Ministry of Sound: Addicted to Bass

UPC · Release

Ministry of Sound: Addicted to Bass

Various Artists

0602527994574
11 tracksReleased 2012-01-01Ministry Of Sound

Last verified:

0602527994574 is the Universal Product Code (UPC barcode) for the release Ministry of Sound: Addicted to Bass by Various Artists, released 2012-01-01 on Ministry Of Sound. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 11 tracks, each with its own ISRC. Tracks include GBAAA1100772, AUNV01200149, AU9N31200002.

Format

060GS1 prefix
2527Company prefix
99457Product
4Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCMinistry of Sound: Addicted to Bass
ISRC11 recordings
ISWC30 works
IPI30 songwriters

Track List (11)

Antidote
Swedish House Mafia, Knife Party
Slam the Door
Slam the Door
Zedd
Welcome
Welcome
Lusha
Gonna Be Mine
Gonna Be Mine
Napt, Peo De Pitte
Must Be the Feeling
Must Be the Feeling
NERO
Reload
Reload
Calvertron, Kid Kenobi
Face Melt
Face Melt
TJR, Whiskey Pete
Blow My Mind
Neon Stereo, Aaradhna
R U Ready?
R U Ready?
Calvertron

Additional database matches (35)

Set It Off (Neon Stereo remix)
Timomatic
Throw Your Hands Up (Dancar Kuduro) (R3hab remix)
Qwote, Pitbull, Lucenzo
Super Soaker (Rocket Pimp remix)
Bombs Away
Bang (Calvertron remix)
Karton, MC Fraksha
Lasercat Rocket Attack (Kid Kenobi remix)
Doctor Werewolf
Feel My Rhythm (Northie remix)
Titus1, Sebastian Ivarsson
Utah Saints, Drumsound & Simon ‘Bassline’ Smith
Still Speedin’ (Kill the Noise remix)
Sway
Midnight Run (Flux Pavilion remix)
Example
Toulouse (Tommy Trash remix)
Nicky Romero
L.G.F.U. (Nom de Strip remix)
Tom Piper, Daniel Farley
Rock the Beat (Bassjackers remix)
Bob Sinclar, Dragonfly, Fatman Scoop
Body (Bombs Away remix)
Israel Cruz, The Twins
Like a Girl in Love (John Dahlbäck remix)
Elen Levon
Everybody Get Up (Bombs Away remix)
Jam Xpress, Seany B
Release Me (Vandalism remix)
Angger Dimas, Polina
Ridiculous (Kid Kenobi remix)
Big Nab, Bombs Away
Big Fat (extended mix)
Tonic, Tarantula Man
Hitz (Dillon Francis remix)
Chase & Status, Tinie Tempah
Somebody to Love (Sigma remix)
Rusko

Identifier Graph

UPCMinistry of Sou…ISRCAntidoteISRCSlam the DoorISRCWelcomeISRCGonna Be MineISRCHot Right Now

People also ask

What is UPC 0602527994574?
UPC 0602527994574 is the Universal Product Code (barcode) for "Ministry of Sound: Addicted to Bass" by Various Artists, released on Ministry Of Sound.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 0602527994574?
UPC 0602527994574 contains 11 tracks, each with its own ISRC.
SourcesMLCMusicBrainzDiscogsMusicBrainz4 sources

Verified on

What is UPC 0602527994574?

0602527994574 is a Universal Product Code (UPC) assigned to Ministry of Sound: Addicted to Bass by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 11 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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