UPC · Release
The Apple Years 1968–75
George Harrison
Last verified:
0602537913879 is the Universal Product Code (UPC barcode) for the release “The Apple Years 1968–75” by George Harrison, released 2014-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 85 tracks, each with its own ISRC. Tracks include GB77R1400025, GB77R1400026, GB77R1400027.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (85)
Additional database matches (5)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Isn’t It a Pity (version one) | George Harrison | T-010.098.647-7 |
| Isn’t It a Pity (version two) | George Harrison | T-010.098.647-7 |
| This Guitar (Can’t Keep From Crying) (Platinum Weird version) | George Harrison | T-010.008.789-5 |
| Isn’t It a Pity (version one) | George Harrison | T-010.098.647-7 |
| Isn’t It a Pity (version two) | George Harrison | T-010.098.647-7 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 0602537913879?
0602537913879 is a Universal Product Code (UPC) assigned to The Apple Years 1968–75 by George Harrison. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 85 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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