UPC · Album
Le classique a l'écran : Suspense
Various Artists
0636943461624
13 tracksReleased 1999-01-01Naxos
Last verified:
0636943461624 is the Universal Product Code (UPC barcode) for the release “Le classique a l'écran : Suspense” by Various Artists, released 1999-01-01 on Naxos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 13 tracks, each with its own ISRC. Tracks include HKI190023713, HKI190327508, HKI198900207.
Format
063GS1 prefix
6943Company prefix
46162Product
4Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCLe classique a l'écran : Suspense
ISRC27 recordings
ISWC14 works
Track List (27)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Il barbiere di Siviglia: Atto I, scena 2. No. 2 Cavatina "Largo al factotum della città" (Figaro) | Roberto Servile, Failoni Chamber Orchestra, Will Humburg | HKI190023713 |
| Prelude in D-flat major, op. 28 no. 15 ’Raindrop’ | İdil Biret | HKI190327508 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | HKI198900207 |
| Tosca: Atto II. “Vissi d’arte, vissi d’amore” | Nelly Miricioiu, Czecho-Slovak Radio Symphony Orchestra (Bratislava), Alexander Rahbari | HKI199092112 |
| Orchestral Suite no. 3 in D major, BWV 1068: II. Air on a G String | Capella Istropolitana, Jaroslav Dvořák | HKI199206202 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | HKI199213901 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | HKI199214304 |
| Symphonie fantastique, op. 14 : Un bal | Symfonický orchester Slovenského rozhlasu, Pinchas Steinberg | HKI199219202 |
| Prelude in D-flat major, op. 28 no. 15 ’Raindrop’ | İdil Biret | HKI199234015 |
| Miserere mei | Oxford Camerata, Jeremy Summerly | HKI199235106 |
| Orchestral Suite no. 3 in D major, BWV 1068: II. Air on a G String | Capella Istropolitana, Jaroslav Dvořák | HKI199235616 |
| Orchestral Suite no. 3 in D major, BWV 1068: II. Air on a G String | Capella Istropolitana, Jaroslav Dvořák | HKI199242603 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | HKI199242615 |
| Symphonie fantastique, op. 14 : Un bal | Symfonický orchester Slovenského rozhlasu, Pinchas Steinberg | HKI199245307 |
| Il barbiere di Siviglia: Atto I, scena 2. No. 2 Cavatina "Largo al factotum della città" (Figaro) | Roberto Servile, Failoni Chamber Orchestra, Will Humburg | HKI199320808 |
| Tosca: Atto II. “Vissi d’arte, vissi d’amore” | Nelly Miricioiu, Czecho-Slovak Radio Symphony Orchestra (Bratislava), Alexander Rahbari | HKI199400710 |
| Requiem, op. 48: VII. In paradisum (from “Copycat”) | Lisa Beckley, Colm Carey, Nicholas Gedge, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly | HKI199421707 |
| Goldberg Variations, BWV 988: Aria | Chen Pi-hsien | HKI199506506 |
| Orchestral Suite no. 3 in D major, BWV 1068: II. Air on a G String | Capella Istropolitana, Jaroslav Dvořák | HKI199506507 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | HKI199615801 |
| Orchestral Suite no. 3 in D major, BWV 1068: II. Air on a G String | Capella Istropolitana, Jaroslav Dvořák | HKI199631316 |
| Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale: Presto | Ruxandra Donose, Manfred Fink, Nicolaus Esterházy Choir, Claudio Otelli, Hasmik Papian, Nicolaus Esterházy Sinfonia, Béla Drahos | HKI199700704 |
| Requiem, op. 48: VII. In paradisum (from “Copycat”) | Lisa Beckley, Colm Carey, Nicholas Gedge, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly | HKI199708414 |
| Goldberg Variations, BWV 988: Aria | Chen Pi-hsien | HKI199713804 |
| Requiem, op. 48: VII. In paradisum (from “Copycat”) | Lisa Beckley, Colm Carey, Nicholas Gedge, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly | HKI199811907 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | HKI199844404 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | USB8U1611094 |
Il barbiere di Siviglia: Atto I, scena 2. No. 2 Cavatina "Largo al factotum della città" (Figaro)
Roberto Servile, Failoni Chamber Orchestra, Will Humburg
Prelude in D-flat major, op. 28 no. 15 ’Raindrop’
İdil Biret
Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Jenő Jandó
Tosca: Atto II. “Vissi d’arte, vissi d’amore”
Nelly Miricioiu, Czecho-Slovak Radio Symphony Orchestra (Bratislava), Alexander Rahbari
Orchestral Suite no. 3 in D major, BWV 1068: II. Air on a G String
Capella Istropolitana, Jaroslav Dvořák
Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Jenő Jandó
Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Jenő Jandó
Symphonie fantastique, op. 14 : Un bal
Symfonický orchester Slovenského rozhlasu, Pinchas Steinberg
Prelude in D-flat major, op. 28 no. 15 ’Raindrop’
İdil Biret
Miserere mei
Oxford Camerata, Jeremy Summerly
Orchestral Suite no. 3 in D major, BWV 1068: II. Air on a G String
Capella Istropolitana, Jaroslav Dvořák
Orchestral Suite no. 3 in D major, BWV 1068: II. Air on a G String
Capella Istropolitana, Jaroslav Dvořák
Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Jenő Jandó
Symphonie fantastique, op. 14 : Un bal
Symfonický orchester Slovenského rozhlasu, Pinchas Steinberg
Il barbiere di Siviglia: Atto I, scena 2. No. 2 Cavatina "Largo al factotum della città" (Figaro)
Roberto Servile, Failoni Chamber Orchestra, Will Humburg
Tosca: Atto II. “Vissi d’arte, vissi d’amore”
Nelly Miricioiu, Czecho-Slovak Radio Symphony Orchestra (Bratislava), Alexander Rahbari
Requiem, op. 48: VII. In paradisum (from “Copycat”)
Lisa Beckley, Colm Carey, Nicholas Gedge, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly
Goldberg Variations, BWV 988: Aria
Chen Pi-hsien
Orchestral Suite no. 3 in D major, BWV 1068: II. Air on a G String
Capella Istropolitana, Jaroslav Dvořák
Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Jenő Jandó
Orchestral Suite no. 3 in D major, BWV 1068: II. Air on a G String
Capella Istropolitana, Jaroslav Dvořák
Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale: Presto
Ruxandra Donose, Manfred Fink, Nicolaus Esterházy Choir, Claudio Otelli, Hasmik Papian, Nicolaus Esterházy Sinfonia, Béla Drahos
Requiem, op. 48: VII. In paradisum (from “Copycat”)
Lisa Beckley, Colm Carey, Nicholas Gedge, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly
Goldberg Variations, BWV 988: Aria
Chen Pi-hsien
Requiem, op. 48: VII. In paradisum (from “Copycat”)
Lisa Beckley, Colm Carey, Nicholas Gedge, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly
Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Jenő Jandó
Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
Jenő Jandó
What other identifiers does this connect to?
Musical Works (ISWC)
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What is UPC 0636943461624?
0636943461624 is a Universal Product Code (UPC) assigned to Le classique a l'écran : Suspense by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 13 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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