UPC · Release
Le classique a l'écran : Suspense
Various Artists
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0636943461624 is the Universal Product Code (UPC barcode) for the release “Le classique a l'écran : Suspense” by Various Artists, released 1999-01-01 on Naxos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 13 tracks, each with its own ISRC. Tracks include HKI199206202, HKI199506506, HKI199421707.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (13)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air on a G String | Capella Istropolitana, Jaroslav Dvořák | T-914.248.874-2 | |
| 2 | Usual Suspects : Le son et les parfums tournent dans l'air du soir | — | ||
| 3 | Goldberg Variations, BWV 988: Aria | Chen Pi-hsien | — | |
| 4 | Requiem, op. 48: VII. In paradisum (from “Copycat”) | Lisa Beckley, Colm Carey, Nicholas Gedge, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly | T-924.489.944-3 | |
| 5 | Tosca: Atto II. “Vissi d’arte, vissi d’amore” | Nelly Miricioiu, Czecho-Slovak Radio Symphony Orchestra (Bratislava), Alexander Rahbari | — | |
| 6 | Il barbiere di Siviglia: Atto I, scena 2. No. 2 Cavatina "Largo al factotum della città" (Figaro) | Roberto Servile, Failoni Chamber Orchestra, Will Humburg | T-900.095.253-4 | |
| 7 | Miserere mei | Oxford Camerata, Jeremy Summerly | T-031.810.053-6 | |
| 8 | Prelude in D-flat major, op. 28 no. 15 ’Raindrop’ | İdil Biret | — | |
| 9 | Volte face : La Flûte enchantée : "Ach ich fühl's" | — | ||
| 10 | Orange mécanique : Musique funèbre pour la Reine Mary : marche | — | ||
| 11 | Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale: Presto | Ruxandra Donose, Manfred Fink, Nicolaus Esterházy Choir, Claudio Otelli, Hasmik Papian, Nicolaus Esterházy Sinfonia, Béla Drahos | T-318.676.528-2 | |
| 12 | Symphonie fantastique, op. 14 : Un bal | Symfonický orchester Slovenského rozhlasu, Pinchas Steinberg | T-918.345.559-6 | |
| 13 | Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
Additional database matches (11)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | T-925.881.218-9 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | T-071.125.227-5 |
| Prelude in D-flat major, op. 28 no. 15 ’Raindrop’ | İdil Biret | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Symphonie fantastique, op. 14 : Un bal | Symfonický orchester Slovenského rozhlasu, Pinchas Steinberg | T-901.179.534-9 |
| Il barbiere di Siviglia: Atto I, scena 2. No. 2 Cavatina "Largo al factotum della città" (Figaro) | Roberto Servile, Failoni Chamber Orchestra, Will Humburg | T-001.394.025-4 |
| Tosca: Atto II. “Vissi d’arte, vissi d’amore” | Nelly Miricioiu, Czecho-Slovak Radio Symphony Orchestra (Bratislava), Alexander Rahbari | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Goldberg Variations, BWV 988: Aria | Chen Pi-hsien | T-900.788.553-2 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
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What is UPC 0636943461624?
0636943461624 is a Universal Product Code (UPC) assigned to Le classique a l'écran : Suspense by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 13 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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