | Lincoln County (Late Night Line‐Up: Colour Me Pop, 1968) | — | ||
| 5-18 | Picture Book (Late Night Line‐Up: Colour Me Pop, 1968) | — | ||
| 5-19 | Days (Late Night Line‐Up: Colour Me Pop, 1968) | — | ||
| 6-1 | You Really Got Me (Beat Room, 1964) | — | ||
| 6-2 | Got Love If You Want It (Beat Room, 1964) | — | ||
| 6-3 | Sunny Afternoon (A Whole Scene Going, 1966) | — | ||
| 6-4 | Lola (Top of the Pops, 1970) | — | ||
| 6-5 | Ape Man (Top of the Pops, 1971) | — | ||
| 6-6 | Have a Cuppa Tea (The Old Grey Whistle Test, 1972) | — | ||
| 6-7 | Come Dancing (Top of the Pops, 1983) | — | ||
| 6-8 | Scattered (The Late Show, 1993) | — | ||
| 6-9 | Over the Edge (Later with Jools Holland, 1993) | — | ||
| 6-10 | Informer (Later with Jools Holland, 1993) | — | ||
| 6-11 | Till the End of the Day (Later with Jools Holland, 1993) | — | ||
| 6-12 | You Really Got Me (Top of the Pops, 1994) | — | ||
| 6-13 | Till the End of the Day (The Kinks at the Rainbow, 1972) | — | ||
| 6-14 | Waterloo Sunset (The Kinks at the Rainbow, 1972) | — | ||
| 6-15 | Top of the Pops (The Kinks at the Rainbow, 1972) | — | ||
| 6-16 | The Money‐Go‐Round (The Kinks at the Rainbow, 1972) | — | ||
| 6-17 | Sunny Afternoon (The Kinks at the Rainbow, 1972) | — | ||
| 6-18 | Virgin Soldiers (The Kinks at the Rainbow, 1972) | — | ||
| 6-19 | She Bought a Hat Like Princess Marina (The Kinks at the Rainbow, 1972) | — | ||
| 6-20 | Alcohol (The Kinks at the Rainbow, 1972) | — | ||
| 6-21 | Acute Schizophrenia Paranoia Blues (The Kinks at the Rainbow, 1972) | — | ||
| 6-22 | You Really Got Me (The Kinks at the Rainbow, 1972) | — | ||
| 6-23 | Victoria (In Concert, 1973) | — | ||
| 6-24 | Acute Schizophrenia Paranoia Blues (In Concert, 1973) | — | ||
| 6-25 | Dedicated Follower of Fashion (In Concert, 1973) | — | ||
| 6-26 | Lola (In Concert, 1973) | — | ||
| 6-27 | Holiday (In Concert, 1973) | — | ||
| 6-28 | Good Golly Miss Molly (In Concert, 1973) | — | ||
| 6-29 | You Really Got Me / All Day and All of the Night (In Concert, 1973) | — | ||
| 6-30 | Waterloo Sunset (In Concert, 1973) | — | ||
| 6-31 | The Village Green Preservation Society (In Concert, 1973) | — | ||
| 6-32 | You Really Got Me / All Day and All of the Night (The Old Grey Whistle Test, 1977) | — | ||
| 6-33 | Sleepwalker (The Old Grey Whistle Test, 1977) | — | ||
| 6-34 | Life Goes On (The Old Grey Whistle Test, 1977) | — | ||
| 6-35 | Stormy Sky (The Old Grey Whistle Test, 1977) | — | ||
| 6-36 | Celluloid Heroes (The Old Grey Whistle Test, 1977) | — | ||
| 6-37 | Muswell Hillbilles (The Old Grey Whistle Test, 1977) | — | ||
| 6-38 | Full Moon (The Old Grey Whistle Test, 1977) | — | ||
| 6-39 | Life on the Road (The Old Grey Whistle Test, 1977) | — | ||
| 6-40 | Juke Box Music (The Old Grey Whistle Test, 1977) | — | ||
| 6-41 | Juke Box Music (The Kinksʼ Christmas Concert, 1977) | — | ||
| 6-42 | Sleepwalker (The Kinksʼ Christmas Concert, 1977) | — | ||
| 6-43 | Life on the Road (The Kinksʼ Christmas Concert, 1977) | — | ||
| 6-44 | A Well Repsected Man (The Kinksʼ Christmas Concert, 1977) | — | ||
| 6-45 | Death of a Clown (The Kinksʼ Christmas Concert, 1977) | — | ||
| 6-46 | Sunny Afternoon (The Kinksʼ Christmas Concert, 1977) | — | ||
| 6-47 | Waterloo Sunset (The Kinksʼ Christmas Concert, 1977) | — | ||
| 6-48 | All Day and All of the Night (The Kinksʼ Christmas Concert, 1977) | — | ||
| 6-49 | Slum Kids (The Kinksʼ Christmas Concert, 1977) | — | ||
| 6-50 | Celluloid Heroes (The Kinksʼ Christmas Concert, 1977) | — | ||
| 6-51 | Get Cack in the Line (The Kinksʼ Christmas Concert, 1977) | — | ||
| 6-52 | Schoolboys in Disgrace (The Kinksʼ Christmas Concert, 1977) | — | ||
| 6-53 | Lola (The Kinksʼ Christmas Concert, 1977) | — | ||
| 6-54 | Alcohol (The Kinksʼ Christmas Concert, 1977) | — | ||
| 6-55 | Skin and Bone / Dry Bones (The Kinksʼ Christmas Concert, 1977) | — | ||
| 6-56 | Father Christmas (The Kinksʼ Christmas Concert, 1977) | — | ||
| 6-57 | You Really Got Me (The Kinksʼ Christmas Concert, 1977) | — | ||
| 6-58 | Interview: Ray & Dave ‘Late Nite Line‐Up’ | — |
Interview: Meet The Kinks (Saturday Club, 1964)
—
Interview: The Shaggy Set (Top Gear, 1964)
—
Iʼm a Lover, Not a Fighter (Saturday Club, 1964)
—
Interview: Ray talks about the USA (Saturday Club, 1964)
—
All Day and All of the Night (Saturday Club, 1964)
—
Interview: Ray talks about records (Saturday Club, 1965)
—
Interview: Ray talks about “See My Friends” (“You Really Got…” 1965)
—
Hide and Seek (“You Really Got…” 1965)
The Kinks
—
Milk Cow Blues (Saturday Club, 1965)
—
Interview: Ray Talks About Songwriting (Saturday Club, 1965)
—
Interview: Meet Pete Quaife (Saturday Club, 1965)
—
Love Me till the Sunshines (Saturday Club, 1967)
—
Interview: Meet Dave Davies (Saturday Club, 1967)
—
Good Luck Charm (Saturday Club, 1967)
The Kinks
—
Autumn Almanac (Top Gear, 1967)
—
Interview: Ray talks about working (Top Gear, 1968)
—
Interview: Ray talks about solo records (Saturday Club, 1968)
—
Interview: Ray talks about “Village Green” (Saturday Club, 1968)
—
Animal Farm (Saturday Club, 1968)
—
Plastic Man (Symonds on Sunday, 1969)
—
King Kong (Symonds on Sunday, 1969)
—
Do You Remember Walter (Symonds on Sunday, 1969)
—
Interview: Ray talks about rumours (Symonds on Sunday, 1969)
—
Victoria (David Lee Travis Show, 1969)
—
Mr Churchill Says (David Lee Travis Show, 1969)
—
Arthur (David Lee Travis Show, 1969)
—
Interview: Ray talks with Keith Altham (David Lee Travis Show, 1970)
—
Lola (David Lee Travis Show, 1970)
—
Days (David Lee Travis Show, 1970)
—
Apeman (David Lee Travis Show, 1970)
—
Here Comes Yet Another Day (Dave Lee Travis Show, 1973)
—
DJ Alan Black introduces “In Concert” (In Concert, 1974)
—
Mr. Wonderful (In Concert, 1974)
—
Money Talks (In Concert, 1974)
—
Mirror of Love (In Concert, 1974)
—
You Really Got Me / All Day and All of the Night (In Concert, 1974)
—
DJ Alan Black talks about “Preservation Act 2” (In Concert, 1974)
—
Demolition (In Concert, 1974)
—
Outro (In Concert, 1974)
—
Skin and Bone / Dry Bones (In Concert, 1974)
—
Alan Freeman introduces “The Kinks Christmas Concert” (The Kinksʼ Christmas Concert, 1977)
—
Juke Box Music (The Kinksʼ Christmas Concert, 1977)
—
Bob Harris Introduction (The Kinksʼ Christmas Concert, 1977)
—
A Well Respected Man (The Kinksʼ Christmas Concert, 1977)
—
Death of a Clown (The Kinksʼ Christmas Concert, 1977)
—
Sunny Afternoon (The Kinksʼ Christmas Concert, 1977)
—
Waterloo Sunse (The Kinksʼ Christmas Concert, 1977)
—
All Day and All of the Night (The Kinksʼ Christmas Concert, 1977)
—
Celluloid Heroes (The Kinksʼ Christmas Concert, 1977)
—
Lola (The Kinksʼ Christmas Concert, 1977)
—
Skin and Bones / Dry Bones (The Kinksʼ Christmas Concert, 1977)
—
Father Christmas (The Kinksʼ Christmas Concert, 1977)
—
You Really Got Me (The Kinksʼ Christmas Concert, 1977)
—
Interview: Ray talks to Johnny Walker (The Johnny Walker Show, 1994)
—
Phobia (The Johnny Walker Show, 1994)
—
Interview: Ray introduces “Over the Edge” (The Johnny Walker Show, 1994)
—
Over the Edge (The Johnny Walker Show, 1994)
—
Wall of Fire (The Johnny Walker Show, 1994)
—
Till the End of the Day (The Johnny Walker Show, 1994)
—
All Day and All of the Night (The Emma Freud Show, 1994)
—
Waterloo Sunset (The Emma Freud Show, 1994)
—
Iʼm Not Like Everybody Else (The Emma Freud Show, 1994)
—
Till the End of the Day (The Emma Freud Show, 1994)
—
You Really Got Me (The Emma Freud Show, 1994)
—
Louie Louie (Saturday Club, 1964)
—
Stop Your Sobbing (Saturday Club, 1964)
—
Milk Cow Blues (‟You Really Got…” 1965)
—
Milk Cow Blues (Saturday Club, 1965)
—
I Am Free (Saturday Club, 1965)
—
Susannahʼs Still Alive (Saturday Club, 1968)
—
Days (Saturday Club, 1968)
—
Dedicated Follower of Fashion / A Well Respected Man / Death of a Clown (Late Night Line‐Up: Colour Me Pop, 1968)
—
Sunny Afternoon (Late Night Line‐Up: Colour Me Pop, 1968)
—
Two Sisters (Late Night Line‐Up: Colour Me Pop, 1968)
—
Sitting by the Riverside (Late Night Line‐Up: Colour Me Pop, 1968)
—
Lincoln County (Late Night Line‐Up: Colour Me Pop, 1968)
—
Picture Book (Late Night Line‐Up: Colour Me Pop, 1968)
—
Days (Late Night Line‐Up: Colour Me Pop, 1968)
—
You Really Got Me (Beat Room, 1964)
—
Got Love If You Want It (Beat Room, 1964)
—
Sunny Afternoon (A Whole Scene Going, 1966)
—
Lola (Top of the Pops, 1970)
—
Ape Man (Top of the Pops, 1971)
—
Have a Cuppa Tea (The Old Grey Whistle Test, 1972)
—
Come Dancing (Top of the Pops, 1983)
—
Scattered (The Late Show, 1993)
—
Over the Edge (Later with Jools Holland, 1993)
—
Informer (Later with Jools Holland, 1993)
—
Till the End of the Day (Later with Jools Holland, 1993)
—
You Really Got Me (Top of the Pops, 1994)
—
Till the End of the Day (The Kinks at the Rainbow, 1972)
—
Waterloo Sunset (The Kinks at the Rainbow, 1972)
—
Top of the Pops (The Kinks at the Rainbow, 1972)
—
The Money‐Go‐Round (The Kinks at the Rainbow, 1972)
—
Sunny Afternoon (The Kinks at the Rainbow, 1972)
—
Virgin Soldiers (The Kinks at the Rainbow, 1972)
—
She Bought a Hat Like Princess Marina (The Kinks at the Rainbow, 1972)
—
Alcohol (The Kinks at the Rainbow, 1972)
—
Acute Schizophrenia Paranoia Blues (The Kinks at the Rainbow, 1972)
—
You Really Got Me (The Kinks at the Rainbow, 1972)
—
Victoria (In Concert, 1973)
—
Acute Schizophrenia Paranoia Blues (In Concert, 1973)
—
Dedicated Follower of Fashion (In Concert, 1973)
—
Lola (In Concert, 1973)
—
Holiday (In Concert, 1973)
—
Good Golly Miss Molly (In Concert, 1973)
—
You Really Got Me / All Day and All of the Night (In Concert, 1973)
—
Waterloo Sunset (In Concert, 1973)
—
The Village Green Preservation Society (In Concert, 1973)
—
You Really Got Me / All Day and All of the Night (The Old Grey Whistle Test, 1977)
—
Sleepwalker (The Old Grey Whistle Test, 1977)
—
Life Goes On (The Old Grey Whistle Test, 1977)
—
Stormy Sky (The Old Grey Whistle Test, 1977)
—
Celluloid Heroes (The Old Grey Whistle Test, 1977)
—
Muswell Hillbilles (The Old Grey Whistle Test, 1977)
—
Full Moon (The Old Grey Whistle Test, 1977)
—
Life on the Road (The Old Grey Whistle Test, 1977)
—
Juke Box Music (The Old Grey Whistle Test, 1977)
—
Juke Box Music (The Kinksʼ Christmas Concert, 1977)
—
Sleepwalker (The Kinksʼ Christmas Concert, 1977)
—
Life on the Road (The Kinksʼ Christmas Concert, 1977)
—
A Well Repsected Man (The Kinksʼ Christmas Concert, 1977)
—
Death of a Clown (The Kinksʼ Christmas Concert, 1977)
—
Sunny Afternoon (The Kinksʼ Christmas Concert, 1977)
—
Waterloo Sunset (The Kinksʼ Christmas Concert, 1977)
—
All Day and All of the Night (The Kinksʼ Christmas Concert, 1977)
—
Slum Kids (The Kinksʼ Christmas Concert, 1977)
—
Celluloid Heroes (The Kinksʼ Christmas Concert, 1977)
—
Get Cack in the Line (The Kinksʼ Christmas Concert, 1977)
—
Schoolboys in Disgrace (The Kinksʼ Christmas Concert, 1977)
—
Lola (The Kinksʼ Christmas Concert, 1977)
—
Alcohol (The Kinksʼ Christmas Concert, 1977)
—
Skin and Bone / Dry Bones (The Kinksʼ Christmas Concert, 1977)
—
Father Christmas (The Kinksʼ Christmas Concert, 1977)
—
You Really Got Me (The Kinksʼ Christmas Concert, 1977)
—
Interview: Ray & Dave ‘Late Nite Line‐Up’
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.018.796-9T-010.066.689-4T-010.068.431-8T-010.078.509-8T-010.115.283-3T-010.144.159-1T-010.153.220-0T-010.153.221-1T-010.153.222-2T-010.153.223-3
+92 more
T-010.153.225-5T-010.157.268-2T-010.159.954-5T-010.159.955-6T-010.159.956-7T-010.159.959-0T-010.159.960-3T-010.160.135-7T-010.160.143-7T-010.160.145-9T-010.160.155-1T-010.160.160-8T-010.160.161-9T-010.160.162-0T-010.160.167-5T-010.160.197-1T-010.160.222-5T-010.160.496-9T-010.160.498-1T-010.160.509-7T-010.160.513-3T-010.160.514-4T-010.160.525-7T-010.160.532-6T-010.160.543-9T-010.160.750-4T-010.162.480-9T-010.162.824-3T-010.166.601-6T-010.167.046-5T-010.169.116-0T-010.171.748-9T-010.205.728-2T-010.448.765-1T-010.482.675-6T-010.018.796-9T-010.061.458-1T-010.066.689-4T-010.068.431-8T-010.078.509-8T-010.115.283-3T-010.144.159-1T-010.153.220-0T-010.153.221-1T-010.153.222-2T-010.153.223-3T-010.153.225-5T-010.157.268-2T-010.159.883-7T-010.159.953-4T-010.159.954-5T-010.159.955-6T-010.159.956-7T-010.159.959-0T-010.159.960-3T-010.160.008-1T-010.160.135-7T-010.160.143-7T-010.160.144-8T-010.160.145-9T-010.160.146-0T-010.160.155-1T-010.160.160-8T-010.160.161-9T-010.160.162-0T-010.160.167-5T-010.160.170-0T-010.160.171-1T-010.160.174-4T-010.160.177-7T-010.160.197-1T-010.160.222-5T-010.160.226-9T-010.160.231-6T-010.160.296-3T-010.160.297-4T-010.160.496-9T-010.160.498-1T-010.160.506-4T-010.160.509-7T-010.160.513-3T-010.160.514-4T-010.160.525-7T-010.160.532-6T-010.160.543-9T-011.276.314-0T-071.000.761-6T-700.004.402-2T-700.026.429-1T-010.160.498-1T-010.160.524-6T-010.171.211-1
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What is UPC 0602527972183?
0602527972183 is a Universal Product Code (UPC) assigned to The Kinks at the BBC by The Kinks. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 188 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm