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Various Artists
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The UPC for “Centenary Edition 1897-1997” by Various Artists is 0724356618220. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1998-06-01. This release contains 241 tracks, each with its own ISRC. Tracks include GBAYC0802397, GBAYC0802358, DEU240422165.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ave Maria, D.839 | — | ||
| 2 | C’est l’histoire amoureuse (Manon Lescaut) | — | ||
| 3 | Violin Concerto in E minor, op. 64 (extract) | — | ||
| 4 | Les Filles de Cadix | — | ||
| 5 | It is Nearly Midnight Now (The Queen of Spades, Act 3) | — | ||
| 6 | Recitar!... Vesti la giubba (Pagliacci, Act I) | — | ||
| 7 | Vous qui faites l’endormie (Faust, Act IV) | — | ||
| 8 | L’amour est un oiseau rebelle (Habanera) (Carmen, Act I) | — | ||
| 9 | Leb’ wohl, du kühnes, herrliches Kind (Die Walküre, Act III) | — | ||
| 10 | Heidenröslein D 257 | — | ||
| 11 | Die Forelle, D.550 | — | ||
| 12 | A More Humane Mikado (The Mikado, Act 2) | — | ||
| 13 | Hungarian Dance no. 2 in D minor | — | ||
| 14 | Esultate! (Otello, Act I) | — | ||
| 15 | To the Spring (From Lyric Pieces, op. 43 no. 6) | — | ||
| 16 | Simon the Cellarer | — | ||
| 17 | Caprice Basque, op. 24 | — | ||
| 18 | Mes longs cheveux (Pelléas Et Mélisande, Act III) | — | ||
| 19 | Del ciel clemente (Lucia Di Lammermoor, Act II) | — | ||
| 20 | Era la notte (Otello, Act II) | — | ||
| 21 | Ecco ridente in cielo (Il Barbiere Di Siviglia, Act I) | — | ||
| 22 | Magische Töne (Die Königin Von Saba, Act II) | — | ||
| 23 | Or sai chi l’onore (Don Giovanni, Act I) | — | ||
| 24 | Largo al factotum (Il Barbiere Di Siviglia, Act I) | — | ||
| 25 | Ah, non credea mirarti (La Sonnambula, Act II) | — | ||
| 26 | Je veux vivre dans ce rêve (Roméo Et Juliette, Act I) | — | ||
| 27 | Va ben ma riflettete... cheti, cheti, immantinente (Don Pasquale, Act III) | — | ||
| 2-1 | Prelude in E (from Partita no. 3 for Solo Violin, BWV 1006) | — | ||
| 2-2 | Una voce poco fa (Il barbiere di Siviglia, Act I) | — | ||
| 2-3 | Jac Je Mi (Dalibor, Act II) | — | ||
| 2-4 | Qui Radames verrà... O patria mia (Aida, Act III) | — | ||
| 2-5 | O d’amor messagera (Mireille, Act I) | — | ||
| 2-6 | Si, pel ciel marmoreo giuro! (Otello, Act II) | — | ||
| 2-7 | Infelice, sconsolata (Die Zauberflöte, Act I) | — | ||
| 2-8 | An die Musik D. 547 | — | ||
| 2-9 | La serenata | — | ||
| 2-10 | Mazurka in D, op. 19 no. 2 | — | ||
| 2-11 | Questa o quella (Rigoletto, Act I) | — | ||
| 2-12 | Saper vorreste (Un ballo in maschera, Act III) | — | ||
| 2-13 | Do Not Weep, Child (The Demon, Act II) | — | ||
| 2-14 | Etude in F minor, op. 25 no. 2 | — | ||
| 2-15 | Un di all’ azzurro spazio (Andrea Chenier, Act I) | — | ||
| 2-16 | Se il mio nome (Il barbiere di Siviglia, Act I) | — | ||
| 2-17 | Es gibt ein Reich | Maria Jeritza | — | |
| 2-18 | Tu che a dio spiegasti l’ali (Lucia di Lammermoor, Act III) | — | ||
| 2-19 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 2-20 | Das Wandern (no. 1 from Die schöne Müllerin) | — | ||
| 2-21 | Land of Hope and Glory | — | ||
| 3-1 | Martern aller Arten (Die Entführung aus dem Serail, Act II) | — | ||
| 3-2 | Suite Algérienne: Marche militaire française | — | ||
| 3-3 | Depuis le jour (Louise, Act III) | — | ||
| 3-4 | Slavonic Dance no. 1 in G minor, op. 46 no. 2 | — | ||
| 3-5 | L’Africaine : Acte IV. « Pays merveilleux » … « Ô paradis » | Fernand Ansseau | — | |
| 3-6 | La donna è mobile (Rigoletto, Act III) | — | ||
| 3-7 | L’onore! Ladri! (Falstaff, Act I) | — | ||
| 3-8 | Liebestraum no. 3 in A-flat | — | ||
| 3-9 | Waltz in D-flat major, op. 64 no. 1 | — | ||
| 3-10 | Prelude in G-sharp minor, op. 28 no. 12 | — | ||
| 3-11 | Der Rosenkavalier: The Marschallin Dismisses Octavian (Act I) | — | ||
| 3-12 | Donde lieta usci (La Boheme, Act III) | — | ||
| 3-13 | The Planets: III. Mercury, the Winged Messenger | — | ||
| 3-14 | La Fleur que tu m’avais jetée (Carmen, Act II) | — | ||
| 3-15 | Oh for the Wings of a Dove (From Hear My Prayer) | — | ||
| 3-16 | Recuerdos de la Alhambra | Andrés Segovia | — | |
| 3-17 | Now Sleeps the Crimson Petal | — | ||
| 3-18 | Nun zäume Dein Ross... Hojotoho! (Die Walküre, Act II) | — | ||
| 3-19 | Ritorna vincitor! (Aida, Act I) | — | ||
| 3-20 | Ah! Si, ben mio (Il Trovatore, Act III) | — | ||
| 3-21 | Einsam in trüben Tagen (Lohengrin, Act I) | — | ||
| 3-22 | Bella figlia dell’amore (Rigoletto, Act III) | — | ||
| 4-1 | Turandot: Atto II, scena 2. “In questa reggia” | Eva Turner, Orchestra del Teatro alla Scala di Milano, Lorenzo Molajoli | T-005.000.838-2 | |
| 4-2 | Nuns’ Chorus (Casanova) | — | ||
| 4-3 | Piano Trio in B-flat, op. 97 “Archduke” II. Scherzo (Allegro) | — | ||
| 4-4 | Dein ist mein ganzes Herz (Das Land des Lächelns, Act II) | — | ||
| 4-5 | Never Mind the Why and Wherefore (HMS Pinafore, Act II) | — | ||
| 4-6 | Second Liturgy of St John Chrysostom, op. 29 “The Creed” | — | ||
| 4-7 | Clavelitos | — | ||
| 4-8 | Monologue of Boris (Boris Godunov, Act II) | — | ||
| 4-9 | Violin Concerto in B minor, op. 61: Cadenza (accompagnata: Lento)—Allegro molto | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | — | |
| 4-10 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | — | ||
| 4-11 | Heidenröslein D.257 | — | ||
| 4-12 | The Arrival of the Queen of Sheba (Solomon) | — | ||
| 4-13 | Prelude and Fugue no. 2 in C minor, BWV 847 | — | ||
| 4-14 | The Floral Dance | — | ||
| 4-15 | Voi lo sapete, o mamma (Cavalleria Rusticana) | — | ||
| 4-16 | Etude in G-flat, op. 10 no. 5 | — | ||
| 4-17 | Winterstürme wichen dem Wonnemond... Du bist der Lenz (Die Walküre, Act I) | — | ||
| 4-18 | Toccata in D minor, from BWV 565 | — | ||
| 4-19 | Goldberg Variations, BWV 988 Aria: Andante espressivo | — | ||
| 4-20 | Hora Staccato | — | ||
| 4-21 | Questo e il fin di chi fa mal (Don Giovanni, Act II) | — | ||
| 5-1 | Overture “La scala di seta” | — | ||
| 5-2 | Cello Suite no. 1 in G: Prelude | Pablo Casals | T-915.432.414-8 | |
| 5-3 | Mazurka no. 5 in B-flat | — | ||
| 5-4 | Schön Rosmarin | — | ||
| 5-5 | Scherzo (A Midsummer Night’s Dream) | — | ||
| 5-6 | La Paloma | — | ||
| 5-7 | Jesu, Joy of Man’s Desiring | — | ||
| 5-8 | Esultate! (Otello) | — | ||
| 5-9 | Overture “Ruins of Athens” | — | ||
| 5-10 | Absence (Les Nuits d’été) | — | ||
| 5-11 | O My Beloved Father (Gianni Schicchi) | — | ||
| 5-12 | Pizzicato Polka | — | ||
| 5-13 | Rejoice Greatly, o Daughter of Zion (Messiah) | — | ||
| 5-14 | Nessun dorma (Turandot) | — | ||
| 5-15 | Violin Concerto in D minor: 3rd Movement | — | ||
| 5-16 | Le Cygne | — | ||
| 5-17 | Overture “Le nozze di Figaro” | — | ||
| 5-18 | The Plough Boy | — | ||
| 5-19 | Ritorna vincitor (Aida) | — | ||
| 5-20 | Addio Mignon, fa core! (Mignon) | — | ||
| 5-21 | Non più andrai (Le nozze di Figaro) | — | ||
| 6-1 | Symphony no. 1 in D, op. 25 "Classical": III. Gavotte | Berliner Philharmoniker, Sergiu Celibidache | — | |
| 6-2 | Otello: “Era la notte” | — | ||
| 6-3 | Kindertotenlieder: “Oft denk’ ich, sie sind nur ausgegangen!” | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — | |
| 6-4 | Waltz no. 5 in A-flat | — | ||
| 6-5 | Ungeduld (Die schöne Müllerin) | — | ||
| 6-6 | Tristan und Isolde: “Mild und leise” | — | ||
| 6-7 | La Cathédrale engloutie | — | ||
| 6-8 | Tosca: “Vissi d’arte” | — | ||
| 6-9 | Horn Concerto no. 4 in E-flat major, K. 495: Rondo | — | ||
| 6-10 | Gayaneh: Sabre Dance | — | ||
| 6-11 | Die Fledermaus: “Klänge der Heimat” | — | ||
| 6-12 | Popular Song (Facade) | — | ||
| 6-13 | Perpetuum Mobile | — | ||
| 6-14 | Le nozze di Figaro, K. 492: Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Il Conte, La Contessa, Susanna) | Sesto Bruscantini, Franco Calabrese, Hugues Cuénod, Sena Jurinac, Graziella Sciutti, Monica Sinclair, Glyndebourne Festival Orchestra, Vittorio Gui | — | |
| 6-15 | Symphony no. 5, op. 67: I. Allegro con brio | — | ||
| 6-16 | Daphnis et Chloé : Danse générale | — | ||
| 6-17 | La Bohème: “O soave fanciulla” | — | ||
| 6-18 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato (Opening) | — | ||
| 6-19 | Ständchen | — | ||
| 6-20 | Piano Concerto in G: 3rd Movement | — | ||
| 7-1 | Overture - Ruslan and Ludmilla | — | ||
| 7-2 | Et voici le jardin charmant (Faust) | — | ||
| 7-3 | Piano Sonata no. 26 in E‐flat major, op. 81a “Les Adieux”: III. Das Wiedersehen (Vivacissimamente – Poco andante) (1958 recording) | Claudio Arrau | — | |
| 7-4 | Violin Concerto in E minor, op. 64: II. Andante | — | ||
| 7-5 | Signor, guardate (Don Giovanni) | — | ||
| 7-6 | Suite n°3 en Ut majeur / C major / C-dur BWV 1009: IV. Sarabande | Paul Tortelier | — | |
| 7-7 | Dance of the Comedians | — | ||
| 7-8 | Un’aura amorosa (Cosi Fan Tutte) | — | ||
| 7-9 | Piano Concerto no. 1 in B-flat minor, op. 23: 1st Movement(Opening) | — | ||
| 7-10 | Donde lieta usci (La Bohème) | — | ||
| 7-11 | 3 Gymnopédies: I. Lent et douloureux | — | ||
| 7-12 | Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | T-305.625.648-1 | |
| 7-13 | Principessa di Morte (Turandot) | — | ||
| 7-14 | Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 | |
| 7-15 | Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 7-16 | Vier letzte Lieder: 1. Frühling | Elisabeth Schwarzkopf, Radio-Symphonie-Orchester Berlin, George Szell | — | |
| 7-17 | Bimba dagli occhi (Madama Butterfly) | — | ||
| 7-18 | Pathétique Sonata, op. 13: III. Rondo. Allegro | — | ||
| 8-1 | “Heroic” Polonaise no. 6 in A-flat | — | ||
| 8-2 | O amore (L’amico Fritz) | — | ||
| 8-3 | Chants d’Auvergne: Baïlèro | Victoria de los Ángeles, Orchestre des Concerts Lamoureux, Jean-Pierre Jacquillat | T-004.013.305-8 | |
| 8-4 | Sussex Carol | Choir of King’s College, Cambridge, John Wells, Sir David Willcocks | — | |
| 8-5 | Triple Concerto in C major, op. 56: II. Largo | David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan | — | |
| 8-6 | Turandot: Signore, ascolta! | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-005.000.838-2 | |
| 8-7 | Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 | |
| 8-8 | La Mourisque | — | ||
| 8-9 | Radetzky March, op. 228 | Wiener Johann Strauss Orchester, Willi Boskovsky | — | |
| 8-10 | Rhapsody in Blue (opening) | — | ||
| 8-11 | Caprices for Solo Violin, op. 1: No. 24 in A minor | Itzhak Perlman | — | |
| 8-12 | Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) | Plácido Domingo, New Philharmonia Orchestra, Riccardo Muti | T-900.065.376-9 | |
| 8-13 | Trumpet concerto in E-flat: III. Rondo (Allegro molto) | Maurice André, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-14 | Piano Concerto in G minor, op. 33: III. Allegro con fuoco | Sviatoslav Richter, Bayerisches Staatsorchester, Carlos Kleiber | — | |
| 8-15 | Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8-16 | Symphonie fantastique, op. 14: IV. Marche au supplice. Allegro non troppo | Orchestre national de France, Leonard Bernstein | — | |
| 8-17 | Tea for Two | — | ||
| 9-1 | Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 | |
| 9-2 | Pagliacci: Atto I. “Recitar!...Vesti la giubba” | José Carreras, Philharmonia Orchestra, Riccardo Muti | — | |
| 9-3 | Veni sancte spiritus, Sequence in Mode 1 | — | ||
| 9-4 | String Quartet no. 13 in B-flat major “Lieb”, op. 130: V. Cavatina: Adagio molto espressivo | Alban Berg Quartett, Valentin Erben, Thomas Kakuska, Günter Pichler, Gerhard Schulz | — | |
| 9-5 | Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | T-902.525.648-8 | |
| 9-6 | Concerto for harpsichord, strings & continuo in D major, Wq. 18: III. Allegro di molto | — | ||
| 9-7 | Frottole, libro tertio: El grillo | Paul Hillier, The Hilliard Ensemble | — | |
| 9-8 | Canzon villanesca alla napolitana: “Vecchie letrose non valete niente” | — | ||
| 9-9 | Vespro della beata vergine, SV 206: I. Deus in adjutorium meum intende / II. Domine ad adjuvandum me festina | — | ||
| 9-10 | Violin Concerto in E major “The Four Seasons: Spring”, op. 8 no. 1: I. Allegro | Anne-Sophie Mutter, Wiener Philharmoniker, Herbert von Karajan | — | |
| 9-11 | Requiem, K. 626: Sequenz: Dies irae | Chœur de l'Orchestre de Paris, Orchestre de Paris, Daniel Barenboim | — | |
| 9-12 | La Belle Hélène : Acte I. « Amours divins » | — | ||
| 9-13 | Clarinet Concertino in E-flat major, op. 26: III. Allegro | Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 9-14 | Summertime (Porgy and Bess) | Kiri Te Kanawa, New York Choral Artists, New Princess Theater Orchestra, John McGlinn | T-900.757.862-3 | |
| 9-15 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 9-16 | Requiem Mass (Manzoni Requiem): Sanctus | — | ||
| 9-17 | Show Boat: “Make Believe” | — | ||
| 9-18 | Romance no. 2 in F major, op. 50 | — | ||
| 9-19 | Symphony no. 8 in E-flat major “Symphony of a Thousand”, Part II: Chorus mysticus: Alles Vergängliche | Elizabeth Connell, Nadine Denize, Jorma Hynninen, London Philharmonic Choir, Trudeliese Schmidt, Hans Sotin, Tiffin Boys’ Choir, Richard Versalle, Edith Wiens, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 10-1 | Bess, You Is My Woman Now (Porgy and Bess) | — | ||
| 10-2 | Loge, hör! (Die Walküre) | — | ||
| 10-3 | O paradis (L’Africaine) | — | ||
| 10-4 | Der Lindenbaum (Winterreise) | — | ||
| 10-5 | Der kleine Sandmann (Hänsel & Gretel) | — | ||
| 10-6 | Ecce gratum (Carmina Buana) | — | ||
| 10-7 | Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico | — | ||
| 10-8 | Don Giovanni: Atto I. “Or sai chi l’onore” | Cheryl Studer, Wiener Philharmoniker, Riccardo Muti | T-929.613.726-3 | |
| 10-9 | Chant des moissoneurs Vendéens | — | ||
| 10-10 | Calcium Light Music | — | ||
| 10-11 | Cello Suite no. 6 in D major, BWV 1012: VI. Gigue | Mstislav Rostropovich | — | |
| 10-12 | Hungarian Dance no. 2 in D minor | — | ||
| 10-13 | Sonata in G, K. 55 | — | ||
| 10-14 | Symphony no. 2 in E minor, op. 27: III. Adagio | — | ||
| 10-15 | Sonata in A: 2nd Movement | — | ||
| 10-16 | Piano Quintet in E-flat: 3rd Movement | — | ||
| 10-17 | Werther: Acte III. "Toute mon âme est là!" / "Pourquoi me réveiller?" (Werther) | Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | — | |
| 10-18 | Verachtet mir die Meister nicht (Die Meistersinger) | — | ||
| 11-1 | Spring Song | — | ||
| 11-2 | The Queen of Spades: Forgive Me | — | ||
| 11-3 | Norwegian Bridal Procession, op. 19 no. 2 | — | ||
| 11-4 | Mattinata | — | ||
| 11-5 | Pagliacci: “Ah! Tu mi sfidi!” | — | ||
| 11-6 | Oberon: Overture | — | ||
| 11-7 | Gas Shell Bombardment by the Royal Garrison Artillery Outside Lille | — | ||
| 11-8 | Ecossaise, WoO 83 | — | ||
| 11-9 | A Message to the Children of the Empire | — | ||
| 11-10 | La Boutique fantasque (excerpt) | — | ||
| 11-11 | La Boutique fantasque (excerpt) | — | ||
| 11-12 | Messiah: Behold the Lamb of God | — | ||
| 11-13 | Parsifal, Akt I: Transformation Scene | — | ||
| 11-14 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace | — | ||
| 11-15 | Epiphanias | — | ||
| 11-16 | Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace | — | ||
| 11-17 | Partita no. 3 in E, BWV 1006: III. Gavotte en Rondeau | — | ||
| 11-18 | Mikrokosmos, Volume VI: no. 146: Ostinato | — | ||
| 11-19 | Zigeunerweisen | — | ||
| 11-20 | Symphony no. 9: II. Im Tempo eines gemächlichen Ländlers | — | ||
| 11-21 | Pelleas et Mélisande: Acte II, scène 1. “Vous ne savez pas” | — | ||
| 11-22 | Haydn Variations op. 56a | — | ||
| 11-23 | Belshazzar’s Feast: “Praise Ye the God of Gold” | — | ||
| 11-24 | Symphony no. 9 in D minor, op. 125: IV. Poco adagio - Tempo I. Poco adagio | — | ||
| 11-25 | Piano Concerto in F-sharp minor, op. 20: II. Theme and Variations | — | ||
| 11-26 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | — | ||
| 11-27 | Die Meistersinger von Nürnberg, Akt III: Quintett | — | ||
| 11-28 | Symphony no. 7 in C-sharp minor, op. 131: II. Allegretto | — | ||
| 11-29 | Scheherazade: IV. Festival at Baghdad | — | ||
| 11-30 | Das Lied von der Erde: III. Bon der Jugen | — | ||
| 11-31 | Ich wollt’ mein Lieb’, op. 63 no. 1 | — | ||
| 11-32 | Cello Sonata: III. Largo | — | ||
| 11-33 | Images: no. 3. Rondes de printemps | — | ||
| 11-34 | “Death and the Maiden” Quartet: III. Allegro molto | — | ||
| 11-35 | Die Walküre, Akt II: “Der dort mich ruft” | — | ||
| 11-36 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | — | ||
| 11-37 | Symphony no. 2 “Resurrection”: V. Mit Aufschwung aber nicht eilen | — |
Identifier Graph
0724356618220 is a Universal Product Code (UPC) assigned to Centenary Edition 1897-1997 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 241 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Piano Sonata no. 26 in E‐flat major, op. 81a “Les Adieux”: III. Das Wiedersehen (Vivacissimamente – Poco andante) (1958 recording) | Claudio Arrau | — |
| Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | — |
| Requiem, K. 626: Sequenz: Dies irae | Chœur de l'Orchestre de Paris, Orchestre de Paris, Daniel Barenboim | T-924.404.440-4 |
| Symphonie fantastique, op. 14: IV. Marche au supplice. Allegro non troppo | Orchestre national de France, Leonard Bernstein | T-922.067.243-5 |
| Pagliacci: Atto I. “Recitar!...Vesti la giubba” | José Carreras, Philharmonia Orchestra, Riccardo Muti | — |
| Radetzky March, op. 228 | Wiener Johann Strauss Orchester, Willi Boskovsky | — |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Sussex Carol | Choir of King’s College, Cambridge, John Wells, Sir David Willcocks | — |
| Triple Concerto in C major, op. 56: II. Largo | David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan | — |
| Triple Concerto in C major, op. 56: II. Largo | David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan | — |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — |
| Sussex Carol | Choir of King’s College, Cambridge, John Wells, Sir David Willcocks | — |
| Cello Suite no. 1 in G: Prelude | Pablo Casals | — |
Creative Contributors (ISNI)
The UPC for “Centenary Edition 1897-1997” by Various Artists is 0724356618220. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1998-06-01. This release contains 241 tracks, each with its own ISRC. Tracks include GBAYC0802397, GBAYC0802358, DEU240422165.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ave Maria, D.839 | — | ||
| 2 | C’est l’histoire amoureuse (Manon Lescaut) | — | ||
| 3 | Violin Concerto in E minor, op. 64 (extract) | — | ||
| 4 | Les Filles de Cadix | — | ||
| 5 | It is Nearly Midnight Now (The Queen of Spades, Act 3) | — | ||
| 6 | Recitar!... Vesti la giubba (Pagliacci, Act I) | — | ||
| 7 | Vous qui faites l’endormie (Faust, Act IV) | — | ||
| 8 | L’amour est un oiseau rebelle (Habanera) (Carmen, Act I) | — | ||
| 9 | Leb’ wohl, du kühnes, herrliches Kind (Die Walküre, Act III) | — | ||
| 10 | Heidenröslein D 257 | — | ||
| 11 | Die Forelle, D.550 | — | ||
| 12 | A More Humane Mikado (The Mikado, Act 2) | — | ||
| 13 | Hungarian Dance no. 2 in D minor | — | ||
| 14 | Esultate! (Otello, Act I) | — | ||
| 15 | To the Spring (From Lyric Pieces, op. 43 no. 6) | — | ||
| 16 | Simon the Cellarer | — | ||
| 17 | Caprice Basque, op. 24 | — | ||
| 18 | Mes longs cheveux (Pelléas Et Mélisande, Act III) | — | ||
| 19 | Del ciel clemente (Lucia Di Lammermoor, Act II) | — | ||
| 20 | Era la notte (Otello, Act II) | — | ||
| 21 | Ecco ridente in cielo (Il Barbiere Di Siviglia, Act I) | — | ||
| 22 | Magische Töne (Die Königin Von Saba, Act II) | — | ||
| 23 | Or sai chi l’onore (Don Giovanni, Act I) | — | ||
| 24 | Largo al factotum (Il Barbiere Di Siviglia, Act I) | — | ||
| 25 | Ah, non credea mirarti (La Sonnambula, Act II) | — | ||
| 26 | Je veux vivre dans ce rêve (Roméo Et Juliette, Act I) | — | ||
| 27 | Va ben ma riflettete... cheti, cheti, immantinente (Don Pasquale, Act III) | — | ||
| 2-1 | Prelude in E (from Partita no. 3 for Solo Violin, BWV 1006) | — | ||
| 2-2 | Una voce poco fa (Il barbiere di Siviglia, Act I) | — | ||
| 2-3 | Jac Je Mi (Dalibor, Act II) | — | ||
| 2-4 | Qui Radames verrà... O patria mia (Aida, Act III) | — | ||
| 2-5 | O d’amor messagera (Mireille, Act I) | — | ||
| 2-6 | Si, pel ciel marmoreo giuro! (Otello, Act II) | — | ||
| 2-7 | Infelice, sconsolata (Die Zauberflöte, Act I) | — | ||
| 2-8 | An die Musik D. 547 | — | ||
| 2-9 | La serenata | — | ||
| 2-10 | Mazurka in D, op. 19 no. 2 | — | ||
| 2-11 | Questa o quella (Rigoletto, Act I) | — | ||
| 2-12 | Saper vorreste (Un ballo in maschera, Act III) | — | ||
| 2-13 | Do Not Weep, Child (The Demon, Act II) | — | ||
| 2-14 | Etude in F minor, op. 25 no. 2 | — | ||
| 2-15 | Un di all’ azzurro spazio (Andrea Chenier, Act I) | — | ||
| 2-16 | Se il mio nome (Il barbiere di Siviglia, Act I) | — | ||
| 2-17 | Es gibt ein Reich | Maria Jeritza | — | |
| 2-18 | Tu che a dio spiegasti l’ali (Lucia di Lammermoor, Act III) | — | ||
| 2-19 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 2-20 | Das Wandern (no. 1 from Die schöne Müllerin) | — | ||
| 2-21 | Land of Hope and Glory | — | ||
| 3-1 | Martern aller Arten (Die Entführung aus dem Serail, Act II) | — | ||
| 3-2 | Suite Algérienne: Marche militaire française | — | ||
| 3-3 | Depuis le jour (Louise, Act III) | — | ||
| 3-4 | Slavonic Dance no. 1 in G minor, op. 46 no. 2 | — | ||
| 3-5 | L’Africaine : Acte IV. « Pays merveilleux » … « Ô paradis » | Fernand Ansseau | — | |
| 3-6 | La donna è mobile (Rigoletto, Act III) | — | ||
| 3-7 | L’onore! Ladri! (Falstaff, Act I) | — | ||
| 3-8 | Liebestraum no. 3 in A-flat | — | ||
| 3-9 | Waltz in D-flat major, op. 64 no. 1 | — | ||
| 3-10 | Prelude in G-sharp minor, op. 28 no. 12 | — | ||
| 3-11 | Der Rosenkavalier: The Marschallin Dismisses Octavian (Act I) | — | ||
| 3-12 | Donde lieta usci (La Boheme, Act III) | — | ||
| 3-13 | The Planets: III. Mercury, the Winged Messenger | — | ||
| 3-14 | La Fleur que tu m’avais jetée (Carmen, Act II) | — | ||
| 3-15 | Oh for the Wings of a Dove (From Hear My Prayer) | — | ||
| 3-16 | Recuerdos de la Alhambra | Andrés Segovia | — | |
| 3-17 | Now Sleeps the Crimson Petal | — | ||
| 3-18 | Nun zäume Dein Ross... Hojotoho! (Die Walküre, Act II) | — | ||
| 3-19 | Ritorna vincitor! (Aida, Act I) | — | ||
| 3-20 | Ah! Si, ben mio (Il Trovatore, Act III) | — | ||
| 3-21 | Einsam in trüben Tagen (Lohengrin, Act I) | — | ||
| 3-22 | Bella figlia dell’amore (Rigoletto, Act III) | — | ||
| 4-1 | Turandot: Atto II, scena 2. “In questa reggia” | Eva Turner, Orchestra del Teatro alla Scala di Milano, Lorenzo Molajoli | T-005.000.838-2 | |
| 4-2 | Nuns’ Chorus (Casanova) | — | ||
| 4-3 | Piano Trio in B-flat, op. 97 “Archduke” II. Scherzo (Allegro) | — | ||
| 4-4 | Dein ist mein ganzes Herz (Das Land des Lächelns, Act II) | — | ||
| 4-5 | Never Mind the Why and Wherefore (HMS Pinafore, Act II) | — | ||
| 4-6 | Second Liturgy of St John Chrysostom, op. 29 “The Creed” | — | ||
| 4-7 | Clavelitos | — | ||
| 4-8 | Monologue of Boris (Boris Godunov, Act II) | — | ||
| 4-9 | Violin Concerto in B minor, op. 61: Cadenza (accompagnata: Lento)—Allegro molto | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | — | |
| 4-10 | Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | — | ||
| 4-11 | Heidenröslein D.257 | — | ||
| 4-12 | The Arrival of the Queen of Sheba (Solomon) | — | ||
| 4-13 | Prelude and Fugue no. 2 in C minor, BWV 847 | — | ||
| 4-14 | The Floral Dance | — | ||
| 4-15 | Voi lo sapete, o mamma (Cavalleria Rusticana) | — | ||
| 4-16 | Etude in G-flat, op. 10 no. 5 | — | ||
| 4-17 | Winterstürme wichen dem Wonnemond... Du bist der Lenz (Die Walküre, Act I) | — | ||
| 4-18 | Toccata in D minor, from BWV 565 | — | ||
| 4-19 | Goldberg Variations, BWV 988 Aria: Andante espressivo | — | ||
| 4-20 | Hora Staccato | — | ||
| 4-21 | Questo e il fin di chi fa mal (Don Giovanni, Act II) | — | ||
| 5-1 | Overture “La scala di seta” | — | ||
| 5-2 | Cello Suite no. 1 in G: Prelude | Pablo Casals | T-915.432.414-8 | |
| 5-3 | Mazurka no. 5 in B-flat | — | ||
| 5-4 | Schön Rosmarin | — | ||
| 5-5 | Scherzo (A Midsummer Night’s Dream) | — | ||
| 5-6 | La Paloma | — | ||
| 5-7 | Jesu, Joy of Man’s Desiring | — | ||
| 5-8 | Esultate! (Otello) | — | ||
| 5-9 | Overture “Ruins of Athens” | — | ||
| 5-10 | Absence (Les Nuits d’été) | — | ||
| 5-11 | O My Beloved Father (Gianni Schicchi) | — | ||
| 5-12 | Pizzicato Polka | — | ||
| 5-13 | Rejoice Greatly, o Daughter of Zion (Messiah) | — | ||
| 5-14 | Nessun dorma (Turandot) | — | ||
| 5-15 | Violin Concerto in D minor: 3rd Movement | — | ||
| 5-16 | Le Cygne | — | ||
| 5-17 | Overture “Le nozze di Figaro” | — | ||
| 5-18 | The Plough Boy | — | ||
| 5-19 | Ritorna vincitor (Aida) | — | ||
| 5-20 | Addio Mignon, fa core! (Mignon) | — | ||
| 5-21 | Non più andrai (Le nozze di Figaro) | — | ||
| 6-1 | Symphony no. 1 in D, op. 25 "Classical": III. Gavotte | Berliner Philharmoniker, Sergiu Celibidache | — | |
| 6-2 | Otello: “Era la notte” | — | ||
| 6-3 | Kindertotenlieder: “Oft denk’ ich, sie sind nur ausgegangen!” | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | — | |
| 6-4 | Waltz no. 5 in A-flat | — | ||
| 6-5 | Ungeduld (Die schöne Müllerin) | — | ||
| 6-6 | Tristan und Isolde: “Mild und leise” | — | ||
| 6-7 | La Cathédrale engloutie | — | ||
| 6-8 | Tosca: “Vissi d’arte” | — | ||
| 6-9 | Horn Concerto no. 4 in E-flat major, K. 495: Rondo | — | ||
| 6-10 | Gayaneh: Sabre Dance | — | ||
| 6-11 | Die Fledermaus: “Klänge der Heimat” | — | ||
| 6-12 | Popular Song (Facade) | — | ||
| 6-13 | Perpetuum Mobile | — | ||
| 6-14 | Le nozze di Figaro, K. 492: Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Il Conte, La Contessa, Susanna) | Sesto Bruscantini, Franco Calabrese, Hugues Cuénod, Sena Jurinac, Graziella Sciutti, Monica Sinclair, Glyndebourne Festival Orchestra, Vittorio Gui | — | |
| 6-15 | Symphony no. 5, op. 67: I. Allegro con brio | — | ||
| 6-16 | Daphnis et Chloé : Danse générale | — | ||
| 6-17 | La Bohème: “O soave fanciulla” | — | ||
| 6-18 | Piano Concerto in A minor, op. 16: I. Allegro molto moderato (Opening) | — | ||
| 6-19 | Ständchen | — | ||
| 6-20 | Piano Concerto in G: 3rd Movement | — | ||
| 7-1 | Overture - Ruslan and Ludmilla | — | ||
| 7-2 | Et voici le jardin charmant (Faust) | — | ||
| 7-3 | Piano Sonata no. 26 in E‐flat major, op. 81a “Les Adieux”: III. Das Wiedersehen (Vivacissimamente – Poco andante) (1958 recording) | Claudio Arrau | — | |
| 7-4 | Violin Concerto in E minor, op. 64: II. Andante | — | ||
| 7-5 | Signor, guardate (Don Giovanni) | — | ||
| 7-6 | Suite n°3 en Ut majeur / C major / C-dur BWV 1009: IV. Sarabande | Paul Tortelier | — | |
| 7-7 | Dance of the Comedians | — | ||
| 7-8 | Un’aura amorosa (Cosi Fan Tutte) | — | ||
| 7-9 | Piano Concerto no. 1 in B-flat minor, op. 23: 1st Movement(Opening) | — | ||
| 7-10 | Donde lieta usci (La Bohème) | — | ||
| 7-11 | 3 Gymnopédies: I. Lent et douloureux | — | ||
| 7-12 | Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | T-305.625.648-1 | |
| 7-13 | Principessa di Morte (Turandot) | — | ||
| 7-14 | Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | T-010.115.155-6 | |
| 7-15 | Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | — | |
| 7-16 | Vier letzte Lieder: 1. Frühling | Elisabeth Schwarzkopf, Radio-Symphonie-Orchester Berlin, George Szell | — | |
| 7-17 | Bimba dagli occhi (Madama Butterfly) | — | ||
| 7-18 | Pathétique Sonata, op. 13: III. Rondo. Allegro | — | ||
| 8-1 | “Heroic” Polonaise no. 6 in A-flat | — | ||
| 8-2 | O amore (L’amico Fritz) | — | ||
| 8-3 | Chants d’Auvergne: Baïlèro | Victoria de los Ángeles, Orchestre des Concerts Lamoureux, Jean-Pierre Jacquillat | T-004.013.305-8 | |
| 8-4 | Sussex Carol | Choir of King’s College, Cambridge, John Wells, Sir David Willcocks | — | |
| 8-5 | Triple Concerto in C major, op. 56: II. Largo | David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan | — | |
| 8-6 | Turandot: Signore, ascolta! | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | T-005.000.838-2 | |
| 8-7 | Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | T-010.115.427-1 | |
| 8-8 | La Mourisque | — | ||
| 8-9 | Radetzky March, op. 228 | Wiener Johann Strauss Orchester, Willi Boskovsky | — | |
| 8-10 | Rhapsody in Blue (opening) | — | ||
| 8-11 | Caprices for Solo Violin, op. 1: No. 24 in A minor | Itzhak Perlman | — | |
| 8-12 | Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) | Plácido Domingo, New Philharmonia Orchestra, Riccardo Muti | T-900.065.376-9 | |
| 8-13 | Trumpet concerto in E-flat: III. Rondo (Allegro molto) | Maurice André, Berliner Philharmoniker, Herbert von Karajan | — | |
| 8-14 | Piano Concerto in G minor, op. 33: III. Allegro con fuoco | Sviatoslav Richter, Bayerisches Staatsorchester, Carlos Kleiber | — | |
| 8-15 | Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8-16 | Symphonie fantastique, op. 14: IV. Marche au supplice. Allegro non troppo | Orchestre national de France, Leonard Bernstein | — | |
| 8-17 | Tea for Two | — | ||
| 9-1 | Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | T-070.000.199-5 | |
| 9-2 | Pagliacci: Atto I. “Recitar!...Vesti la giubba” | José Carreras, Philharmonia Orchestra, Riccardo Muti | — | |
| 9-3 | Veni sancte spiritus, Sequence in Mode 1 | — | ||
| 9-4 | String Quartet no. 13 in B-flat major “Lieb”, op. 130: V. Cavatina: Adagio molto espressivo | Alban Berg Quartett, Valentin Erben, Thomas Kakuska, Günter Pichler, Gerhard Schulz | — | |
| 9-5 | Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | T-902.525.648-8 | |
| 9-6 | Concerto for harpsichord, strings & continuo in D major, Wq. 18: III. Allegro di molto | — | ||
| 9-7 | Frottole, libro tertio: El grillo | Paul Hillier, The Hilliard Ensemble | — | |
| 9-8 | Canzon villanesca alla napolitana: “Vecchie letrose non valete niente” | — | ||
| 9-9 | Vespro della beata vergine, SV 206: I. Deus in adjutorium meum intende / II. Domine ad adjuvandum me festina | — | ||
| 9-10 | Violin Concerto in E major “The Four Seasons: Spring”, op. 8 no. 1: I. Allegro | Anne-Sophie Mutter, Wiener Philharmoniker, Herbert von Karajan | — | |
| 9-11 | Requiem, K. 626: Sequenz: Dies irae | Chœur de l'Orchestre de Paris, Orchestre de Paris, Daniel Barenboim | — | |
| 9-12 | La Belle Hélène : Acte I. « Amours divins » | — | ||
| 9-13 | Clarinet Concertino in E-flat major, op. 26: III. Allegro | Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | — | |
| 9-14 | Summertime (Porgy and Bess) | Kiri Te Kanawa, New York Choral Artists, New Princess Theater Orchestra, John McGlinn | T-900.757.862-3 | |
| 9-15 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | — | ||
| 9-16 | Requiem Mass (Manzoni Requiem): Sanctus | — | ||
| 9-17 | Show Boat: “Make Believe” | — | ||
| 9-18 | Romance no. 2 in F major, op. 50 | — | ||
| 9-19 | Symphony no. 8 in E-flat major “Symphony of a Thousand”, Part II: Chorus mysticus: Alles Vergängliche | Elizabeth Connell, Nadine Denize, Jorma Hynninen, London Philharmonic Choir, Trudeliese Schmidt, Hans Sotin, Tiffin Boys’ Choir, Richard Versalle, Edith Wiens, London Philharmonic Orchestra, Klaus Tennstedt | — | |
| 10-1 | Bess, You Is My Woman Now (Porgy and Bess) | — | ||
| 10-2 | Loge, hör! (Die Walküre) | — | ||
| 10-3 | O paradis (L’Africaine) | — | ||
| 10-4 | Der Lindenbaum (Winterreise) | — | ||
| 10-5 | Der kleine Sandmann (Hänsel & Gretel) | — | ||
| 10-6 | Ecce gratum (Carmina Buana) | — | ||
| 10-7 | Violin Concerto no. 1 in G minor, op. 26: III. Finale. Allegro energico | — | ||
| 10-8 | Don Giovanni: Atto I. “Or sai chi l’onore” | Cheryl Studer, Wiener Philharmoniker, Riccardo Muti | T-929.613.726-3 | |
| 10-9 | Chant des moissoneurs Vendéens | — | ||
| 10-10 | Calcium Light Music | — | ||
| 10-11 | Cello Suite no. 6 in D major, BWV 1012: VI. Gigue | Mstislav Rostropovich | — | |
| 10-12 | Hungarian Dance no. 2 in D minor | — | ||
| 10-13 | Sonata in G, K. 55 | — | ||
| 10-14 | Symphony no. 2 in E minor, op. 27: III. Adagio | — | ||
| 10-15 | Sonata in A: 2nd Movement | — | ||
| 10-16 | Piano Quintet in E-flat: 3rd Movement | — | ||
| 10-17 | Werther: Acte III. "Toute mon âme est là!" / "Pourquoi me réveiller?" (Werther) | Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | — | |
| 10-18 | Verachtet mir die Meister nicht (Die Meistersinger) | — | ||
| 11-1 | Spring Song | — | ||
| 11-2 | The Queen of Spades: Forgive Me | — | ||
| 11-3 | Norwegian Bridal Procession, op. 19 no. 2 | — | ||
| 11-4 | Mattinata | — | ||
| 11-5 | Pagliacci: “Ah! Tu mi sfidi!” | — | ||
| 11-6 | Oberon: Overture | — | ||
| 11-7 | Gas Shell Bombardment by the Royal Garrison Artillery Outside Lille | — | ||
| 11-8 | Ecossaise, WoO 83 | — | ||
| 11-9 | A Message to the Children of the Empire | — | ||
| 11-10 | La Boutique fantasque (excerpt) | — | ||
| 11-11 | La Boutique fantasque (excerpt) | — | ||
| 11-12 | Messiah: Behold the Lamb of God | — | ||
| 11-13 | Parsifal, Akt I: Transformation Scene | — | ||
| 11-14 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace | — | ||
| 11-15 | Epiphanias | — | ||
| 11-16 | Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace | — | ||
| 11-17 | Partita no. 3 in E, BWV 1006: III. Gavotte en Rondeau | — | ||
| 11-18 | Mikrokosmos, Volume VI: no. 146: Ostinato | — | ||
| 11-19 | Zigeunerweisen | — | ||
| 11-20 | Symphony no. 9: II. Im Tempo eines gemächlichen Ländlers | — | ||
| 11-21 | Pelleas et Mélisande: Acte II, scène 1. “Vous ne savez pas” | — | ||
| 11-22 | Haydn Variations op. 56a | — | ||
| 11-23 | Belshazzar’s Feast: “Praise Ye the God of Gold” | — | ||
| 11-24 | Symphony no. 9 in D minor, op. 125: IV. Poco adagio - Tempo I. Poco adagio | — | ||
| 11-25 | Piano Concerto in F-sharp minor, op. 20: II. Theme and Variations | — | ||
| 11-26 | Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato | — | ||
| 11-27 | Die Meistersinger von Nürnberg, Akt III: Quintett | — | ||
| 11-28 | Symphony no. 7 in C-sharp minor, op. 131: II. Allegretto | — | ||
| 11-29 | Scheherazade: IV. Festival at Baghdad | — | ||
| 11-30 | Das Lied von der Erde: III. Bon der Jugen | — | ||
| 11-31 | Ich wollt’ mein Lieb’, op. 63 no. 1 | — | ||
| 11-32 | Cello Sonata: III. Largo | — | ||
| 11-33 | Images: no. 3. Rondes de printemps | — | ||
| 11-34 | “Death and the Maiden” Quartet: III. Allegro molto | — | ||
| 11-35 | Die Walküre, Akt II: “Der dort mich ruft” | — | ||
| 11-36 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | — | ||
| 11-37 | Symphony no. 2 “Resurrection”: V. Mit Aufschwung aber nicht eilen | — |
