UPC · Release
Pieter Wispelwey
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0723385762423 is the Universal Product Code (UPC barcode) for the release “The Complete Channel Classics Recordings” by Pieter Wispelwey. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 570 tracks, each with its own ISRC. Tracks include NLA460610588, NLA460610589, NLA460610590.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonata no. 6 in B-flat major: I. Preludio | — | ||
| 2 | Sonata no. 6 in B-flat major: II. Allemanda | — | ||
| 3 | Sonata no. 6 in B-flat major: III. Largo | — | ||
| 4 | Sonata no. 6 in B-flat major: IV. Corrente | — | ||
| 5 | Sonata no. 7 in G minor: I. Preludio | — | ||
| 6 | Sonata no. 7 in G minor: II. Allemanda | — | ||
| 7 | Sonata no. 7 in G minor: III. Sarabanda | — | ||
| 8 | Sonata no. 7 in G minor: IV. Gigue | — | ||
| 9 | Sonata no. 9 in E-flat major: I. Larghetto | — | ||
| 10 | Sonata no. 9 in E-flat major: II. Allegro | — | ||
| 11 | Sonata no. 9 in E-flat major: III. Andante | — | ||
| 12 | Sonata no. 9 in E-flat major: IV. Allegro | — | ||
| 13 | Sonata no. 8 in A minor: I. Largo | — | ||
| 14 | Sonata no. 8 in A minor: II. Allegro poco | — | ||
| 15 | Sonata no. 8 in A minor: III. Largo | — | ||
| 16 | Sonata no. 8 in A minor: IV. Allegro | — | ||
| 17 | Sonata no. 5 in E minor: I. Largo | — | ||
| 18 | Sonata no. 5 in E minor: II. Allegro | — | ||
| 19 | Sonata no. 5 in E minor: III. Largo | — | ||
| 20 | Sonata no. 5 in E minor: IV. Allegro | — | ||
| 21 | Sonata no. 4 in B-flat major: I. Largo | — | ||
| 22 | Sonata no. 4 in B-flat major: II. Allegro | — | ||
| 23 | Sonata no. 4 in B-flat major: III. Largo | — | ||
| 24 | Sonata no. 4 in B-flat major: IV. Allegro | — | ||
| 2-1 | Partita no. 2 in G major, TWV 41:G2: I. Siciliano | — | ||
| 2-2 | Partita no. 2 in G major, TWV 41:G2: II. Aria 1. Allegro | — | ||
| 2-3 | Partita no. 2 in G major, TWV 41:G2: III. Aria 2. Allegro | — | ||
| 2-4 | Partita no. 2 in G major, TWV 41:G2: IV. Aria 3. Vivace | — | ||
| 2-5 | Partita no. 2 in G major, TWV 41:G2: V. Aria 4. Affettuoso | — | ||
| 2-6 | Partita no. 2 in G major, TWV 41:G2: VI. Aria 5. Presto | — | ||
| 2-7 | Partita no. 2 in G major, TWV 41:G2: VII. Aria 6. Tempo di Minuetto | — | ||
| 2-8 | Oboe Sonata in G minor, TWV 41:g6: I. Largo | — | ||
| 2-9 | Oboe Sonata in G minor, TWV 41:g6: II. Presto - Tempo giusto | — | ||
| 2-10 | Oboe Sonata in G minor, TWV 41:g6: III. Andante | — | ||
| 2-11 | Oboe Sonata in G minor, TWV 41:g6: IV. Allegro | — | ||
| 2-12 | Oboe Concerto in D minor, TWV 51:d1: I. Adagio | — | ||
| 2-13 | Suite for Oboe and Continuo in G minor, TWV 41:g4: Ia. Ouverture | — | ||
| 2-14 | Suite for Oboe and Continuo in G minor, TWV 41:g4: Ib. Très vite | — | ||
| 2-15 | Suite for Oboe and Continuo in G minor, TWV 41:g4: II. Sans Souci | — | ||
| 2-16 | Suite for Oboe and Continuo in G minor, TWV 41:g4: IV. Gavotte | — | ||
| 2-17 | Suite for Oboe and Continuo in G minor, TWV 41:g4: III. Hornpipe | — | ||
| 2-18 | Oboe Sonata in A minor, TWV 41:a3: I. Siciliano | — | ||
| 2-19 | Oboe Sonata in A minor, TWV 41:a3: II. Spirituoso | — | ||
| 2-20 | Oboe Sonata in A minor, TWV 41:a3: III. Andante | — | ||
| 2-21 | Oboe Sonata in A minor, TWV 41:a3: IV. Vivace | — | ||
| 2-22 | Trio Sonata in E‐flat major, TWV 42:Es3: I. Largo | — | ||
| 2-23 | Trio Sonata in E‐flat major, TWV 42:Es3: II. Vivace | — | ||
| 2-24 | Trio Sonata in E‐flat major, TWV 42:Es3: III. Mesto | — | ||
| 2-25 | Trio Sonata in E‐flat major, TWV 42:Es3: IV. Vivace | — | ||
| 2-26 | Violin Sonata in D minor, TWV 41:d3: I. Andante | — | ||
| 2-27 | Violin Sonata in D minor, TWV 41:d3: II. Allegro assai | — | ||
| 2-28 | Violin Sonata in D minor, TWV 41:d3: III. Largo | — | ||
| 2-29 | Violin Sonata in D minor, TWV 41:d3: IV. Allegro | — | ||
| 3-1 | Prelude In G major (After Prelude In C major, BWV 846, From 'Das Wohltemperierte Clavier 1') | — | ||
| 3-2 | Sonata no. 1 in G major, BWV 1027: I. Adagio | — | ||
| 3-3 | Sonata no. 1 in G major, BWV 1027: II. Allegro Ma Non Tanto | — | ||
| 3-4 | Sonata no. 1 in G major, BWV 1027: III. Andante | — | ||
| 3-5 | Sonata no. 1 in G major, BWV 1027: IV. Allegro Moderato | — | ||
| 3-6 | Siciliano (From Harpsichord Concerto no. 2 In E major, BWV 1053) | — | ||
| 3-7 | Prelude In D major (After Prelude From Cello Suite no. 1 In G major, BWV 1007) | — | ||
| 3-8 | Sonata no. 2 in D major, BWV 1028: I. Adagio | — | ||
| 3-9 | Sonata no. 2 in D major, BWV 1028: II. Allegro | — | ||
| 3-10 | Sonata no. 2 in D major, BWV 1028: III. Andante | — | ||
| 3-11 | Sonata no. 2 in D major, BWV 1028: IV. Allegro | — | ||
| 3-12 | Andante (From Italian Concerto, BWV 971) | — | ||
| 3-13 | Prelude In G minor (After Prelude In C minor, BWV 999, From Kleine Präludien Und Fughetten) | — | ||
| 3-14 | Sonata no. 3 in G minor, BWV 1029: I. Vivace | — | ||
| 3-15 | Sonata no. 3 in G minor, BWV 1029: II. Adagio | — | ||
| 3-16 | Sonata no. 3 in G minor, BWV 1029: III. Allegro | — | ||
| 3-17 | Largo (From Harpsichord Concerto no. 5 In F minor, BWV 1056) | — | ||
| 4-1 | Cello Suite no. 1 in G major, BWV 1007: I. Prelude | — | ||
| 4-2 | Cello Suite no. 1 in G major, BWV 1007: II. Allemande | — | ||
| 4-3 | Cello Suite no. 1 in G major, BWV 1007: III. Courante | — | ||
| 4-4 | Cello Suite no. 1 in G major, BWV 1007: IV. Sarabande | — | ||
| 4-5 | Cello Suite no. 1 in G major, BWV 1007: V. Menuet 1 & 2 | — | ||
| 4-6 | Cello Suite no. 1 in G major, BWV 1007: VI. Gigue | — | ||
| 4-7 | Cello Suite no. 2 in D minor, BWV 1008: I. Prelude | — | ||
| 4-8 | Cello Suite no. 2 in D minor, BWV 1008: II. Allemande | — | ||
| 4-9 | Cello Suite no. 2 in D minor, BWV 1008: III. Courante | — | ||
| 4-10 | Cello Suite no. 2 in D minor, BWV 1008: IV. Sarabande | — | ||
| 4-11 | Cello Suite no. 2 in D minor, BWV 1008: V. Menuet 1 & 2 | — | ||
| 4-12 | Cello Suite no. 2 in D minor, BWV 1008: VI. Gigue | — | ||
| 4-13 | Cello Suite no. 6 in D major, BWV 1012: I. Prelude | — | ||
| 4-14 | Cello Suite no. 6 in D major, BWV 1012: II. Allemande | — | ||
| 4-15 | Cello Suite no. 6 in D major, BWV 1012: III. Courante | — | ||
| 4-16 | Cello Suite no. 6 in D major, BWV 1012: IV. Sarabande | — | ||
| 4-17 | Cello Suite no. 6 in D major, BWV 1012: V. Gavotte 1 & 2 | — | ||
| 4-18 | Cello Suite no. 6 in D major, BWV 1012: VI. Gigue | — | ||
| 5-1 | Cello Suite no. 3 in C major, BWV 1009: I. Prelude | — | ||
| 5-2 | Cello Suite no. 3 in C major, BWV 1009: II. Allemande | — | ||
| 5-3 | Cello Suite no. 3 in C major, BWV 1009: III. Courante | — | ||
| 5-4 | Cello Suite no. 3 in C major, BWV 1009: IV. Sarabande | — | ||
| 5-5 | Cello Suite no. 3 in C major, BWV 1009: V. Bourrée 1 & 2 | — | ||
| 5-6 | Cello Suite no. 3 in C major, BWV 1009: VI. Gigue | — | ||
| 5-7 | Cello Suite no. 4 in E-flat major, BWV 1010: I. Prelude | — | ||
| 5-8 | Cello Suite no. 4 in E-flat major, BWV 1010: II. Allemande | — | ||
| 5-9 | Cello Suite no. 4 in E-flat major, BWV 1010: III. Courante | — | ||
| 5-10 | Cello Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande | — | ||
| 5-11 | Cello Suite no. 4 in E-flat major, BWV 1010: V. Bourrée 1 & 2 | — | ||
| 5-12 | Cello Suite no. 4 in E-flat major, BWV 1010: VI. Gigue | — | ||
| 5-13 | Cello Suite no. 5 in C minor, BWV 1011: I. Prelude | — | ||
| 5-14 | Cello Suite no. 5 in C minor, BWV 1011: II. Allemande | — | ||
| 5-15 | Cello Suite no. 5 in C minor, BWV 1011: III. Courante | — | ||
| 5-16 | Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande | — | ||
| 5-17 | Cello Suite no. 5 in C minor, BWV 1011: V. Gavotte 1 & 2 | — | ||
| 5-18 | Cello Suite no. 5 in C minor, BWV 1011: VI. Gigue | — | ||
| 6-1 | Sonata for Violoncello Solo: Dialogo (Adagio rubato, cantabile) | — | ||
| 6-2 | Sonata for Violoncello Solo: Capriccio (Presto con slancio) | — | ||
| 6-3 | Requiem for "Cello Alone": Introit | — | ||
| 6-4 | Requiem for "Cello Alone": Kyrie | — | ||
| 6-5 | Requiem for "Cello Alone": Qui Mariam | — | ||
| 6-6 | Requiem for "Cello Alone": Lacrimosa | — | ||
| 6-7 | Requiem for "Cello Alone": Libera me | — | ||
| 6-8 | Requiem for "Cello Alone": Lux Aeterna | — | ||
| 6-9 | Sonata for Violoncello Solo, op. 25 Nr. 3: Lebhast, sehr markiert - Mit festen Bogenstrichen | — | ||
| 6-10 | Sonata for Violoncello Solo, op. 25 Nr. 3: Mäßig schnell - Gemächlich - Durchweg sehr leise | — | ||
| 6-11 | Sonata for Violoncello Solo, op. 25 Nr. 3: Langsam | — | ||
| 6-12 | Sonata for Violoncello Solo, op. 25 Nr. 3: Lebhafte Viertel - Ohne jeden Ausdruck und stets Pianissimo | — | ||
| 6-13 | Sonata for Violoncello Solo, op. 25 Nr. 3: Mäßig schnell | — | ||
| 6-14 | Six Pieces for Violoncello: Prelude (Allegro energico) | — | ||
| 6-15 | Six Pieces for Violoncello: Dialogue (Andante) | — | ||
| 6-16 | Six Pieces for Violoncello: Scherzo (Allegro) | — | ||
| 6-17 | Six Pieces for Violoncello: Berceuse (Lento e dolce) | — | ||
| 6-18 | Six Pieces for Violoncello: Capriccio (Con fantasia) | — | ||
| 6-19 | Six Pieces for Violoncello: Epilogue (Adagio molto) | — | ||
| 6-20 | La Belle Dame sans merci for Violoncello Solo | — | ||
| 7-1 | Suite for Solo Cello in G major, op. 131c no. 1: I. Präludium | — | ||
| 7-2 | Suite for Solo Cello in G major, op. 131c no. 1: II. Adagio | — | ||
| 7-3 | Suite for Solo Cello in G major, op. 131c no. 1: III. Fugue | — | ||
| 7-4 | Suite for Violin and Piano in A minor, op. 103a: III. Aria | — | ||
| 7-5 | Suite for Solo Cello in D minor, op. 131c no. 2: I. Präludium | — | ||
| 7-6 | Suite for Solo Cello in D minor, op. 131c no. 2: II. Gavotte | — | ||
| 7-7 | Suite for Solo Cello in D minor, op. 131c no. 2: III. Largo | — | ||
| 7-8 | Suite for Solo Cello in D minor, op. 131c no. 2: IV. Gigue | — | ||
| 7-9 | Two Pieces for Cello and Piano, op. 79e: II. Kleine romanze. Andante | — | ||
| 7-10 | Two Pieces for Cello and Piano, op. 79e: I. Caprice. Vivace assai | — | ||
| 7-11 | Suite for Solo Cello in A minor, op. 131c no. 3: I. Präludium | — | ||
| 7-12 | Suite for Solo Cello in A minor, op. 131c no. 3: II. Scherzo | — | ||
| 7-13 | Suite for Solo Cello in A minor, op. 131c no. 3: III. Andante con variationi | — | ||
| 7-14 | Suite for Violin and Piano, op. 79d: I. Wiegenlied. Allegretto con grazia | — | ||
| 8-1 | Suite no. 1, op. 72: Canto primo. Sostenuto e largamente | — | ||
| 8-2 | Suite no. 1, op. 72: I. Fuga. Andante moderato | — | ||
| 8-3 | Suite no. 1, op. 72: II. Lamento. Lento rubato | — | ||
| 8-4 | Suite no. 1, op. 72: Canto secundo. Sostenuto | — | ||
| 8-5 | Suite no. 1, op. 72: III. Serenata. Allegretto - Pizzicato | — | ||
| 8-6 | Suite no. 1, op. 72: IV. Marcia. Alla marcia moderato | — | ||
| 8-7 | Suite no. 1, op. 72: Canto terzo. Sostenuto | — | ||
| 8-8 | Suite no. 1, op. 72: V. Bordone. Moderato quasi recitativo | — | ||
| 8-9 | Suite no. 1, op. 72: VI. Moto perpetuo / Canto quarto. Presto | — | ||
| 8-10 | Suite no. 2, op. 80: Declamato. Largo | — | ||
| 8-11 | Suite no. 2, op. 80: Fuga. Andante | — | ||
| 8-12 | Suite no. 2, op. 80: Scherzo. Allegro molto | — | ||
| 8-13 | Suite no. 2, op. 80: Andante. Lento | — | ||
| 8-14 | Suite no. 2, op. 80: Ciaconna. Allegro | — | ||
| 8-15 | Suite no. 3, op. 87: Introduzione. Lento | — | ||
| 8-16 | Suite no. 3, op. 87: Marcia. Allegro | — | ||
| 8-17 | Suite no. 3, op. 87: Canto. Con moto | — | ||
| 8-18 | Suite no. 3, op. 87: Barcarola. Lento | — | ||
| 8-19 | Suite no. 3, op. 87: Dialogo. Allegretto | — | ||
| 8-20 | Suite no. 3, op. 87: Fuga. Andante espressivo | — | ||
| 8-21 | Suite no. 3, op. 87: Recitativo. Fantasico | — | ||
| 8-22 | Suite no. 3, op. 87: Moto perpetuo. Presto | — | ||
| 8-23 | Suite no. 3, op. 87: Passacaglia. Lento solenne | — | ||
| 8-24 | Suite no. 3, op. 87: Three Russian Folk Songs and Requiem Melody | — | ||
| 9-1 | Suite für Cello Nr. 1 G-dur, BWV 1007: I. Prelude | — | ||
| 9-2 | Suite für Cello Nr. 1 G-dur, BWV 1007: II. Allemande | — | ||
| 9-3 | Suite für Cello Nr. 1 G-dur, BWV 1007: III. Courante | — | ||
| 9-4 | Suite für Cello Nr. 1 G-dur, BWV 1007: IV. Sarabande | — | ||
| 9-5 | Suite für Cello Nr. 1 G-dur, BWV 1007: V. Menuet I-II | — | ||
| 9-6 | Suite für Cello Nr. 1 G-dur, BWV 1007: VI. Gigue | — | ||
| 9-7 | Suite für Cello Nr. 2 D-moll, BWV 1008: I. Prelude | — | ||
| 9-8 | Suite für Cello Nr. 2 D-moll, BWV 1008: II. Allemande | — | ||
| 9-9 | Suite für Cello Nr. 2 D-moll, BWV 1008: III. Courante | — | ||
| 9-10 | Suite für Cello Nr. 2 D-moll, BWV 1008: IV. Sarabande | — | ||
| 9-11 | Suite für Cello Nr. 2 D-moll, BWV 1008: V. Menuet I-II | — | ||
| 9-12 | Suite für Cello Nr. 2 D-moll, BWV 1008: VI. Gigue | — | ||
| 9-13 | Suite für Cello Nr. 3 C-dur, BWV 1009: I. Prelude | — | ||
| 9-14 | Suite für Cello Nr. 3 C-dur, BWV 1009: II. Allemande | — | ||
| 9-15 | Suite für Cello Nr. 3 C-dur, BWV 1009: III. Courante | — | ||
| 9-16 | Suite für Cello Nr. 3 C-dur, BWV 1009: IV. Sarabande | — | ||
| 9-17 | Suite für Cello Nr. 3 C-dur, BWV 1009: V. Bourrée I-II | — | ||
| 9-18 | Suite für Cello Nr. 3 C-dur, BWV 1009: VI. Gigue | — | ||
| 10-1 | Suite für Cello Nr. 4 Es-dur, BWV 1010: I. Prelude | — | ||
| 10-2 | Suite für Cello Nr. 4 Es-dur, BWV 1010: II. Allemande | — | ||
| 10-3 | Suite für Cello Nr. 4 Es-dur, BWV 1010: III. Courante | — | ||
| 10-4 | Suite für Cello Nr. 4 Es-dur, BWV 1010: IV. Sarabande | — | ||
| 10-5 | Suite für Cello Nr. 4 Es-dur, BWV 1010: V. Bourrée I-II | — | ||
| 10-6 | Suite für Cello Nr. 4 Es-dur, BWV 1010: VI. Gigue | — | ||
| 10-7 | Suite für Cello Nr. 5 C-moll, BWV 1011: I. Prelude | — | ||
| 10-8 | Suite für Cello Nr. 5 C-moll, BWV 1011: II. Allemande | — | ||
| 10-9 | Suite für Cello Nr. 5 C-moll, BWV 1011: III. Courante | — | ||
| 10-10 | Suite für Cello Nr. 5 C-moll, BWV 1011: IV. Sarabande | — | ||
| 10-11 | Suite für Cello Nr. 5 C-moll, BWV 1011: V. Gavotte I-II | — | ||
| 10-12 | Suite für Cello Nr. 5 C-moll, BWV 1011: VI. Gigue | — | ||
| 10-13 | Suite für Cello Nr. 6 D-dur, BWV 1012: I. Prelude | — | ||
| 10-14 | Suite für Cello Nr. 6 D-dur, BWV 1012: II. Allemande | — | ||
| 10-15 | Suite für Cello Nr. 6 D-dur, BWV 1012: III. Courante | — | ||
| 10-16 | Suite für Cello Nr. 6 D-dur, BWV 1012: IV. Sarabande | — | ||
| 10-17 | Suite für Cello Nr. 6 D-dur, BWV 1012: V. Gavotte I-II | — | ||
| 10-18 | Suite für Cello Nr. 6 D-dur, BWV 1012: VI. Gigue | — | ||
| 11-1 | Violin concerto in F major, RV 295: Larghetto in D minor | — | ||
| 11-2 | Concerto in A minor, RV 421: Allegro | — | ||
| 11-3 | Concerto in A minor, RV 421: Siciliano in G major | — | ||
| 11-4 | Concerto in A minor, RV 421: Allegro | — | ||
| 11-5 | Violin concerto in C major, RV 190: Largo in F major | — | ||
| 11-6 | Concerto in F major, RV 410: Allegro | — | ||
| 11-7 | Concerto in G minor, RV 407: Largo in F major | — | ||
| 11-8 | Concerto in F major, RV 411: Allegro molto | — | ||
| 11-9 | Concerto for Strings, RV 109: Adagio in C major | — | ||
| 11-10 | RV 404, No. 3: Allegro Vivace in D major | — | ||
| 11-11 | Violin Concerto, Rv 226: Largo in D major | — | ||
| 11-12 | Concerto in B minor, RV 424: Allegro non molto | — | ||
| 11-13 | Concerto in B minor, RV 424: Largo | — | ||
| 11-14 | Concerto in B minor, RV 424: Allegro | — | ||
| 11-15 | Violin Concerto in B flat major, RV 383: Largo in C major | — | ||
| 11-16 | Concerto in G major, RV 413: Allegro | — | ||
| 11-17 | Concerto in G major, RV 413: Largo | — | ||
| 11-18 | Concerto in G major, RV 413: Allegro | — | ||
| 11-19 | Violin Concerto in A major , RV 341: Largo in G major | — | ||
| 11-20 | Concerto in A minor RV422: Allegro non troppo | — | ||
| 11-21 | Concerto in A minor RV422: Largo | — | ||
| 11-22 | Concerto in A minor RV422: Allegro | — | ||
| 11-23 | Violoncello Concerto RV 415, No. 3: Alla Breve in G major | — | ||
| 12-1 | Cello Concerto In C Major - I. Moderato | — | ||
| 12-2 | Cello Concerto In C Major - II. Adagio | — | ||
| 12-3 | Cello Concerto In C Major - III. Allegro Molto | — | ||
| 12-4 | Symphony no. 104 In D Major - I. Adagio, Allegro | — | ||
| 12-5 | Symphony no. 104 In D Major - II. Andante | — | ||
| 12-6 | Symphony no. 104 In D Major - III. Menuetto/Allegro | — | ||
| 12-7 | Symphony no. 104 In D Major - IV. Allegro Spirituoso | — | ||
| 12-8 | Cello Concerto In D Major - I. Allegro Moderato | — | ||
| 12-9 | Cello Concerto In D Major - II. Adagio | — | ||
| 12-10 | Cello Concerto In D Major - III. Rondo/Allegro | — | ||
| 13-1 | Cello Concerto in A minor op. 129 (1850): Nicht zu schnell | — | ||
| 13-2 | Cello Concerto in A minor op. 129 (1850): Langsam | — | ||
| 13-3 | Cello Concerto in A minor op. 129 (1850): Sehr Lebhaft | — | ||
| 13-4 | Fantasiestücke op. 73 (1849): Zart und mit Ausdruck | — | ||
| 13-5 | Fantasiestücke op. 73 (1849): Lebhaft, leicht | — | ||
| 13-6 | Fantasiestücke op. 73 (1849): Rasch und mit Feuer | — | ||
| 13-7 | Stücke für Violoncello und Klavier op. 8 (1917): Capriccio (violoncello con sordino) | — | ||
| 13-8 | Stücke für Violoncello und Klavier op. 8 (1917): Phantasiestück | — | ||
| 13-9 | Stücke für Violoncello und Klavier op. 8 (1917): Scherzo | — | ||
| 13-10 | 5 Stücke im Volkston op. 102 (1849): Langsam (no. 2) | — | ||
| 14-1 | Andante cantabile, op. 11 (Transcription from String Quartet no. 1 in D) | — | ||
| 14-2 | Concerto for Cello & Orchestra in B minor, op. 104: I. Allegro | — | ||
| 14-3 | Concerto for Cello & Orchestra in B minor, op. 104: II. Adagio ma non troppo | — | ||
| 14-4 | Concerto for Cello & Orchestra in B minor, op. 104: III. Finale, Allegro moderato | — | ||
| 14-5 | Rondo in G minor, op. 94 | — | ||
| 14-6 | Chant Triste, op. 56 no. 3 | — | ||
| 14-7 | Am Springbrunnen, op. 20 no. 2 | — | ||
| 14-8 | Waldesruhe, op. 68 no. 5 | — | ||
| 15-1 | Concerto for Cello and Orchestra in B minor, op. 104: I. Allegro | — | ||
| 15-2 | Concerto for Cello and Orchestra in B minor, op. 104: II. Adagio ma non troppo | — | ||
| 15-3 | Concerto for Cello and Orchestra in B minor, op. 104: III. Finale - Allegro moderato | — | ||
| 15-4 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Thema | — | ||
| 15-5 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 1 | — | ||
| 15-6 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 2 | — | ||
| 15-7 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 3 | — | ||
| 15-8 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 4 | — | ||
| 15-9 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 5 | — | ||
| 15-10 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 6 | — | ||
| 15-11 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 7 | — | ||
| 15-12 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 8 | — | ||
| 15-13 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 9 | — | ||
| 15-14 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 10 | — | ||
| 15-15 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 11 | — | ||
| 15-16 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 12 | — | ||
| 15-17 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 13 | — | ||
| 15-18 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 14 | — | ||
| 15-19 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 15 | — | ||
| 15-20 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 16 | — | ||
| 15-21 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 17 | — | ||
| 15-22 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 18 | — | ||
| 15-23 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 19 | — | ||
| 15-24 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 20 | — | ||
| 15-25 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 21 | — | ||
| 15-26 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 22 | — | ||
| 15-27 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 23 | — | ||
| 15-28 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 24 | — | ||
| 15-29 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 25 | — | ||
| 15-30 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 26 | — | ||
| 15-31 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 27 | — | ||
| 15-32 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Finale | — | ||
| 16-1 | Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo | — | ||
| 16-2 | Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto | — | ||
| 16-3 | Cello Concerto no. 1 in A minor, op. 33: III. Allegro non troppo | — | ||
| 16-4 | Andante cantabile, op. 11 | — | ||
| 16-5 | Variations on a Rococo Theme, op. 33: Theme | — | ||
| 16-6 | Variations on a Rococo Theme, op. 33: Variations 1 | — | ||
| 16-7 | Variations on a Rococo Theme, op. 33: Variations 2 | — | ||
| 16-8 | Variations on a Rococo Theme, op. 33: Variations 3 | — | ||
| 16-9 | Variations on a Rococo Theme, op. 33: Variations 4 | — | ||
| 16-10 | Variations on a Rococo Theme, op. 33: Variations 5 | — | ||
| 16-11 | Variations on a Rococo Theme, op. 33: Variations 6 | — | ||
| 16-12 | Variations on a Rococo Theme, op. 33: Variations 7 | — | ||
| 16-13 | Kol Nidrei, op. 47 | — | ||
| 17-1 | Cello Concerto no. 1 in E-flat major, op. 107: I. Allegretto | — | ||
| 17-2 | Cello Concerto no. 1 in E-flat major, op. 107: II. Moderato | — | ||
| 17-3 | Cello Concerto no. 1 in E-flat major, op. 107: III. Cadenza | — | ||
| 17-4 | Cello Concerto no. 1 in E-flat major, op. 107: IV. Allegro con moto | — | ||
| 17-5 | Sonata for Solo Cello, op. 8: I. Allegro maestoso ma appassionata | — | ||
| 17-6 | Sonata for Solo Cello, op. 8: II. Adagio (con grand' espressiono) | — | ||
| 17-7 | Sonata for Solo Cello, op. 8: III. Allegro molto vivace | — | ||
| 18-1 | Concerto nr. 2 in G major for Cello and Orchestra, op. 126: Largo | — | ||
| 18-2 | Concerto nr. 2 in G major for Cello and Orchestra, op. 126: Allegretto | — | ||
| 18-3 | Concerto nr. 2 in G major for Cello and Orchestra, op. 126: Allegretto | — | ||
| 18-4 | Third Suite for Cello Solo, op. 87: Lento (introduzione) | — | ||
| 18-5 | Third Suite for Cello Solo, op. 87: Allegro (marcia) | — | ||
| 18-6 | Third Suite for Cello Solo, op. 87: Con moto (canto) | — | ||
| 18-7 | Third Suite for Cello Solo, op. 87: Lento (barcarola) | — | ||
| 18-8 | Third Suite for Cello Solo, op. 87: Allegretto (dialogo) | — | ||
| 18-9 | Third Suite for Cello Solo, op. 87: Andante espressivo (fuga) | — | ||
| 18-10 | Third Suite for Cello Solo, op. 87: Fantastico (recitativo) | — | ||
| 18-11 | Third Suite for Cello Solo, op. 87: Presto (moto perpetuo) | — | ||
| 18-12 | Third Suite for Cello Solo, op. 87: Lento solenne (passacaglia) | — | ||
| 18-13 | Third Suite for Cello Solo, op. 87: Molto semplice (three Russian folk songs and Requiem melody) | — | ||
| 19-1 | Sinfonia Concertante in E minor, op. 125: I. Andante | — | ||
| 19-2 | Sinfonia Concertante in E minor, op. 125: II. Allegro giusto | — | ||
| 19-3 | Sinfonia Concertante in E minor, op. 125: III. Andante con moto | — | ||
| 19-4 | Suite for Cello Solo: I. Quasi cadenza (Quarter Note = 80) | — | ||
| 19-5 | Suite for Cello Solo: II. Quarter Note = 90 | — | ||
| 19-6 | Suite for Cello Solo: III. Eighth Note = 42 | — | ||
| 19-7 | Suite for Cello Solo: IV. Vivace (Quarter Note = 134) | — | ||
| 19-8 | Sonata for Cello Solo: Fantasia. Andante espressivo e con molto rubato | — | ||
| 19-9 | Sonata for Cello Solo: Tema. Grazioso e delicato | — | ||
| 19-10 | Sonata for Cello Solo: Var. I. Un poco più animato | — | ||
| 19-11 | Sonata for Cello Solo: Var. II. Allegro possibile e sempre pizzicato | — | ||
| 19-12 | Sonata for Cello Solo: Var. III. Poco adagio e molto espressivo - Coda | — | ||
| 19-13 | Sonata for Cello Solo: Toccata. Largo e drammatico | — | ||
| 20-1 | Cello Concerto in E, op. 85: Adagio – Moderato | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-2 | Cello Concerto in E, op. 85: Lento – Allegro molto | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | T-010.115.156-7 | |
| 20-3 | Cello Concerto in E, op. 85: Adagio | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | T-010.115.155-6 | |
| 20-4 | Cello Concerto in E, op. 85: Allegro – Moderato – Allegro ma non troppo | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | T-010.115.154-5 | |
| 20-5 | Cello Concerto: 1 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-6 | Cello Concerto: 2 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-7 | Cello Concerto: 3 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-8 | Cello Concerto: 4 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-9 | Cello Concerto: 5 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-10 | Cello Concerto: 6 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-11 | Cello Concerto: 7 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-12 | Cello Concerto: 8 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | T-905.971.049-5 | |
| 20-13 | Cello Concerto: 9 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-14 | Cello Concerto: 10 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-15 | Cello Concerto: 11 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-16 | Cello Concerto: 12 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-17 | Cello Concerto: 13 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-18 | Cello Concerto: 14 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-19 | Cello Concerto: 15 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-20 | Cello Concerto: 16 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-21 | Cello Concerto: 17 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 21-1 | The Canticle of the Sun: No. 1, “Altissimo onnipotente bon Signore” | — | ||
| 21-2 | The Canticle of the Sun: No. 2 | — | ||
| 21-3 | The Canticle of the Sun: No. 3, “Laudato si, mi Signore, cun tucte le tue creature” | — | ||
| 21-4 | The Canticle of the Sun: No. 4, “Laudato si, mi Signore, per sora luna e le stelle” | — | ||
| 21-5 | The Canticle of the Sun: No. 5, “Laudato si, mi Signore, per frate vento” | — | ||
| 21-6 | The Canticle of the Sun: No. 6, “Laudato si, mi Signore, per sora acqua” | — | ||
| 21-7 | The Canticle of the Sun: No. 7, “Laudato si, mi Signore, per frate foco” | — | ||
| 21-8 | The Canticle of the Sun: No. 8, “Laudato si, mi Signore, per sora nostra matre terra” | — | ||
| 21-9 | The Canticle of the Sun: No. 9 | — | ||
| 21-10 | The Canticle of the Sun: No. 10 | — | ||
| 21-11 | The Canticle of the Sun: No. 11 | — | ||
| 21-12 | The Canticle of the Sun: No. 12, “Altissimo” | — | ||
| 21-13 | The Canticle of the Sun: No. 13 | — | ||
| 21-14 | The Canticle of the Sun: No. 14 | — | ||
| 21-15 | The Canticle of the Sun: No. 15, “Laudato si, mi Signore, per quelli le perdonano” | — | ||
| 21-16 | The Canticle of the Sun: No. 16 | — | ||
| 21-17 | The Canticle of the Sun: No. 17 | — | ||
| 21-18 | The Canticle of the Sun: No. 18, “Laudato si, mi Signore, per sora nostra morte corporale” | — | ||
| 21-19 | The Canticle of the Sun: No. 19, “Laudate et benedicete mi Signore” | — | ||
| 21-20 | 10 Preludes: I. Staccato, legato | — | ||
| 21-21 | 10 Preludes: II. Legato, staccato | — | ||
| 21-22 | 10 Preludes: IV. Ricochet | — | ||
| 21-23 | 10 Preludes: VIII. Arco, pizzicato | — | ||
| 21-24 | 10 Preludes: IX. Pizzicato, arco | — | ||
| 21-25 | In Croce | — | ||
| 22-1 | String Quintet in C major, D 956, op. 163: I. Allegro ma non troppo | — | ||
| 22-2 | String Quintet in C major, D 956, op. 163: II. Adagio | — | ||
| 22-3 | String Quintet in C major, D 956, op. 163: III. Scherzo (Presto) | — | ||
| 22-4 | String Quintet in C major, D 956, op. 163: IV. Allegretto | — | ||
| 23-1 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Thème | — | ||
| 23-2 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 1 | — | ||
| 23-3 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 2 | — | ||
| 23-4 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 3 | — | ||
| 23-5 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 4 | — | ||
| 23-6 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 5 | — | ||
| 23-7 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 6 | — | ||
| 23-8 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 7 | — | ||
| 23-9 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 8 | — | ||
| 23-10 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 9 | — | ||
| 23-11 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 10 | — | ||
| 23-12 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 11 | — | ||
| 23-13 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 12 | — | ||
| 23-14 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Thème | — | ||
| 23-15 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 1 | — | ||
| 23-16 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 2 | — | ||
| 23-17 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 3 | — | ||
| 23-18 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 4 | — | ||
| 23-19 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 5 | — | ||
| 23-20 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 6 | — | ||
| 23-21 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 7 | — | ||
| 23-22 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 8 | — | ||
| 23-23 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 9 | — | ||
| 23-24 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 10 | — | ||
| 23-25 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 11 | — | ||
| 23-26 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 12 | — | ||
| 23-27 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Thème | — | ||
| 23-28 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Variation 1 | — | ||
| 23-29 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Variation 2 | — | ||
| 23-30 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Variation 3 | — | ||
| 23-31 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Variation 4 | — | ||
| 23-32 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Variation 5 | — | ||
| 23-33 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Variation 6 | — | ||
| 23-34 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Variation 7 | — | ||
| 23-35 | Sonata für Violoncello und Klavier, op. 17: Allegro moderato | — | ||
| 23-36 | Sonata für Violoncello und Klavier, op. 17: Poco Adagio, quasi Andante | — | ||
| 23-37 | Sonata für Violoncello und Klavier, op. 17: Rondo | — | ||
| 24-1 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: Ia. Adagio sostenuto - | — | ||
| 24-2 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: Ib. Allegro - Adagio - Presto - Tempo primo | — | ||
| 24-3 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: II. Allegro vivace | — | ||
| 24-4 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: Ia. Adagio sostenuto e espressivo - | — | ||
| 24-5 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: Ib. Allegro molto più tosto presto | — | ||
| 24-6 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | — | ||
| 25-1 | Sonata for Cello and Piano no. 3 in A major, op. 69: I. Allegro ma non tanto | — | ||
| 25-2 | Sonata for Cello and Piano no. 3 in A major, op. 69: II. Scherzo. Allegro molto | — | ||
| 25-3 | Sonata for Cello and Piano no. 3 in A major, op. 69: III. Adagio cantabile | — | ||
| 25-4 | Sonata for Cello and Piano no. 3 in A major, op. 69: IV. Allegro vivace | — | ||
| 25-5 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: Ia. Andante - | — | ||
| 25-6 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: Ib. Allegro vivace | — | ||
| 25-7 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: IIa. Adagio - | — | ||
| 25-8 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: IIb. Tempo d'Andante - Allegro vivace | — | ||
| 25-9 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: I. Allegro con brio | — | ||
| 25-10 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto - | — | ||
| 25-11 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: III. Allegro - Allegro fugato | — | ||
| 26-1 | Sonata for cello & piano no. 1 in E minor, op. 38: Allegro non troppo | — | ||
| 26-2 | Sonata for cello & piano no. 1 in E minor, op. 38: Allegretto quasi Menuetto | — | ||
| 26-3 | Sonata for cello & piano no. 1 in E minor, op. 38: Allegro | — | ||
| 26-4 | Sonata for cello & piano no. 2 in F major, op. 99: Allegro vivace | — | ||
| 26-5 | Sonata for cello & piano no. 2 in F major, op. 99: Adagio affettuoso | — | ||
| 26-6 | Sonata for cello & piano no. 2 in F major, op. 99: Allegro passionato | — | ||
| 26-7 | Sonata for cello & piano no. 2 in F major, op. 99: Allegro molto | — | ||
| 27-1 | Sonata for Arpeggione and Piano in A minor, D. 821: I. Allegro moderato | — | ||
| 27-2 | Sonata for Arpeggione and Piano in A minor, D. 821: II. Adagio | — | ||
| 27-3 | Sonata for Arpeggione and Piano in A minor, D. 821: III. Allegretto | — | ||
| 27-4 | Violin Sonata in D major, D. 384 (Arr. for Cello and Piano by Pieter Wispelwey): I. Allegro molto | — | ||
| 27-5 | Violin Sonata in D major, D. 384 (Arr. for Cello and Piano by Pieter Wispelwey): II. Andante | — | ||
| 27-6 | Violin Sonata in D major, D. 384 (Arr. for Cello and Piano by Pieter Wispelwey): III. Allegro vivace | — | ||
| 27-7 | Violin Sonata in A minor, D. 385 (Arr. for Cello and Piano by Pieter Wispelwey): I. Allegro moderato | — | ||
| 27-8 | Violin Sonata in A minor, D. 385 (Arr. for Cello and Piano by Pieter Wispelwey): II. Andante | — | ||
| 27-9 | Violin Sonata in A minor, D. 385 (Arr. for Cello and Piano by Pieter Wispelwey): III. Menuetto. Allegro - Trio | — | ||
| 27-10 | Violin Sonata in A minor, D. 385 (Arr. for Cello and Piano by Pieter Wispelwey): IV. Allegro | — | ||
| 27-11 | Violin Sonata in G minor, D. 408 (Arr. for Cello and Piano by Pieter Wispelwey): I. Allegro giusto | — | ||
| 27-12 | Violin Sonata in G minor, D. 408 (Arr. for Cello and Piano by Pieter Wispelwey): II. Andante | — | ||
| 27-13 | Violin Sonata in G minor, D. 408 (Arr. for Cello and Piano by Pieter Wispelwey): III. Menuetto. Allegro vivace - Trio | — | ||
| 27-14 | Violin Sonata in G minor, D. 408 (Arr. for Cello and Piano by Pieter Wispelwey): IV. Allegro moderato | — | ||
| 28-1 | Sonata for Cello and Piano: I. Allegro, Tempo di marcia | — | ||
| 28-2 | Sonata for Cello and Piano: II. Cavatine | — | ||
| 28-3 | Sonata for Cello and Piano: III. Ballabile | — | ||
| 28-4 | Sonata for Cello and Piano: IV. Finale | — | ||
| 28-5 | Élégie in C minor, op. 24 | — | ||
| 28-6 | Romance in A major, op. 69 | — | ||
| 28-7 | Piece pour Cello in A major, op. 77 | — | ||
| 28-8 | Sonata in G minor for Cello and Piano, op. 65: I. Allegro moderato | — | ||
| 28-9 | Sonata in G minor for Cello and Piano, op. 65: II. Scherzo | — | ||
| 28-10 | Sonata in G minor for Cello and Piano, op. 65: III. Largo | — | ||
| 28-11 | Sonata in G minor for Cello and Piano, op. 65: IV. Finale | — | ||
| 29-1 | Sonata in A major: I. Allegro ben moderato | — | ||
| 29-2 | Sonata in A major: II. Allegro | — | ||
| 29-3 | Sonata in A major: III. Recitativo-Fantasia | — | ||
| 29-4 | Sonata in A major: IV. Allegretto poco mosso | — | ||
| 29-5 | Adagio und Allegro, op. 70 | — | ||
| 29-6 | Sonata in D major, op. 78: I. Vivace ma non troppo | — | ||
| 29-7 | Sonata in D major, op. 78: II. Adagio | — | ||
| 29-8 | Sonata in D major, op. 78: III. Allegro molto moderato | — | ||
| 30-1 | Grande Valse Brillante In D major op. 18 - Vivo | — | ||
| 30-2 | Prelude no. 2 In A minor op. 28 - Lento | — | ||
| 30-3 | Mazurka In A minor op. 67 no. 4 - Allegretto | — | ||
| 30-4 | Valse In A major op. 42 | — | ||
| 30-5 | Prelude no. 6 In B minor op. 28 - Lento Assai | — | ||
| 30-6 | Mazurka In C major op. 67 no. 3 - Allegretto | — | ||
| 30-7 | Polonaise Brillante In C major op. 3 - Lento - Alla Polacca: Allegro Con Spirito | — | ||
| 30-8 | Prelude no. 4 in e minor op. 28 - Largo | — | ||
| 30-9 | Mazurka In A minor op. 68 no. 2 - Lento | — | ||
| 30-10 | Scherzo (2nd Mov. Sonata For Cello And Piano) | — | ||
| 30-11 | Mazurka In B flat major (op. Posth.) | — | ||
| 30-12 | Valse Brillante In A minor op. 34 no. 2 - Lento | — | ||
| 30-13 | Prelude no. 7 In A major op. 28 - Andantino | — | ||
| 30-14 | Etude In E minor op. 225 no. 7 - Lento A Placere | — | ||
| 30-15 | Prelude no. 3 In G major - Vivace | — | ||
| 30-16 | Mazurka In G minor op. 67 no. 2 - Cantabile | — | ||
| 30-17 | Nocturne In C Sharp minor, (op. Posth.) - Lento | — | ||
| 30-18 | Valse Brillante In A major op. 34 no. 1 - Vivace | — | ||
| 30-19 | Encore | — | ||
| 31-1 | Sonata for Cello and Piano in D minor, op. 40: I. Allegro non troppo | — | ||
| 31-2 | Sonata for Cello and Piano in D minor, op. 40: II. Allegro | — | ||
| 31-3 | Sonata for Cello and Piano in D minor, op. 40: III. Largo | — | ||
| 31-4 | Sonata for Cello and Piano in D minor, op. 40: IV. Allegro | — | ||
| 31-5 | Sonata for Cello and Piano in C major, op. 119: I. Andante grave | — | ||
| 31-6 | Sonata for Cello and Piano in C major, op. 119: II. Moderato | — | ||
| 31-7 | Sonata for Cello and Piano in C major, op. 119: III. Allegro ma non troppo | — | ||
| 31-8 | Sonata for Cello and Piano in C major, op. 65: I. Dialogo (Allegro) | — | ||
| 31-9 | Sonata for Cello and Piano in C major, op. 65: II. Scherzo-pizzicato (Allegretto) | — | ||
| 31-10 | Sonata for Cello and Piano in C major, op. 65: III. Elegia (Lento) | — | ||
| 31-11 | Sonata for Cello and Piano in C major, op. 65: IV. Marcia (Energico) | — | ||
| 31-12 | Sonata for Cello and Piano in C major, op. 65: V. Moto perpetuo (Presto) | — | ||
| 32-1 | Cello Sonata no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto | — | ||
| 32-2 | Cello Sonata no. 1 in F major, op. 5 no. 1: II. Allegro | — | ||
| 32-3 | Cello Sonata no. 1 in F major, op. 5 no. 1: III. Rondo. Allegro vivace | — | ||
| 32-4 | Twelve Variations in F major, op. 66: Thema | — | ||
| 32-5 | Twelve Variations in F major, op. 66: Variation I | — | ||
| 32-6 | Twelve Variations in F major, op. 66: Variation II | — | ||
| 32-7 | Twelve Variations in F major, op. 66: Variation III | — | ||
| 32-8 | Twelve Variations in F major, op. 66: Variation IV | — | ||
| 32-9 | Twelve Variations in F major, op. 66: Variation V | — | ||
| 32-10 | Twelve Variations in F major, op. 66: Variation VI | — | ||
| 32-11 | Twelve Variations in F major, op. 66: Variation VII | — | ||
| 32-12 | Twelve Variations in F major, op. 66: Variation VIII | — | ||
| 32-13 | Twelve Variations in F major, op. 66: Variation IX | — | ||
| 32-14 | Twelve Variations in F major, op. 66: Variation X | — | ||
| 32-15 | Twelve Variations in F major, op. 66: Variation XI | — | ||
| 32-16 | Twelve Variations in F major, op. 66: Variation XII | — | ||
| 32-17 | Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo | — | ||
| 32-18 | Cello Sonata no. 2 in G minor, op. 5 no. 2: II. Allegro molto più tosto presto | — | ||
| 32-19 | Cello Sonata no. 2 in G minor, op. 5 no. 2: III. Rondo. Allegro | — | ||
| 32-20 | Twelve Variations in G major, WoO 45: Thema | — | ||
| 32-21 | Twelve Variations in G major, WoO 45: Variation I | — | ||
| 32-22 | Twelve Variations in G major, WoO 45: Variation II | — | ||
| 32-23 | Twelve Variations in G major, WoO 45: Variation III | — | ||
| 32-24 | Twelve Variations in G major, WoO 45: Variation IV | — | ||
| 32-25 | Twelve Variations in G major, WoO 45: Variation V | — | ||
| 32-26 | Twelve Variations in G major, WoO 45: Variation VI | — | ||
| 32-27 | Twelve Variations in G major, WoO 45: Variation VII | — | ||
| 32-28 | Twelve Variations in G major, WoO 45: Variation VIII | — | ||
| 32-29 | Twelve Variations in G major, WoO 45: Variation IX | — | ||
| 32-30 | Twelve Variations in G major, WoO 45: Variation X | — | ||
| 32-31 | Twelve Variations in G major, WoO 45: Variation XI | — | ||
| 32-32 | Twelve Variations in G major, WoO 45: Variation XII | — | ||
| 33-1 | Cello Sonata no. 3 in A major, op. 69: I. Allegro ma non tanto | — | ||
| 33-2 | Cello Sonata no. 3 in A major, op. 69: II. Scherzo. Allegro molto | — | ||
| 33-3 | Cello Sonata no. 3 in A major, op. 69: III. Adagio cantabile | — | ||
| 33-4 | Cello Sonata no. 3 in A major, op. 69: III. Allegro vivace | — | ||
| 33-5 | Cello Sonata no. 4 in C major, op. 102 no. 1: I. Andante | — | ||
| 33-6 | Cello Sonata no. 4 in C major, op. 102 no. 1: II. Vivace | — | ||
| 33-7 | Cello Sonata no. 4 in C major, op. 102 no. 1: III. Adagio | — | ||
| 33-8 | Cello Sonata no. 4 in C major, op. 102 no. 1: IV. Allegro vivace | — | ||
| 33-9 | Cello Sonata no. 5 in D major, op. 102 no. 2: I. Allegro con brio | — | ||
| 33-10 | Cello Sonata no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto | — | ||
| 33-11 | Cello Sonata no. 5 in D major, op. 102 no. 2: III. Allegro fugato | — | ||
| 33-12 | Seven Variations in E-flat major, WoO 46: Thema | — | ||
| 33-13 | Seven Variations in E-flat major, WoO 46: Variation I | — | ||
| 33-14 | Seven Variations in E-flat major, WoO 46: Variation II | — | ||
| 33-15 | Seven Variations in E-flat major, WoO 46: Variation III | — | ||
| 33-16 | Seven Variations in E-flat major, WoO 46: Variation IV | — | ||
| 33-17 | Seven Variations in E-flat major, WoO 46: Variation V | — | ||
| 33-18 | Seven Variations in E-flat major, WoO 46: Variation VI | — | ||
| 33-19 | Seven Variations in E-flat major, WoO 46: Variation VII | — | ||
| 34-1 | Sonata for Piano and Cello in E minor, op. 38: I. Allegro non troppo | — | ||
| 34-2 | Sonata for Piano and Cello in E minor, op. 38: II. Allegretto quasi menuetto | — | ||
| 34-3 | Sonata for Piano and Cello in E minor, op. 38: III. Allegro | — | ||
| 34-4 | Sonata for Piano and Cello in D major, op. 78: I. Vivace ma non troppo | — | ||
| 34-5 | Sonata for Piano and Cello in D major, op. 78: II. Adagio: più andante: adagio | — | ||
| 34-6 | Sonata for Piano and Cello in D major, op. 78: III. Allegro molto moderato | — | ||
| 34-7 | Sonata for Piano and Cello in F minor, op. 120 no. 1: I. Allegro appassionato | — | ||
| 34-8 | Sonata for Piano and Cello in F minor, op. 120 no. 1: II. Andante un poco adagio | — | ||
| 34-9 | Sonata for Piano and Cello in F minor, op. 120 no. 1: III. Allegretto grazioso | — | ||
| 34-10 | Sonata for Piano and Cello in F minor, op. 120 no. 1: IV. Vivace | — | ||
| 35-1 | One of a Kind, Act I, Pt. 1 | — | ||
| 35-2 | One of a Kind, Act I, Pt. 2 | — | ||
| 35-3 | One of a Kind, Act II, Pt. 1 | — | ||
| 35-4 | One of a Kind, Act II, Pt. 2 | — | ||
| 35-5 | One of a Kind, Act III | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
0723385762423 is a Universal Product Code (UPC) assigned to The Complete Channel Classics Recordings by Pieter Wispelwey. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 570 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
0723385762423 is the Universal Product Code (UPC barcode) for the release “The Complete Channel Classics Recordings” by Pieter Wispelwey. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 570 tracks, each with its own ISRC. Tracks include NLA460610588, NLA460610589, NLA460610590.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonata no. 6 in B-flat major: I. Preludio | — | ||
| 2 | Sonata no. 6 in B-flat major: II. Allemanda | — | ||
| 3 | Sonata no. 6 in B-flat major: III. Largo | — | ||
| 4 | Sonata no. 6 in B-flat major: IV. Corrente | — | ||
| 5 | Sonata no. 7 in G minor: I. Preludio | — | ||
| 6 | Sonata no. 7 in G minor: II. Allemanda | — | ||
| 7 | Sonata no. 7 in G minor: III. Sarabanda | — | ||
| 8 | Sonata no. 7 in G minor: IV. Gigue | — | ||
| 9 | Sonata no. 9 in E-flat major: I. Larghetto | — | ||
| 10 | Sonata no. 9 in E-flat major: II. Allegro | — | ||
| 11 | Sonata no. 9 in E-flat major: III. Andante | — | ||
| 12 | Sonata no. 9 in E-flat major: IV. Allegro | — | ||
| 13 | Sonata no. 8 in A minor: I. Largo | — | ||
| 14 | Sonata no. 8 in A minor: II. Allegro poco | — | ||
| 15 | Sonata no. 8 in A minor: III. Largo | — | ||
| 16 | Sonata no. 8 in A minor: IV. Allegro | — | ||
| 17 | Sonata no. 5 in E minor: I. Largo | — | ||
| 18 | Sonata no. 5 in E minor: II. Allegro | — | ||
| 19 | Sonata no. 5 in E minor: III. Largo | — | ||
| 20 | Sonata no. 5 in E minor: IV. Allegro | — | ||
| 21 | Sonata no. 4 in B-flat major: I. Largo | — | ||
| 22 | Sonata no. 4 in B-flat major: II. Allegro | — | ||
| 23 | Sonata no. 4 in B-flat major: III. Largo | — | ||
| 24 | Sonata no. 4 in B-flat major: IV. Allegro | — | ||
| 2-1 | Partita no. 2 in G major, TWV 41:G2: I. Siciliano | — | ||
| 2-2 | Partita no. 2 in G major, TWV 41:G2: II. Aria 1. Allegro | — | ||
| 2-3 | Partita no. 2 in G major, TWV 41:G2: III. Aria 2. Allegro | — | ||
| 2-4 | Partita no. 2 in G major, TWV 41:G2: IV. Aria 3. Vivace | — | ||
| 2-5 | Partita no. 2 in G major, TWV 41:G2: V. Aria 4. Affettuoso | — | ||
| 2-6 | Partita no. 2 in G major, TWV 41:G2: VI. Aria 5. Presto | — | ||
| 2-7 | Partita no. 2 in G major, TWV 41:G2: VII. Aria 6. Tempo di Minuetto | — | ||
| 2-8 | Oboe Sonata in G minor, TWV 41:g6: I. Largo | — | ||
| 2-9 | Oboe Sonata in G minor, TWV 41:g6: II. Presto - Tempo giusto | — | ||
| 2-10 | Oboe Sonata in G minor, TWV 41:g6: III. Andante | — | ||
| 2-11 | Oboe Sonata in G minor, TWV 41:g6: IV. Allegro | — | ||
| 2-12 | Oboe Concerto in D minor, TWV 51:d1: I. Adagio | — | ||
| 2-13 | Suite for Oboe and Continuo in G minor, TWV 41:g4: Ia. Ouverture | — | ||
| 2-14 | Suite for Oboe and Continuo in G minor, TWV 41:g4: Ib. Très vite | — | ||
| 2-15 | Suite for Oboe and Continuo in G minor, TWV 41:g4: II. Sans Souci | — | ||
| 2-16 | Suite for Oboe and Continuo in G minor, TWV 41:g4: IV. Gavotte | — | ||
| 2-17 | Suite for Oboe and Continuo in G minor, TWV 41:g4: III. Hornpipe | — | ||
| 2-18 | Oboe Sonata in A minor, TWV 41:a3: I. Siciliano | — | ||
| 2-19 | Oboe Sonata in A minor, TWV 41:a3: II. Spirituoso | — | ||
| 2-20 | Oboe Sonata in A minor, TWV 41:a3: III. Andante | — | ||
| 2-21 | Oboe Sonata in A minor, TWV 41:a3: IV. Vivace | — | ||
| 2-22 | Trio Sonata in E‐flat major, TWV 42:Es3: I. Largo | — | ||
| 2-23 | Trio Sonata in E‐flat major, TWV 42:Es3: II. Vivace | — | ||
| 2-24 | Trio Sonata in E‐flat major, TWV 42:Es3: III. Mesto | — | ||
| 2-25 | Trio Sonata in E‐flat major, TWV 42:Es3: IV. Vivace | — | ||
| 2-26 | Violin Sonata in D minor, TWV 41:d3: I. Andante | — | ||
| 2-27 | Violin Sonata in D minor, TWV 41:d3: II. Allegro assai | — | ||
| 2-28 | Violin Sonata in D minor, TWV 41:d3: III. Largo | — | ||
| 2-29 | Violin Sonata in D minor, TWV 41:d3: IV. Allegro | — | ||
| 3-1 | Prelude In G major (After Prelude In C major, BWV 846, From 'Das Wohltemperierte Clavier 1') | — | ||
| 3-2 | Sonata no. 1 in G major, BWV 1027: I. Adagio | — | ||
| 3-3 | Sonata no. 1 in G major, BWV 1027: II. Allegro Ma Non Tanto | — | ||
| 3-4 | Sonata no. 1 in G major, BWV 1027: III. Andante | — | ||
| 3-5 | Sonata no. 1 in G major, BWV 1027: IV. Allegro Moderato | — | ||
| 3-6 | Siciliano (From Harpsichord Concerto no. 2 In E major, BWV 1053) | — | ||
| 3-7 | Prelude In D major (After Prelude From Cello Suite no. 1 In G major, BWV 1007) | — | ||
| 3-8 | Sonata no. 2 in D major, BWV 1028: I. Adagio | — | ||
| 3-9 | Sonata no. 2 in D major, BWV 1028: II. Allegro | — | ||
| 3-10 | Sonata no. 2 in D major, BWV 1028: III. Andante | — | ||
| 3-11 | Sonata no. 2 in D major, BWV 1028: IV. Allegro | — | ||
| 3-12 | Andante (From Italian Concerto, BWV 971) | — | ||
| 3-13 | Prelude In G minor (After Prelude In C minor, BWV 999, From Kleine Präludien Und Fughetten) | — | ||
| 3-14 | Sonata no. 3 in G minor, BWV 1029: I. Vivace | — | ||
| 3-15 | Sonata no. 3 in G minor, BWV 1029: II. Adagio | — | ||
| 3-16 | Sonata no. 3 in G minor, BWV 1029: III. Allegro | — | ||
| 3-17 | Largo (From Harpsichord Concerto no. 5 In F minor, BWV 1056) | — | ||
| 4-1 | Cello Suite no. 1 in G major, BWV 1007: I. Prelude | — | ||
| 4-2 | Cello Suite no. 1 in G major, BWV 1007: II. Allemande | — | ||
| 4-3 | Cello Suite no. 1 in G major, BWV 1007: III. Courante | — | ||
| 4-4 | Cello Suite no. 1 in G major, BWV 1007: IV. Sarabande | — | ||
| 4-5 | Cello Suite no. 1 in G major, BWV 1007: V. Menuet 1 & 2 | — | ||
| 4-6 | Cello Suite no. 1 in G major, BWV 1007: VI. Gigue | — | ||
| 4-7 | Cello Suite no. 2 in D minor, BWV 1008: I. Prelude | — | ||
| 4-8 | Cello Suite no. 2 in D minor, BWV 1008: II. Allemande | — | ||
| 4-9 | Cello Suite no. 2 in D minor, BWV 1008: III. Courante | — | ||
| 4-10 | Cello Suite no. 2 in D minor, BWV 1008: IV. Sarabande | — | ||
| 4-11 | Cello Suite no. 2 in D minor, BWV 1008: V. Menuet 1 & 2 | — | ||
| 4-12 | Cello Suite no. 2 in D minor, BWV 1008: VI. Gigue | — | ||
| 4-13 | Cello Suite no. 6 in D major, BWV 1012: I. Prelude | — | ||
| 4-14 | Cello Suite no. 6 in D major, BWV 1012: II. Allemande | — | ||
| 4-15 | Cello Suite no. 6 in D major, BWV 1012: III. Courante | — | ||
| 4-16 | Cello Suite no. 6 in D major, BWV 1012: IV. Sarabande | — | ||
| 4-17 | Cello Suite no. 6 in D major, BWV 1012: V. Gavotte 1 & 2 | — | ||
| 4-18 | Cello Suite no. 6 in D major, BWV 1012: VI. Gigue | — | ||
| 5-1 | Cello Suite no. 3 in C major, BWV 1009: I. Prelude | — | ||
| 5-2 | Cello Suite no. 3 in C major, BWV 1009: II. Allemande | — | ||
| 5-3 | Cello Suite no. 3 in C major, BWV 1009: III. Courante | — | ||
| 5-4 | Cello Suite no. 3 in C major, BWV 1009: IV. Sarabande | — | ||
| 5-5 | Cello Suite no. 3 in C major, BWV 1009: V. Bourrée 1 & 2 | — | ||
| 5-6 | Cello Suite no. 3 in C major, BWV 1009: VI. Gigue | — | ||
| 5-7 | Cello Suite no. 4 in E-flat major, BWV 1010: I. Prelude | — | ||
| 5-8 | Cello Suite no. 4 in E-flat major, BWV 1010: II. Allemande | — | ||
| 5-9 | Cello Suite no. 4 in E-flat major, BWV 1010: III. Courante | — | ||
| 5-10 | Cello Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande | — | ||
| 5-11 | Cello Suite no. 4 in E-flat major, BWV 1010: V. Bourrée 1 & 2 | — | ||
| 5-12 | Cello Suite no. 4 in E-flat major, BWV 1010: VI. Gigue | — | ||
| 5-13 | Cello Suite no. 5 in C minor, BWV 1011: I. Prelude | — | ||
| 5-14 | Cello Suite no. 5 in C minor, BWV 1011: II. Allemande | — | ||
| 5-15 | Cello Suite no. 5 in C minor, BWV 1011: III. Courante | — | ||
| 5-16 | Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande | — | ||
| 5-17 | Cello Suite no. 5 in C minor, BWV 1011: V. Gavotte 1 & 2 | — | ||
| 5-18 | Cello Suite no. 5 in C minor, BWV 1011: VI. Gigue | — | ||
| 6-1 | Sonata for Violoncello Solo: Dialogo (Adagio rubato, cantabile) | — | ||
| 6-2 | Sonata for Violoncello Solo: Capriccio (Presto con slancio) | — | ||
| 6-3 | Requiem for "Cello Alone": Introit | — | ||
| 6-4 | Requiem for "Cello Alone": Kyrie | — | ||
| 6-5 | Requiem for "Cello Alone": Qui Mariam | — | ||
| 6-6 | Requiem for "Cello Alone": Lacrimosa | — | ||
| 6-7 | Requiem for "Cello Alone": Libera me | — | ||
| 6-8 | Requiem for "Cello Alone": Lux Aeterna | — | ||
| 6-9 | Sonata for Violoncello Solo, op. 25 Nr. 3: Lebhast, sehr markiert - Mit festen Bogenstrichen | — | ||
| 6-10 | Sonata for Violoncello Solo, op. 25 Nr. 3: Mäßig schnell - Gemächlich - Durchweg sehr leise | — | ||
| 6-11 | Sonata for Violoncello Solo, op. 25 Nr. 3: Langsam | — | ||
| 6-12 | Sonata for Violoncello Solo, op. 25 Nr. 3: Lebhafte Viertel - Ohne jeden Ausdruck und stets Pianissimo | — | ||
| 6-13 | Sonata for Violoncello Solo, op. 25 Nr. 3: Mäßig schnell | — | ||
| 6-14 | Six Pieces for Violoncello: Prelude (Allegro energico) | — | ||
| 6-15 | Six Pieces for Violoncello: Dialogue (Andante) | — | ||
| 6-16 | Six Pieces for Violoncello: Scherzo (Allegro) | — | ||
| 6-17 | Six Pieces for Violoncello: Berceuse (Lento e dolce) | — | ||
| 6-18 | Six Pieces for Violoncello: Capriccio (Con fantasia) | — | ||
| 6-19 | Six Pieces for Violoncello: Epilogue (Adagio molto) | — | ||
| 6-20 | La Belle Dame sans merci for Violoncello Solo | — | ||
| 7-1 | Suite for Solo Cello in G major, op. 131c no. 1: I. Präludium | — | ||
| 7-2 | Suite for Solo Cello in G major, op. 131c no. 1: II. Adagio | — | ||
| 7-3 | Suite for Solo Cello in G major, op. 131c no. 1: III. Fugue | — | ||
| 7-4 | Suite for Violin and Piano in A minor, op. 103a: III. Aria | — | ||
| 7-5 | Suite for Solo Cello in D minor, op. 131c no. 2: I. Präludium | — | ||
| 7-6 | Suite for Solo Cello in D minor, op. 131c no. 2: II. Gavotte | — | ||
| 7-7 | Suite for Solo Cello in D minor, op. 131c no. 2: III. Largo | — | ||
| 7-8 | Suite for Solo Cello in D minor, op. 131c no. 2: IV. Gigue | — | ||
| 7-9 | Two Pieces for Cello and Piano, op. 79e: II. Kleine romanze. Andante | — | ||
| 7-10 | Two Pieces for Cello and Piano, op. 79e: I. Caprice. Vivace assai | — | ||
| 7-11 | Suite for Solo Cello in A minor, op. 131c no. 3: I. Präludium | — | ||
| 7-12 | Suite for Solo Cello in A minor, op. 131c no. 3: II. Scherzo | — | ||
| 7-13 | Suite for Solo Cello in A minor, op. 131c no. 3: III. Andante con variationi | — | ||
| 7-14 | Suite for Violin and Piano, op. 79d: I. Wiegenlied. Allegretto con grazia | — | ||
| 8-1 | Suite no. 1, op. 72: Canto primo. Sostenuto e largamente | — | ||
| 8-2 | Suite no. 1, op. 72: I. Fuga. Andante moderato | — | ||
| 8-3 | Suite no. 1, op. 72: II. Lamento. Lento rubato | — | ||
| 8-4 | Suite no. 1, op. 72: Canto secundo. Sostenuto | — | ||
| 8-5 | Suite no. 1, op. 72: III. Serenata. Allegretto - Pizzicato | — | ||
| 8-6 | Suite no. 1, op. 72: IV. Marcia. Alla marcia moderato | — | ||
| 8-7 | Suite no. 1, op. 72: Canto terzo. Sostenuto | — | ||
| 8-8 | Suite no. 1, op. 72: V. Bordone. Moderato quasi recitativo | — | ||
| 8-9 | Suite no. 1, op. 72: VI. Moto perpetuo / Canto quarto. Presto | — | ||
| 8-10 | Suite no. 2, op. 80: Declamato. Largo | — | ||
| 8-11 | Suite no. 2, op. 80: Fuga. Andante | — | ||
| 8-12 | Suite no. 2, op. 80: Scherzo. Allegro molto | — | ||
| 8-13 | Suite no. 2, op. 80: Andante. Lento | — | ||
| 8-14 | Suite no. 2, op. 80: Ciaconna. Allegro | — | ||
| 8-15 | Suite no. 3, op. 87: Introduzione. Lento | — | ||
| 8-16 | Suite no. 3, op. 87: Marcia. Allegro | — | ||
| 8-17 | Suite no. 3, op. 87: Canto. Con moto | — | ||
| 8-18 | Suite no. 3, op. 87: Barcarola. Lento | — | ||
| 8-19 | Suite no. 3, op. 87: Dialogo. Allegretto | — | ||
| 8-20 | Suite no. 3, op. 87: Fuga. Andante espressivo | — | ||
| 8-21 | Suite no. 3, op. 87: Recitativo. Fantasico | — | ||
| 8-22 | Suite no. 3, op. 87: Moto perpetuo. Presto | — | ||
| 8-23 | Suite no. 3, op. 87: Passacaglia. Lento solenne | — | ||
| 8-24 | Suite no. 3, op. 87: Three Russian Folk Songs and Requiem Melody | — | ||
| 9-1 | Suite für Cello Nr. 1 G-dur, BWV 1007: I. Prelude | — | ||
| 9-2 | Suite für Cello Nr. 1 G-dur, BWV 1007: II. Allemande | — | ||
| 9-3 | Suite für Cello Nr. 1 G-dur, BWV 1007: III. Courante | — | ||
| 9-4 | Suite für Cello Nr. 1 G-dur, BWV 1007: IV. Sarabande | — | ||
| 9-5 | Suite für Cello Nr. 1 G-dur, BWV 1007: V. Menuet I-II | — | ||
| 9-6 | Suite für Cello Nr. 1 G-dur, BWV 1007: VI. Gigue | — | ||
| 9-7 | Suite für Cello Nr. 2 D-moll, BWV 1008: I. Prelude | — | ||
| 9-8 | Suite für Cello Nr. 2 D-moll, BWV 1008: II. Allemande | — | ||
| 9-9 | Suite für Cello Nr. 2 D-moll, BWV 1008: III. Courante | — | ||
| 9-10 | Suite für Cello Nr. 2 D-moll, BWV 1008: IV. Sarabande | — | ||
| 9-11 | Suite für Cello Nr. 2 D-moll, BWV 1008: V. Menuet I-II | — | ||
| 9-12 | Suite für Cello Nr. 2 D-moll, BWV 1008: VI. Gigue | — | ||
| 9-13 | Suite für Cello Nr. 3 C-dur, BWV 1009: I. Prelude | — | ||
| 9-14 | Suite für Cello Nr. 3 C-dur, BWV 1009: II. Allemande | — | ||
| 9-15 | Suite für Cello Nr. 3 C-dur, BWV 1009: III. Courante | — | ||
| 9-16 | Suite für Cello Nr. 3 C-dur, BWV 1009: IV. Sarabande | — | ||
| 9-17 | Suite für Cello Nr. 3 C-dur, BWV 1009: V. Bourrée I-II | — | ||
| 9-18 | Suite für Cello Nr. 3 C-dur, BWV 1009: VI. Gigue | — | ||
| 10-1 | Suite für Cello Nr. 4 Es-dur, BWV 1010: I. Prelude | — | ||
| 10-2 | Suite für Cello Nr. 4 Es-dur, BWV 1010: II. Allemande | — | ||
| 10-3 | Suite für Cello Nr. 4 Es-dur, BWV 1010: III. Courante | — | ||
| 10-4 | Suite für Cello Nr. 4 Es-dur, BWV 1010: IV. Sarabande | — | ||
| 10-5 | Suite für Cello Nr. 4 Es-dur, BWV 1010: V. Bourrée I-II | — | ||
| 10-6 | Suite für Cello Nr. 4 Es-dur, BWV 1010: VI. Gigue | — | ||
| 10-7 | Suite für Cello Nr. 5 C-moll, BWV 1011: I. Prelude | — | ||
| 10-8 | Suite für Cello Nr. 5 C-moll, BWV 1011: II. Allemande | — | ||
| 10-9 | Suite für Cello Nr. 5 C-moll, BWV 1011: III. Courante | — | ||
| 10-10 | Suite für Cello Nr. 5 C-moll, BWV 1011: IV. Sarabande | — | ||
| 10-11 | Suite für Cello Nr. 5 C-moll, BWV 1011: V. Gavotte I-II | — | ||
| 10-12 | Suite für Cello Nr. 5 C-moll, BWV 1011: VI. Gigue | — | ||
| 10-13 | Suite für Cello Nr. 6 D-dur, BWV 1012: I. Prelude | — | ||
| 10-14 | Suite für Cello Nr. 6 D-dur, BWV 1012: II. Allemande | — | ||
| 10-15 | Suite für Cello Nr. 6 D-dur, BWV 1012: III. Courante | — | ||
| 10-16 | Suite für Cello Nr. 6 D-dur, BWV 1012: IV. Sarabande | — | ||
| 10-17 | Suite für Cello Nr. 6 D-dur, BWV 1012: V. Gavotte I-II | — | ||
| 10-18 | Suite für Cello Nr. 6 D-dur, BWV 1012: VI. Gigue | — | ||
| 11-1 | Violin concerto in F major, RV 295: Larghetto in D minor | — | ||
| 11-2 | Concerto in A minor, RV 421: Allegro | — | ||
| 11-3 | Concerto in A minor, RV 421: Siciliano in G major | — | ||
| 11-4 | Concerto in A minor, RV 421: Allegro | — | ||
| 11-5 | Violin concerto in C major, RV 190: Largo in F major | — | ||
| 11-6 | Concerto in F major, RV 410: Allegro | — | ||
| 11-7 | Concerto in G minor, RV 407: Largo in F major | — | ||
| 11-8 | Concerto in F major, RV 411: Allegro molto | — | ||
| 11-9 | Concerto for Strings, RV 109: Adagio in C major | — | ||
| 11-10 | RV 404, No. 3: Allegro Vivace in D major | — | ||
| 11-11 | Violin Concerto, Rv 226: Largo in D major | — | ||
| 11-12 | Concerto in B minor, RV 424: Allegro non molto | — | ||
| 11-13 | Concerto in B minor, RV 424: Largo | — | ||
| 11-14 | Concerto in B minor, RV 424: Allegro | — | ||
| 11-15 | Violin Concerto in B flat major, RV 383: Largo in C major | — | ||
| 11-16 | Concerto in G major, RV 413: Allegro | — | ||
| 11-17 | Concerto in G major, RV 413: Largo | — | ||
| 11-18 | Concerto in G major, RV 413: Allegro | — | ||
| 11-19 | Violin Concerto in A major , RV 341: Largo in G major | — | ||
| 11-20 | Concerto in A minor RV422: Allegro non troppo | — | ||
| 11-21 | Concerto in A minor RV422: Largo | — | ||
| 11-22 | Concerto in A minor RV422: Allegro | — | ||
| 11-23 | Violoncello Concerto RV 415, No. 3: Alla Breve in G major | — | ||
| 12-1 | Cello Concerto In C Major - I. Moderato | — | ||
| 12-2 | Cello Concerto In C Major - II. Adagio | — | ||
| 12-3 | Cello Concerto In C Major - III. Allegro Molto | — | ||
| 12-4 | Symphony no. 104 In D Major - I. Adagio, Allegro | — | ||
| 12-5 | Symphony no. 104 In D Major - II. Andante | — | ||
| 12-6 | Symphony no. 104 In D Major - III. Menuetto/Allegro | — | ||
| 12-7 | Symphony no. 104 In D Major - IV. Allegro Spirituoso | — | ||
| 12-8 | Cello Concerto In D Major - I. Allegro Moderato | — | ||
| 12-9 | Cello Concerto In D Major - II. Adagio | — | ||
| 12-10 | Cello Concerto In D Major - III. Rondo/Allegro | — | ||
| 13-1 | Cello Concerto in A minor op. 129 (1850): Nicht zu schnell | — | ||
| 13-2 | Cello Concerto in A minor op. 129 (1850): Langsam | — | ||
| 13-3 | Cello Concerto in A minor op. 129 (1850): Sehr Lebhaft | — | ||
| 13-4 | Fantasiestücke op. 73 (1849): Zart und mit Ausdruck | — | ||
| 13-5 | Fantasiestücke op. 73 (1849): Lebhaft, leicht | — | ||
| 13-6 | Fantasiestücke op. 73 (1849): Rasch und mit Feuer | — | ||
| 13-7 | Stücke für Violoncello und Klavier op. 8 (1917): Capriccio (violoncello con sordino) | — | ||
| 13-8 | Stücke für Violoncello und Klavier op. 8 (1917): Phantasiestück | — | ||
| 13-9 | Stücke für Violoncello und Klavier op. 8 (1917): Scherzo | — | ||
| 13-10 | 5 Stücke im Volkston op. 102 (1849): Langsam (no. 2) | — | ||
| 14-1 | Andante cantabile, op. 11 (Transcription from String Quartet no. 1 in D) | — | ||
| 14-2 | Concerto for Cello & Orchestra in B minor, op. 104: I. Allegro | — | ||
| 14-3 | Concerto for Cello & Orchestra in B minor, op. 104: II. Adagio ma non troppo | — | ||
| 14-4 | Concerto for Cello & Orchestra in B minor, op. 104: III. Finale, Allegro moderato | — | ||
| 14-5 | Rondo in G minor, op. 94 | — | ||
| 14-6 | Chant Triste, op. 56 no. 3 | — | ||
| 14-7 | Am Springbrunnen, op. 20 no. 2 | — | ||
| 14-8 | Waldesruhe, op. 68 no. 5 | — | ||
| 15-1 | Concerto for Cello and Orchestra in B minor, op. 104: I. Allegro | — | ||
| 15-2 | Concerto for Cello and Orchestra in B minor, op. 104: II. Adagio ma non troppo | — | ||
| 15-3 | Concerto for Cello and Orchestra in B minor, op. 104: III. Finale - Allegro moderato | — | ||
| 15-4 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Thema | — | ||
| 15-5 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 1 | — | ||
| 15-6 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 2 | — | ||
| 15-7 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 3 | — | ||
| 15-8 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 4 | — | ||
| 15-9 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 5 | — | ||
| 15-10 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 6 | — | ||
| 15-11 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 7 | — | ||
| 15-12 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 8 | — | ||
| 15-13 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 9 | — | ||
| 15-14 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 10 | — | ||
| 15-15 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 11 | — | ||
| 15-16 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 12 | — | ||
| 15-17 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 13 | — | ||
| 15-18 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 14 | — | ||
| 15-19 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 15 | — | ||
| 15-20 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 16 | — | ||
| 15-21 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 17 | — | ||
| 15-22 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 18 | — | ||
| 15-23 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 19 | — | ||
| 15-24 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 20 | — | ||
| 15-25 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 21 | — | ||
| 15-26 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 22 | — | ||
| 15-27 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 23 | — | ||
| 15-28 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 24 | — | ||
| 15-29 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 25 | — | ||
| 15-30 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 26 | — | ||
| 15-31 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 27 | — | ||
| 15-32 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Finale | — | ||
| 16-1 | Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo | — | ||
| 16-2 | Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto | — | ||
| 16-3 | Cello Concerto no. 1 in A minor, op. 33: III. Allegro non troppo | — | ||
| 16-4 | Andante cantabile, op. 11 | — | ||
| 16-5 | Variations on a Rococo Theme, op. 33: Theme | — | ||
| 16-6 | Variations on a Rococo Theme, op. 33: Variations 1 | — | ||
| 16-7 | Variations on a Rococo Theme, op. 33: Variations 2 | — | ||
| 16-8 | Variations on a Rococo Theme, op. 33: Variations 3 | — | ||
| 16-9 | Variations on a Rococo Theme, op. 33: Variations 4 | — | ||
| 16-10 | Variations on a Rococo Theme, op. 33: Variations 5 | — | ||
| 16-11 | Variations on a Rococo Theme, op. 33: Variations 6 | — | ||
| 16-12 | Variations on a Rococo Theme, op. 33: Variations 7 | — | ||
| 16-13 | Kol Nidrei, op. 47 | — | ||
| 17-1 | Cello Concerto no. 1 in E-flat major, op. 107: I. Allegretto | — | ||
| 17-2 | Cello Concerto no. 1 in E-flat major, op. 107: II. Moderato | — | ||
| 17-3 | Cello Concerto no. 1 in E-flat major, op. 107: III. Cadenza | — | ||
| 17-4 | Cello Concerto no. 1 in E-flat major, op. 107: IV. Allegro con moto | — | ||
| 17-5 | Sonata for Solo Cello, op. 8: I. Allegro maestoso ma appassionata | — | ||
| 17-6 | Sonata for Solo Cello, op. 8: II. Adagio (con grand' espressiono) | — | ||
| 17-7 | Sonata for Solo Cello, op. 8: III. Allegro molto vivace | — | ||
| 18-1 | Concerto nr. 2 in G major for Cello and Orchestra, op. 126: Largo | — | ||
| 18-2 | Concerto nr. 2 in G major for Cello and Orchestra, op. 126: Allegretto | — | ||
| 18-3 | Concerto nr. 2 in G major for Cello and Orchestra, op. 126: Allegretto | — | ||
| 18-4 | Third Suite for Cello Solo, op. 87: Lento (introduzione) | — | ||
| 18-5 | Third Suite for Cello Solo, op. 87: Allegro (marcia) | — | ||
| 18-6 | Third Suite for Cello Solo, op. 87: Con moto (canto) | — | ||
| 18-7 | Third Suite for Cello Solo, op. 87: Lento (barcarola) | — | ||
| 18-8 | Third Suite for Cello Solo, op. 87: Allegretto (dialogo) | — | ||
| 18-9 | Third Suite for Cello Solo, op. 87: Andante espressivo (fuga) | — | ||
| 18-10 | Third Suite for Cello Solo, op. 87: Fantastico (recitativo) | — | ||
| 18-11 | Third Suite for Cello Solo, op. 87: Presto (moto perpetuo) | — | ||
| 18-12 | Third Suite for Cello Solo, op. 87: Lento solenne (passacaglia) | — | ||
| 18-13 | Third Suite for Cello Solo, op. 87: Molto semplice (three Russian folk songs and Requiem melody) | — | ||
| 19-1 | Sinfonia Concertante in E minor, op. 125: I. Andante | — | ||
| 19-2 | Sinfonia Concertante in E minor, op. 125: II. Allegro giusto | — | ||
| 19-3 | Sinfonia Concertante in E minor, op. 125: III. Andante con moto | — | ||
| 19-4 | Suite for Cello Solo: I. Quasi cadenza (Quarter Note = 80) | — | ||
| 19-5 | Suite for Cello Solo: II. Quarter Note = 90 | — | ||
| 19-6 | Suite for Cello Solo: III. Eighth Note = 42 | — | ||
| 19-7 | Suite for Cello Solo: IV. Vivace (Quarter Note = 134) | — | ||
| 19-8 | Sonata for Cello Solo: Fantasia. Andante espressivo e con molto rubato | — | ||
| 19-9 | Sonata for Cello Solo: Tema. Grazioso e delicato | — | ||
| 19-10 | Sonata for Cello Solo: Var. I. Un poco più animato | — | ||
| 19-11 | Sonata for Cello Solo: Var. II. Allegro possibile e sempre pizzicato | — | ||
| 19-12 | Sonata for Cello Solo: Var. III. Poco adagio e molto espressivo - Coda | — | ||
| 19-13 | Sonata for Cello Solo: Toccata. Largo e drammatico | — | ||
| 20-1 | Cello Concerto in E, op. 85: Adagio – Moderato | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-2 | Cello Concerto in E, op. 85: Lento – Allegro molto | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | T-010.115.156-7 | |
| 20-3 | Cello Concerto in E, op. 85: Adagio | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | T-010.115.155-6 | |
| 20-4 | Cello Concerto in E, op. 85: Allegro – Moderato – Allegro ma non troppo | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | T-010.115.154-5 | |
| 20-5 | Cello Concerto: 1 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-6 | Cello Concerto: 2 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-7 | Cello Concerto: 3 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-8 | Cello Concerto: 4 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-9 | Cello Concerto: 5 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-10 | Cello Concerto: 6 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-11 | Cello Concerto: 7 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-12 | Cello Concerto: 8 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | T-905.971.049-5 | |
| 20-13 | Cello Concerto: 9 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-14 | Cello Concerto: 10 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-15 | Cello Concerto: 11 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-16 | Cello Concerto: 12 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-17 | Cello Concerto: 13 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-18 | Cello Concerto: 14 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-19 | Cello Concerto: 15 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-20 | Cello Concerto: 16 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-21 | Cello Concerto: 17 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 21-1 | The Canticle of the Sun: No. 1, “Altissimo onnipotente bon Signore” | — | ||
| 21-2 | The Canticle of the Sun: No. 2 | — | ||
| 21-3 | The Canticle of the Sun: No. 3, “Laudato si, mi Signore, cun tucte le tue creature” | — | ||
| 21-4 | The Canticle of the Sun: No. 4, “Laudato si, mi Signore, per sora luna e le stelle” | — | ||
| 21-5 | The Canticle of the Sun: No. 5, “Laudato si, mi Signore, per frate vento” | — | ||
| 21-6 | The Canticle of the Sun: No. 6, “Laudato si, mi Signore, per sora acqua” | — | ||
| 21-7 | The Canticle of the Sun: No. 7, “Laudato si, mi Signore, per frate foco” | — | ||
| 21-8 | The Canticle of the Sun: No. 8, “Laudato si, mi Signore, per sora nostra matre terra” | — | ||
| 21-9 | The Canticle of the Sun: No. 9 | — | ||
| 21-10 | The Canticle of the Sun: No. 10 | — | ||
| 21-11 | The Canticle of the Sun: No. 11 | — | ||
| 21-12 | The Canticle of the Sun: No. 12, “Altissimo” | — | ||
| 21-13 | The Canticle of the Sun: No. 13 | — | ||
| 21-14 | The Canticle of the Sun: No. 14 | — | ||
| 21-15 | The Canticle of the Sun: No. 15, “Laudato si, mi Signore, per quelli le perdonano” | — | ||
| 21-16 | The Canticle of the Sun: No. 16 | — | ||
| 21-17 | The Canticle of the Sun: No. 17 | — | ||
| 21-18 | The Canticle of the Sun: No. 18, “Laudato si, mi Signore, per sora nostra morte corporale” | — | ||
| 21-19 | The Canticle of the Sun: No. 19, “Laudate et benedicete mi Signore” | — | ||
| 21-20 | 10 Preludes: I. Staccato, legato | — | ||
| 21-21 | 10 Preludes: II. Legato, staccato | — | ||
| 21-22 | 10 Preludes: IV. Ricochet | — | ||
| 21-23 | 10 Preludes: VIII. Arco, pizzicato | — | ||
| 21-24 | 10 Preludes: IX. Pizzicato, arco | — | ||
| 21-25 | In Croce | — | ||
| 22-1 | String Quintet in C major, D 956, op. 163: I. Allegro ma non troppo | — | ||
| 22-2 | String Quintet in C major, D 956, op. 163: II. Adagio | — | ||
| 22-3 | String Quintet in C major, D 956, op. 163: III. Scherzo (Presto) | — | ||
| 22-4 | String Quintet in C major, D 956, op. 163: IV. Allegretto | — | ||
| 23-1 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Thème | — | ||
| 23-2 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 1 | — | ||
| 23-3 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 2 | — | ||
| 23-4 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 3 | — | ||
| 23-5 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 4 | — | ||
| 23-6 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 5 | — | ||
| 23-7 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 6 | — | ||
| 23-8 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 7 | — | ||
| 23-9 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 8 | — | ||
| 23-10 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 9 | — | ||
| 23-11 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 10 | — | ||
| 23-12 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 11 | — | ||
| 23-13 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 12 | — | ||
| 23-14 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Thème | — | ||
| 23-15 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 1 | — | ||
| 23-16 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 2 | — | ||
| 23-17 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 3 | — | ||
| 23-18 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 4 | — | ||
| 23-19 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 5 | — | ||
| 23-20 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 6 | — | ||
| 23-21 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 7 | — | ||
| 23-22 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 8 | — | ||
| 23-23 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 9 | — | ||
| 23-24 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 10 | — | ||
| 23-25 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 11 | — | ||
| 23-26 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 12 | — | ||
| 23-27 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Thème | — | ||
| 23-28 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Variation 1 | — | ||
| 23-29 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Variation 2 | — | ||
| 23-30 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Variation 3 | — | ||
| 23-31 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Variation 4 | — | ||
| 23-32 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Variation 5 | — | ||
| 23-33 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Variation 6 | — | ||
| 23-34 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Variation 7 | — | ||
| 23-35 | Sonata für Violoncello und Klavier, op. 17: Allegro moderato | — | ||
| 23-36 | Sonata für Violoncello und Klavier, op. 17: Poco Adagio, quasi Andante | — | ||
| 23-37 | Sonata für Violoncello und Klavier, op. 17: Rondo | — | ||
| 24-1 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: Ia. Adagio sostenuto - | — | ||
| 24-2 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: Ib. Allegro - Adagio - Presto - Tempo primo | — | ||
| 24-3 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: II. Allegro vivace | — | ||
| 24-4 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: Ia. Adagio sostenuto e espressivo - | — | ||
| 24-5 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: Ib. Allegro molto più tosto presto | — | ||
| 24-6 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | — | ||
| 25-1 | Sonata for Cello and Piano no. 3 in A major, op. 69: I. Allegro ma non tanto | — | ||
| 25-2 | Sonata for Cello and Piano no. 3 in A major, op. 69: II. Scherzo. Allegro molto | — | ||
| 25-3 | Sonata for Cello and Piano no. 3 in A major, op. 69: III. Adagio cantabile | — | ||
| 25-4 | Sonata for Cello and Piano no. 3 in A major, op. 69: IV. Allegro vivace | — | ||
| 25-5 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: Ia. Andante - | — | ||
| 25-6 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: Ib. Allegro vivace | — | ||
| 25-7 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: IIa. Adagio - | — | ||
| 25-8 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: IIb. Tempo d'Andante - Allegro vivace | — | ||
| 25-9 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: I. Allegro con brio | — | ||
| 25-10 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto - | — | ||
| 25-11 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: III. Allegro - Allegro fugato | — | ||
| 26-1 | Sonata for cello & piano no. 1 in E minor, op. 38: Allegro non troppo | — | ||
| 26-2 | Sonata for cello & piano no. 1 in E minor, op. 38: Allegretto quasi Menuetto | — | ||
| 26-3 | Sonata for cello & piano no. 1 in E minor, op. 38: Allegro | — | ||
| 26-4 | Sonata for cello & piano no. 2 in F major, op. 99: Allegro vivace | — | ||
| 26-5 | Sonata for cello & piano no. 2 in F major, op. 99: Adagio affettuoso | — | ||
| 26-6 | Sonata for cello & piano no. 2 in F major, op. 99: Allegro passionato | — | ||
| 26-7 | Sonata for cello & piano no. 2 in F major, op. 99: Allegro molto | — | ||
| 27-1 | Sonata for Arpeggione and Piano in A minor, D. 821: I. Allegro moderato | — | ||
| 27-2 | Sonata for Arpeggione and Piano in A minor, D. 821: II. Adagio | — | ||
| 27-3 | Sonata for Arpeggione and Piano in A minor, D. 821: III. Allegretto | — | ||
| 27-4 | Violin Sonata in D major, D. 384 (Arr. for Cello and Piano by Pieter Wispelwey): I. Allegro molto | — | ||
| 27-5 | Violin Sonata in D major, D. 384 (Arr. for Cello and Piano by Pieter Wispelwey): II. Andante | — | ||
| 27-6 | Violin Sonata in D major, D. 384 (Arr. for Cello and Piano by Pieter Wispelwey): III. Allegro vivace | — | ||
| 27-7 | Violin Sonata in A minor, D. 385 (Arr. for Cello and Piano by Pieter Wispelwey): I. Allegro moderato | — | ||
| 27-8 | Violin Sonata in A minor, D. 385 (Arr. for Cello and Piano by Pieter Wispelwey): II. Andante | — | ||
| 27-9 | Violin Sonata in A minor, D. 385 (Arr. for Cello and Piano by Pieter Wispelwey): III. Menuetto. Allegro - Trio | — | ||
| 27-10 | Violin Sonata in A minor, D. 385 (Arr. for Cello and Piano by Pieter Wispelwey): IV. Allegro | — | ||
| 27-11 | Violin Sonata in G minor, D. 408 (Arr. for Cello and Piano by Pieter Wispelwey): I. Allegro giusto | — | ||
| 27-12 | Violin Sonata in G minor, D. 408 (Arr. for Cello and Piano by Pieter Wispelwey): II. Andante | — | ||
| 27-13 | Violin Sonata in G minor, D. 408 (Arr. for Cello and Piano by Pieter Wispelwey): III. Menuetto. Allegro vivace - Trio | — | ||
| 27-14 | Violin Sonata in G minor, D. 408 (Arr. for Cello and Piano by Pieter Wispelwey): IV. Allegro moderato | — | ||
| 28-1 | Sonata for Cello and Piano: I. Allegro, Tempo di marcia | — | ||
| 28-2 | Sonata for Cello and Piano: II. Cavatine | — | ||
| 28-3 | Sonata for Cello and Piano: III. Ballabile | — | ||
| 28-4 | Sonata for Cello and Piano: IV. Finale | — | ||
| 28-5 | Élégie in C minor, op. 24 | — | ||
| 28-6 | Romance in A major, op. 69 | — | ||
| 28-7 | Piece pour Cello in A major, op. 77 | — | ||
| 28-8 | Sonata in G minor for Cello and Piano, op. 65: I. Allegro moderato | — | ||
| 28-9 | Sonata in G minor for Cello and Piano, op. 65: II. Scherzo | — | ||
| 28-10 | Sonata in G minor for Cello and Piano, op. 65: III. Largo | — | ||
| 28-11 | Sonata in G minor for Cello and Piano, op. 65: IV. Finale | — | ||
| 29-1 | Sonata in A major: I. Allegro ben moderato | — | ||
| 29-2 | Sonata in A major: II. Allegro | — | ||
| 29-3 | Sonata in A major: III. Recitativo-Fantasia | — | ||
| 29-4 | Sonata in A major: IV. Allegretto poco mosso | — | ||
| 29-5 | Adagio und Allegro, op. 70 | — | ||
| 29-6 | Sonata in D major, op. 78: I. Vivace ma non troppo | — | ||
| 29-7 | Sonata in D major, op. 78: II. Adagio | — | ||
| 29-8 | Sonata in D major, op. 78: III. Allegro molto moderato | — | ||
| 30-1 | Grande Valse Brillante In D major op. 18 - Vivo | — | ||
| 30-2 | Prelude no. 2 In A minor op. 28 - Lento | — | ||
| 30-3 | Mazurka In A minor op. 67 no. 4 - Allegretto | — | ||
| 30-4 | Valse In A major op. 42 | — | ||
| 30-5 | Prelude no. 6 In B minor op. 28 - Lento Assai | — | ||
| 30-6 | Mazurka In C major op. 67 no. 3 - Allegretto | — | ||
| 30-7 | Polonaise Brillante In C major op. 3 - Lento - Alla Polacca: Allegro Con Spirito | — | ||
| 30-8 | Prelude no. 4 in e minor op. 28 - Largo | — | ||
| 30-9 | Mazurka In A minor op. 68 no. 2 - Lento | — | ||
| 30-10 | Scherzo (2nd Mov. Sonata For Cello And Piano) | — | ||
| 30-11 | Mazurka In B flat major (op. Posth.) | — | ||
| 30-12 | Valse Brillante In A minor op. 34 no. 2 - Lento | — | ||
| 30-13 | Prelude no. 7 In A major op. 28 - Andantino | — | ||
| 30-14 | Etude In E minor op. 225 no. 7 - Lento A Placere | — | ||
| 30-15 | Prelude no. 3 In G major - Vivace | — | ||
| 30-16 | Mazurka In G minor op. 67 no. 2 - Cantabile | — | ||
| 30-17 | Nocturne In C Sharp minor, (op. Posth.) - Lento | — | ||
| 30-18 | Valse Brillante In A major op. 34 no. 1 - Vivace | — | ||
| 30-19 | Encore | — | ||
| 31-1 | Sonata for Cello and Piano in D minor, op. 40: I. Allegro non troppo | — | ||
| 31-2 | Sonata for Cello and Piano in D minor, op. 40: II. Allegro | — | ||
| 31-3 | Sonata for Cello and Piano in D minor, op. 40: III. Largo | — | ||
| 31-4 | Sonata for Cello and Piano in D minor, op. 40: IV. Allegro | — | ||
| 31-5 | Sonata for Cello and Piano in C major, op. 119: I. Andante grave | — | ||
| 31-6 | Sonata for Cello and Piano in C major, op. 119: II. Moderato | — | ||
| 31-7 | Sonata for Cello and Piano in C major, op. 119: III. Allegro ma non troppo | — | ||
| 31-8 | Sonata for Cello and Piano in C major, op. 65: I. Dialogo (Allegro) | — | ||
| 31-9 | Sonata for Cello and Piano in C major, op. 65: II. Scherzo-pizzicato (Allegretto) | — | ||
| 31-10 | Sonata for Cello and Piano in C major, op. 65: III. Elegia (Lento) | — | ||
| 31-11 | Sonata for Cello and Piano in C major, op. 65: IV. Marcia (Energico) | — | ||
| 31-12 | Sonata for Cello and Piano in C major, op. 65: V. Moto perpetuo (Presto) | — | ||
| 32-1 | Cello Sonata no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto | — | ||
| 32-2 | Cello Sonata no. 1 in F major, op. 5 no. 1: II. Allegro | — | ||
| 32-3 | Cello Sonata no. 1 in F major, op. 5 no. 1: III. Rondo. Allegro vivace | — | ||
| 32-4 | Twelve Variations in F major, op. 66: Thema | — | ||
| 32-5 | Twelve Variations in F major, op. 66: Variation I | — | ||
| 32-6 | Twelve Variations in F major, op. 66: Variation II | — | ||
| 32-7 | Twelve Variations in F major, op. 66: Variation III | — | ||
| 32-8 | Twelve Variations in F major, op. 66: Variation IV | — | ||
| 32-9 | Twelve Variations in F major, op. 66: Variation V | — | ||
| 32-10 | Twelve Variations in F major, op. 66: Variation VI | — | ||
| 32-11 | Twelve Variations in F major, op. 66: Variation VII | — | ||
| 32-12 | Twelve Variations in F major, op. 66: Variation VIII | — | ||
| 32-13 | Twelve Variations in F major, op. 66: Variation IX | — | ||
| 32-14 | Twelve Variations in F major, op. 66: Variation X | — | ||
| 32-15 | Twelve Variations in F major, op. 66: Variation XI | — | ||
| 32-16 | Twelve Variations in F major, op. 66: Variation XII | — | ||
| 32-17 | Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo | — | ||
| 32-18 | Cello Sonata no. 2 in G minor, op. 5 no. 2: II. Allegro molto più tosto presto | — | ||
| 32-19 | Cello Sonata no. 2 in G minor, op. 5 no. 2: III. Rondo. Allegro | — | ||
| 32-20 | Twelve Variations in G major, WoO 45: Thema | — | ||
| 32-21 | Twelve Variations in G major, WoO 45: Variation I | — | ||
| 32-22 | Twelve Variations in G major, WoO 45: Variation II | — | ||
| 32-23 | Twelve Variations in G major, WoO 45: Variation III | — | ||
| 32-24 | Twelve Variations in G major, WoO 45: Variation IV | — | ||
| 32-25 | Twelve Variations in G major, WoO 45: Variation V | — | ||
| 32-26 | Twelve Variations in G major, WoO 45: Variation VI | — | ||
| 32-27 | Twelve Variations in G major, WoO 45: Variation VII | — | ||
| 32-28 | Twelve Variations in G major, WoO 45: Variation VIII | — | ||
| 32-29 | Twelve Variations in G major, WoO 45: Variation IX | — | ||
| 32-30 | Twelve Variations in G major, WoO 45: Variation X | — | ||
| 32-31 | Twelve Variations in G major, WoO 45: Variation XI | — | ||
| 32-32 | Twelve Variations in G major, WoO 45: Variation XII | — | ||
| 33-1 | Cello Sonata no. 3 in A major, op. 69: I. Allegro ma non tanto | — | ||
| 33-2 | Cello Sonata no. 3 in A major, op. 69: II. Scherzo. Allegro molto | — | ||
| 33-3 | Cello Sonata no. 3 in A major, op. 69: III. Adagio cantabile | — | ||
| 33-4 | Cello Sonata no. 3 in A major, op. 69: III. Allegro vivace | — | ||
| 33-5 | Cello Sonata no. 4 in C major, op. 102 no. 1: I. Andante | — | ||
| 33-6 | Cello Sonata no. 4 in C major, op. 102 no. 1: II. Vivace | — | ||
| 33-7 | Cello Sonata no. 4 in C major, op. 102 no. 1: III. Adagio | — | ||
| 33-8 | Cello Sonata no. 4 in C major, op. 102 no. 1: IV. Allegro vivace | — | ||
| 33-9 | Cello Sonata no. 5 in D major, op. 102 no. 2: I. Allegro con brio | — | ||
| 33-10 | Cello Sonata no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto | — | ||
| 33-11 | Cello Sonata no. 5 in D major, op. 102 no. 2: III. Allegro fugato | — | ||
| 33-12 | Seven Variations in E-flat major, WoO 46: Thema | — | ||
| 33-13 | Seven Variations in E-flat major, WoO 46: Variation I | — | ||
| 33-14 | Seven Variations in E-flat major, WoO 46: Variation II | — | ||
| 33-15 | Seven Variations in E-flat major, WoO 46: Variation III | — | ||
| 33-16 | Seven Variations in E-flat major, WoO 46: Variation IV | — | ||
| 33-17 | Seven Variations in E-flat major, WoO 46: Variation V | — | ||
| 33-18 | Seven Variations in E-flat major, WoO 46: Variation VI | — | ||
| 33-19 | Seven Variations in E-flat major, WoO 46: Variation VII | — | ||
| 34-1 | Sonata for Piano and Cello in E minor, op. 38: I. Allegro non troppo | — | ||
| 34-2 | Sonata for Piano and Cello in E minor, op. 38: II. Allegretto quasi menuetto | — | ||
| 34-3 | Sonata for Piano and Cello in E minor, op. 38: III. Allegro | — | ||
| 34-4 | Sonata for Piano and Cello in D major, op. 78: I. Vivace ma non troppo | — | ||
| 34-5 | Sonata for Piano and Cello in D major, op. 78: II. Adagio: più andante: adagio | — | ||
| 34-6 | Sonata for Piano and Cello in D major, op. 78: III. Allegro molto moderato | — | ||
| 34-7 | Sonata for Piano and Cello in F minor, op. 120 no. 1: I. Allegro appassionato | — | ||
| 34-8 | Sonata for Piano and Cello in F minor, op. 120 no. 1: II. Andante un poco adagio | — | ||
| 34-9 | Sonata for Piano and Cello in F minor, op. 120 no. 1: III. Allegretto grazioso | — | ||
| 34-10 | Sonata for Piano and Cello in F minor, op. 120 no. 1: IV. Vivace | — | ||
| 35-1 | One of a Kind, Act I, Pt. 1 | — | ||
| 35-2 | One of a Kind, Act I, Pt. 2 | — | ||
| 35-3 | One of a Kind, Act II, Pt. 1 | — | ||
| 35-4 | One of a Kind, Act II, Pt. 2 | — | ||
| 35-5 | One of a Kind, Act III | — |
