UPC · Release
100 Hits: 80s Rewind
Various Artists
Last verified:
0654378707728 is the Universal Product Code (UPC barcode) for the release “100 Hits: 80s Rewind” by Various Artists, released 2011-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GB7GZ0900018, GBAHT0400140, GBAAP2000292.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | It Must Be Love | Madness | T-011.223.683-5 | |
| 2 | Welcome to the Pleasuredome | — | ||
| 3 | Things Can Only Get Better | — | ||
| 4 | Touchy! | — | ||
| 5 | Touched by the Hand of God | — | ||
| 6 | Nathan Jones | — | ||
| 7 | Give Me Back My Heart | Dollar | T-900.018.993-5 | |
| 8 | Seven Seas | — | ||
| 9 | Breakaway | — | ||
| 10 | Don’t Blame It on the Girl | — | ||
| 11 | Blue | Fine Young Cannibals | T-011.322.921-2 | |
| 12 | A New Flame | — | ||
| 13 | Good Tradition | Tanita Tikaram | T-011.363.382-1 | |
| 14 | Foolish Beat | Debbie Gibson | T-070.059.021-1 | |
| 15 | I Feel Love (medley) | — | ||
| 16 | Waves | — | ||
| 17 | Give It Some Emotion | — | ||
| 18 | Walk Out to Winter | — | ||
| 19 | Moments in Love | Art of Noise | T-010.245.892-3 | |
| 20 | Too Nice to Talk To | The Beat | T-070.271.956-9 | |
| 2-1 | Bust a Move | Young MC | T-070.884.851-4 | |
| 2-2 | Lifetime Love | — | ||
| 2-3 | Devotion | — | ||
| 2-4 | The Right Thing | Simply Red | T-010.146.493-0 | |
| 2-5 | Pacific 707 | 808 State | T-905.454.892-4 | |
| 2-6 | Dr. Mabuse | — | ||
| 2-7 | Round and Round | — | ||
| 2-8 | Born This Way (Let’s dance) | — | ||
| 2-9 | Eye to Eye | Chaka Khan | T-070.051.080-0 | |
| 2-10 | Street Dance | — | ||
| 2-11 | Touch Me | — | ||
| 2-12 | Give It Up | KC and the Sunshine Band | T-070.234.239-9 | |
| 2-13 | Can’t Stop the Music | Village People | T-070.881.003-0 | |
| 2-14 | There’s More to Love (Than Boy Meets Girl) | — | ||
| 2-15 | I Want Her | — | ||
| 2-16 | Get Tough | — | ||
| 2-17 | Caught Up in the Rapture | — | ||
| 2-18 | The Way You Love Me | — | ||
| 2-19 | Rainy Night in Georgia | — | ||
| 2-20 | Every Kind People | — | ||
| 3-1 | On the Beach | Chris Rea | T-010.309.525-5 | |
| 3-2 | Sailing | Christopher Cross | T-070.249.039-8 | |
| 3-3 | That Was Yesterday | — | ||
| 3-4 | TV Dinners | ZZ Top | — | |
| 3-5 | Restless | — | ||
| 3-6 | Sugar Box | — | ||
| 3-7 | Bring on the Dancing Horses | — | ||
| 3-8 | Blues From a Gun | The Jesus and Mary Chain | T-011.377.416-5 | |
| 3-9 | Dominion | — | ||
| 3-10 | Love Is the Slug | — | ||
| 3-11 | I Walk the Earth | Voice of the Beehive | T-700.028.184-7 | |
| 3-12 | Thunder in the Mountains | — | ||
| 3-13 | Come On Let’s Go | — | ||
| 3-14 | I’m Not the Man I Used to Be | Fine Young Cannibals | T-011.364.164-7 | |
| 3-15 | Deep and Wide and Tall | — | ||
| 3-16 | Years Go By | — | ||
| 3-17 | Levi Stubbs’ Tears | Billy Bragg | T-010.310.195-6 | |
| 3-18 | Swords of a Thousand Men | Tenpole Tudor | T-010.182.767-1 | |
| 3-19 | I Want to Be Straight | Ian Dury & the Blockheads | — | |
| 3-20 | Streets of London | Anti-Nowhere League | T-902.256.059-4 | |
| 4-1 | Candy Girl | New Edition | T-070.887.235-8 | |
| 4-2 | Na Na Hey Hey Kiss Him Goodbye | — | ||
| 4-3 | Oh L’Amour | Dollar | T-010.170.350-7 | |
| 4-4 | For a Friend | The Communards | T-011.407.828-2 | |
| 4-5 | Just a Feeling | — | ||
| 4-6 | My Toot Toot | — | ||
| 4-7 | Move Over Darling | Tracey Ullman | T-900.008.768-3 | |
| 4-8 | Let Her Go | Strawberry Switchblade | T-306.400.522-3 | |
| 4-9 | Ay Ay Ay Ay Moosey | — | ||
| 4-10 | Over the Sea | — | ||
| 4-11 | I Wanna Be a Flintstone | — | ||
| 4-12 | Stars Over 45 (medley) | — | ||
| 4-13 | More Than in Love | — | ||
| 4-14 | Heart (Stop Beating in Time) | Leo Sayer | T-900.001.237-3 | |
| 4-15 | Dolce Vita | — | ||
| 4-16 | Wap Bam Boogie | — | ||
| 4-17 | Dancing in the Dark | — | ||
| 4-18 | Hard to Say I’m Sorry | Chicago | T-070.077.709-8 | |
| 4-19 | Almaz | — | ||
| 4-20 | Memory | — | ||
| 5-1 | I Love My Radio (My Deejay’s radio) | — | ||
| 5-2 | Love, Truth and Honesty | — | ||
| 5-3 | Come on Home | — | ||
| 5-4 | It Ain’t Necessarily So | — | ||
| 5-5 | Lorraine | — | ||
| 5-6 | The Day Before You Came | — | ||
| 5-7 | Pearl in the Shell | Howard Jones | T-010.139.007-1 | |
| 5-8 | You Are the One | — | ||
| 5-9 | Out of the Blue | — | ||
| 5-10 | Sleeping Bag | — | ||
| 5-11 | Best Friend | — | ||
| 5-12 | You’re the Inspiration | Chicago | T-070.212.835-5 | |
| 5-13 | So Cold the Night | — | ||
| 5-14 | Crocodile Cryer | — | ||
| 5-15 | Brave New World | — | ||
| 5-16 | Orchard Road | — | ||
| 5-17 | Got to Keep On | — | ||
| 5-18 | Know How | — | ||
| 5-19 | Juke Box Hero | Foreigner | T-070.090.150-3 | |
| 5-20 | Sidewalking | — |
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Pacific State | 808 State | T-905.453.099-3 |
| TV Dinners | ZZ Top | — |
| TV Dinners | ZZ Top | — |
| TV Dinners | ZZ Top | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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Credits Graph
People also ask
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What is UPC 0654378707728?
0654378707728 is a Universal Product Code (UPC) assigned to 100 Hits: 80s Rewind by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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