UPC · Album
The Millennium Classics
Various Artists
0724357053020
130 tracksReleased 1999-01-01EMI Classics
Last verified:
0724357053020 is the Universal Product Code (UPC barcode) for the release “The Millennium Classics” by Various Artists, released 1999-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 130 tracks, each with its own ISRC. Tracks include DEA348902087, DEC628600585, FRZ110200604.
Format
072GS1 prefix
4357Company prefix
05302Product
0Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Millennium Classics
ISRC37 recordings
ISWC17 works
IPI3 songwriters
Track List (37)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Matthäus-Passion, BWV 244 (Zweiter Teil): Schlußchor: Wir setzen uns mit Tränen nieder | Süddeutscher Madrigalchor, Consortium Musicum, Wolfgang Gönnenwein | DEA348902087 |
| Die Zauberflöte: Zweiter Aufzug: Nr. 14: Arie: Der Hölle Rache kocht in meinem Herzen (Königin der Nacht) | Edda Moser, Orchester der Bayerischen Staatsoper München, Wolfgang Sawallisch | DEC628600585 |
| Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | FRZ110200604 |
| Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | FRZ118703008 |
| Carmina Burana: Fortuna Imperatrix Mundi: No. 1. O Fortuna | New Philharmonia Chorus, New Philharmonia Orchestra, Rafael Frühbeck de Burgos | GBAYC0101581 |
| Carmina Burana: I. Uf dem Anger: Tanz | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | GBAYC0101586 |
| Carmina Burana: I. Uf dem Anger: Floret silva nobilis | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | GBAYC0101587 |
| Carmina Burana: I. Uf dem Anger: Chramer, gip die varwe mir | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | GBAYC0101588 |
| Carmina Burana: I. Uf dem Anger: Reie - Swaz hie gat umbe - Chume, chum geselle min - Swaz hie gat umbe | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | GBAYC0101589 |
| Carmina Burana: I. Uf dem Anger: Were diu werlt alle min | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | GBAYC0101594 |
| String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC0802180 |
| Water Music Suite: I. Allegro | Berliner Philharmoniker, Herbert von Karajan | GBAYC1401700 |
| Water Music Suite: II. Air | Berliner Philharmoniker, Herbert von Karajan | GBAYC1401701 |
| Water Music Suite: III. Bourrée | Berliner Philharmoniker, Herbert von Karajan | GBAYC1401702 |
| Water Music Suite: IV. Hornpipe | Berliner Philharmoniker, Herbert von Karajan | GBAYC1401703 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC2302025 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC7300006 |
| String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8000011 |
| Solomon, HWV 67: Act 3: No. 42. Arrival of the Queen of Sheba (Sinfonia) | Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner | GBAYC8300121 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC8600822 |
| Danse macabre, op. 40 | Orchestre National de France, Georges Prêtre | GBAYC8700040 |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | GBAYC8700997 |
| Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | GBAYC8801306 |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | GBAYC8900791 |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | GBAYC8900865 |
| Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto | Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra | GBAYC8901875 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9203528 |
| Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto | Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra | GBAYC9402536 |
| Suite for Jazz Orchestra no. 2, op. 50b: VI. Waltz: Tempo di valse | The Philadelphia Orchestra, Mariss Jansons | GBAYC9600040 |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | GBAYC9702776 |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | GBAYC9703282 |
| Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | GBAYD8800169 |
| Peer Gynt Suite no. 1, op. 46: Morning | Bournemouth Symphony Orchestra, Paavo Berglund | GBAYD9100025 |
| Peer Gynt Suite no. 1, op. 46: Åse's Death | Bournemouth Symphony Orchestra, Paavo Berglund | GBAYD9100026 |
| Peer Gynt Suite no. 1, op. 46: Anitra's Dance | Bournemouth Symphony Orchestra, Paavo Berglund | GBAYD9100027 |
| Peer Gynt Suite no. 1, op. 46: In the Hall of the Mountain King | Bournemouth Symphony Orchestra, Paavo Berglund | GBAYD9100028 |
| Die Zauberflöte: Zweiter Aufzug: Nr. 14: Arie: Der Hölle Rache kocht in meinem Herzen (Königin der Nacht) | Edda Moser, Orchester der Bayerischen Staatsoper München, Wolfgang Sawallisch | QZ7VU1700015 |
Matthäus-Passion, BWV 244 (Zweiter Teil): Schlußchor: Wir setzen uns mit Tränen nieder
Süddeutscher Madrigalchor, Consortium Musicum, Wolfgang Gönnenwein
Die Zauberflöte: Zweiter Aufzug: Nr. 14: Arie: Der Hölle Rache kocht in meinem Herzen (Königin der Nacht)
Edda Moser, Orchester der Bayerischen Staatsoper München, Wolfgang Sawallisch
Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika)
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika)
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Carmina Burana: Fortuna Imperatrix Mundi: No. 1. O Fortuna
New Philharmonia Chorus, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
Carmina Burana: I. Uf dem Anger: Tanz
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carmina Burana: I. Uf dem Anger: Floret silva nobilis
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carmina Burana: I. Uf dem Anger: Chramer, gip die varwe mir
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carmina Burana: I. Uf dem Anger: Reie - Swaz hie gat umbe - Chume, chum geselle min - Swaz hie gat umbe
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
Carmina Burana: I. Uf dem Anger: Were diu werlt alle min
Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll
String Quintet in E major, op. 13 no. 5: Minuet
Academy of St Martin in the Fields, Sir Neville Marriner
Water Music Suite: I. Allegro
Berliner Philharmoniker, Herbert von Karajan
Water Music Suite: II. Air
Berliner Philharmoniker, Herbert von Karajan
Water Music Suite: III. Bourrée
Berliner Philharmoniker, Herbert von Karajan
Water Music Suite: IV. Hornpipe
Berliner Philharmoniker, Herbert von Karajan
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
String Quintet in E major, op. 13 no. 5: Minuet
Academy of St Martin in the Fields, Sir Neville Marriner
Solomon, HWV 67: Act 3: No. 42. Arrival of the Queen of Sheba (Sinfonia)
Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Danse macabre, op. 40
Orchestre National de France, Georges Prêtre
Messiah, HWV 56: No. 44. Hallelujah
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
Bagatelle for Piano in A minor ("Für Elise"), WoO 59
Dame Moura Lympany
Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves)
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves)
Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto
Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto
Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra
Suite for Jazz Orchestra no. 2, op. 50b: VI. Waltz: Tempo di valse
The Philadelphia Orchestra, Mariss Jansons
Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon
Academy of St Martin in the Fields, Sir Neville Marriner
Messiah, HWV 56: No. 44. Hallelujah
Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras
Bagatelle for Piano in A minor ("Für Elise"), WoO 59
Dame Moura Lympany
Peer Gynt Suite no. 1, op. 46: Morning
Bournemouth Symphony Orchestra, Paavo Berglund
Peer Gynt Suite no. 1, op. 46: Åse's Death
Bournemouth Symphony Orchestra, Paavo Berglund
Peer Gynt Suite no. 1, op. 46: Anitra's Dance
Bournemouth Symphony Orchestra, Paavo Berglund
Peer Gynt Suite no. 1, op. 46: In the Hall of the Mountain King
Bournemouth Symphony Orchestra, Paavo Berglund
Die Zauberflöte: Zweiter Aufzug: Nr. 14: Arie: Der Hölle Rache kocht in meinem Herzen (Königin der Nacht)
Edda Moser, Orchester der Bayerischen Staatsoper München, Wolfgang Sawallisch
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000015605951000000006308670300000000630905930000000078678621000000008365519200000000839840250000000084134620000000008940377000000001066174480000000109106635
+40 more
00000001091441130000000109218880000000010935415300000001094265240000000109435228000000010944273500000001094439490000000109449881000000010945383X000000011016475200000001103269770000000110332568000000011034016200000001103633560000000110928740000000011297410X000000011450698300000001145501830000000114553130000000011463049000000001147254810000000114786196000000011480352300000001148919060000000116776143000000011873720100000001194564790000000119475039000000011954617500000001195649980000000120191498000000012033910600000001210208770000000121068002000000012114424700000001211745930000000121208271000000012126161100000001214227880000000121425807
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What is UPC 0724357053020?
0724357053020 is a Universal Product Code (UPC) assigned to The Millennium Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 130 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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