UPC · Release
Various Artists
Last verified:
The UPC for “Drive-Thru Records and Purevolume.com” by Various Artists is 060768362420. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2005-01-01. Label: Drive-Thru Records. This release contains 145 tracks, each with its own ISRC. Tracks include US56V0506104, GBAJE0401185, USJAY0500386.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Tie the Rope | — | ||
| 2 | Exit, Emergency | — | ||
| 3 | Sesame Smeshame | — | ||
| 4 | Can't Suspend It | — | ||
| 5 | Rushmore | — | ||
| 6 | Saturday | Fall Out Boy | T-071.734.369-5 | |
| 7 | The Blame Anxiety | — | ||
| 8 | Sydney | Halifax | T-072.270.528-3 | |
| 9 | Once Again | — | ||
| 10 | Caroline, London, 1940 | — | ||
| 11 | Woe | Say Anything | — | |
| 12 | Talk Radio | — | ||
| 13 | Can't Break What's Already Broken | — | ||
| 14 | 3 Months | — | ||
| 15 | Drink It, Don't Think It | — | ||
| 16 | Deja Vrooom | — | ||
| 17 | Funeral Masses for William Jennings (Viewing Hours 4-6) | — | ||
| 18 | Empty Like the Ocean | — | ||
| 19 | Cover Up | — | ||
| 20 | Wait for Me, Abby Bernstein | — | ||
| 21 | Cross My Heart | — | ||
| 22 | Today I Saw Your Face | — | ||
| 23 | Alcohol and Oxygen | — | ||
| 24 | A Wish Without Words | — | ||
| 25 | Smell of Smoke | — | ||
| 26 | Coughing Up Blood | — | ||
| 27 | You Tell a Tale | — | ||
| 28 | Midnight Scene | — | ||
| 29 | The Best Happiness Money Can Buy | — | ||
| 30 | What Could Have Been | — | ||
| 31 | The Shore | — | ||
| 32 | Believe | — | ||
| 33 | Eyes for Liars | — | ||
| 34 | Apologies are Overrated | — | ||
| 35 | Under Your Sheets | — | ||
| 36 | Quiet | — | ||
| 37 | Poison Lips | — | ||
| 38 | Drive to Recovery | — | ||
| 39 | Checkmarks | The Academy Is… | T-072.269.173-7 | |
| 40 | Closing Down the Pattern Department | — | ||
| 41 | Three Remain | — | ||
| 42 | Taxi Driver | Gym Class Heroes | — | |
| 43 | It Is What It Is | — | ||
| 44 | Transmission | — | ||
| 45 | Control Yourself | — | ||
| 46 | Live From the Red Carpet | — | ||
| 47 | Architect of my Demise | — | ||
| 48 | The Curse | Nural | — | |
| 49 | Cult Classic | — | ||
| 50 | By the Way | — | ||
| 51 | Oxygen Intoxicant | — | ||
| 52 | Can I Live | — | ||
| 53 | Shoreline | — | ||
| 54 | I Am for You (Don't Give Up) | Waking Ashland | T-072.251.110-5 | |
| 55 | Doodles | — | ||
| 56 | Words Lost to White Noise | — | ||
| 57 | At Least I Know You're Safe | — | ||
| 58 | Outside | — | ||
| 59 | Never Changing Past | — | ||
| 60 | Highway Nightmares | — | ||
| 61 | The 3rd of July | — | ||
| 62 | A Lovely Game of Cards | — | ||
| 63 | Self Inflicted | — | ||
| 64 | The Power of Words | — | ||
| 65 | Frontier Medicine | — | ||
| 66 | I Thought We Were Past All That | — | ||
| 67 | Wake | — | ||
| 68 | Alta Mesa Drive | — | ||
| 69 | I Wish There Were 5 Seasons | — | ||
| 70 | Los Angeles | — | ||
| 71 | Dear Them | — | ||
| 72 | The Long Sea | — | ||
| 2-1 | Homewrecker | hellogoodbye | T-902.895.905-9 | |
| 2-2 | His Midas Touch | — | ||
| 2-3 | Ashes Ashes | Hidden in Plain View | T-900.018.624-3 | |
| 2-4 | Nice Night for a Fist Fight | — | ||
| 2-5 | Kill the Messenger | Jack’s Mannequin | — | |
| 2-6 | Better Love | — | ||
| 2-7 | Speechless | — | ||
| 2-8 | My Eyes Burn | — | ||
| 2-9 | Let's Go All the Way | — | ||
| 2-10 | Too Sad for Hollywood | — | ||
| 2-11 | Kensington Parc | — | ||
| 2-12 | That's What I Was Thinking | — | ||
| 2-13 | Someone Has an AK | — | ||
| 2-14 | Wait For It | — | ||
| 2-15 | Last Will and Testament | — | ||
| 2-16 | Blank | — | ||
| 2-17 | The Glitch | — | ||
| 2-18 | You Can't Put Two Hotels on Mayfair | — | ||
| 2-19 | You Should Move Like I Do | — | ||
| 2-20 | My Ambulance | — | ||
| 2-21 | Please Wait Up For Me | — | ||
| 2-22 | American Ave | — | ||
| 2-23 | Clash | — | ||
| 2-24 | Second Place Victory | — | ||
| 2-25 | The Common Cold Shoulder | — | ||
| 2-26 | 75 DPI | — | ||
| 2-27 | A Great Pretending | — | ||
| 2-28 | Better Off | — | ||
| 2-29 | To Kill This | — | ||
| 2-30 | I'm Not Your Sweetheart | — | ||
| 2-31 | Renaissance | — | ||
| 2-32 | The Trainwreck | — | ||
| 2-33 | Left Behind | — | ||
| 2-34 | Chinese Checkers | — | ||
| 2-35 | Broken Wings | — | ||
| 2-36 | Martyrs if We're Lucky | — | ||
| 2-37 | Too Long to Wait | — | ||
| 2-38 | You Could Be My Mona Lisa | — | ||
| 2-39 | Distance Vs. Melody | — | ||
| 2-40 | Distance Makes the Heart Grow Wings | — | ||
| 2-41 | Build a Bridge and Jump Off of It | — | ||
| 2-42 | Dancing May Occur | — | ||
| 2-43 | A You/Me Story | — | ||
| 2-44 | Another Goodbye | — | ||
| 2-45 | It Blooms | — | ||
| 2-46 | You Win (You Always Do) | — | ||
| 2-47 | Everything's a Miracle | — | ||
| 2-48 | Say Goodbye | — | ||
| 2-49 | This Unfolding Story | — | ||
| 2-50 | Glorietta | — | ||
| 2-51 | Note to Self | — | ||
| 2-52 | Down for the Count | — | ||
| 2-53 | Salvations Gone South | — | ||
| 2-54 | The Fever | — | ||
| 2-55 | Magic Sticks in December | — | ||
| 2-56 | One, Two Parachutes | — | ||
| 2-57 | Waking Up | — | ||
| 2-58 | Hit the Lights | — | ||
| 2-59 | The Trees Are Dancing, Why Aren't We? | — | ||
| 2-60 | When I Look Into Your Eyes | — | ||
| 2-61 | An Empty Seat | — | ||
| 2-62 | Plan a Murder | — | ||
| 2-63 | Leap Year | — | ||
| 2-64 | Ceramic | — | ||
| 2-65 | It Broke the Boy's Back | — | ||
| 2-66 | Decibels | — | ||
| 2-67 | Days Run Long | — | ||
| 2-68 | The Way Things Fade | — | ||
| 2-69 | Mrs. Beautiful | — | ||
| 2-70 | I'll Be Careful, You'll Be Dead | — | ||
| 2-71 | Prejudice | — | ||
| 2-72 | I Love the Smell of Napalm in the Morning | — | ||
| 2-73 | You Belong in a Wheelchair | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
060768362420 is a Universal Product Code (UPC) assigned to Drive-Thru Records and Purevolume.com by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 145 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Creative Contributors (ISNI)
The UPC for “Drive-Thru Records and Purevolume.com” by Various Artists is 060768362420. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2005-01-01. Label: Drive-Thru Records. This release contains 145 tracks, each with its own ISRC. Tracks include US56V0506104, GBAJE0401185, USJAY0500386.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Tie the Rope | — | ||
| 2 | Exit, Emergency | — | ||
| 3 | Sesame Smeshame | — | ||
| 4 | Can't Suspend It | — | ||
| 5 | Rushmore | — | ||
| 6 | Saturday | Fall Out Boy | T-071.734.369-5 | |
| 7 | The Blame Anxiety | — | ||
| 8 | Sydney | Halifax | T-072.270.528-3 | |
| 9 | Once Again | — | ||
| 10 | Caroline, London, 1940 | — | ||
| 11 | Woe | Say Anything | — | |
| 12 | Talk Radio | — | ||
| 13 | Can't Break What's Already Broken | — | ||
| 14 | 3 Months | — | ||
| 15 | Drink It, Don't Think It | — | ||
| 16 | Deja Vrooom | — | ||
| 17 | Funeral Masses for William Jennings (Viewing Hours 4-6) | — | ||
| 18 | Empty Like the Ocean | — | ||
| 19 | Cover Up | — | ||
| 20 | Wait for Me, Abby Bernstein | — | ||
| 21 | Cross My Heart | — | ||
| 22 | Today I Saw Your Face | — | ||
| 23 | Alcohol and Oxygen | — | ||
| 24 | A Wish Without Words | — | ||
| 25 | Smell of Smoke | — | ||
| 26 | Coughing Up Blood | — | ||
| 27 | You Tell a Tale | — | ||
| 28 | Midnight Scene | — | ||
| 29 | The Best Happiness Money Can Buy | — | ||
| 30 | What Could Have Been | — | ||
| 31 | The Shore | — | ||
| 32 | Believe | — | ||
| 33 | Eyes for Liars | — | ||
| 34 | Apologies are Overrated | — | ||
| 35 | Under Your Sheets | — | ||
| 36 | Quiet | — | ||
| 37 | Poison Lips | — | ||
| 38 | Drive to Recovery | — | ||
| 39 | Checkmarks | The Academy Is… | T-072.269.173-7 | |
| 40 | Closing Down the Pattern Department | — | ||
| 41 | Three Remain | — | ||
| 42 | Taxi Driver | Gym Class Heroes | — | |
| 43 | It Is What It Is | — | ||
| 44 | Transmission | — | ||
| 45 | Control Yourself | — | ||
| 46 | Live From the Red Carpet | — | ||
| 47 | Architect of my Demise | — | ||
| 48 | The Curse | Nural | — | |
| 49 | Cult Classic | — | ||
| 50 | By the Way | — | ||
| 51 | Oxygen Intoxicant | — | ||
| 52 | Can I Live | — | ||
| 53 | Shoreline | — | ||
| 54 | I Am for You (Don't Give Up) | Waking Ashland | T-072.251.110-5 | |
| 55 | Doodles | — | ||
| 56 | Words Lost to White Noise | — | ||
| 57 | At Least I Know You're Safe | — | ||
| 58 | Outside | — | ||
| 59 | Never Changing Past | — | ||
| 60 | Highway Nightmares | — | ||
| 61 | The 3rd of July | — | ||
| 62 | A Lovely Game of Cards | — | ||
| 63 | Self Inflicted | — | ||
| 64 | The Power of Words | — | ||
| 65 | Frontier Medicine | — | ||
| 66 | I Thought We Were Past All That | — | ||
| 67 | Wake | — | ||
| 68 | Alta Mesa Drive | — | ||
| 69 | I Wish There Were 5 Seasons | — | ||
| 70 | Los Angeles | — | ||
| 71 | Dear Them | — | ||
| 72 | The Long Sea | — | ||
| 2-1 | Homewrecker | hellogoodbye | T-902.895.905-9 | |
| 2-2 | His Midas Touch | — | ||
| 2-3 | Ashes Ashes | Hidden in Plain View | T-900.018.624-3 | |
| 2-4 | Nice Night for a Fist Fight | — | ||
| 2-5 | Kill the Messenger | Jack’s Mannequin | — | |
| 2-6 | Better Love | — | ||
| 2-7 | Speechless | — | ||
| 2-8 | My Eyes Burn | — | ||
| 2-9 | Let's Go All the Way | — | ||
| 2-10 | Too Sad for Hollywood | — | ||
| 2-11 | Kensington Parc | — | ||
| 2-12 | That's What I Was Thinking | — | ||
| 2-13 | Someone Has an AK | — | ||
| 2-14 | Wait For It | — | ||
| 2-15 | Last Will and Testament | — | ||
| 2-16 | Blank | — | ||
| 2-17 | The Glitch | — | ||
| 2-18 | You Can't Put Two Hotels on Mayfair | — | ||
| 2-19 | You Should Move Like I Do | — | ||
| 2-20 | My Ambulance | — | ||
| 2-21 | Please Wait Up For Me | — | ||
| 2-22 | American Ave | — | ||
| 2-23 | Clash | — | ||
| 2-24 | Second Place Victory | — | ||
| 2-25 | The Common Cold Shoulder | — | ||
| 2-26 | 75 DPI | — | ||
| 2-27 | A Great Pretending | — | ||
| 2-28 | Better Off | — | ||
| 2-29 | To Kill This | — | ||
| 2-30 | I'm Not Your Sweetheart | — | ||
| 2-31 | Renaissance | — | ||
| 2-32 | The Trainwreck | — | ||
| 2-33 | Left Behind | — | ||
| 2-34 | Chinese Checkers | — | ||
| 2-35 | Broken Wings | — | ||
| 2-36 | Martyrs if We're Lucky | — | ||
| 2-37 | Too Long to Wait | — | ||
| 2-38 | You Could Be My Mona Lisa | — | ||
| 2-39 | Distance Vs. Melody | — | ||
| 2-40 | Distance Makes the Heart Grow Wings | — | ||
| 2-41 | Build a Bridge and Jump Off of It | — | ||
| 2-42 | Dancing May Occur | — | ||
| 2-43 | A You/Me Story | — | ||
| 2-44 | Another Goodbye | — | ||
| 2-45 | It Blooms | — | ||
| 2-46 | You Win (You Always Do) | — | ||
| 2-47 | Everything's a Miracle | — | ||
| 2-48 | Say Goodbye | — | ||
| 2-49 | This Unfolding Story | — | ||
| 2-50 | Glorietta | — | ||
| 2-51 | Note to Self | — | ||
| 2-52 | Down for the Count | — | ||
| 2-53 | Salvations Gone South | — | ||
| 2-54 | The Fever | — | ||
| 2-55 | Magic Sticks in December | — | ||
| 2-56 | One, Two Parachutes | — | ||
| 2-57 | Waking Up | — | ||
| 2-58 | Hit the Lights | — | ||
| 2-59 | The Trees Are Dancing, Why Aren't We? | — | ||
| 2-60 | When I Look Into Your Eyes | — | ||
| 2-61 | An Empty Seat | — | ||
| 2-62 | Plan a Murder | — | ||
| 2-63 | Leap Year | — | ||
| 2-64 | Ceramic | — | ||
| 2-65 | It Broke the Boy's Back | — | ||
| 2-66 | Decibels | — | ||
| 2-67 | Days Run Long | — | ||
| 2-68 | The Way Things Fade | — | ||
| 2-69 | Mrs. Beautiful | — | ||
| 2-70 | I'll Be Careful, You'll Be Dead | — | ||
| 2-71 | Prejudice | — | ||
| 2-72 | I Love the Smell of Napalm in the Morning | — | ||
| 2-73 | You Belong in a Wheelchair | — |
