UPC · Release
Great Recordings of the Century: La bohème
Puccini, Victoria de los Ángeles, Jussi Björling, Amara, Merrill, Reardon, Tozzi, RCA Victor Chorus, Orchestra, Sir Thomas Beecham
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0724356775350 is the Universal Product Code (UPC barcode) for the release “Great Recordings of the Century: La bohème” by Puccini, Victoria de los Ángeles, Jussi Björling, Amara, Merrill, Reardon, Tozzi, RCA Victor Chorus, Orchestra, Sir Thomas Beecham, released 2002-04-09. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include GBAYC0200179, GBAYC0200194.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (36)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La bohème: Atto I. “Questo Mar Rosso mi ammollisce e assidera” | — | ||
| 2 | La bohème: Atto I. “Aguzza l’ingegno” | — | ||
| 3 | La bohème: Atto I. “Legna! … Sigari!” | — | ||
| 4 | La bohème: Atto I. “Si può? … Chi è là?” | — | ||
| 5 | La bohème: Atto I. “Al Quartiere Latin ci attende Momus” | — | ||
| 6 | La bohème: Atto I. “Chi è là?” | — | ||
| 7 | La bohème: Atto I. “Oh! Sventata, sventata!” | — | ||
| 8 | La bohème: Atto I. “Che gelida manina” | — | ||
| 9 | La bohème: Atto I. “Sì. Mi chiamano Mimì” | — | ||
| 10 | La bohème: Atto I. “Ehi! Rodolfo!” | — | ||
| 11 | La bohème: Atto I. “O soave fanciulla” (Rodolfo, Mimì, Marcello) | Jussi Björling, Robert Merrill, Victoria de los Ángeles, RCA Victor Orchestra, Thomas Beecham | — | |
| 12 | La bohème: Atto II. “Aranci, datteri!” | — | ||
| 13 | La bohème: Atto II. “Chi guardi?” | — | ||
| 14 | La bohème: Atto II. “Viva Parpignol!” | — | ||
| 15 | La bohème: Atto II. “Oh! Musetta!” | — | ||
| 16 | La bohème: Atto II. “Quando men’ vo soletta” | — | ||
| 17 | La bohème: Atto II. “Chi I’ha richiesto?” | — | ||
| 2-1 | La bohème: Atto III. “Ohè, là, le guardie! … Aprite!” | — | ||
| 2-2 | La bohème: Atto III. “Sa dirmi, scusi, qual’è l’osteria” | — | ||
| 2-3 | La bohème: Atto III. “Mimì! … Speravo di trovarvi qui” | — | ||
| 2-4 | La bohème: Atto III. “Marcello. Finalmente” | — | ||
| 2-5 | La bohème: Atto III. “Mimò è una civetta” | — | ||
| 2-6 | La bohème: Atto III. “Mimì è tanto malata!” | — | ||
| 2-7 | La bohème: Atto III. “Addio … D’onde lieta uscì al tuo grido” (Mimì, Rodolfo) | Jussi Björling, Victoria de los Ángeles, RCA Victor Symphony Orchestra, Sir Thomas Beecham | — | |
| 2-8 | La bohème: Atto III. “Dunque è proprio finita?” | — | ||
| 2-9 | La bohème: Atto III. “Che facevi? Che dicevi?” | — | ||
| 2-10 | La bohème: Atto IV. “In un coupè?” | — | ||
| 2-11 | La bohème: Atto IV. “O Mimì, tu più non torni” | — | ||
| 2-12 | La bohème: Atto IV. “Che ora sia? … L’ora del pranzo” | — | ||
| 2-13 | La bohème: Atto IV. “Gavotta … Minuetto … Pavanella” | — | ||
| 2-14 | La bohème: Atto IV. “C’è Mimì … c’è Mimì” | — | ||
| 2-15 | La bohème: Atto IV. “Ho tanto freddo. Se avessi un manicotto!” | — | ||
| 2-16 | La bohème: Atto IV. “Vecchia zimarra” | — | ||
| 2-17 | La bohème: Atto IV. “Sono andatl? Fingevo di dormire” | — | ||
| 2-18 | La bohème: Atto IV. “Mi chiamano Mimì … il perchè non so” | — | ||
| 2-19 | La bohème: Atto IV. “Dorme? … Riposa” | — |
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What is UPC 0724356775350?
0724356775350 is a Universal Product Code (UPC) assigned to Great Recordings of the Century: La bohème by Puccini, Victoria de los Ángeles, Jussi Björling, Amara, Merrill, Reardon, Tozzi, RCA Victor Chorus, Orchestra, Sir Thomas Beecham. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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