UPC · Release
100 Hits: Alternative
Various Artists
Last verified:
0654378710223 is the Universal Product Code (UPC barcode) for the release “100 Hits: Alternative” by Various Artists, released 2012-10-15. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 95 tracks, each with its own ISRC. Tracks include GBAYE9701368, US4GE0400025, GBAYE9701387.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (95)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Karma Police | Radiohead | T-010.257.774-1 | |
| 2 | Daft Punk Is Playing at My House | LCD Soundsystem | T-072.220.548-2 | |
| 3 | Over and Over (radio edit) | — | ||
| 4 | Dry the Rain | The Beta Band | T-011.528.592-1 | |
| 5 | Trash | Suede | T-010.255.957-8 | |
| 6 | Wide Open Space (edit) | — | ||
| 7 | Scooby Snacks (clean) | Fun Lovin’ Criminals | T-905.774.917-4 | |
| 8 | Spread Your Love | Black Rebel Motorcycle Club | T-071.361.948-7 | |
| 9 | Hammering the Cramps | — | ||
| 10 | You Held the World in Your Arms | — | ||
| 11 | Moving | Supergrass | — | |
| 12 | Wash in the Rain | — | ||
| 13 | Devil in Me | — | ||
| 14 | If I Can’t Change Your Mind | — | ||
| 15 | People Help the People | — | ||
| 16 | Everybody’s Happy Nowadays | — | ||
| 17 | Shot by Both Sides (original single version) | — | ||
| 18 | Babylon’s Burning | — | ||
| 19 | No Rest | New Model Army | — | |
| 20 | All Mapped Out | — | ||
| 2-1 | No More Heroes | The Stranglers | T-010.044.077-4 | |
| 2-2 | Public Image | — | ||
| 2-4 | At Home He’s a Tourist | — | ||
| 2-5 | Promises | — | ||
| 2-6 | Lenny Valentino | The Auteurs | T-010.341.054-3 | |
| 2-7 | Touch and Go | — | ||
| 2-8 | Outdoor Miner | Wire | T-010.469.410-1 | |
| 2-9 | Love Like Blood | — | ||
| 2-10 | Stupid Questions | New Model Army | — | |
| 2-11 | A Good Idea | — | ||
| 2-12 | Just Because | — | ||
| 2-13 | Take the Long Road and Walk It (radio edit) | — | ||
| 2-14 | Outtathaway | The Vines | T-060.572.058-8 | |
| 2-15 | Mammoth | Interpol | T-900.913.377-1 | |
| 2-16 | Stop | — | ||
| 2-17 | Perseverance | — | ||
| 2-18 | Hobo Humpin’ Slobo Babe | — | ||
| 2-19 | Such a Fool | — | ||
| 2-20 | Wonderful | Everclear | T-911.386.713-3 | |
| 3-1 | Street Spirit (Fade Out) | — | ||
| 3-2 | Here’s Where the Story Ends | The Sundays | T-010.320.430-3 | |
| 3-3 | Get the Message (7″ edit) | — | ||
| 3-4 | Stars | — | ||
| 3-6 | Love Steals Us From Loneliness | — | ||
| 3-7 | Rainmaker | — | ||
| 3-8 | Mathematics (radio edit) | — | ||
| 3-9 | Come Back to What You Know | Embrace | T-010.260.692-7 | |
| 3-10 | Alcoholic | Starsailor | T-010.195.794-1 | |
| 3-11 | Wires (radio edit) | Athlete | T-011.184.672-0 | |
| 3-12 | Forever Lost (radio edit) | — | ||
| 3-13 | Peaches | — | ||
| 3-14 | Long Distance (radio edit) | — | ||
| 3-15 | Bring It On (radio edit) | — | ||
| 3-16 | Glorious (edit) | — | ||
| 3-17 | One Horse Town | The Thrills | — | |
| 3-18 | The Day Before Yesterday’s Man (radio edit) | — | ||
| 3-19 | Santa Monica (2004 Digital Remaster) | — | ||
| 3-20 | Let Me Out | — | ||
| 4-1 | Animal Nitrate | Suede | T-010.338.453-7 | |
| 4-2 | The Heinrich Maneuver (radio edit) | — | ||
| 4-3 | You Can’t Hurry Love | The Concretes | — | |
| 4-4 | Not If You Were the Last Junkie on Earth | — | ||
| 4-5 | Ride (clean edit) | The Vines | T-060.604.111-5 | |
| 4-6 | Walkie Talkie Man | — | ||
| 4-7 | Alright | Supergrass | T-900.082.954-9 | |
| 4-8 | Tubthumping | Chumbawamba | T-011.513.266-5 | |
| 4-9 | Can You Dig It? (original version) | The Mock Turtles | T-011.401.965-6 | |
| 4-10 | All You Good Good People (radio edit) | Embrace | — | |
| 4-11 | Silence Is Easy | Starsailor | T-011.112.067-2 | |
| 4-12 | Whippin’ Picadilly | — | ||
| 4-13 | Love Me Like You | The Magic Numbers | T-900.159.093-8 | |
| 4-14 | Big Sur | The Thrills | T-030.068.011-8 | |
| 4-15 | Smile | — | ||
| 4-16 | El Salvador | Athlete | T-011.135.567-9 | |
| 4-17 | After Hours | We Are Scientists | T-900.987.311-4 | |
| 4-18 | Lump in My Throat | — | ||
| 4-19 | Dawn of the Dead | Does It Offend You, Yeah? | — | |
| 4-20 | Stacy’s Mom | Fountains of Wayne | T-071.775.147-7 | |
| 5-1 | Damaged Goods | — | ||
| 5-2 | This Is Not a Love Song | — | ||
| 5-3 | North American Scum (radio edit) | — | ||
| 5-4 | Ready for the Floor (radio edit) | — | ||
| 5-5 | Getting Away With It (7″ edit) | — | ||
| 5-6 | Summertime | — | ||
| 5-8 | Chicken Payback | — | ||
| 5-9 | Tequilla | — | ||
| 5-11 | Every Day Should Be a Holiday | — | ||
| 5-12 | Freedom Fighters | — | ||
| 5-13 | Nobody Move, Nobody Get Hurt | We Are Scientists | T-072.101.533-3 | |
| 5-14 | Amnesia | Chumbawamba | — | |
| 5-16 | I Won’t Let You Down | Audio Bullys | — | |
| 5-17 | Painkiller (radio edit) | — | ||
| 5-18 | Not So Manic Now | Dubstar | T-900.083.030-8 | |
| 5-19 | Broke | — | ||
| 5-20 | Hannah, We Know | — |
Additional database matches (5)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| No Rest | New Model Army | T-011.313.714-6 |
| Moving | Supergrass | — |
| You Can’t Hurry Love | The Concretes | — |
| Outtathaway | The Vines | — |
| Big Night Out | Fun Lovin’ Criminals | T-071.092.075-4 |
What other identifiers does this connect to?
Musical Works (ISWC)
+20 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+20 more
Identifier Graph
People also ask
Verified on
What is UPC 0654378710223?
0654378710223 is a Universal Product Code (UPC) assigned to 100 Hits: Alternative by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 95 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm