UPC · Release
Early Music Consort of London, David Munrow
Last verified:
The UPC for “The Art of Courtly Love” by Early Music Consort of London, David Munrow is 0724356128453. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 51 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | A vous, douce debonaire | — | ||
| 2 | Hareu! hareu! le feu / Helas! ou sera pris confors / Obediens usque ad mortem, M10 | — | ||
| 3 | Amours me fait desirer, B19 | — | ||
| 4 | Trop plus est belle / Biauté paree / Je ne sui mie certeins, M20 | — | ||
| 5 | Amis tout dous vis | — | ||
| 6 | Se ma dame m'a guerpy, V6 | — | ||
| 7 | Se je souspir parfondement, V36 / V30 | — | ||
| 8 | Dame, se vous m'estés lointeinne, B37 | — | ||
| 9 | Quant je sui mis au retour, V13 | — | ||
| 10 | Mes esperis se combat, B39 | — | ||
| 11 | Ma fin est mon commencement, R14 | — | ||
| 12 | Douce dame jolie, V4 | — | ||
| 13 | De bon espoir / Puis que la douce roussee / Speravi, M4 | — | ||
| 14 | De toutes flours, B31 | — | ||
| 15 | Quant Theseus / Ne quier veoir, B34 | — | ||
| 16 | La Septime estampie Real | — | ||
| 17 | Quant j'ay l'espart, R5 | — | ||
| 18 | Phyton le mervilleus serpent, B38 | — | ||
| 19 | Armes amours / O flour des flours | — | ||
| 20 | A l'arme a l'arme | — | ||
| 21 | Phiton Phiton | — | ||
| 22 | Variations on "Roussignoulet du bois" No. 1: Hé trés doulz roussignol / No. 2: Ma tredol rosignol | — | ||
| 23 | Fumeux fume | — | ||
| 24 | De home vray | — | ||
| 25 | Istampitta Tre fontane | — | ||
| 26 | Ma douce amour | — | ||
| 2-1 | Trés doulz amis / Ma dame / Cent mille fois | — | ||
| 2-2 | Plasanche or tost | — | ||
| 2-3 | Amour m'a le cuer mis | — | ||
| 2-4 | Tribum quem | — | ||
| 2-5 | Helas! je voy mon cuer | — | ||
| 2-6 | Contre le temps | — | ||
| 2-7 | Andray soulet | — | ||
| 2-8 | Le greygnour bien | — | ||
| 2-9 | Virelai - Restoes restoes | — | ||
| 2-10 | Ce moys de may | — | ||
| 2-11 | La belle se siet | — | ||
| 2-12 | Je ne fai tousjours que penser, R. 19 | — | ||
| 2-13 | Files a marier, R. 55 | — | ||
| 2-14 | Amoureux suy et me vient toute joye, R. 6 | — | ||
| 2-15 | Je loe Amours et ma dame mercye, R. 52 | — | ||
| 2-16 | Navré je suis d'un dart penetratif | — | ||
| 2-17 | Lamentatio Sanctae Matris Ecclesiae Constantinopolitanae "O tres piteulx" / "Omnes amici" | — | ||
| 2-18 | La Spagna (Variant I) | — | ||
| 2-19 | Par droit je puis bien complaindre | — | ||
| 2-20 | Donnés l'assault | — | ||
| 2-21 | Vostre trés doulx regart, R. 47 | — | ||
| 2-22 | Helas mon dueil | — | ||
| 2-23 | Bien puist, R. 10 | — | ||
| 2-24 | Vergine bella | — | ||
| 2-25 | La Spagna (Variant II) | — |
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0724356128453 is a Universal Product Code (UPC) assigned to The Art of Courtly Love by Early Music Consort of London, David Munrow. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 51 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Art of Courtly Love” by Early Music Consort of London, David Munrow is 0724356128453. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 51 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | A vous, douce debonaire | — | ||
| 2 | Hareu! hareu! le feu / Helas! ou sera pris confors / Obediens usque ad mortem, M10 | — | ||
| 3 | Amours me fait desirer, B19 | — | ||
| 4 | Trop plus est belle / Biauté paree / Je ne sui mie certeins, M20 | — | ||
| 5 | Amis tout dous vis | — | ||
| 6 | Se ma dame m'a guerpy, V6 | — | ||
| 7 | Se je souspir parfondement, V36 / V30 | — | ||
| 8 | Dame, se vous m'estés lointeinne, B37 | — | ||
| 9 | Quant je sui mis au retour, V13 | — | ||
| 10 | Mes esperis se combat, B39 | — | ||
| 11 | Ma fin est mon commencement, R14 | — | ||
| 12 | Douce dame jolie, V4 | — | ||
| 13 | De bon espoir / Puis que la douce roussee / Speravi, M4 | — | ||
| 14 | De toutes flours, B31 | — | ||
| 15 | Quant Theseus / Ne quier veoir, B34 | — | ||
| 16 | La Septime estampie Real | — | ||
| 17 | Quant j'ay l'espart, R5 | — | ||
| 18 | Phyton le mervilleus serpent, B38 | — | ||
| 19 | Armes amours / O flour des flours | — | ||
| 20 | A l'arme a l'arme | — | ||
| 21 | Phiton Phiton | — | ||
| 22 | Variations on "Roussignoulet du bois" No. 1: Hé trés doulz roussignol / No. 2: Ma tredol rosignol | — | ||
| 23 | Fumeux fume | — | ||
| 24 | De home vray | — | ||
| 25 | Istampitta Tre fontane | — | ||
| 26 | Ma douce amour | — | ||
| 2-1 | Trés doulz amis / Ma dame / Cent mille fois | — | ||
| 2-2 | Plasanche or tost | — | ||
| 2-3 | Amour m'a le cuer mis | — | ||
| 2-4 | Tribum quem | — | ||
| 2-5 | Helas! je voy mon cuer | — | ||
| 2-6 | Contre le temps | — | ||
| 2-7 | Andray soulet | — | ||
| 2-8 | Le greygnour bien | — | ||
| 2-9 | Virelai - Restoes restoes | — | ||
| 2-10 | Ce moys de may | — | ||
| 2-11 | La belle se siet | — | ||
| 2-12 | Je ne fai tousjours que penser, R. 19 | — | ||
| 2-13 | Files a marier, R. 55 | — | ||
| 2-14 | Amoureux suy et me vient toute joye, R. 6 | — | ||
| 2-15 | Je loe Amours et ma dame mercye, R. 52 | — | ||
| 2-16 | Navré je suis d'un dart penetratif | — | ||
| 2-17 | Lamentatio Sanctae Matris Ecclesiae Constantinopolitanae "O tres piteulx" / "Omnes amici" | — | ||
| 2-18 | La Spagna (Variant I) | — | ||
| 2-19 | Par droit je puis bien complaindre | — | ||
| 2-20 | Donnés l'assault | — | ||
| 2-21 | Vostre trés doulx regart, R. 47 | — | ||
| 2-22 | Helas mon dueil | — | ||
| 2-23 | Bien puist, R. 10 | — | ||
| 2-24 | Vergine bella | — | ||
| 2-25 | La Spagna (Variant II) | — |
