UPC · Release
The Complete Channel Classics Recordings
Pieter Wispelwey
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0723385762423 is the Universal Product Code (UPC barcode) for the release “The Complete Channel Classics Recordings” by Pieter Wispelwey. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 570 tracks, each with its own ISRC. Tracks include NLA460610588, NLA460610589, NLA460610590.
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Track List (570)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonata no. 6 in B-flat major: I. Preludio | — | ||
| 2 | Sonata no. 6 in B-flat major: II. Allemanda | — | ||
| 3 | Sonata no. 6 in B-flat major: III. Largo | — | ||
| 4 | Sonata no. 6 in B-flat major: IV. Corrente | — | ||
| 5 | Sonata no. 7 in G minor: I. Preludio | — | ||
| 6 | Sonata no. 7 in G minor: II. Allemanda | — | ||
| 7 | Sonata no. 7 in G minor: III. Sarabanda | — | ||
| 8 | Sonata no. 7 in G minor: IV. Gigue | — | ||
| 9 | Sonata no. 9 in E-flat major: I. Larghetto | — | ||
| 10 | Sonata no. 9 in E-flat major: II. Allegro | — | ||
| 11 | Sonata no. 9 in E-flat major: III. Andante | — | ||
| 12 | Sonata no. 9 in E-flat major: IV. Allegro | — | ||
| 13 | Sonata no. 8 in A minor: I. Largo | — | ||
| 14 | Sonata no. 8 in A minor: II. Allegro poco | — | ||
| 15 | Sonata no. 8 in A minor: III. Largo | — | ||
| 16 | Sonata no. 8 in A minor: IV. Allegro | — | ||
| 17 | Sonata no. 5 in E minor: I. Largo | — | ||
| 18 | Sonata no. 5 in E minor: II. Allegro | — | ||
| 19 | Sonata no. 5 in E minor: III. Largo | — | ||
| 20 | Sonata no. 5 in E minor: IV. Allegro | — | ||
| 21 | Sonata no. 4 in B-flat major: I. Largo | — | ||
| 22 | Sonata no. 4 in B-flat major: II. Allegro | — | ||
| 23 | Sonata no. 4 in B-flat major: III. Largo | — | ||
| 24 | Sonata no. 4 in B-flat major: IV. Allegro | — | ||
| 2-1 | Partita no. 2 in G major, TWV 41:G2: I. Siciliano | — | ||
| 2-2 | Partita no. 2 in G major, TWV 41:G2: II. Aria 1. Allegro | — | ||
| 2-3 | Partita no. 2 in G major, TWV 41:G2: III. Aria 2. Allegro | — | ||
| 2-4 | Partita no. 2 in G major, TWV 41:G2: IV. Aria 3. Vivace | — | ||
| 2-5 | Partita no. 2 in G major, TWV 41:G2: V. Aria 4. Affettuoso | — | ||
| 2-6 | Partita no. 2 in G major, TWV 41:G2: VI. Aria 5. Presto | — | ||
| 2-7 | Partita no. 2 in G major, TWV 41:G2: VII. Aria 6. Tempo di Minuetto | — | ||
| 2-8 | Oboe Sonata in G minor, TWV 41:g6: I. Largo | — | ||
| 2-9 | Oboe Sonata in G minor, TWV 41:g6: II. Presto - Tempo giusto | — | ||
| 2-10 | Oboe Sonata in G minor, TWV 41:g6: III. Andante | — | ||
| 2-11 | Oboe Sonata in G minor, TWV 41:g6: IV. Allegro | — | ||
| 2-12 | Oboe Concerto in D minor, TWV 51:d1: I. Adagio | — | ||
| 2-13 | Suite for Oboe and Continuo in G minor, TWV 41:g4: Ia. Ouverture | — | ||
| 2-14 | Suite for Oboe and Continuo in G minor, TWV 41:g4: Ib. Très vite | — | ||
| 2-15 | Suite for Oboe and Continuo in G minor, TWV 41:g4: II. Sans Souci | — | ||
| 2-16 | Suite for Oboe and Continuo in G minor, TWV 41:g4: IV. Gavotte | — | ||
| 2-17 | Suite for Oboe and Continuo in G minor, TWV 41:g4: III. Hornpipe | — | ||
| 2-18 | Oboe Sonata in A minor, TWV 41:a3: I. Siciliano | — | ||
| 2-19 | Oboe Sonata in A minor, TWV 41:a3: II. Spirituoso | — | ||
| 2-20 | Oboe Sonata in A minor, TWV 41:a3: III. Andante | — | ||
| 2-21 | Oboe Sonata in A minor, TWV 41:a3: IV. Vivace | — | ||
| 2-22 | Trio Sonata in E‐flat major, TWV 42:Es3: I. Largo | — | ||
| 2-23 | Trio Sonata in E‐flat major, TWV 42:Es3: II. Vivace | — | ||
| 2-24 | Trio Sonata in E‐flat major, TWV 42:Es3: III. Mesto | — | ||
| 2-25 | Trio Sonata in E‐flat major, TWV 42:Es3: IV. Vivace | — | ||
| 2-26 | Violin Sonata in D minor, TWV 41:d3: I. Andante | — | ||
| 2-27 | Violin Sonata in D minor, TWV 41:d3: II. Allegro assai | — | ||
| 2-28 | Violin Sonata in D minor, TWV 41:d3: III. Largo | — | ||
| 2-29 | Violin Sonata in D minor, TWV 41:d3: IV. Allegro | — | ||
| 3-1 | Prelude In G major (After Prelude In C major, BWV 846, From 'Das Wohltemperierte Clavier 1') | — | ||
| 3-2 | Sonata no. 1 in G major, BWV 1027: I. Adagio | — | ||
| 3-3 | Sonata no. 1 in G major, BWV 1027: II. Allegro Ma Non Tanto | — | ||
| 3-4 | Sonata no. 1 in G major, BWV 1027: III. Andante | — | ||
| 3-5 | Sonata no. 1 in G major, BWV 1027: IV. Allegro Moderato | — | ||
| 3-6 | Siciliano (From Harpsichord Concerto no. 2 In E major, BWV 1053) | — | ||
| 3-7 | Prelude In D major (After Prelude From Cello Suite no. 1 In G major, BWV 1007) | — | ||
| 3-8 | Sonata no. 2 in D major, BWV 1028: I. Adagio | — | ||
| 3-9 | Sonata no. 2 in D major, BWV 1028: II. Allegro | — | ||
| 3-10 | Sonata no. 2 in D major, BWV 1028: III. Andante | — | ||
| 3-11 | Sonata no. 2 in D major, BWV 1028: IV. Allegro | — | ||
| 3-12 | Andante (From Italian Concerto, BWV 971) | — | ||
| 3-13 | Prelude In G minor (After Prelude In C minor, BWV 999, From Kleine Präludien Und Fughetten) | — | ||
| 3-14 | Sonata no. 3 in G minor, BWV 1029: I. Vivace | — | ||
| 3-15 | Sonata no. 3 in G minor, BWV 1029: II. Adagio | — | ||
| 3-16 | Sonata no. 3 in G minor, BWV 1029: III. Allegro | — | ||
| 3-17 | Largo (From Harpsichord Concerto no. 5 In F minor, BWV 1056) | — | ||
| 4-1 | Cello Suite no. 1 in G major, BWV 1007: I. Prelude | — | ||
| 4-2 | Cello Suite no. 1 in G major, BWV 1007: II. Allemande | — | ||
| 4-3 | Cello Suite no. 1 in G major, BWV 1007: III. Courante | — | ||
| 4-4 | Cello Suite no. 1 in G major, BWV 1007: IV. Sarabande | — | ||
| 4-5 | Cello Suite no. 1 in G major, BWV 1007: V. Menuet 1 & 2 | — | ||
| 4-6 | Cello Suite no. 1 in G major, BWV 1007: VI. Gigue | — | ||
| 4-7 | Cello Suite no. 2 in D minor, BWV 1008: I. Prelude | — | ||
| 4-8 | Cello Suite no. 2 in D minor, BWV 1008: II. Allemande | — | ||
| 4-9 | Cello Suite no. 2 in D minor, BWV 1008: III. Courante | — | ||
| 4-10 | Cello Suite no. 2 in D minor, BWV 1008: IV. Sarabande | — | ||
| 4-11 | Cello Suite no. 2 in D minor, BWV 1008: V. Menuet 1 & 2 | — | ||
| 4-12 | Cello Suite no. 2 in D minor, BWV 1008: VI. Gigue | — | ||
| 4-13 | Cello Suite no. 6 in D major, BWV 1012: I. Prelude | — | ||
| 4-14 | Cello Suite no. 6 in D major, BWV 1012: II. Allemande | — | ||
| 4-15 | Cello Suite no. 6 in D major, BWV 1012: III. Courante | — | ||
| 4-16 | Cello Suite no. 6 in D major, BWV 1012: IV. Sarabande | — | ||
| 4-17 | Cello Suite no. 6 in D major, BWV 1012: V. Gavotte 1 & 2 | — | ||
| 4-18 | Cello Suite no. 6 in D major, BWV 1012: VI. Gigue | — | ||
| 5-1 | Cello Suite no. 3 in C major, BWV 1009: I. Prelude | — | ||
| 5-2 | Cello Suite no. 3 in C major, BWV 1009: II. Allemande | — | ||
| 5-3 | Cello Suite no. 3 in C major, BWV 1009: III. Courante | — | ||
| 5-4 | Cello Suite no. 3 in C major, BWV 1009: IV. Sarabande | — | ||
| 5-5 | Cello Suite no. 3 in C major, BWV 1009: V. Bourrée 1 & 2 | — | ||
| 5-6 | Cello Suite no. 3 in C major, BWV 1009: VI. Gigue | — | ||
| 5-7 | Cello Suite no. 4 in E-flat major, BWV 1010: I. Prelude | — | ||
| 5-8 | Cello Suite no. 4 in E-flat major, BWV 1010: II. Allemande | — | ||
| 5-9 | Cello Suite no. 4 in E-flat major, BWV 1010: III. Courante | — | ||
| 5-10 | Cello Suite no. 4 in E-flat major, BWV 1010: IV. Sarabande | — | ||
| 5-11 | Cello Suite no. 4 in E-flat major, BWV 1010: V. Bourrée 1 & 2 | — | ||
| 5-12 | Cello Suite no. 4 in E-flat major, BWV 1010: VI. Gigue | — | ||
| 5-13 | Cello Suite no. 5 in C minor, BWV 1011: I. Prelude | — | ||
| 5-14 | Cello Suite no. 5 in C minor, BWV 1011: II. Allemande | — | ||
| 5-15 | Cello Suite no. 5 in C minor, BWV 1011: III. Courante | — | ||
| 5-16 | Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande | — | ||
| 5-17 | Cello Suite no. 5 in C minor, BWV 1011: V. Gavotte 1 & 2 | — | ||
| 5-18 | Cello Suite no. 5 in C minor, BWV 1011: VI. Gigue | — | ||
| 6-1 | Sonata for Violoncello Solo: Dialogo (Adagio rubato, cantabile) | — | ||
| 6-2 | Sonata for Violoncello Solo: Capriccio (Presto con slancio) | — | ||
| 6-3 | Requiem for "Cello Alone": Introit | — | ||
| 6-4 | Requiem for "Cello Alone": Kyrie | — | ||
| 6-5 | Requiem for "Cello Alone": Qui Mariam | — | ||
| 6-6 | Requiem for "Cello Alone": Lacrimosa | — | ||
| 6-7 | Requiem for "Cello Alone": Libera me | — | ||
| 6-8 | Requiem for "Cello Alone": Lux Aeterna | — | ||
| 6-9 | Sonata for Violoncello Solo, op. 25 Nr. 3: Lebhast, sehr markiert - Mit festen Bogenstrichen | — | ||
| 6-10 | Sonata for Violoncello Solo, op. 25 Nr. 3: Mäßig schnell - Gemächlich - Durchweg sehr leise | — | ||
| 6-11 | Sonata for Violoncello Solo, op. 25 Nr. 3: Langsam | — | ||
| 6-12 | Sonata for Violoncello Solo, op. 25 Nr. 3: Lebhafte Viertel - Ohne jeden Ausdruck und stets Pianissimo | — | ||
| 6-13 | Sonata for Violoncello Solo, op. 25 Nr. 3: Mäßig schnell | — | ||
| 6-14 | Six Pieces for Violoncello: Prelude (Allegro energico) | — | ||
| 6-15 | Six Pieces for Violoncello: Dialogue (Andante) | — | ||
| 6-16 | Six Pieces for Violoncello: Scherzo (Allegro) | — | ||
| 6-17 | Six Pieces for Violoncello: Berceuse (Lento e dolce) | — | ||
| 6-18 | Six Pieces for Violoncello: Capriccio (Con fantasia) | — | ||
| 6-19 | Six Pieces for Violoncello: Epilogue (Adagio molto) | — | ||
| 6-20 | La Belle Dame sans merci for Violoncello Solo | — | ||
| 7-1 | Suite for Solo Cello in G major, op. 131c no. 1: I. Präludium | — | ||
| 7-2 | Suite for Solo Cello in G major, op. 131c no. 1: II. Adagio | — | ||
| 7-3 | Suite for Solo Cello in G major, op. 131c no. 1: III. Fugue | — | ||
| 7-4 | Suite for Violin and Piano in A minor, op. 103a: III. Aria | — | ||
| 7-5 | Suite for Solo Cello in D minor, op. 131c no. 2: I. Präludium | — | ||
| 7-6 | Suite for Solo Cello in D minor, op. 131c no. 2: II. Gavotte | — | ||
| 7-7 | Suite for Solo Cello in D minor, op. 131c no. 2: III. Largo | — | ||
| 7-8 | Suite for Solo Cello in D minor, op. 131c no. 2: IV. Gigue | — | ||
| 7-9 | Two Pieces for Cello and Piano, op. 79e: II. Kleine romanze. Andante | — | ||
| 7-10 | Two Pieces for Cello and Piano, op. 79e: I. Caprice. Vivace assai | — | ||
| 7-11 | Suite for Solo Cello in A minor, op. 131c no. 3: I. Präludium | — | ||
| 7-12 | Suite for Solo Cello in A minor, op. 131c no. 3: II. Scherzo | — | ||
| 7-13 | Suite for Solo Cello in A minor, op. 131c no. 3: III. Andante con variationi | — | ||
| 7-14 | Suite for Violin and Piano, op. 79d: I. Wiegenlied. Allegretto con grazia | — | ||
| 8-1 | Suite no. 1, op. 72: Canto primo. Sostenuto e largamente | — | ||
| 8-2 | Suite no. 1, op. 72: I. Fuga. Andante moderato | — | ||
| 8-3 | Suite no. 1, op. 72: II. Lamento. Lento rubato | — | ||
| 8-4 | Suite no. 1, op. 72: Canto secundo. Sostenuto | — | ||
| 8-5 | Suite no. 1, op. 72: III. Serenata. Allegretto - Pizzicato | — | ||
| 8-6 | Suite no. 1, op. 72: IV. Marcia. Alla marcia moderato | — | ||
| 8-7 | Suite no. 1, op. 72: Canto terzo. Sostenuto | — | ||
| 8-8 | Suite no. 1, op. 72: V. Bordone. Moderato quasi recitativo | — | ||
| 8-9 | Suite no. 1, op. 72: VI. Moto perpetuo / Canto quarto. Presto | — | ||
| 8-10 | Suite no. 2, op. 80: Declamato. Largo | — | ||
| 8-11 | Suite no. 2, op. 80: Fuga. Andante | — | ||
| 8-12 | Suite no. 2, op. 80: Scherzo. Allegro molto | — | ||
| 8-13 | Suite no. 2, op. 80: Andante. Lento | — | ||
| 8-14 | Suite no. 2, op. 80: Ciaconna. Allegro | — | ||
| 8-15 | Suite no. 3, op. 87: Introduzione. Lento | — | ||
| 8-16 | Suite no. 3, op. 87: Marcia. Allegro | — | ||
| 8-17 | Suite no. 3, op. 87: Canto. Con moto | — | ||
| 8-18 | Suite no. 3, op. 87: Barcarola. Lento | — | ||
| 8-19 | Suite no. 3, op. 87: Dialogo. Allegretto | — | ||
| 8-20 | Suite no. 3, op. 87: Fuga. Andante espressivo | — | ||
| 8-21 | Suite no. 3, op. 87: Recitativo. Fantasico | — | ||
| 8-22 | Suite no. 3, op. 87: Moto perpetuo. Presto | — | ||
| 8-23 | Suite no. 3, op. 87: Passacaglia. Lento solenne | — | ||
| 8-24 | Suite no. 3, op. 87: Three Russian Folk Songs and Requiem Melody | — | ||
| 9-1 | Suite für Cello Nr. 1 G-dur, BWV 1007: I. Prelude | — | ||
| 9-2 | Suite für Cello Nr. 1 G-dur, BWV 1007: II. Allemande | — | ||
| 9-3 | Suite für Cello Nr. 1 G-dur, BWV 1007: III. Courante | — | ||
| 9-4 | Suite für Cello Nr. 1 G-dur, BWV 1007: IV. Sarabande | — | ||
| 9-5 | Suite für Cello Nr. 1 G-dur, BWV 1007: V. Menuet I-II | — | ||
| 9-6 | Suite für Cello Nr. 1 G-dur, BWV 1007: VI. Gigue | — | ||
| 9-7 | Suite für Cello Nr. 2 D-moll, BWV 1008: I. Prelude | — | ||
| 9-8 | Suite für Cello Nr. 2 D-moll, BWV 1008: II. Allemande | — | ||
| 9-9 | Suite für Cello Nr. 2 D-moll, BWV 1008: III. Courante | — | ||
| 9-10 | Suite für Cello Nr. 2 D-moll, BWV 1008: IV. Sarabande | — | ||
| 9-11 | Suite für Cello Nr. 2 D-moll, BWV 1008: V. Menuet I-II | — | ||
| 9-12 | Suite für Cello Nr. 2 D-moll, BWV 1008: VI. Gigue | — | ||
| 9-13 | Suite für Cello Nr. 3 C-dur, BWV 1009: I. Prelude | — | ||
| 9-14 | Suite für Cello Nr. 3 C-dur, BWV 1009: II. Allemande | — | ||
| 9-15 | Suite für Cello Nr. 3 C-dur, BWV 1009: III. Courante | — | ||
| 9-16 | Suite für Cello Nr. 3 C-dur, BWV 1009: IV. Sarabande | — | ||
| 9-17 | Suite für Cello Nr. 3 C-dur, BWV 1009: V. Bourrée I-II | — | ||
| 9-18 | Suite für Cello Nr. 3 C-dur, BWV 1009: VI. Gigue | — | ||
| 10-1 | Suite für Cello Nr. 4 Es-dur, BWV 1010: I. Prelude | — | ||
| 10-2 | Suite für Cello Nr. 4 Es-dur, BWV 1010: II. Allemande | — | ||
| 10-3 | Suite für Cello Nr. 4 Es-dur, BWV 1010: III. Courante | — | ||
| 10-4 | Suite für Cello Nr. 4 Es-dur, BWV 1010: IV. Sarabande | — | ||
| 10-5 | Suite für Cello Nr. 4 Es-dur, BWV 1010: V. Bourrée I-II | — | ||
| 10-6 | Suite für Cello Nr. 4 Es-dur, BWV 1010: VI. Gigue | — | ||
| 10-7 | Suite für Cello Nr. 5 C-moll, BWV 1011: I. Prelude | — | ||
| 10-8 | Suite für Cello Nr. 5 C-moll, BWV 1011: II. Allemande | — | ||
| 10-9 | Suite für Cello Nr. 5 C-moll, BWV 1011: III. Courante | — | ||
| 10-10 | Suite für Cello Nr. 5 C-moll, BWV 1011: IV. Sarabande | — | ||
| 10-11 | Suite für Cello Nr. 5 C-moll, BWV 1011: V. Gavotte I-II | — | ||
| 10-12 | Suite für Cello Nr. 5 C-moll, BWV 1011: VI. Gigue | — | ||
| 10-13 | Suite für Cello Nr. 6 D-dur, BWV 1012: I. Prelude | — | ||
| 10-14 | Suite für Cello Nr. 6 D-dur, BWV 1012: II. Allemande | — | ||
| 10-15 | Suite für Cello Nr. 6 D-dur, BWV 1012: III. Courante | — | ||
| 10-16 | Suite für Cello Nr. 6 D-dur, BWV 1012: IV. Sarabande | — | ||
| 10-17 | Suite für Cello Nr. 6 D-dur, BWV 1012: V. Gavotte I-II | — | ||
| 10-18 | Suite für Cello Nr. 6 D-dur, BWV 1012: VI. Gigue | — | ||
| 11-1 | Violin concerto in F major, RV 295: Larghetto in D minor | — | ||
| 11-2 | Concerto in A minor, RV 421: Allegro | — | ||
| 11-3 | Concerto in A minor, RV 421: Siciliano in G major | — | ||
| 11-4 | Concerto in A minor, RV 421: Allegro | — | ||
| 11-5 | Violin concerto in C major, RV 190: Largo in F major | — | ||
| 11-6 | Concerto in F major, RV 410: Allegro | — | ||
| 11-7 | Concerto in G minor, RV 407: Largo in F major | — | ||
| 11-8 | Concerto in F major, RV 411: Allegro molto | — | ||
| 11-9 | Concerto for Strings, RV 109: Adagio in C major | — | ||
| 11-10 | RV 404, No. 3: Allegro Vivace in D major | — | ||
| 11-11 | Violin Concerto, Rv 226: Largo in D major | — | ||
| 11-12 | Concerto in B minor, RV 424: Allegro non molto | — | ||
| 11-13 | Concerto in B minor, RV 424: Largo | — | ||
| 11-14 | Concerto in B minor, RV 424: Allegro | — | ||
| 11-15 | Violin Concerto in B flat major, RV 383: Largo in C major | — | ||
| 11-16 | Concerto in G major, RV 413: Allegro | — | ||
| 11-17 | Concerto in G major, RV 413: Largo | — | ||
| 11-18 | Concerto in G major, RV 413: Allegro | — | ||
| 11-19 | Violin Concerto in A major , RV 341: Largo in G major | — | ||
| 11-20 | Concerto in A minor RV422: Allegro non troppo | — | ||
| 11-21 | Concerto in A minor RV422: Largo | — | ||
| 11-22 | Concerto in A minor RV422: Allegro | — | ||
| 11-23 | Violoncello Concerto RV 415, No. 3: Alla Breve in G major | — | ||
| 12-1 | Cello Concerto In C Major - I. Moderato | — | ||
| 12-2 | Cello Concerto In C Major - II. Adagio | — | ||
| 12-3 | Cello Concerto In C Major - III. Allegro Molto | — | ||
| 12-4 | Symphony no. 104 In D Major - I. Adagio, Allegro | — | ||
| 12-5 | Symphony no. 104 In D Major - II. Andante | — | ||
| 12-6 | Symphony no. 104 In D Major - III. Menuetto/Allegro | — | ||
| 12-7 | Symphony no. 104 In D Major - IV. Allegro Spirituoso | — | ||
| 12-8 | Cello Concerto In D Major - I. Allegro Moderato | — | ||
| 12-9 | Cello Concerto In D Major - II. Adagio | — | ||
| 12-10 | Cello Concerto In D Major - III. Rondo/Allegro | — | ||
| 13-1 | Cello Concerto in A minor op. 129 (1850): Nicht zu schnell | — | ||
| 13-2 | Cello Concerto in A minor op. 129 (1850): Langsam | — | ||
| 13-3 | Cello Concerto in A minor op. 129 (1850): Sehr Lebhaft | — | ||
| 13-4 | Fantasiestücke op. 73 (1849): Zart und mit Ausdruck | — | ||
| 13-5 | Fantasiestücke op. 73 (1849): Lebhaft, leicht | — | ||
| 13-6 | Fantasiestücke op. 73 (1849): Rasch und mit Feuer | — | ||
| 13-7 | Stücke für Violoncello und Klavier op. 8 (1917): Capriccio (violoncello con sordino) | — | ||
| 13-8 | Stücke für Violoncello und Klavier op. 8 (1917): Phantasiestück | — | ||
| 13-9 | Stücke für Violoncello und Klavier op. 8 (1917): Scherzo | — | ||
| 13-10 | 5 Stücke im Volkston op. 102 (1849): Langsam (no. 2) | — | ||
| 14-1 | Andante cantabile, op. 11 (Transcription from String Quartet no. 1 in D) | — | ||
| 14-2 | Concerto for Cello & Orchestra in B minor, op. 104: I. Allegro | — | ||
| 14-3 | Concerto for Cello & Orchestra in B minor, op. 104: II. Adagio ma non troppo | — | ||
| 14-4 | Concerto for Cello & Orchestra in B minor, op. 104: III. Finale, Allegro moderato | — | ||
| 14-5 | Rondo in G minor, op. 94 | — | ||
| 14-6 | Chant Triste, op. 56 no. 3 | — | ||
| 14-7 | Am Springbrunnen, op. 20 no. 2 | — | ||
| 14-8 | Waldesruhe, op. 68 no. 5 | — | ||
| 15-1 | Concerto for Cello and Orchestra in B minor, op. 104: I. Allegro | — | ||
| 15-2 | Concerto for Cello and Orchestra in B minor, op. 104: II. Adagio ma non troppo | — | ||
| 15-3 | Concerto for Cello and Orchestra in B minor, op. 104: III. Finale - Allegro moderato | — | ||
| 15-4 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Thema | — | ||
| 15-5 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 1 | — | ||
| 15-6 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 2 | — | ||
| 15-7 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 3 | — | ||
| 15-8 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 4 | — | ||
| 15-9 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 5 | — | ||
| 15-10 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 6 | — | ||
| 15-11 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 7 | — | ||
| 15-12 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 8 | — | ||
| 15-13 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 9 | — | ||
| 15-14 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 10 | — | ||
| 15-15 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 11 | — | ||
| 15-16 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 12 | — | ||
| 15-17 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 13 | — | ||
| 15-18 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 14 | — | ||
| 15-19 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 15 | — | ||
| 15-20 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 16 | — | ||
| 15-21 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 17 | — | ||
| 15-22 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 18 | — | ||
| 15-23 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 19 | — | ||
| 15-24 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 20 | — | ||
| 15-25 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 21 | — | ||
| 15-26 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 22 | — | ||
| 15-27 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 23 | — | ||
| 15-28 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 24 | — | ||
| 15-29 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 25 | — | ||
| 15-30 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 26 | — | ||
| 15-31 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Variation 27 | — | ||
| 15-32 | Symphonic Variations for Orchestra on "I Am Fiddler", op. 78, B. 66/3, B.70: Finale | — | ||
| 16-1 | Cello Concerto no. 1 in A minor, op. 33: I. Allegro non troppo | — | ||
| 16-2 | Cello Concerto no. 1 in A minor, op. 33: II. Allegretto con moto | — | ||
| 16-3 | Cello Concerto no. 1 in A minor, op. 33: III. Allegro non troppo | — | ||
| 16-4 | Andante cantabile, op. 11 | — | ||
| 16-5 | Variations on a Rococo Theme, op. 33: Theme | — | ||
| 16-6 | Variations on a Rococo Theme, op. 33: Variations 1 | — | ||
| 16-7 | Variations on a Rococo Theme, op. 33: Variations 2 | — | ||
| 16-8 | Variations on a Rococo Theme, op. 33: Variations 3 | — | ||
| 16-9 | Variations on a Rococo Theme, op. 33: Variations 4 | — | ||
| 16-10 | Variations on a Rococo Theme, op. 33: Variations 5 | — | ||
| 16-11 | Variations on a Rococo Theme, op. 33: Variations 6 | — | ||
| 16-12 | Variations on a Rococo Theme, op. 33: Variations 7 | — | ||
| 16-13 | Kol Nidrei, op. 47 | — | ||
| 17-1 | Cello Concerto no. 1 in E-flat major, op. 107: I. Allegretto | — | ||
| 17-2 | Cello Concerto no. 1 in E-flat major, op. 107: II. Moderato | — | ||
| 17-3 | Cello Concerto no. 1 in E-flat major, op. 107: III. Cadenza | — | ||
| 17-4 | Cello Concerto no. 1 in E-flat major, op. 107: IV. Allegro con moto | — | ||
| 17-5 | Sonata for Solo Cello, op. 8: I. Allegro maestoso ma appassionata | — | ||
| 17-6 | Sonata for Solo Cello, op. 8: II. Adagio (con grand' espressiono) | — | ||
| 17-7 | Sonata for Solo Cello, op. 8: III. Allegro molto vivace | — | ||
| 18-1 | Concerto nr. 2 in G major for Cello and Orchestra, op. 126: Largo | — | ||
| 18-2 | Concerto nr. 2 in G major for Cello and Orchestra, op. 126: Allegretto | — | ||
| 18-3 | Concerto nr. 2 in G major for Cello and Orchestra, op. 126: Allegretto | — | ||
| 18-4 | Third Suite for Cello Solo, op. 87: Lento (introduzione) | — | ||
| 18-5 | Third Suite for Cello Solo, op. 87: Allegro (marcia) | — | ||
| 18-6 | Third Suite for Cello Solo, op. 87: Con moto (canto) | — | ||
| 18-7 | Third Suite for Cello Solo, op. 87: Lento (barcarola) | — | ||
| 18-8 | Third Suite for Cello Solo, op. 87: Allegretto (dialogo) | — | ||
| 18-9 | Third Suite for Cello Solo, op. 87: Andante espressivo (fuga) | — | ||
| 18-10 | Third Suite for Cello Solo, op. 87: Fantastico (recitativo) | — | ||
| 18-11 | Third Suite for Cello Solo, op. 87: Presto (moto perpetuo) | — | ||
| 18-12 | Third Suite for Cello Solo, op. 87: Lento solenne (passacaglia) | — | ||
| 18-13 | Third Suite for Cello Solo, op. 87: Molto semplice (three Russian folk songs and Requiem melody) | — | ||
| 19-1 | Sinfonia Concertante in E minor, op. 125: I. Andante | — | ||
| 19-2 | Sinfonia Concertante in E minor, op. 125: II. Allegro giusto | — | ||
| 19-3 | Sinfonia Concertante in E minor, op. 125: III. Andante con moto | — | ||
| 19-4 | Suite for Cello Solo: I. Quasi cadenza (Quarter Note = 80) | — | ||
| 19-5 | Suite for Cello Solo: II. Quarter Note = 90 | — | ||
| 19-6 | Suite for Cello Solo: III. Eighth Note = 42 | — | ||
| 19-7 | Suite for Cello Solo: IV. Vivace (Quarter Note = 134) | — | ||
| 19-8 | Sonata for Cello Solo: Fantasia. Andante espressivo e con molto rubato | — | ||
| 19-9 | Sonata for Cello Solo: Tema. Grazioso e delicato | — | ||
| 19-10 | Sonata for Cello Solo: Var. I. Un poco più animato | — | ||
| 19-11 | Sonata for Cello Solo: Var. II. Allegro possibile e sempre pizzicato | — | ||
| 19-12 | Sonata for Cello Solo: Var. III. Poco adagio e molto espressivo - Coda | — | ||
| 19-13 | Sonata for Cello Solo: Toccata. Largo e drammatico | — | ||
| 20-1 | Cello Concerto in E, op. 85: Adagio – Moderato | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-2 | Cello Concerto in E, op. 85: Lento – Allegro molto | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | T-010.115.156-7 | |
| 20-3 | Cello Concerto in E, op. 85: Adagio | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | T-010.115.155-6 | |
| 20-4 | Cello Concerto in E, op. 85: Allegro – Moderato – Allegro ma non troppo | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | T-010.115.154-5 | |
| 20-5 | Cello Concerto: 1 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-6 | Cello Concerto: 2 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-7 | Cello Concerto: 3 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-8 | Cello Concerto: 4 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-9 | Cello Concerto: 5 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-10 | Cello Concerto: 6 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-11 | Cello Concerto: 7 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-12 | Cello Concerto: 8 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | T-905.971.049-5 | |
| 20-13 | Cello Concerto: 9 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-14 | Cello Concerto: 10 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-15 | Cello Concerto: 11 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-16 | Cello Concerto: 12 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-17 | Cello Concerto: 13 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-18 | Cello Concerto: 14 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-19 | Cello Concerto: 15 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-20 | Cello Concerto: 16 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 20-21 | Cello Concerto: 17 | Pieter Wispelwey, Netherlands Radio Philharmonic, Jac van Steen | — | |
| 21-1 | The Canticle of the Sun: No. 1, “Altissimo onnipotente bon Signore” | — | ||
| 21-2 | The Canticle of the Sun: No. 2 | — | ||
| 21-3 | The Canticle of the Sun: No. 3, “Laudato si, mi Signore, cun tucte le tue creature” | — | ||
| 21-4 | The Canticle of the Sun: No. 4, “Laudato si, mi Signore, per sora luna e le stelle” | — | ||
| 21-5 | The Canticle of the Sun: No. 5, “Laudato si, mi Signore, per frate vento” | — | ||
| 21-6 | The Canticle of the Sun: No. 6, “Laudato si, mi Signore, per sora acqua” | — | ||
| 21-7 | The Canticle of the Sun: No. 7, “Laudato si, mi Signore, per frate foco” | — | ||
| 21-8 | The Canticle of the Sun: No. 8, “Laudato si, mi Signore, per sora nostra matre terra” | — | ||
| 21-9 | The Canticle of the Sun: No. 9 | — | ||
| 21-10 | The Canticle of the Sun: No. 10 | — | ||
| 21-11 | The Canticle of the Sun: No. 11 | — | ||
| 21-12 | The Canticle of the Sun: No. 12, “Altissimo” | — | ||
| 21-13 | The Canticle of the Sun: No. 13 | — | ||
| 21-14 | The Canticle of the Sun: No. 14 | — | ||
| 21-15 | The Canticle of the Sun: No. 15, “Laudato si, mi Signore, per quelli le perdonano” | — | ||
| 21-16 | The Canticle of the Sun: No. 16 | — | ||
| 21-17 | The Canticle of the Sun: No. 17 | — | ||
| 21-18 | The Canticle of the Sun: No. 18, “Laudato si, mi Signore, per sora nostra morte corporale” | — | ||
| 21-19 | The Canticle of the Sun: No. 19, “Laudate et benedicete mi Signore” | — | ||
| 21-20 | 10 Preludes: I. Staccato, legato | — | ||
| 21-21 | 10 Preludes: II. Legato, staccato | — | ||
| 21-22 | 10 Preludes: IV. Ricochet | — | ||
| 21-23 | 10 Preludes: VIII. Arco, pizzicato | — | ||
| 21-24 | 10 Preludes: IX. Pizzicato, arco | — | ||
| 21-25 | In Croce | — | ||
| 22-1 | String Quintet in C major, D 956, op. 163: I. Allegro ma non troppo | — | ||
| 22-2 | String Quintet in C major, D 956, op. 163: II. Adagio | — | ||
| 22-3 | String Quintet in C major, D 956, op. 163: III. Scherzo (Presto) | — | ||
| 22-4 | String Quintet in C major, D 956, op. 163: IV. Allegretto | — | ||
| 23-1 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Thème | — | ||
| 23-2 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 1 | — | ||
| 23-3 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 2 | — | ||
| 23-4 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 3 | — | ||
| 23-5 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 4 | — | ||
| 23-6 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 5 | — | ||
| 23-7 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 6 | — | ||
| 23-8 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 7 | — | ||
| 23-9 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 8 | — | ||
| 23-10 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 9 | — | ||
| 23-11 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 10 | — | ||
| 23-12 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 11 | — | ||
| 23-13 | Zwölf Variationen über das Thema "See the conqu'ring hero comes" aus Händels Oratorium "Judas Maccabaeus", WoO 45: Variation 12 | — | ||
| 23-14 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Thème | — | ||
| 23-15 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 1 | — | ||
| 23-16 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 2 | — | ||
| 23-17 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 3 | — | ||
| 23-18 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 4 | — | ||
| 23-19 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 5 | — | ||
| 23-20 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 6 | — | ||
| 23-21 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 7 | — | ||
| 23-22 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 8 | — | ||
| 23-23 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 9 | — | ||
| 23-24 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 10 | — | ||
| 23-25 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 11 | — | ||
| 23-26 | Zwölf Variationen über das Thema "Ein Mädchen oder Weibchen" aus Mozarts Oper "Die Zauberflöte", op. 66: Variation 12 | — | ||
| 23-27 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Thème | — | ||
| 23-28 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Variation 1 | — | ||
| 23-29 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Variation 2 | — | ||
| 23-30 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Variation 3 | — | ||
| 23-31 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Variation 4 | — | ||
| 23-32 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Variation 5 | — | ||
| 23-33 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Variation 6 | — | ||
| 23-34 | Sieben Variationen über das Thema "Bei Männern, welche Liebe fühlen" aus Mozarts Oper "Die Zauberflöte", WoO 46: Variation 7 | — | ||
| 23-35 | Sonata für Violoncello und Klavier, op. 17: Allegro moderato | — | ||
| 23-36 | Sonata für Violoncello und Klavier, op. 17: Poco Adagio, quasi Andante | — | ||
| 23-37 | Sonata für Violoncello und Klavier, op. 17: Rondo | — | ||
| 24-1 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: Ia. Adagio sostenuto - | — | ||
| 24-2 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: Ib. Allegro - Adagio - Presto - Tempo primo | — | ||
| 24-3 | Sonata for Cello and Piano no. 1 in F major, op. 5 no. 1: II. Allegro vivace | — | ||
| 24-4 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: Ia. Adagio sostenuto e espressivo - | — | ||
| 24-5 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: Ib. Allegro molto più tosto presto | — | ||
| 24-6 | Sonata for Cello and Piano no. 2 in G minor, op. 5 no. 2: II. Rondo. Allegro | — | ||
| 25-1 | Sonata for Cello and Piano no. 3 in A major, op. 69: I. Allegro ma non tanto | — | ||
| 25-2 | Sonata for Cello and Piano no. 3 in A major, op. 69: II. Scherzo. Allegro molto | — | ||
| 25-3 | Sonata for Cello and Piano no. 3 in A major, op. 69: III. Adagio cantabile | — | ||
| 25-4 | Sonata for Cello and Piano no. 3 in A major, op. 69: IV. Allegro vivace | — | ||
| 25-5 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: Ia. Andante - | — | ||
| 25-6 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: Ib. Allegro vivace | — | ||
| 25-7 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: IIa. Adagio - | — | ||
| 25-8 | Sonata for Cello and Piano no. 4 in C major, op. 102 no. 1: IIb. Tempo d'Andante - Allegro vivace | — | ||
| 25-9 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: I. Allegro con brio | — | ||
| 25-10 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto - | — | ||
| 25-11 | Sonata for Cello and Piano no. 5 in D major, op. 102 no. 2: III. Allegro - Allegro fugato | — | ||
| 26-1 | Sonata for cello & piano no. 1 in E minor, op. 38: Allegro non troppo | — | ||
| 26-2 | Sonata for cello & piano no. 1 in E minor, op. 38: Allegretto quasi Menuetto | — | ||
| 26-3 | Sonata for cello & piano no. 1 in E minor, op. 38: Allegro | — | ||
| 26-4 | Sonata for cello & piano no. 2 in F major, op. 99: Allegro vivace | — | ||
| 26-5 | Sonata for cello & piano no. 2 in F major, op. 99: Adagio affettuoso | — | ||
| 26-6 | Sonata for cello & piano no. 2 in F major, op. 99: Allegro passionato | — | ||
| 26-7 | Sonata for cello & piano no. 2 in F major, op. 99: Allegro molto | — | ||
| 27-1 | Sonata for Arpeggione and Piano in A minor, D. 821: I. Allegro moderato | — | ||
| 27-2 | Sonata for Arpeggione and Piano in A minor, D. 821: II. Adagio | — | ||
| 27-3 | Sonata for Arpeggione and Piano in A minor, D. 821: III. Allegretto | — | ||
| 27-4 | Violin Sonata in D major, D. 384 (Arr. for Cello and Piano by Pieter Wispelwey): I. Allegro molto | — | ||
| 27-5 | Violin Sonata in D major, D. 384 (Arr. for Cello and Piano by Pieter Wispelwey): II. Andante | — | ||
| 27-6 | Violin Sonata in D major, D. 384 (Arr. for Cello and Piano by Pieter Wispelwey): III. Allegro vivace | — | ||
| 27-7 | Violin Sonata in A minor, D. 385 (Arr. for Cello and Piano by Pieter Wispelwey): I. Allegro moderato | — | ||
| 27-8 | Violin Sonata in A minor, D. 385 (Arr. for Cello and Piano by Pieter Wispelwey): II. Andante | — | ||
| 27-9 | Violin Sonata in A minor, D. 385 (Arr. for Cello and Piano by Pieter Wispelwey): III. Menuetto. Allegro - Trio | — | ||
| 27-10 | Violin Sonata in A minor, D. 385 (Arr. for Cello and Piano by Pieter Wispelwey): IV. Allegro | — | ||
| 27-11 | Violin Sonata in G minor, D. 408 (Arr. for Cello and Piano by Pieter Wispelwey): I. Allegro giusto | — | ||
| 27-12 | Violin Sonata in G minor, D. 408 (Arr. for Cello and Piano by Pieter Wispelwey): II. Andante | — | ||
| 27-13 | Violin Sonata in G minor, D. 408 (Arr. for Cello and Piano by Pieter Wispelwey): III. Menuetto. Allegro vivace - Trio | — | ||
| 27-14 | Violin Sonata in G minor, D. 408 (Arr. for Cello and Piano by Pieter Wispelwey): IV. Allegro moderato | — | ||
| 28-1 | Sonata for Cello and Piano: I. Allegro, Tempo di marcia | — | ||
| 28-2 | Sonata for Cello and Piano: II. Cavatine | — | ||
| 28-3 | Sonata for Cello and Piano: III. Ballabile | — | ||
| 28-4 | Sonata for Cello and Piano: IV. Finale | — | ||
| 28-5 | Élégie in C minor, op. 24 | — | ||
| 28-6 | Romance in A major, op. 69 | — | ||
| 28-7 | Piece pour Cello in A major, op. 77 | — | ||
| 28-8 | Sonata in G minor for Cello and Piano, op. 65: I. Allegro moderato | — | ||
| 28-9 | Sonata in G minor for Cello and Piano, op. 65: II. Scherzo | — | ||
| 28-10 | Sonata in G minor for Cello and Piano, op. 65: III. Largo | — | ||
| 28-11 | Sonata in G minor for Cello and Piano, op. 65: IV. Finale | — | ||
| 29-1 | Sonata in A major: I. Allegro ben moderato | — | ||
| 29-2 | Sonata in A major: II. Allegro | — | ||
| 29-3 | Sonata in A major: III. Recitativo-Fantasia | — | ||
| 29-4 | Sonata in A major: IV. Allegretto poco mosso | — | ||
| 29-5 | Adagio und Allegro, op. 70 | — | ||
| 29-6 | Sonata in D major, op. 78: I. Vivace ma non troppo | — | ||
| 29-7 | Sonata in D major, op. 78: II. Adagio | — | ||
| 29-8 | Sonata in D major, op. 78: III. Allegro molto moderato | — | ||
| 30-1 | Grande Valse Brillante In D major op. 18 - Vivo | — | ||
| 30-2 | Prelude no. 2 In A minor op. 28 - Lento | — | ||
| 30-3 | Mazurka In A minor op. 67 no. 4 - Allegretto | — | ||
| 30-4 | Valse In A major op. 42 | — | ||
| 30-5 | Prelude no. 6 In B minor op. 28 - Lento Assai | — | ||
| 30-6 | Mazurka In C major op. 67 no. 3 - Allegretto | — | ||
| 30-7 | Polonaise Brillante In C major op. 3 - Lento - Alla Polacca: Allegro Con Spirito | — | ||
| 30-8 | Prelude no. 4 in e minor op. 28 - Largo | — | ||
| 30-9 | Mazurka In A minor op. 68 no. 2 - Lento | — | ||
| 30-10 | Scherzo (2nd Mov. Sonata For Cello And Piano) | — | ||
| 30-11 | Mazurka In B flat major (op. Posth.) | — | ||
| 30-12 | Valse Brillante In A minor op. 34 no. 2 - Lento | — | ||
| 30-13 | Prelude no. 7 In A major op. 28 - Andantino | — | ||
| 30-14 | Etude In E minor op. 225 no. 7 - Lento A Placere | — | ||
| 30-15 | Prelude no. 3 In G major - Vivace | — | ||
| 30-16 | Mazurka In G minor op. 67 no. 2 - Cantabile | — | ||
| 30-17 | Nocturne In C Sharp minor, (op. Posth.) - Lento | — | ||
| 30-18 | Valse Brillante In A major op. 34 no. 1 - Vivace | — | ||
| 30-19 | Encore | — | ||
| 31-1 | Sonata for Cello and Piano in D minor, op. 40: I. Allegro non troppo | — | ||
| 31-2 | Sonata for Cello and Piano in D minor, op. 40: II. Allegro | — | ||
| 31-3 | Sonata for Cello and Piano in D minor, op. 40: III. Largo | — | ||
| 31-4 | Sonata for Cello and Piano in D minor, op. 40: IV. Allegro | — | ||
| 31-5 | Sonata for Cello and Piano in C major, op. 119: I. Andante grave | — | ||
| 31-6 | Sonata for Cello and Piano in C major, op. 119: II. Moderato | — | ||
| 31-7 | Sonata for Cello and Piano in C major, op. 119: III. Allegro ma non troppo | — | ||
| 31-8 | Sonata for Cello and Piano in C major, op. 65: I. Dialogo (Allegro) | — | ||
| 31-9 | Sonata for Cello and Piano in C major, op. 65: II. Scherzo-pizzicato (Allegretto) | — | ||
| 31-10 | Sonata for Cello and Piano in C major, op. 65: III. Elegia (Lento) | — | ||
| 31-11 | Sonata for Cello and Piano in C major, op. 65: IV. Marcia (Energico) | — | ||
| 31-12 | Sonata for Cello and Piano in C major, op. 65: V. Moto perpetuo (Presto) | — | ||
| 32-1 | Cello Sonata no. 1 in F major, op. 5 no. 1: I. Adagio sostenuto | — | ||
| 32-2 | Cello Sonata no. 1 in F major, op. 5 no. 1: II. Allegro | — | ||
| 32-3 | Cello Sonata no. 1 in F major, op. 5 no. 1: III. Rondo. Allegro vivace | — | ||
| 32-4 | Twelve Variations in F major, op. 66: Thema | — | ||
| 32-5 | Twelve Variations in F major, op. 66: Variation I | — | ||
| 32-6 | Twelve Variations in F major, op. 66: Variation II | — | ||
| 32-7 | Twelve Variations in F major, op. 66: Variation III | — | ||
| 32-8 | Twelve Variations in F major, op. 66: Variation IV | — | ||
| 32-9 | Twelve Variations in F major, op. 66: Variation V | — | ||
| 32-10 | Twelve Variations in F major, op. 66: Variation VI | — | ||
| 32-11 | Twelve Variations in F major, op. 66: Variation VII | — | ||
| 32-12 | Twelve Variations in F major, op. 66: Variation VIII | — | ||
| 32-13 | Twelve Variations in F major, op. 66: Variation IX | — | ||
| 32-14 | Twelve Variations in F major, op. 66: Variation X | — | ||
| 32-15 | Twelve Variations in F major, op. 66: Variation XI | — | ||
| 32-16 | Twelve Variations in F major, op. 66: Variation XII | — | ||
| 32-17 | Cello Sonata no. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo | — | ||
| 32-18 | Cello Sonata no. 2 in G minor, op. 5 no. 2: II. Allegro molto più tosto presto | — | ||
| 32-19 | Cello Sonata no. 2 in G minor, op. 5 no. 2: III. Rondo. Allegro | — | ||
| 32-20 | Twelve Variations in G major, WoO 45: Thema | — | ||
| 32-21 | Twelve Variations in G major, WoO 45: Variation I | — | ||
| 32-22 | Twelve Variations in G major, WoO 45: Variation II | — | ||
| 32-23 | Twelve Variations in G major, WoO 45: Variation III | — | ||
| 32-24 | Twelve Variations in G major, WoO 45: Variation IV | — | ||
| 32-25 | Twelve Variations in G major, WoO 45: Variation V | — | ||
| 32-26 | Twelve Variations in G major, WoO 45: Variation VI | — | ||
| 32-27 | Twelve Variations in G major, WoO 45: Variation VII | — | ||
| 32-28 | Twelve Variations in G major, WoO 45: Variation VIII | — | ||
| 32-29 | Twelve Variations in G major, WoO 45: Variation IX | — | ||
| 32-30 | Twelve Variations in G major, WoO 45: Variation X | — | ||
| 32-31 | Twelve Variations in G major, WoO 45: Variation XI | — | ||
| 32-32 | Twelve Variations in G major, WoO 45: Variation XII | — | ||
| 33-1 | Cello Sonata no. 3 in A major, op. 69: I. Allegro ma non tanto | — | ||
| 33-2 | Cello Sonata no. 3 in A major, op. 69: II. Scherzo. Allegro molto | — | ||
| 33-3 | Cello Sonata no. 3 in A major, op. 69: III. Adagio cantabile | — | ||
| 33-4 | Cello Sonata no. 3 in A major, op. 69: III. Allegro vivace | — | ||
| 33-5 | Cello Sonata no. 4 in C major, op. 102 no. 1: I. Andante | — | ||
| 33-6 | Cello Sonata no. 4 in C major, op. 102 no. 1: II. Vivace | — | ||
| 33-7 | Cello Sonata no. 4 in C major, op. 102 no. 1: III. Adagio | — | ||
| 33-8 | Cello Sonata no. 4 in C major, op. 102 no. 1: IV. Allegro vivace | — | ||
| 33-9 | Cello Sonata no. 5 in D major, op. 102 no. 2: I. Allegro con brio | — | ||
| 33-10 | Cello Sonata no. 5 in D major, op. 102 no. 2: II. Adagio con molto sentimento d'affetto | — | ||
| 33-11 | Cello Sonata no. 5 in D major, op. 102 no. 2: III. Allegro fugato | — | ||
| 33-12 | Seven Variations in E-flat major, WoO 46: Thema | — | ||
| 33-13 | Seven Variations in E-flat major, WoO 46: Variation I | — | ||
| 33-14 | Seven Variations in E-flat major, WoO 46: Variation II | — | ||
| 33-15 | Seven Variations in E-flat major, WoO 46: Variation III | — | ||
| 33-16 | Seven Variations in E-flat major, WoO 46: Variation IV | — | ||
| 33-17 | Seven Variations in E-flat major, WoO 46: Variation V | — | ||
| 33-18 | Seven Variations in E-flat major, WoO 46: Variation VI | — | ||
| 33-19 | Seven Variations in E-flat major, WoO 46: Variation VII | — | ||
| 34-1 | Sonata for Piano and Cello in E minor, op. 38: I. Allegro non troppo | — | ||
| 34-2 | Sonata for Piano and Cello in E minor, op. 38: II. Allegretto quasi menuetto | — | ||
| 34-3 | Sonata for Piano and Cello in E minor, op. 38: III. Allegro | — | ||
| 34-4 | Sonata for Piano and Cello in D major, op. 78: I. Vivace ma non troppo | — | ||
| 34-5 | Sonata for Piano and Cello in D major, op. 78: II. Adagio: più andante: adagio | — | ||
| 34-6 | Sonata for Piano and Cello in D major, op. 78: III. Allegro molto moderato | — | ||
| 34-7 | Sonata for Piano and Cello in F minor, op. 120 no. 1: I. Allegro appassionato | — | ||
| 34-8 | Sonata for Piano and Cello in F minor, op. 120 no. 1: II. Andante un poco adagio | — | ||
| 34-9 | Sonata for Piano and Cello in F minor, op. 120 no. 1: III. Allegretto grazioso | — | ||
| 34-10 | Sonata for Piano and Cello in F minor, op. 120 no. 1: IV. Vivace | — | ||
| 35-1 | One of a Kind, Act I, Pt. 1 | — | ||
| 35-2 | One of a Kind, Act I, Pt. 2 | — | ||
| 35-3 | One of a Kind, Act II, Pt. 1 | — | ||
| 35-4 | One of a Kind, Act II, Pt. 2 | — | ||
| 35-5 | One of a Kind, Act III | — |
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What is UPC 0723385762423?
0723385762423 is a Universal Product Code (UPC) assigned to The Complete Channel Classics Recordings by Pieter Wispelwey. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
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