UPC · Release
Instant Composers Pool
Various Artists
0608917455427
392 tracksReleased 2012-01-01Instant Composers Pool
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0608917455427 is the Universal Product Code (UPC barcode) for the release “Instant Composers Pool” by Various Artists, released 2012-01-01 on Instant Composers Pool. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 392 tracks, each with its own ISRC. Tracks include QMDA71474340, QMDA71474341, QMDA71474342.
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060GS1 prefix
8917Company prefix
45542Product
7Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
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Credit Chain
UPCInstant Composers Pool
ISRC47 recordings
ISWC9 works
IPI5 songwriters
Track List (392)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Die Berge schützen die Heimat | — | ||
| 2 | Jump Italiano | — | ||
| 3 | Adebar der Geheimnisvolle | — | ||
| 4 | Piano Distance I | — | ||
| 5 | Before og 15 Kir | — | ||
| 6 | September Song | — | ||
| 2-1 | Music for John Tchicai | — | ||
| 2-2 | Felix Meritis and B.V. | — | ||
| 2-3 | I.C.P. 1 for Maarten Derksen | — | ||
| 2-4 | Singing the Impalpable Blues | — | ||
| 2-5 | Mr M.A. de R. in A. | — | ||
| 2-6 | Gamut | — | ||
| 3-1 | Amagabowl Part 1 No A B C D E | — | ||
| 3-2 | Amagabowl Part 2 No F G H I J | — | ||
| 3-3 | Sweet Smells | — | ||
| 3-4 | Vietcong | — | ||
| 4-1 | Intermezzo Between Nothing | Willem Breuker | — | |
| 4-2 | Prelude I | Willem Breuker | — | |
| 4-3 | Prelude II | Willem Breuker | — | |
| 4-4 | Block Chorus | Willem Breuker | — | |
| 4-5 | In Memory of John Coltrane | Willem Breuker | — | |
| 4-6 | Continuous C Sharp | Willem Breuker | T-926.043.468-2 | |
| 4-7 | Talking | Willem Breuker | T-926.054.753-3 | |
| 4-8 | Before Og 15 Kir II | Willem Breuker | — | |
| 4-9 | Psalm 1964 | Willem Breuker | — | |
| 4-10 | Cross | Willem Breuker | — | |
| 4-11 | Piece for Two Barrelorgans | Willem Breuker | — | |
| 4-12 | Piece for Three Barrelorgans | Willem Breuker | — | |
| 4-13 | Postlude for Three Barrelorgans | Willem Breuker | — | |
| 5-1 | An Old Woman Is Shelling Beans Inside Her Privy Parts. It Sounds “Like the Deep Croaking of a Frog” | — | ||
| 5-2 | Suki | — | ||
| 5-3 | Gachi = Long Tin African Trumpet | — | ||
| 5-4 | Kst, Kst | — | ||
| 5-5 | Good Morning, Derek | — | ||
| 5-6 | Chonkichonki | — | ||
| 5-7 | Tsk, Tsk | — | ||
| 6-1 | Fragments, a) | Misha Mengelberg, John Tchicai, Han Bennink, Derek Bailey | — | |
| 6-2 | Fragments, b) | Misha Mengelberg, John Tchicai, Han Bennink, Derek Bailey | — | |
| 6-3 | Fragments, c) | Misha Mengelberg, John Tchicai, Han Bennink, Derek Bailey | — | |
| 6-4 | Fragments, d) | Misha Mengelberg, John Tchicai, Han Bennink, Derek Bailey | — | |
| 6-5 | Fragments, e) | Misha Mengelberg, John Tchicai, Han Bennink, Derek Bailey | — | |
| 6-6 | Fragments, f) | Misha Mengelberg, John Tchicai, Han Bennink, Derek Bailey | — | |
| 6-7 | Fragments, g) | Misha Mengelberg, John Tchicai, Han Bennink, Derek Bailey | — | |
| 6-8 | Fragments, h) | Misha Mengelberg, John Tchicai, Han Bennink, Derek Bailey | — | |
| 6-9 | Fragments, i) | Misha Mengelberg, John Tchicai, Han Bennink, Derek Bailey | — | |
| 6-10 | Fragments, j) | Misha Mengelberg, John Tchicai, Han Bennink, Derek Bailey | — | |
| 7-1 | Groupcomposing, Part 1 | — | ||
| 7-2 | Groupcomposing, Part 2 | — | ||
| 8-1 | Grüsse aus Berchtesgarden | — | ||
| 8-2 | Serendipity | — | ||
| 8-3 | François le marin | — | ||
| 8-4 | Nineteen Voices | — | ||
| 8-5 | Introduction and First Entrance of the Horsemen | — | ||
| 8-6 | Song of the Lusitanian Bully II | — | ||
| 9-1 | Lass mich nicht weinen IV | — | ||
| 9-2 | Touches | — | ||
| 9-3 | Fascinating Appie | — | ||
| 9-4 | Title Song From the Movie “De Snelheid: 40-70” | — | ||
| 9-5 | Gib mir noch ein Spiegelei mit Schinken | — | ||
| 9-6 | Tussen de dijen van ’n mokkel | — | ||
| 9-7 | Five Songs From the Lusitanian Bully | — | ||
| 10-2 | Suffering | Willem Breuker | — | |
| 10-3 | Suicide Song | Willem Breuker | — | |
| 10-4 | Collision Stomp | Willem Breuker | — | |
| 10-5 | Thanksgiving Aria | Willem Breuker | — | |
| 10-6 | Trauermusik | Willem Breuker | — | |
| 10-7 | Telephone Song | Willem Breuker | — | |
| 10-8 | Ominous | Willem Breuker | — | |
| 10-9 | Final | Willem Breuker | — | |
| 11-1 | And the Great Spotted Woodpecker.......? “Tsjik, Tsjik, Tsjik” or “Kik” and a Very Fast Roll | — | ||
| 11-2 | Where Is the Police? | — | ||
| 12-1 | Kit 1 | — | ||
| 12-2 | Vlo Vlo Vlo Vlo Gaga | — | ||
| 12-3 | Fiddleelddif | — | ||
| 12-4 | Spooky Drums | — | ||
| 12-5 | Nerve Beats | — | ||
| 12-6 | Kit 2 | — | ||
| 12-7 | Soft Trumpet | — | ||
| 12-8 | Listen the Birds | — | ||
| 12-9 | Kit 3 | — | ||
| 12-10 | Khène + Voice | — | ||
| 12-11 | Spooky Drums B | — | ||
| 12-12 | Bumble-Rumble | — | ||
| 12-13 | Lick | — | ||
| 12-14 | Kit 4 | — | ||
| 13-1 | Handicaps 1 | Maarten van Regteren Altena | — | |
| 13-2 | Marja’s Dream | Maarten van Regteren Altena | — | |
| 13-3 | Strabasky | Maarten van Regteren Altena | — | |
| 13-4 | Woody Woodpecker | Maarten van Regteren Altena | — | |
| 13-5 | Basta | Maarten van Regteren Altena | — | |
| 13-6 | Dog’s Delight | Maarten van Regteren Altena | — | |
| 13-7 | Handicaps II | Maarten van Regteren Altena | — | |
| 13-8 | The Elephant | Maarten van Regteren Altena | — | |
| 14-1 | Een mirakelse tocht 1 (A) | — | ||
| 14-2 | Een mirakelse tocht 1 (B) | — | ||
| 14-3 | Een mirakelse tocht 2 (A) | — | ||
| 14-4 | Een mirakelse tocht 2 (B) | — | ||
| 14-5 | Een mirakelse tocht 3 (A) | — | ||
| 14-6 | Een mirakelse tocht 3 (B) | — | ||
| 15-1 | Een mirakelse tocht 4 (A) | — | ||
| 15-2 | Een mirakelse tocht 4 (B) | — | ||
| 15-3 | Een mirakelse tocht 5 (A) | — | ||
| 15-4 | Een mirakelse tocht 5 (B) | — | ||
| 15-5 | Een mirakelse tocht 6 (A) | — | ||
| 15-6 | Een mirakelse tocht 6 (B) | — | ||
| 16-1 | Eine Flasche für die Lola | — | ||
| 16-2 | Einepartietischtennis | — | ||
| 16-3 | Vögeln | — | ||
| 17-1 | Epistrophy | — | ||
| 17-2 | Instant Composition 5/VI/’72 | — | ||
| 18-1 | The New Duck | — | ||
| 18-2 | Torments | — | ||
| 18-3 | Lumps | — | ||
| 18-4 | Snip | — | ||
| 18-5 | Chops | — | ||
| 19-1 | Coincidents A | — | ||
| 20-1 | Coincidents B | — | ||
| 21-1 | Coincidents II A | — | ||
| 21-2 | Coincidents II A | — | ||
| 21-3 | Coincidents II A | — | ||
| 21-4 | Coincidents II A | — | ||
| 22-1 | Coincidents II B | — | ||
| 22-2 | Coincidents II B | — | ||
| 22-3 | Coincidents II B | — | ||
| 23-1 | Tuning the Bass | — | ||
| 23-2 | Spaghetti | — | ||
| 23-3 | The Grater | — | ||
| 23-4 | Tuning | — | ||
| 23-5 | Derek, Wilbur and the Blues | — | ||
| 23-6 | Smoking the Cigar | — | ||
| 23-7 | Tuning | — | ||
| 23-8 | Ricordato | — | ||
| 23-9 | Martinez | — | ||
| 23-10 | CDL | — | ||
| 23-11 | Handicaps III | — | ||
| 23-12 | Macanudo | — | ||
| 23-13 | The Elephant II | — | ||
| 24-1 | Tetterettet V + VI | — | ||
| 24-2 | Tetterettet IX | — | ||
| 24-3 | Tetterettet XII | — | ||
| 24-4 | Tetterettet XIV | — | ||
| 24-5 | Tetterettet XV | — | ||
| 24-6 | Alexander’s Marschbefehl | — | ||
| 24-7 | Rumboon | — | ||
| 24-8 | Kwik Kwek Kwak | — | ||
| 24-9 | Valse Trouvée | — | ||
| 24-10 | Ludwig’s Blue Note | — | ||
| 24-11 | Dank | — | ||
| 25-1 | Yi Yole | — | ||
| 25-2 | The King of Weasle Is Called Easle | — | ||
| 25-3 | Silopobock | — | ||
| 26-1 | Flute | — | ||
| 26-2 | Brozziman | — | ||
| 26-3 | Islay Malt Jetterburg | — | ||
| 26-4 | Peer’s Country Song | — | ||
| 26-5 | Interplay | — | ||
| 26-6 | Where Is the Police? | — | ||
| 26-7 | Bean | — | ||
| 27-1 | Kroeg A | — | ||
| 27-2 | Kroeg B | — | ||
| 27-3 | Bim A | — | ||
| 27-4 | Bim B | — | ||
| 27-5 | Islay Malt Jitterbug | — | ||
| 27-6 | Bim C | — | ||
| 28-1 | Salute to Fujisawa Shukoh | — | ||
| 28-2 | Kwela: a) Hap | — | ||
| 28-3 | Kwela: b) Boodshappen | — | ||
| 28-4 | Kwela: c) Welkom | — | ||
| 28-5 | Kwela: d) Briefkaart | — | ||
| 28-6 | Kwela: e) Maurits | — | ||
| 28-7 | Habanera | — | ||
| 28-8 | Carnaval | — | ||
| 28-9 | Japan Japon | — | ||
| 28-10 | Zing Zang Zaterdag | — | ||
| 28-11 | Brozziman | — | ||
| 28-12 | Caravan | — | ||
| 29-1 | Houseparty Starting | — | ||
| 29-2 | Change of Season | — | ||
| 29-3 | Spinning Song | — | ||
| 29-4 | Hangover Triangle | — | ||
| 29-5 | Step Tempest | — | ||
| 29-6 | 12 Bars | — | ||
| 29-7 | Terpsichore | — | ||
| 29-8 | 2300 Skidoo | — | ||
| 30-1 | Four in One | — | ||
| 30-2 | Epistrophy | — | ||
| 30-3 | Round Midnight | — | ||
| 30-4 | Hornin’ In | — | ||
| 30-5 | 52+ | — | ||
| 30-6 | Mysterioso | — | ||
| 30-7 | Criss Cross | — | ||
| 30-8 | Houseparty Starting | — | ||
| 30-9 | Change of Season | — | ||
| 30-10 | 2300 Skidoo | — | ||
| 30-11 | Spinning Song | — | ||
| 30-12 | Hangover Triangle | — | ||
| 30-13 | Step Tempest | — | ||
| 31-1 | [untitled] | — | ||
| 32-1 | Bospaadje Konijnehol 1 | — | ||
| 32-2 | Mooche Mix | — | ||
| 32-3 | Moodmixes Indigo | — | ||
| 32-4 | Mixed Caravan | — | ||
| 32-5 | Happy Go Lucky Local Mix | — | ||
| 32-6 | Mix Solitude | — | ||
| 32-7 | It Don't Mix | — | ||
| 32-8 | Zitten En Liggen | — | ||
| 32-9 | De Poezenkant | — | ||
| 32-10 | Het Kraken | — | ||
| 32-11 | Vondsten In Het Binnenwerk | — | ||
| 32-12 | Een Gewelfde Rugleuning | — | ||
| 32-13 | Kale Plekken | — | ||
| 33-1 | Kneushoorn | — | ||
| 33-2 | Kachel | — | ||
| 33-3 | Ktoel | — | ||
| 33-4 | Kafel | — | ||
| 33-5 | Kehang | — | ||
| 33-6 | Kroket | — | ||
| 33-7 | Kwela P’Kwana | — | ||
| 33-8 | Kraaloog | — | ||
| 33-9 | Worp En Wederworp | — | ||
| 33-10 | Vergezel De Steen Omhoog | — | ||
| 33-11 | Groei Kommer Dfafjes Uur | — | ||
| 33-12 | De Bol Een Waaier | — | ||
| 33-13 | Zing Zang Zaterdag | — | ||
| 33-14 | Vieze En Lekkere Lucht | — | ||
| 33-15 | Rollo 5 | — | ||
| 33-16 | Back to Lippiza | — | ||
| 33-17 | Kasten En Boeken | — | ||
| 33-18 | Bospaadje Konijnehol 2 | — | ||
| 34-1 | Mix Azure | — | ||
| 34-2 | Mix Canary | — | ||
| 35-1 | Amsterdam | — | ||
| 35-2 | Leeuwarden | — | ||
| 36-1 | A Demonstration | — | ||
| 36-2 | Of Extreme | — | ||
| 36-3 | Trombone Techniques | — | ||
| 37-1 | Socks, Lamps, Beauja | — | ||
| 37-2 | P Chats | — | ||
| 37-3 | Plonk, Couples, Kintopp Continued | — | ||
| 37-4 | The Heron | — | ||
| 37-5 | F’s & T’s, New 1 | — | ||
| 37-6 | Kafka 1, Kintopp | — | ||
| 37-7 | Kitchen Sink, Fusspot | — | ||
| 38-1 | Brrrrt / Toby’s Mloby 3 / TWR | — | ||
| 38-2 | Wink No. 50 / Toby’s Mloby 2 / Wink No. 50 | — | ||
| 38-3 | Salmon + Bear Suite | — | ||
| 38-4 | Television | — | ||
| 38-5 | Shrinkage / ¿Whither? | — | ||
| 38-6 | Toby’s Mloby 1 / Wireless / Antonelli’s Night Out | — | ||
| 38-7 | Faultier | — | ||
| 38-8 | Dut | — | ||
| 38-9 | Beehive | — | ||
| 38-10 | Toby’s Mloby 4 & 5 | — | ||
| 38-11 | Schijf / Romy | — | ||
| 39-1 | [untitled] | — | ||
| 40-1 | Squitty Geshee | — | ||
| 40-2 | Stopera | — | ||
| 40-3 | Mary Contrairy | — | ||
| 40-4 | Go East | — | ||
| 40-5 | A Camel’s Kiss | — | ||
| 40-6 | Waves | — | ||
| 40-7 | From Time to Time Suite | — | ||
| 40-8 | Restless in Pieces | — | ||
| 41-1 | Teas Not Made | — | ||
| 41-2 | Billow Your Pillow | — | ||
| 41-3 | Crumbs in Bed | — | ||
| 41-4 | Hagelslag | — | ||
| 42-1 | A Viola | — | ||
| 42-2 | B Violin | — | ||
| 42-3 | C Violin | — | ||
| 42-4 | D Viola | — | ||
| 42-5 | E Hardangerfiddle | — | ||
| 42-6 | F Viola | — | ||
| 42-7 | G Violin | — | ||
| 42-8 | H Viola | — | ||
| 42-9 | I Viola | — | ||
| 42-10 | J Violin | — | ||
| 42-11 | K Viola | — | ||
| 43-1 | Gestreken Eend | — | ||
| 43-2 | Belly Can | — | ||
| 43-3 | Samt | — | ||
| 43-4 | Kopf | — | ||
| 43-5 | Gras | — | ||
| 43-6 | Mücke | — | ||
| 43-7 | Die Like a Duck | — | ||
| 43-8 | Back Horse - Chives | — | ||
| 43-9 | Niggl | — | ||
| 43-10 | Plush Fabrication | — | ||
| 43-11 | Ringelnatter | — | ||
| 43-12 | Lene | — | ||
| 43-13 | Reciprocal | — | ||
| 44-1 | Write Down Exactly | — | ||
| 44-2 | A Close Encounter With Charles’s Country Band | — | ||
| 44-3 | Precise Dimensions and Weight | — | ||
| 44-4 | A la Russe | — | ||
| 44-5 | Travel Agent | — | ||
| 44-6 | Ham on Air | — | ||
| 44-7 | Hand and Checked Luggage | — | ||
| 44-8 | Oh My Deer! | — | ||
| 44-9 | Wild Turkey | — | ||
| 44-10 | Out Back/Chickadee | — | ||
| 44-11 | Sparkling | — | ||
| 44-12 | Oh My Dog! | — | ||
| 44-13 | Happy Dreams | — | ||
| 45-1 | Sheow 1 | — | ||
| 45-2 | Sheow 2 | — | ||
| 46-1 | Aan & uit | — | ||
| 46-2 | De sprong, o romantiek der hazen | — | ||
| 46-3 | Picnic: A Beautiful Day | — | ||
| 46-4 | Picnic: Let’s Go to the River | — | ||
| 46-5 | Picnic: And Have a Picnic | — | ||
| 46-6 | Picnic: Play Some Badminton | — | ||
| 46-7 | Picnic: Let’s Go Home Before | — | ||
| 46-8 | Picnic: The Sparrows Start Waving Their Pyjamas | — | ||
| 46-9 | Tijd voor de quadrille | — | ||
| 46-10 | Barbaric | — | ||
| 46-11 | Back to Lippiza | — | ||
| 46-12 | Vaetvient | — | ||
| 46-13 | Ever Never | — | ||
| 46-14 | Waar Bleef je? | — | ||
| 46-15 | Tuinhek | — | ||
| 46-16 | Opa | — | ||
| 46-17 | Let’s Climb a Hill | — | ||
| 46-18 | Aan & uit | — | ||
| 47-1 | Perdido | ICP Orchestra | — | |
| 47-2 | Mistrimar | ICP Orchestra | — | |
| 47-3 | Criss Cross | ICP Orchestra | T-700.007.642-8 | |
| 47-4 | Abtomi | ICP Orchestra | — | |
| 47-5 | Rumboon | ICP Orchestra | — | |
| 47-6 | Peer’s Counting Song | ICP Orchestra | — | |
| 47-7 | Zombie zua | ICP Orchestra | — | |
| 47-8 | Weer is een dag voorbij | ICP Orchestra | — | |
| 48-1 | De hondenmepper | — | ||
| 48-2 | Zeekip Ahoy | — | ||
| 48-3 | Complex 8/WAM | — | ||
| 48-4 | Met welbeleefde groet van de Kameel | — | ||
| 48-5 | Kraaloog | — | ||
| 48-6 | De sprong, o romantiek der hazen | — | ||
| 49-1 | Purple | — | ||
| 49-2 | Super Market / Su su ven a nan | — | ||
| 49-3 | Blue Fish | — | ||
| 49-4 | Breathing White | — | ||
| 49-5 | Echo | — | ||
| 49-6 | Spinazie / Trata Birata | — | ||
| 49-7 | Desiderio | — | ||
| 49-8 | Toddling | — | ||
| 49-9 | In the Middle of Nowhere | — | ||
| 50-1 | Jackying | — | ||
| 50-2 | Met | — | ||
| 50-3 | Op naar de Mooche | — | ||
| 50-4 | Jaloers? Ik? | — | ||
| 50-5 | Rollo 2 | — | ||
| 50-6 | Op naar aan/uit | — | ||
| 50-7 | Reef | — | ||
| 50-8 | Misha, Pass the Donkey | — | ||
| 50-9 | Change of Season | — | ||
| 51-1 | Apneu | — | ||
| 51-2 | Douchegordijn | — | ||
| 51-3 | Vishnu Stockings | — | ||
| 51-4 | Once Upon | — | ||
| 51-5 | Basbil | — | ||
| 51-6 | Perla oscura, perla clara | — | ||
| 51-7 | Motorboot | — | ||
| 51-8 | Maybe | — | ||
| 51-9 | Sisi | — | ||
| 51-10 | Matti’s Song | — | ||
| 51-11 | As They Step Into the Same Rivers | — | ||
| 52-1 | Grey / Counter Meal / Mouse March / Bird Brain | — | ||
| 52-2 | ¿Yellow? / Malvasia | — | ||
| 52-3 | Poeing | — | ||
| 52-4 | Cistern | — | ||
| 52-5 | Friar / I Love You When You’re Modest / Lullo’s Page / Celsius | — | ||
| 52-6 | Kit | — | ||
| 52-7 | Befana | — | ||
| 52-8 | Guest Room / Luftlucht | — | ||
| 53-1 | Niet zus, maar zo | — | ||
| 53-2 | Wakeup Call | — | ||
| 53-3 | Sumptious | — | ||
| 53-4 | Hamami | — | ||
| 53-5 | Busy Beaver | — | ||
| 53-6 | Mitrab | — | ||
| 53-7 | The Lepaerd | — | ||
| 53-8 | Het zoemen | — | ||
| 53-9 | Erma | — | ||
| 53-10 | No Idea | — | ||
| 53-11 | Sonnet in Search of a Moor | — | ||
| 54-1 | Where Is the Police? | — | ||
| 54-2 | Arc-Eo | — | ||
| 54-3 | Happy Go Lucky / Local | — | ||
| 54-4 | Moeder alle oorlogen | — | ||
| 54-5 | Barbaric | — | ||
| 54-6 | ’Round About Midnight | — |
Die Berge schützen die Heimat
—
Jump Italiano
—
Adebar der Geheimnisvolle
—
Piano Distance I
—
Before og 15 Kir
—
September Song
—
Music for John Tchicai
—
Felix Meritis and B.V.
—
I.C.P. 1 for Maarten Derksen
—
Singing the Impalpable Blues
—
Mr M.A. de R. in A.
—
Gamut
—
Amagabowl Part 1 No A B C D E
—
Amagabowl Part 2 No F G H I J
—
Sweet Smells
—
Vietcong
—
Intermezzo Between Nothing
Willem Breuker
—
Prelude I
Willem Breuker
—
Prelude II
Willem Breuker
—
Block Chorus
Willem Breuker
—
In Memory of John Coltrane
Willem Breuker
—
Before Og 15 Kir II
Willem Breuker
—
Psalm 1964
Willem Breuker
—
Cross
Willem Breuker
—
Piece for Two Barrelorgans
Willem Breuker
—
Piece for Three Barrelorgans
Willem Breuker
—
Postlude for Three Barrelorgans
Willem Breuker
—
An Old Woman Is Shelling Beans Inside Her Privy Parts. It Sounds “Like the Deep Croaking of a Frog”
—
Suki
—
Gachi = Long Tin African Trumpet
—
Kst, Kst
—
Good Morning, Derek
—
Chonkichonki
—
Tsk, Tsk
—
Fragments, a)
Misha Mengelberg, John Tchicai, Han Bennink, Derek Bailey
—
Fragments, b)
Misha Mengelberg, John Tchicai, Han Bennink, Derek Bailey
—
Fragments, c)
Misha Mengelberg, John Tchicai, Han Bennink, Derek Bailey
—
Fragments, d)
Misha Mengelberg, John Tchicai, Han Bennink, Derek Bailey
—
Fragments, e)
Misha Mengelberg, John Tchicai, Han Bennink, Derek Bailey
—
Fragments, f)
Misha Mengelberg, John Tchicai, Han Bennink, Derek Bailey
—
Fragments, g)
Misha Mengelberg, John Tchicai, Han Bennink, Derek Bailey
—
Fragments, h)
Misha Mengelberg, John Tchicai, Han Bennink, Derek Bailey
—
Fragments, i)
Misha Mengelberg, John Tchicai, Han Bennink, Derek Bailey
—
Fragments, j)
Misha Mengelberg, John Tchicai, Han Bennink, Derek Bailey
—
Groupcomposing, Part 1
—
Groupcomposing, Part 2
—
Grüsse aus Berchtesgarden
—
Serendipity
—
François le marin
—
Nineteen Voices
—
Introduction and First Entrance of the Horsemen
—
Song of the Lusitanian Bully II
—
Lass mich nicht weinen IV
—
Touches
—
Fascinating Appie
—
Title Song From the Movie “De Snelheid: 40-70”
—
Gib mir noch ein Spiegelei mit Schinken
—
Tussen de dijen van ’n mokkel
—
Five Songs From the Lusitanian Bully
—
Suffering
Willem Breuker
—
Suicide Song
Willem Breuker
—
Collision Stomp
Willem Breuker
—
Thanksgiving Aria
Willem Breuker
—
Trauermusik
Willem Breuker
—
Telephone Song
Willem Breuker
—
Ominous
Willem Breuker
—
Final
Willem Breuker
—
And the Great Spotted Woodpecker.......? “Tsjik, Tsjik, Tsjik” or “Kik” and a Very Fast Roll
—
Where Is the Police?
—
Kit 1
—
Vlo Vlo Vlo Vlo Gaga
—
Fiddleelddif
—
Spooky Drums
—
Nerve Beats
—
Kit 2
—
Soft Trumpet
—
Listen the Birds
—
Kit 3
—
Khène + Voice
—
Spooky Drums B
—
Bumble-Rumble
—
Lick
—
Kit 4
—
Handicaps 1
Maarten van Regteren Altena
—
Marja’s Dream
Maarten van Regteren Altena
—
Strabasky
Maarten van Regteren Altena
—
Woody Woodpecker
Maarten van Regteren Altena
—
Basta
Maarten van Regteren Altena
—
Dog’s Delight
Maarten van Regteren Altena
—
Handicaps II
Maarten van Regteren Altena
—
The Elephant
Maarten van Regteren Altena
—
Een mirakelse tocht 1 (A)
—
Een mirakelse tocht 1 (B)
—
Een mirakelse tocht 2 (A)
—
Een mirakelse tocht 2 (B)
—
Een mirakelse tocht 3 (A)
—
Een mirakelse tocht 3 (B)
—
Een mirakelse tocht 4 (A)
—
Een mirakelse tocht 4 (B)
—
Een mirakelse tocht 5 (A)
—
Een mirakelse tocht 5 (B)
—
Een mirakelse tocht 6 (A)
—
Een mirakelse tocht 6 (B)
—
Eine Flasche für die Lola
—
Einepartietischtennis
—
Vögeln
—
Epistrophy
—
Instant Composition 5/VI/’72
—
The New Duck
—
Torments
—
Lumps
—
Snip
—
Chops
—
Coincidents A
—
Coincidents B
—
Coincidents II A
—
Coincidents II A
—
Coincidents II A
—
Coincidents II A
—
Coincidents II B
—
Coincidents II B
—
Coincidents II B
—
Tuning the Bass
—
Spaghetti
—
The Grater
—
Tuning
—
Derek, Wilbur and the Blues
—
Smoking the Cigar
—
Tuning
—
Ricordato
—
Martinez
—
CDL
—
Handicaps III
—
Macanudo
—
The Elephant II
—
Tetterettet V + VI
—
Tetterettet IX
—
Tetterettet XII
—
Tetterettet XIV
—
Tetterettet XV
—
Alexander’s Marschbefehl
—
Rumboon
—
Kwik Kwek Kwak
—
Valse Trouvée
—
Ludwig’s Blue Note
—
Dank
—
Yi Yole
—
The King of Weasle Is Called Easle
—
Silopobock
—
Flute
—
Brozziman
—
Islay Malt Jetterburg
—
Peer’s Country Song
—
Interplay
—
Where Is the Police?
—
Bean
—
Kroeg A
—
Kroeg B
—
Bim A
—
Bim B
—
Islay Malt Jitterbug
—
Bim C
—
Salute to Fujisawa Shukoh
—
Kwela: a) Hap
—
Kwela: b) Boodshappen
—
Kwela: c) Welkom
—
Kwela: d) Briefkaart
—
Kwela: e) Maurits
—
Habanera
—
Carnaval
—
Japan Japon
—
Zing Zang Zaterdag
—
Brozziman
—
Caravan
—
Houseparty Starting
—
Change of Season
—
Spinning Song
—
Hangover Triangle
—
Step Tempest
—
12 Bars
—
Terpsichore
—
2300 Skidoo
—
Four in One
—
Epistrophy
—
Round Midnight
—
Hornin’ In
—
52+
—
Mysterioso
—
Criss Cross
—
Houseparty Starting
—
Change of Season
—
2300 Skidoo
—
Spinning Song
—
Hangover Triangle
—
Step Tempest
—
[untitled]
—
Bospaadje Konijnehol 1
—
Mooche Mix
—
Moodmixes Indigo
—
Mixed Caravan
—
Happy Go Lucky Local Mix
—
Mix Solitude
—
It Don't Mix
—
Zitten En Liggen
—
De Poezenkant
—
Het Kraken
—
Vondsten In Het Binnenwerk
—
Een Gewelfde Rugleuning
—
Kale Plekken
—
Kneushoorn
—
Kachel
—
Ktoel
—
Kafel
—
Kehang
—
Kroket
—
Kwela P’Kwana
—
Kraaloog
—
Worp En Wederworp
—
Vergezel De Steen Omhoog
—
Groei Kommer Dfafjes Uur
—
De Bol Een Waaier
—
Zing Zang Zaterdag
—
Vieze En Lekkere Lucht
—
Rollo 5
—
Back to Lippiza
—
Kasten En Boeken
—
Bospaadje Konijnehol 2
—
Mix Azure
—
Mix Canary
—
Amsterdam
—
Leeuwarden
—
A Demonstration
—
Of Extreme
—
Trombone Techniques
—
Socks, Lamps, Beauja
—
P Chats
—
Plonk, Couples, Kintopp Continued
—
The Heron
—
F’s & T’s, New 1
—
Kafka 1, Kintopp
—
Kitchen Sink, Fusspot
—
Brrrrt / Toby’s Mloby 3 / TWR
—
Wink No. 50 / Toby’s Mloby 2 / Wink No. 50
—
Salmon + Bear Suite
—
Television
—
Shrinkage / ¿Whither?
—
Toby’s Mloby 1 / Wireless / Antonelli’s Night Out
—
Faultier
—
Dut
—
Beehive
—
Toby’s Mloby 4 & 5
—
Schijf / Romy
—
[untitled]
—
Squitty Geshee
—
Stopera
—
Mary Contrairy
—
Go East
—
A Camel’s Kiss
—
Waves
—
From Time to Time Suite
—
Restless in Pieces
—
Teas Not Made
—
Billow Your Pillow
—
Crumbs in Bed
—
Hagelslag
—
A Viola
—
B Violin
—
C Violin
—
D Viola
—
E Hardangerfiddle
—
F Viola
—
G Violin
—
H Viola
—
I Viola
—
J Violin
—
K Viola
—
Gestreken Eend
—
Belly Can
—
Samt
—
Kopf
—
Gras
—
Mücke
—
Die Like a Duck
—
Back Horse - Chives
—
Niggl
—
Plush Fabrication
—
Ringelnatter
—
Lene
—
Reciprocal
—
Write Down Exactly
—
A Close Encounter With Charles’s Country Band
—
Precise Dimensions and Weight
—
A la Russe
—
Travel Agent
—
Ham on Air
—
Hand and Checked Luggage
—
Oh My Deer!
—
Wild Turkey
—
Out Back/Chickadee
—
Sparkling
—
Oh My Dog!
—
Happy Dreams
—
Sheow 1
—
Sheow 2
—
Aan & uit
—
De sprong, o romantiek der hazen
—
Picnic: A Beautiful Day
—
Picnic: Let’s Go to the River
—
Picnic: And Have a Picnic
—
Picnic: Play Some Badminton
—
Picnic: Let’s Go Home Before
—
Picnic: The Sparrows Start Waving Their Pyjamas
—
Tijd voor de quadrille
—
Barbaric
—
Back to Lippiza
—
Vaetvient
—
Ever Never
—
Waar Bleef je?
—
Tuinhek
—
Opa
—
Let’s Climb a Hill
—
Aan & uit
—
Perdido
ICP Orchestra
—
Mistrimar
ICP Orchestra
—
Abtomi
ICP Orchestra
—
Rumboon
ICP Orchestra
—
Peer’s Counting Song
ICP Orchestra
—
Zombie zua
ICP Orchestra
—
Weer is een dag voorbij
ICP Orchestra
—
De hondenmepper
—
Zeekip Ahoy
—
Complex 8/WAM
—
Met welbeleefde groet van de Kameel
—
Kraaloog
—
De sprong, o romantiek der hazen
—
Purple
—
Super Market / Su su ven a nan
—
Blue Fish
—
Breathing White
—
Echo
—
Spinazie / Trata Birata
—
Desiderio
—
Toddling
—
In the Middle of Nowhere
—
Jackying
—
Met
—
Op naar de Mooche
—
Jaloers? Ik?
—
Rollo 2
—
Op naar aan/uit
—
Reef
—
Misha, Pass the Donkey
—
Change of Season
—
Apneu
—
Douchegordijn
—
Vishnu Stockings
—
Once Upon
—
Basbil
—
Perla oscura, perla clara
—
Motorboot
—
Maybe
—
Sisi
—
Matti’s Song
—
As They Step Into the Same Rivers
—
Grey / Counter Meal / Mouse March / Bird Brain
—
¿Yellow? / Malvasia
—
Poeing
—
Cistern
—
Friar / I Love You When You’re Modest / Lullo’s Page / Celsius
—
Kit
—
Befana
—
Guest Room / Luftlucht
—
Niet zus, maar zo
—
Wakeup Call
—
Sumptious
—
Hamami
—
Busy Beaver
—
Mitrab
—
The Lepaerd
—
Het zoemen
—
Erma
—
No Idea
—
Sonnet in Search of a Moor
—
Where Is the Police?
—
Arc-Eo
—
Happy Go Lucky / Local
—
Moeder alle oorlogen
—
Barbaric
—
’Round About Midnight
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Ouverture | Willem Breuker | — |
Ouverture
Willem Breuker
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
SourcesMusicBrainzDiscogs2 sources
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People also ask
What is UPC 0608917455427?
0608917455427 is a Universal Product Code (UPC) assigned to Instant Composers Pool by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 392 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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