UPC · Album
Centenary Edition 1897-1997
Various Artists
0724356618220
241 tracksReleased 1998-06-01
Last verified:
0724356618220 is the Universal Product Code (UPC barcode) for the release “Centenary Edition 1897-1997” by Various Artists, released 1998-06-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 241 tracks, each with its own ISRC. Tracks include DEA348502012, DEU240422165, FR8Z95821412.
Format
072GS1 prefix
4356Company prefix
61822Product
0Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCCentenary Edition 1897-1997
ISRC63 recordings
ISWC27 works
IPI20 songwriters
Track List (63)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Clarinet Concertino in E-flat major, op. 26: III. Allegro | Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | DEA348502012 |
| Recuerdos de la Alhambra | Andrés Segovia | DEU240422165 |
| Piano Sonata no. 26 in E‐flat major, op. 81a “Les Adieux”: III. Das Wiedersehen (Vivacissimamente – Poco andante) (1958 recording) | Claudio Arrau | FR8Z95821412 |
| Suite n°3 en Ut majeur / C major / C-dur BWV 1009: IV. Sarabande | Paul Tortelier | FRZ118701810 |
| Le nozze di Figaro, K. 492: Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Il Conte, La Contessa, Susanna) | Sesto Bruscantini, Franco Calabrese, Hugues Cuénod, Sena Jurinac, Graziella Sciutti, Monica Sinclair, Glyndebourne Festival Orchestra, Vittorio Gui | GBAYC0000682 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | GBAYC0200318 |
| Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | GBAYC0202607 |
| Cello Suite no. 1 in G: Prelude | Pablo Casals | GBAYC0300291 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC0400719 |
| Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | GBAYC0400723 |
| L’Africaine : Acte IV. « Pays merveilleux » … « Ô paradis » | Fernand Ansseau | GBAYC0802358 |
| Es gibt ein Reich | Maria Jeritza | GBAYC0802397 |
| Turandot: Atto II, scena 2. “In questa reggia” | Eva Turner, Orchestra del Teatro alla Scala di Milano, Lorenzo Molajoli | GBAYC0802550 |
| Symphony no. 1 in D, op. 25 "Classical": III. Gavotte | Berliner Philharmoniker, Sergiu Celibidache | GBAYC1002009 |
| Caprices for Solo Violin, op. 1: No. 24 in A minor | Itzhak Perlman | GBAYC1500729 |
| Vier letzte Lieder: 1. Frühling | Elisabeth Schwarzkopf, Radio-Symphonie-Orchester Berlin, George Szell | GBAYC1503059 |
| Symphonie fantastique, op. 14: IV. Marche au supplice. Allegro non troppo | Orchestre national de France, Leonard Bernstein | GBAYC1800584 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC2001066 |
| Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | GBAYC2001311 |
| Piano Sonata no. 26 in E‐flat major, op. 81a “Les Adieux”: III. Das Wiedersehen (Vivacissimamente – Poco andante) (1958 recording) | Claudio Arrau | GBAYC2200407 |
| Triple Concerto in C major, op. 56: II. Largo | David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan | GBAYC2400164 |
| Requiem, K. 626: Sequenz: Dies irae | Chœur de l'Orchestre de Paris, Orchestre de Paris, Daniel Barenboim | GBAYC2402488 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | GBAYC7000097 |
| Piano Concerto in G minor, op. 33: III. Allegro con fuoco | Sviatoslav Richter, Bayerisches Staatsorchester, Carlos Kleiber | GBAYC7600043 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC7600103 |
| Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | GBAYC8200350 |
| String Quartet no. 13 in B-flat major “Lieb”, op. 130: V. Cavatina: Adagio molto espressivo | Alban Berg Quartett, Valentin Erben, Thomas Kakuska, Günter Pichler, Gerhard Schulz | GBAYC8200467 |
| Così fan tutte: Atto I, scena 6: “Soave sia il vento” | Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti | GBAYC8200607 |
| Frottole, libro tertio: El grillo | Paul Hillier, The Hilliard Ensemble | GBAYC8300299 |
| Requiem, K. 626: Sequenz: Dies irae | Chœur de l'Orchestre de Paris, Orchestre de Paris, Daniel Barenboim | GBAYC8400311 |
| Violin Concerto in E major “The Four Seasons: Spring”, op. 8 no. 1: I. Allegro | Anne-Sophie Mutter, Wiener Philharmoniker, Herbert von Karajan | GBAYC8400330 |
| Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) | Plácido Domingo, New Philharmonia Orchestra, Riccardo Muti | GBAYC8500160 |
| Adagio for Strings | The Philadelphia Orchestra, Eugene Ormandy | GBAYC8500291 |
| Sussex Carol | Choir of King’s College, Cambridge, John Wells, Sir David Willcocks | GBAYC8501463 |
| Summertime (Porgy and Bess) | Kiri Te Kanawa, New York Choral Artists, New Princess Theater Orchestra, John McGlinn | GBAYC8600206 |
| Symphony no. 8 in E-flat major “Symphony of a Thousand”, Part II: Chorus mysticus: Alles Vergängliche | Elizabeth Connell, Nadine Denize, Jorma Hynninen, London Philharmonic Choir, Trudeliese Schmidt, Hans Sotin, Tiffin Boys’ Choir, Richard Versalle, Edith Wiens, London Philharmonic Orchestra, Klaus Tennstedt | GBAYC8600537 |
| Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod | London Symphony Orchestra, Sir Adrian Boult | GBAYC8601144 |
| Symphonie fantastique, op. 14: IV. Marche au supplice. Allegro non troppo | Orchestre national de France, Leonard Bernstein | GBAYC8701254 |
| Pagliacci: Atto I. “Recitar!...Vesti la giubba” | José Carreras, Philharmonia Orchestra, Riccardo Muti | GBAYC8701297 |
| Turandot: Signore, ascolta! | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras | GBAYC8701762 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC8803402 |
| Pagliacci: Atto I. “Recitar!...Vesti la giubba” | José Carreras, Philharmonia Orchestra, Riccardo Muti | GBAYC8900657 |
| Radetzky March, op. 228 | Wiener Johann Strauss Orchester, Willi Boskovsky | GBAYC8901056 |
| Radetzky March, op. 228 | Wiener Johann Strauss Orchester, Willi Boskovsky | GBAYC8904088 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9003016 |
| Don Giovanni: Atto I. “Or sai chi l’onore” | Cheryl Studer, Wiener Philharmoniker, Riccardo Muti | GBAYC9004386 |
| Sussex Carol | Choir of King’s College, Cambridge, John Wells, Sir David Willcocks | GBAYC9104467 |
| Werther: Acte III. "Toute mon âme est là!" / "Pourquoi me réveiller?" (Werther) | Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | GBAYC9500381 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC9500783 |
| Triple Concerto in C major, op. 56: II. Largo | David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan | GBAYC9601667 |
| Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | GBAYC9701432 |
| Triple Concerto in C major, op. 56: II. Largo | David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan | GBAYC9702318 |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9702890 |
| Cello Concerto in E minor, op. 85: III. Adagio | Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | GBAYC9703142 |
| Sea Pictures, op. 37: IV. Where Corals Lie | Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli | GBAYC9704098 |
| Sea Pictures, op. 37: II. In Haven (Capri) | Janet Baker, London Symphony Orchestra, Sir John Barbirolli | GBAYC9704100 |
| Sussex Carol | Choir of King’s College, Cambridge, John Wells, Sir David Willcocks | GBAYC9705138 |
| Kindertotenlieder: “Oft denk’ ich, sie sind nur ausgegangen!” | Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter | GBAYC9800825 |
| Trumpet concerto in E-flat: III. Rondo (Allegro molto) | Maurice André, Berliner Philharmoniker, Herbert von Karajan | GBAYC9801089 |
| Chants d’Auvergne: Baïlèro | Victoria de los Ángeles, Orchestre des Concerts Lamoureux, Jean-Pierre Jacquillat | GBAYC9801174 |
| Violin Concerto in B minor, op. 61: Cadenza (accompagnata: Lento)—Allegro molto | Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar | GBAYC9802301 |
| Cello Suite no. 6 in D major, BWV 1012: VI. Gigue | Mstislav Rostropovich | GBRDQ1600043 |
| Cello Suite no. 1 in G: Prelude | Pablo Casals | HKI190015001 |
Clarinet Concertino in E-flat major, op. 26: III. Allegro
Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt
Recuerdos de la Alhambra
Andrés Segovia
Piano Sonata no. 26 in E‐flat major, op. 81a “Les Adieux”: III. Das Wiedersehen (Vivacissimamente – Poco andante) (1958 recording)
Claudio Arrau
Suite n°3 en Ut majeur / C major / C-dur BWV 1009: IV. Sarabande
Paul Tortelier
Le nozze di Figaro, K. 492: Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Il Conte, La Contessa, Susanna)
Sesto Bruscantini, Franco Calabrese, Hugues Cuénod, Sena Jurinac, Graziella Sciutti, Monica Sinclair, Glyndebourne Festival Orchestra, Vittorio Gui
Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod
London Symphony Orchestra, Sir Adrian Boult
Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur)
Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
Cello Suite no. 1 in G: Prelude
Pablo Casals
Cello Concerto in E minor, op. 85: III. Adagio
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Sea Pictures, op. 37: II. In Haven (Capri)
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
L’Africaine : Acte IV. « Pays merveilleux » … « Ô paradis »
Fernand Ansseau
Es gibt ein Reich
Maria Jeritza
Turandot: Atto II, scena 2. “In questa reggia”
Eva Turner, Orchestra del Teatro alla Scala di Milano, Lorenzo Molajoli
Symphony no. 1 in D, op. 25 "Classical": III. Gavotte
Berliner Philharmoniker, Sergiu Celibidache
Caprices for Solo Violin, op. 1: No. 24 in A minor
Itzhak Perlman
Vier letzte Lieder: 1. Frühling
Elisabeth Schwarzkopf, Radio-Symphonie-Orchester Berlin, George Szell
Symphonie fantastique, op. 14: IV. Marche au supplice. Allegro non troppo
Orchestre national de France, Leonard Bernstein
Cello Concerto in E minor, op. 85: III. Adagio
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Sea Pictures, op. 37: II. In Haven (Capri)
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
Piano Sonata no. 26 in E‐flat major, op. 81a “Les Adieux”: III. Das Wiedersehen (Vivacissimamente – Poco andante) (1958 recording)
Claudio Arrau
Triple Concerto in C major, op. 56: II. Largo
David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan
Requiem, K. 626: Sequenz: Dies irae
Chœur de l'Orchestre de Paris, Orchestre de Paris, Daniel Barenboim
Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod
London Symphony Orchestra, Sir Adrian Boult
Piano Concerto in G minor, op. 33: III. Allegro con fuoco
Sviatoslav Richter, Bayerisches Staatsorchester, Carlos Kleiber
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
Così fan tutte: Atto I, scena 6: “Soave sia il vento”
Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
String Quartet no. 13 in B-flat major “Lieb”, op. 130: V. Cavatina: Adagio molto espressivo
Alban Berg Quartett, Valentin Erben, Thomas Kakuska, Günter Pichler, Gerhard Schulz
Così fan tutte: Atto I, scena 6: “Soave sia il vento”
Agnes Baltsa, Margaret Marshall, José van Dam, Vienna Philharmonic Orchestra, Riccardo Muti
Frottole, libro tertio: El grillo
Paul Hillier, The Hilliard Ensemble
Requiem, K. 626: Sequenz: Dies irae
Chœur de l'Orchestre de Paris, Orchestre de Paris, Daniel Barenboim
Violin Concerto in E major “The Four Seasons: Spring”, op. 8 no. 1: I. Allegro
Anne-Sophie Mutter, Wiener Philharmoniker, Herbert von Karajan
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
Plácido Domingo, New Philharmonia Orchestra, Riccardo Muti
Adagio for Strings
The Philadelphia Orchestra, Eugene Ormandy
Sussex Carol
Choir of King’s College, Cambridge, John Wells, Sir David Willcocks
Summertime (Porgy and Bess)
Kiri Te Kanawa, New York Choral Artists, New Princess Theater Orchestra, John McGlinn
Symphony no. 8 in E-flat major “Symphony of a Thousand”, Part II: Chorus mysticus: Alles Vergängliche
Elizabeth Connell, Nadine Denize, Jorma Hynninen, London Philharmonic Choir, Trudeliese Schmidt, Hans Sotin, Tiffin Boys’ Choir, Richard Versalle, Edith Wiens, London Philharmonic Orchestra, Klaus Tennstedt
Variations on an Original Theme “Enigma”, op. 36: IX. Nimrod
London Symphony Orchestra, Sir Adrian Boult
Symphonie fantastique, op. 14: IV. Marche au supplice. Allegro non troppo
Orchestre national de France, Leonard Bernstein
Pagliacci: Atto I. “Recitar!...Vesti la giubba”
José Carreras, Philharmonia Orchestra, Riccardo Muti
Turandot: Signore, ascolta!
Montserrat Caballé, London Symphony Orchestra, Charles Mackerras
Cello Concerto in E minor, op. 85: III. Adagio
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Pagliacci: Atto I. “Recitar!...Vesti la giubba”
José Carreras, Philharmonia Orchestra, Riccardo Muti
Radetzky March, op. 228
Wiener Johann Strauss Orchester, Willi Boskovsky
Radetzky March, op. 228
Wiener Johann Strauss Orchester, Willi Boskovsky
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
Don Giovanni: Atto I. “Or sai chi l’onore”
Cheryl Studer, Wiener Philharmoniker, Riccardo Muti
Sussex Carol
Choir of King’s College, Cambridge, John Wells, Sir David Willcocks
Werther: Acte III. "Toute mon âme est là!" / "Pourquoi me réveiller?" (Werther)
Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong
Cello Concerto in E minor, op. 85: III. Adagio
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Triple Concerto in C major, op. 56: II. Largo
David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan
Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur)
Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
Triple Concerto in C major, op. 56: II. Largo
David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Herbert von Karajan
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
Cello Concerto in E minor, op. 85: III. Adagio
Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Sea Pictures, op. 37: IV. Where Corals Lie
Dame Janet Baker, London Symphony Orchestra, Sir John Barbirolli
Sea Pictures, op. 37: II. In Haven (Capri)
Janet Baker, London Symphony Orchestra, Sir John Barbirolli
Sussex Carol
Choir of King’s College, Cambridge, John Wells, Sir David Willcocks
Kindertotenlieder: “Oft denk’ ich, sie sind nur ausgegangen!”
Kathleen Ferrier, Wiener Philharmoniker, Bruno Walter
Trumpet concerto in E-flat: III. Rondo (Allegro molto)
Maurice André, Berliner Philharmoniker, Herbert von Karajan
Chants d’Auvergne: Baïlèro
Victoria de los Ángeles, Orchestre des Concerts Lamoureux, Jean-Pierre Jacquillat
Violin Concerto in B minor, op. 61: Cadenza (accompagnata: Lento)—Allegro molto
Yehudi Menuhin, London Symphony Orchestra, Sir Edward Elgar
Cello Suite no. 6 in D major, BWV 1012: VI. Gigue
Mstislav Rostropovich
Cello Suite no. 1 in G: Prelude
Pablo Casals
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000002071794X0000000023084623000000002370929100000000264204500000000030477644000000004517332800000000456568800000000055120510000000005514183X0000000055142672
+40 more
00000000551503730000000055163158000000005518352X0000000058518890000000005919585100000000593487580000000059359000000000005942014X000000005945557X0000000059478181000000006097350X00000000615993370000000063017302000000006308149400000000630915610000000063104975000000006311236900000000725133080000000073600059000000007735648700000000777959730000000078389475000000007876623400000000797302680000000079798350000000007982295500000000807867520000000080820236000000008084708400000000808471130000000080944159000000008099225700000000810381070000000081062772000000008108546400000000811161950000000081161420000000008118356600000000811876550000000081242239
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What is UPC 0724356618220?
0724356618220 is a Universal Product Code (UPC) assigned to Centenary Edition 1897-1997 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 241 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm