UPC · Release
The Art of Conducting: Great Conductors of the Past
Various Artists
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0724356591523 is the Universal Product Code (UPC barcode) for the release “The Art of Conducting: Great Conductors of the Past” by Various Artists, released 1996-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 68 tracks, each with its own ISRC. Tracks include GBAYC0100237, GBAYC9902415, GBDYG1801288.
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- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (68)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 2 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 3 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 4 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 5 | Symphony no. 5 in C minor, op. 67: III. Allegro | — | ||
| 6 | Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto | — | ||
| 7 | Overture Leonore no. 3 | — | ||
| 8 | Symphony no. 4 in F minor, op. 36: IV. Finale | — | ||
| 9 | Die Entfuhrung aus dem Serail: Act 2 | — | ||
| 10 | Symphony no. 100 in G "Military" | — | ||
| 2-1 | Oberon: Overture | — | ||
| 2-2 | Symphony no. 4: I. Allegro non troppo | — | ||
| 2-3 | Symphony no. 4: II. Andante moderato | — | ||
| 2-4 | Symphony no. 4: III. Allegro giocoso - Poco meno presto | — | ||
| 2-5 | Symphony no. 4: IV. Allegro energico e passionato - Piu allegro | — | ||
| 2-6 | Der Rosenkavalier - Film Music (1925): Introduction - Love Scene | — | ||
| 2-7 | Der Rosenkavalier - Film Music (1925): Marschallin's Monologue | — | ||
| 2-8 | Der Rosenkavalier - Film Music (1925): No. 1 From de Zwei Militarmarche | — | ||
| 2-9 | Der Rosenkavalier - Film Music (1925): The Presentation of the Silver Rose | — | ||
| 2-10 | Der Rosenkavalier - Film Music (1925): Love Duet | — | ||
| 2-11 | Der Rosenkavalier - Film Music (1925): Waltz | — | ||
| 2-12 | Der Rosenkavalier - Film Music (1925): Trio | — | ||
| 2-13 | Der Rosenkavalier - Film Music (1925): Final Duet | — | ||
| 3-1 | Tragische Ouverture, op. 81 | — | ||
| 3-2 | Parsifal: Vorspiel | — | ||
| 3-3 | Parsifal: Karfreitagsmusik | — | ||
| 3-4 | Fidelio: Ouverture | — | ||
| 3-5 | Tristan und Isolde: Vorspiel | — | ||
| 3-6 | Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato | — | ||
| 3-7 | Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto | — | ||
| 4-1 | Cosi fan tutte: Overture | — | ||
| 4-2 | Eine kleine Nachtmusik, K. 525: I. Allegro | — | ||
| 4-3 | Eine kleine Nachtmusik, K. 525: II. Romanze - Andante | — | ||
| 4-4 | Eine kleine Nachtmusik, K. 525: III. Menuetto & Trio | — | ||
| 4-5 | Eine kleine Nachtmusik, K. 525: IV. Rondo-Allegro | — | ||
| 4-6 | Siefgried Idyll | — | ||
| 4-7 | Symphony no. 5: IV. Adagietto | — | ||
| 4-8 | Tristan und Isolde: Vorspiel, 1. Akt | — | ||
| 4-9 | Symphony no. 7 in C: I. Adagio | — | ||
| 4-10 | Symphony no. 7 in C: II. Un pochettino meno adagio | — | ||
| 4-11 | Symphony no. 7 in C: III. Allegro molto moderato | — | ||
| 4-12 | Symphony no. 7 in C: IV. Vivace | — | ||
| 5-1 | Joyeuse Marche | — | ||
| 5-2 | Irmelin: Prelude | Royal Philharmonic Orchestra, Sir Thomas Beecham | — | |
| 5-3 | Tapiola, op. 112 | — | ||
| 5-4 | Introduction and Allegro, op. 147 | Allegri String Quartet, Sinfonia of London, Sir John Barbirolli | — | |
| 5-5 | Symphony no. 8, op. 88: I. Allegro con brio | The Cleveland Orchestra, George Szell | — | |
| 5-6 | Symphony no. 8, op. 88: II. Adagio | The Cleveland Orchestra, George Szell | — | |
| 5-7 | Symphony no. 8, op. 88: III. Allegretto grazioso | The Cleveland Orchestra, George Szell | — | |
| 5-8 | Symphony no. 8, op. 88: IV. Allegro ma non troppo | The Cleveland Orchestra, George Szell | — | |
| 6-1 | Symphony no. 7 in A: I. Poco sostenuto | — | ||
| 6-2 | Symphony no. 7 in A: II. Allegretto | — | ||
| 6-3 | Symphony no. 7 in A: III. Presto - Assai meno presto | — | ||
| 6-4 | Symphony no. 7 in A: IV. Allegro con brio | — | ||
| 6-5 | Symphony no. 8 in F: I. Allegro vivace con brio | — | ||
| 6-6 | Symphony no. 8 in F: II. Allegretto scherzando | — | ||
| 6-7 | Symphony no. 8 in F: III. Tempo di menuetto | — | ||
| 6-8 | Symphony no. 8 in F: IV. Allegro vivace | — | ||
| 6-9 | Vitava (from Ma Vlast) | — | ||
| 7-1 | Toccata & Fugue in D minor | — | ||
| 7-2 | Pini di Roma: I. I pini di villa Borghese | — | ||
| 7-3 | Pini di Roma: II. I pini presso una catacomba | — | ||
| 7-4 | Pini di Roma: III. I pini del Gianicolo | — | ||
| 7-5 | Pini di Roma: IV. I pini della Via Appia | — | ||
| 7-6 | Harold en Italie, op. 16, H. 68: I. Adagio – Allegro ma non troppo (Harold aux montagnes) | Donald McInnes, Orchestre National de France, Leonard Bernstein | — | |
| 7-7 | Harold en Italie, op. 16, H. 68: II. Allegretto (Marche des pèlerins chantant la prière du soir) | Donald McInnes, Orchestre National de France, Leonard Bernstein | — | |
| 7-8 | Harold en Italie, op. 16, H. 68: III. Allegro assai – Allegretto (Sérénade d’un montagnard des Abruzzes à sa maîtresse) | Donald McInnes, Orchestre National de France, Leonard Bernstein | — | |
| 7-9 | Harold en Italie, op. 16, H. 68: IV. Allegro frenetico (Orgie de brigands. Souvenirs des scènes précédentes) | Donald McInnes, Orchestre National de France, Leonard Bernstein | — |
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What is UPC 0724356591523?
0724356591523 is a Universal Product Code (UPC) assigned to The Art of Conducting: Great Conductors of the Past by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 68 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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