UPC · Release
Christmoss Time
Manuel Backert
Last verified:
0633710230667 is the Universal Product Code (UPC barcode) for the release “Christmoss Time” by Manuel Backert, released 2021-12-24. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 57 tracks, each with its own ISRC. Tracks include DEND51210200, DEND51210133, DEND51210205.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (57)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Barbie, Thema 1 | Manuel Backert, Ilka Antippa | — | |
| 5 | Reality | Manuel Backert, Ilka Antippa | — | |
| 7 | Reality (instrumental) | Manuel Backert | — | |
| 8 | Time’s Up (Variante 1) | Manuel Backert | — | |
| 9 | Time’s Up (Variante 2) | Manuel Backert | — | |
| 10 | Time’s Up (Variante 3) | Manuel Backert | — | |
| 11 | Abba’s Theme | Manuel Backert | — | |
| 13 | Shake It, Baby (shy variation) | Manuel Backert, Pascal Kravetz | — | |
| 14 | Shake It, Baby (bold variation) | Manuel Backert, Pascal Kravetz | — | |
| 15 | Barbie, Thema 3 | Manuel Backert | — | |
| 18 | Gestern war sie da | Manuel Backert | — | |
| 19 | Gestern war sie da (Instrumental) | Manuel Backert | — | |
| 20 | Piano Arpeggiator | Manuel Backert | — | |
| 22 | Fallen Angel | Manuel Backert, Ilka Antippa | — | |
| 23 | Fallen Angel (instrumental) | Manuel Backert | — | |
| 24 | Romantic Dreams | Manuel Backert, Ilka Antippa | — | |
| 25 | Romantic Dreams (instrumental) | Manuel Backert | — | |
| 26 | Go Berzerk (Variante 1) | Manuel Backert, Pascal Kravetz | — | |
| 27 | Go Berzerk (Variante 2) | Manuel Backert, Pascal Kravetz | — | |
| 28 | Go Berzerk (Variante 3) | Manuel Backert, Pascal Kravetz | — | |
| 29 | Go Berzerk (Variante 4) | Manuel Backert, Pascal Kravetz | — | |
| 30 | Go Berzerk (Variante 5) | Manuel Backert, Pascal Kravetz | — | |
| 31 | Go Berzerk (Variante 6) | Manuel Backert, Pascal Kravetz | — | |
| 32 | Go Berzerk (Variante 7) | Manuel Backert, Pascal Kravetz | — | |
| 33 | Go Berzerk (Variante 8) | Manuel Backert, Pascal Kravetz | — | |
| 34 | Go Berzerk (Variante 9) | Manuel Backert, Pascal Kravetz | — | |
| 35 | Go Berzerk (Variante 10) | Manuel Backert, Pascal Kravetz | — | |
| 36 | Go Berzerk (Variante 11) | Manuel Backert, Pascal Kravetz | — | |
| 37 | Goodbye, My Manic | Manuel Backert | — | |
| 41 | Spooky Organ (Variante 1) | Manuel Backert, Pascal Kravetz | — | |
| 42 | Spooky Organ (Variante 2) | Manuel Backert, Pascal Kravetz | — | |
| 43 | Take Ten | Manuel Backert | — | |
| 44 | High Stakes (Variante 1) | Manuel Backert, Pascal Kravetz | — | |
| 46 | High Stakes (Variante 2) | Manuel Backert, Pascal Kravetz | — | |
| 47 | High Stakes (Variante 3) | Manuel Backert, Pascal Kravetz | — | |
| 48 | Let Loose (Variante 1) | Manuel Backert, Pascal Kravetz | — | |
| 49 | Let Loose (Variante 2) | Manuel Backert | — | |
| 50 | Let Loose (Variante 3) | Manuel Backert, Pascal Kravetz | — | |
| 51 | Terror in the Aisles (Variante 1, with drums) | Manuel Backert, Pascal Kravetz | — | |
| 52 | Terror in the Aisles (Variante 2, synth only) | Manuel Backert, Pascal Kravetz | — | |
| 53 | Zardo (Variante 1) | Manuel Backert, Pascal Kravetz | — | |
| 54 | Zardo (Variante 2) | Manuel Backert, Pascal Kravetz | — | |
| 55 | Zardo (Variante 3) | Manuel Backert, Pascal Kravetz | — | |
| 56 | Zardo (Variante 4) | Manuel Backert, Pascal Kravetz | — | |
| 57 | Zardo (Variante 5) | Manuel Backert, Pascal Kravetz | — | |
| 58 | Deep Rolls (Variante 1) | Manuel Backert, Pascal Kravetz | — | |
| 59 | Deep Rolls (Variante 2) | Manuel Backert, Pascal Kravetz | — | |
| 60 | Deep Rolls (Variante 3) | Manuel Backert, Pascal Kravetz | — | |
| 61 | Deep Rolls (Variante 4) | Manuel Backert, Pascal Kravetz | — | |
| 62 | Waiting for Dawn | Manuel Backert, Pascal Kravetz | — | |
| 63 | Sinister (Variante 1) | Manuel Backert, Pascal Kravetz | — | |
| 64 | Sinister (Variante 2) | Manuel Backert, Pascal Kravetz | — | |
| 65 | Sinister (Variante 3) | Manuel Backert, Pascal Kravetz | — | |
| 66 | One More Sleep | Manuel Backert | — | |
| 67 | Barbie, Thema 2, Voc. | Manuel Backert, Ilka Antippa | — | |
| 69 | Barbie, Thema 2 (Instrumental) | Manuel Backert | — | |
| 71 | Line Dance | Manuel Backert | — |
Additional database matches (14)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Barbie, Thema 1 (Alternativ‐Mix) | Manuel Backert, Ilka Antippa | — |
| Barbie, Thema 1 (Instrumental‐Remix) | Manuel Backert | — |
| Barbie, Thema 1 (Remix) | Manuel Backert, Ilka Antippa | — |
| Reality (reduced mix) | Manuel Backert | — |
| Abba’s Theme (reduced mix) | Manuel Backert | — |
| Barbie, Thema 3 (remix) | Manuel Backert | — |
| Barbie, Thema 3 (reduced mix) | Manuel Backert | — |
| Piano Arpeggiator (reduced version) | Manuel Backert | — |
| Thema aus Barbie (Flöten‐Version) | Manuel Backert, Ilka Antippa | — |
| Thema aus Barbie (Synthesizer‐Version) | Manuel Backert | — |
| Thema aus Barbie (Synthesizer‐Version, ohne Percussion) | Manuel Backert | — |
| High Stakes, Var. 1 (remix) | Manuel Backert | — |
| Barbie, Thema 2 (Alternativ‐Mix) | Manuel Backert, Ilka Antippa | — |
| Barbie, Thema 2 (Remix) | Manuel Backert, Ilka Antippa | — |
Verified on
Identifier Graph
People also ask
What is UPC 0633710230667?
0633710230667 is a Universal Product Code (UPC) assigned to Christmoss Time by Manuel Backert. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 57 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm