UPC · Release
Various Artists
Last verified:
The UPC for “The Millennium Classics” by Various Artists is 0724357053020. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1999-01-01. Label: EMI Classics. This release contains 130 tracks, each with its own ISRC. Tracks include GBAYC2302025, GBAYC8300121, GBAYC8901875.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Four Seasons-Concerto No. 1 in E major "Spring", RV 269: I. Allegro | — | ||
| 2 | The Four Seasons-Concerto No. 1 in E major "Spring", RV 269: II. Largo | — | ||
| 3 | The Four Seasons-Concerto No. 1 in E major "Spring", RV 269: III. Allegro | — | ||
| 4 | Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5 | Orchestral Suite No. 3 in D major, BWV 1068: II. Air | — | ||
| 6 | Adagio | — | ||
| 7 | Solomon, HWV 67: Act 3: No. 42. Arrival of the Queen of Sheba (Sinfonia) | Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner | T-011.777.630-3 | |
| 8 | Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto | Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra | — | |
| 9 | String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 10 | Organ Concerto No. 13 in F major "Cuckoo and Nightingale": I. Larghetto | — | ||
| 11 | Organ Concerto No. 13 in F major "Cuckoo and Nightingale": II. Allegro, Kadenz, Tempo | — | ||
| 12 | Organ Concerto No. 13 in F major "Cuckoo and Nightingale": III. Larghetto | — | ||
| 13 | Organ Concerto No. 13 in F major "Cuckoo and Nightingale": IV. Allegro | — | ||
| 14 | Brandenburg Concerto No. 2 in F major BWV 1047: I. Allegro | — | ||
| 15 | Brandenburg Concerto No. 2 in F major BWV 1047: II. Andante | — | ||
| 16 | Brandenburg Concerto No. 2 in F major BWV 1047: III. Allegro assai | — | ||
| 17 | Water Music Suite: I. Allegro | Berliner Philharmoniker, Herbert von Karajan | — | |
| 18 | Water Music Suite: II. Air | Berliner Philharmoniker, Herbert von Karajan | — | |
| 19 | Water Music Suite: III. Bourrée | Berliner Philharmoniker, Herbert von Karajan | — | |
| 20 | Water Music Suite: IV. Hornpipe | Berliner Philharmoniker, Herbert von Karajan | — | |
| 21 | Suite for Violoncello No. 1 in G major, BWV 1007: Sarabande | — | ||
| 2-1 | Mattheus Passion, BWV 244: "Kommt, Ihr Tochter, helft mir klagen" | — | ||
| 2-2 | Matthäus-Passion, BWV 244 (Zweiter Teil): Schlußchor: Wir setzen uns mit Tränen nieder | Süddeutscher Madrigalchor, Consortium Musicum, Wolfgang Gönnenwein | — | |
| 2-3 | Stabat Mater: I. Stabat mater dolorosa | — | ||
| 2-4 | Ave Verum Corpus, K. 618 | — | ||
| 2-5 | Ave Maria | — | ||
| 2-6 | Requiem, K. 626: I. Introitus "Requiem Aeternam" | — | ||
| 2-7 | Requiem, K. 626: Confutatis maledictis | — | ||
| 2-8 | Requiem, K.626: Lacrimosa dies illa | — | ||
| 2-9 | Ave Maria, D. 839 | — | ||
| 2-10 | Requiem, Op. 48: Pie Jesu | — | ||
| 2-11 | Cantique de Jean Racine: Verbe egal et tres Haut | — | ||
| 2-12 | Messa de Requiem: Requiem Aeternam | — | ||
| 2-13 | Messa de Requiem: Dies irae | — | ||
| 2-14 | Requiem: Ingemisco | — | ||
| 2-15 | Johannes Passion, BWV 245: Ruht Wohl | — | ||
| 2-16 | Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | T-071.518.061-2 | |
| 3-1 | Serenata No. 13 in G major, K.525 "Eine kleine Nachtmusic": I. Allegro | — | ||
| 3-2 | Serenata No. 13 in G major, K.525 "Eine kleine Nachtmusic": II. Romanze (Andante) | — | ||
| 3-3 | Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan": II. Andante | — | ||
| 3-4 | Symphony No. 40 in G minor, K. 550: I. Molto allegro | — | ||
| 3-5 | Horn Concerto No. 4 in E-flat major, K. 495: III. Rondo (Allegro vivace) | — | ||
| 3-6 | Concerto for Flute and Harp in C major, K. 299: II. Andantino | — | ||
| 3-7 | Piano Concerto No. 23 in A major, K. 488: I. Allegro | — | ||
| 3-8 | Clarinet Concerto in A major, K. 622: II. Adagio | — | ||
| 3-9 | Trumpet Concerto in E flat major: I. Allegro | — | ||
| 3-10 | Piano Quintet, D.667 "The Trout": Theme and Variatons | — | ||
| 3-11 | Impromptu in As, Op. 90, No. 4 D. 889 | — | ||
| 4-1 | Symphony No. 5 in C minor, Op. 67: I. Allegro con brio | — | ||
| 4-2 | Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | T-031.590.855-4 | |
| 4-3 | Symphony No. 6 in F major, Op. 68, "Pastoral": I. Allegro ma non troppo | — | ||
| 4-4 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 4-5 | Symphony No. 7 in A major, Op. 92: III. Presto | — | ||
| 4-6 | Symphony No. 8 in F major, Op. 93: III. Tempo di menuetto | — | ||
| 4-7 | Violin Concerto in D major, Op. 61: II. Larghetto, attacca | — | ||
| 4-8 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | — | ||
| 4-9 | Symphony No. 9 in D minor, Op. 125 "Choral": Hymn to Joy | — | ||
| 5-1 | Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace | — | ||
| 5-2 | Prelude, Op. 28, No. 15 "Raindrop" | — | ||
| 5-3 | Peer Gynt Suite no. 1, op. 46: Morning | Bournemouth Symphony Orchestra, Paavo Berglund | — | |
| 5-4 | Peer Gynt Suite no. 1, op. 46: Åse's Death | Bournemouth Symphony Orchestra, Paavo Berglund | T-900.181.727-2 | |
| 5-5 | Peer Gynt Suite no. 1, op. 46: Anitra's Dance | Bournemouth Symphony Orchestra, Paavo Berglund | — | |
| 5-6 | Peer Gynt Suite no. 1, op. 46: In the Hall of the Mountain King | Bournemouth Symphony Orchestra, Paavo Berglund | T-909.597.505-6 | |
| 5-7 | Nocturne No. 16 in E-flat major, Op. 55 No. 2 | — | ||
| 5-8 | Má Vlast: No. 2 Vltava (Die Moldau) | — | ||
| 5-9 | Piano Concerto in A minor, Op. 16: I. Allegro molto moderato | — | ||
| 5-10 | Midsummer Night's Dream, Op. 21: Scherzo | — | ||
| 5-11 | Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo | — | ||
| 6-1 | An der schönen blauen Donau, Op. 314 | — | ||
| 6-2 | Piano Concerto No. 1 in B-flat minor, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 6-3 | Méditation de Thaïs | — | ||
| 6-4 | Waltz in D-flat major, Op. 64 No. 1 | — | ||
| 6-5 | Finlandia, Op. 26 Tone Poem | — | ||
| 6-6 | Swan Lake Suite: Scene 1, Act 2 "Swan Theme" | — | ||
| 6-7 | Swan Lake Suite: Waltz, Act 1 | — | ||
| 6-8 | Swan Lake Suite: Dance of the Cygnets, Act 2 | — | ||
| 6-9 | Swan Lake Suite: Introduction & Second Dance of the Queen, Act 2 | — | ||
| 6-10 | Swan Lake Suite: Scene, Act 4 | — | ||
| 6-11 | Piano Concerto No. 2 in C minor, Op. 18: I. Moderato | — | ||
| 7-1 | Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppo – Andante – Moderato mosso – Adagio mosso – Allegro vivo – Andante come prima – Andante mosso | — | ||
| 7-2 | Piano Concerto No. 3 in D minor, Op. 30: III. Finale (Alla breve) | — | ||
| 7-3 | Spartacus: Adagio (Spartacus and Phrygia) | — | ||
| 7-4 | Violin Concerto in D major, Op. 35: II. Canzonetta. Andante | — | ||
| 7-5 | Symphony No. 3 in F major, Op. 90: I. Allegro con brio | — | ||
| 7-6 | The Nutcracker, Waltz of the Flowers | — | ||
| 7-7 | Die Walkure: The Ride of the Valkyries | — | ||
| 8-1 | Danse macabre, op. 40 | Orchestre National de France, Georges Prêtre | T-003.008.160-7 | |
| 8-2 | Carnaval des Animaux: The Swan | — | ||
| 8-3 | Violin Concerto No. 1 in G minor, Op. 26: I. Allegro Moderato | — | ||
| 8-4 | Violin Concerto No. 1 in G minor, Op. 26: II. Adagio | — | ||
| 8-5 | Violin Concerto No. 1 in G minor, Op. 26: III. Finale (Allegro energico) | — | ||
| 8-6 | Clair de lune | — | ||
| 8-7 | Concierto de Aranjuez: II. Adagio | — | ||
| 8-8 | Symphony No. 5 in C-sharp minor: IV. Adagietto | — | ||
| 8-9 | Bolero | — | ||
| 9-1 | Rhapsody in Blue | — | ||
| 9-2 | Adagio for Strings | — | ||
| 9-3 | West Side Story Prologue | — | ||
| 9-4 | West Side Story: Somewhere | — | ||
| 9-5 | West Side Story: Cha cha | — | ||
| 9-6 | West Side Story: Meeting scene | — | ||
| 9-7 | West Side Story: Cool | — | ||
| 9-8 | West Side Story: Finale | — | ||
| 9-9 | Gymnopedie: I. Lent et douloureux | — | ||
| 9-10 | Gymnopedie: II. Lent et triste | — | ||
| 9-11 | Gymnopedie: III. Lent et grave | — | ||
| 9-12 | Suite for Jazz Orchestra no. 2, op. 50b: VI. Waltz: Tempo di valse | The Philadelphia Orchestra, Mariss Jansons | — | |
| 9-13 | Carmina Burana: Fortuna Imperatrix Mundi: No. 1. O Fortuna | New Philharmonia Chorus, New Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-800.639.771-4 | |
| 9-14 | Carmina Burana: I. Uf dem Anger: Tanz | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-15 | Carmina Burana: I. Uf dem Anger: Floret silva nobilis | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-16 | Carmina Burana: I. Uf dem Anger: Chramer, gip die varwe mir | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-17 | Carmina Burana: I. Uf dem Anger: Reie - Swaz hie gat umbe - Chume, chum geselle min - Swaz hie gat umbe | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-18 | Carmina Burana: I. Uf dem Anger: Were diu werlt alle min | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-19 | Masscapella, No. 3 | — | ||
| 10-1 | Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — | |
| 10-2 | Les pêcheurs de perles: Au fond du temple saint (Act I) | — | ||
| 10-3 | Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-316.901.758-3 | |
| 10-4 | Carmen: Votre toast (Air du Toréador) | — | ||
| 10-5 | Die Zauberflöte: Der Vogelfanger bin ich ja (Akt I) | — | ||
| 10-6 | Die Zauberflöte: Zweiter Aufzug: Nr. 14: Arie: Der Hölle Rache kocht in meinem Herzen (Königin der Nacht) | Edda Moser, Orchester der Bayerischen Staatsoper München, Wolfgang Sawallisch | — | |
| 10-7 | Le Nozze di Figaro, K.492: Voi che sapete (Atto II) | — | ||
| 10-8 | Cavalleria Rusticana: Regina coeli | — | ||
| 10-9 | II Barbiere di Siviglia: Largo al factotum (Atto I) | — | ||
| 10-10 | Tosca: Vissi d'arte (Atoo II) | — | ||
| 10-11 | Tosca: E lucevan le stelle (Atto III) | — | ||
| 10-12 | Rigoletto: La donna è mobile (Atto III) | — | ||
| 10-13 | La Traviata: Brindisi, Libiamo ne'liete calici (Atto I) | — | ||
| 10-14 | Norma: Sediziose voci..Casta Diva (Atto I) | — | ||
| 10-15 | Turandot: Nessun dorma (Atto III) | — | ||
| 10-16 | Aida: Gloria all'Egitto (Atto II) | — |
Identifier Graph
0724357053020 is a Universal Product Code (UPC) assigned to The Millennium Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 130 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
| Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | T-928.635.488-9 |
| Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto | Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.422.062-8 |
| Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | — |
| Die Zauberflöte: Zweiter Aufzug: Nr. 14: Arie: Der Hölle Rache kocht in meinem Herzen (Königin der Nacht) | Edda Moser, Orchester der Bayerischen Staatsoper München, Wolfgang Sawallisch | — |
| Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.541.764-3 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Millennium Classics” by Various Artists is 0724357053020. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1999-01-01. Label: EMI Classics. This release contains 130 tracks, each with its own ISRC. Tracks include GBAYC2302025, GBAYC8300121, GBAYC8901875.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Four Seasons-Concerto No. 1 in E major "Spring", RV 269: I. Allegro | — | ||
| 2 | The Four Seasons-Concerto No. 1 in E major "Spring", RV 269: II. Largo | — | ||
| 3 | The Four Seasons-Concerto No. 1 in E major "Spring", RV 269: III. Allegro | — | ||
| 4 | Canon and Gigue for 3 Violins and Basso Continuo in D major: Canon | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5 | Orchestral Suite No. 3 in D major, BWV 1068: II. Air | — | ||
| 6 | Adagio | — | ||
| 7 | Solomon, HWV 67: Act 3: No. 42. Arrival of the Queen of Sheba (Sinfonia) | Ian Watson, Academy of St. Martin-in-the-Fields, Neville Marriner | T-011.777.630-3 | |
| 8 | Double Violin Concerto in D minor Bwv1043 II. Largo ma non tanto | Christian Ferras, Yehudi Menuhin, Bath Festival Orchestra | — | |
| 9 | String Quintet in E major, op. 13 no. 5: Minuet | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 10 | Organ Concerto No. 13 in F major "Cuckoo and Nightingale": I. Larghetto | — | ||
| 11 | Organ Concerto No. 13 in F major "Cuckoo and Nightingale": II. Allegro, Kadenz, Tempo | — | ||
| 12 | Organ Concerto No. 13 in F major "Cuckoo and Nightingale": III. Larghetto | — | ||
| 13 | Organ Concerto No. 13 in F major "Cuckoo and Nightingale": IV. Allegro | — | ||
| 14 | Brandenburg Concerto No. 2 in F major BWV 1047: I. Allegro | — | ||
| 15 | Brandenburg Concerto No. 2 in F major BWV 1047: II. Andante | — | ||
| 16 | Brandenburg Concerto No. 2 in F major BWV 1047: III. Allegro assai | — | ||
| 17 | Water Music Suite: I. Allegro | Berliner Philharmoniker, Herbert von Karajan | — | |
| 18 | Water Music Suite: II. Air | Berliner Philharmoniker, Herbert von Karajan | — | |
| 19 | Water Music Suite: III. Bourrée | Berliner Philharmoniker, Herbert von Karajan | — | |
| 20 | Water Music Suite: IV. Hornpipe | Berliner Philharmoniker, Herbert von Karajan | — | |
| 21 | Suite for Violoncello No. 1 in G major, BWV 1007: Sarabande | — | ||
| 2-1 | Mattheus Passion, BWV 244: "Kommt, Ihr Tochter, helft mir klagen" | — | ||
| 2-2 | Matthäus-Passion, BWV 244 (Zweiter Teil): Schlußchor: Wir setzen uns mit Tränen nieder | Süddeutscher Madrigalchor, Consortium Musicum, Wolfgang Gönnenwein | — | |
| 2-3 | Stabat Mater: I. Stabat mater dolorosa | — | ||
| 2-4 | Ave Verum Corpus, K. 618 | — | ||
| 2-5 | Ave Maria | — | ||
| 2-6 | Requiem, K. 626: I. Introitus "Requiem Aeternam" | — | ||
| 2-7 | Requiem, K. 626: Confutatis maledictis | — | ||
| 2-8 | Requiem, K.626: Lacrimosa dies illa | — | ||
| 2-9 | Ave Maria, D. 839 | — | ||
| 2-10 | Requiem, Op. 48: Pie Jesu | — | ||
| 2-11 | Cantique de Jean Racine: Verbe egal et tres Haut | — | ||
| 2-12 | Messa de Requiem: Requiem Aeternam | — | ||
| 2-13 | Messa de Requiem: Dies irae | — | ||
| 2-14 | Requiem: Ingemisco | — | ||
| 2-15 | Johannes Passion, BWV 245: Ruht Wohl | — | ||
| 2-16 | Messiah, HWV 56: No. 44. Hallelujah | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | T-071.518.061-2 | |
| 3-1 | Serenata No. 13 in G major, K.525 "Eine kleine Nachtmusic": I. Allegro | — | ||
| 3-2 | Serenata No. 13 in G major, K.525 "Eine kleine Nachtmusic": II. Romanze (Andante) | — | ||
| 3-3 | Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan": II. Andante | — | ||
| 3-4 | Symphony No. 40 in G minor, K. 550: I. Molto allegro | — | ||
| 3-5 | Horn Concerto No. 4 in E-flat major, K. 495: III. Rondo (Allegro vivace) | — | ||
| 3-6 | Concerto for Flute and Harp in C major, K. 299: II. Andantino | — | ||
| 3-7 | Piano Concerto No. 23 in A major, K. 488: I. Allegro | — | ||
| 3-8 | Clarinet Concerto in A major, K. 622: II. Adagio | — | ||
| 3-9 | Trumpet Concerto in E flat major: I. Allegro | — | ||
| 3-10 | Piano Quintet, D.667 "The Trout": Theme and Variatons | — | ||
| 3-11 | Impromptu in As, Op. 90, No. 4 D. 889 | — | ||
| 4-1 | Symphony No. 5 in C minor, Op. 67: I. Allegro con brio | — | ||
| 4-2 | Bagatelle for Piano in A minor ("Für Elise"), WoO 59 | Dame Moura Lympany | T-031.590.855-4 | |
| 4-3 | Symphony No. 6 in F major, Op. 68, "Pastoral": I. Allegro ma non troppo | — | ||
| 4-4 | Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 4-5 | Symphony No. 7 in A major, Op. 92: III. Presto | — | ||
| 4-6 | Symphony No. 8 in F major, Op. 93: III. Tempo di menuetto | — | ||
| 4-7 | Violin Concerto in D major, Op. 61: II. Larghetto, attacca | — | ||
| 4-8 | Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | — | ||
| 4-9 | Symphony No. 9 in D minor, Op. 125 "Choral": Hymn to Joy | — | ||
| 5-1 | Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace | — | ||
| 5-2 | Prelude, Op. 28, No. 15 "Raindrop" | — | ||
| 5-3 | Peer Gynt Suite no. 1, op. 46: Morning | Bournemouth Symphony Orchestra, Paavo Berglund | — | |
| 5-4 | Peer Gynt Suite no. 1, op. 46: Åse's Death | Bournemouth Symphony Orchestra, Paavo Berglund | T-900.181.727-2 | |
| 5-5 | Peer Gynt Suite no. 1, op. 46: Anitra's Dance | Bournemouth Symphony Orchestra, Paavo Berglund | — | |
| 5-6 | Peer Gynt Suite no. 1, op. 46: In the Hall of the Mountain King | Bournemouth Symphony Orchestra, Paavo Berglund | T-909.597.505-6 | |
| 5-7 | Nocturne No. 16 in E-flat major, Op. 55 No. 2 | — | ||
| 5-8 | Má Vlast: No. 2 Vltava (Die Moldau) | — | ||
| 5-9 | Piano Concerto in A minor, Op. 16: I. Allegro molto moderato | — | ||
| 5-10 | Midsummer Night's Dream, Op. 21: Scherzo | — | ||
| 5-11 | Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo | — | ||
| 6-1 | An der schönen blauen Donau, Op. 314 | — | ||
| 6-2 | Piano Concerto No. 1 in B-flat minor, Op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 6-3 | Méditation de Thaïs | — | ||
| 6-4 | Waltz in D-flat major, Op. 64 No. 1 | — | ||
| 6-5 | Finlandia, Op. 26 Tone Poem | — | ||
| 6-6 | Swan Lake Suite: Scene 1, Act 2 "Swan Theme" | — | ||
| 6-7 | Swan Lake Suite: Waltz, Act 1 | — | ||
| 6-8 | Swan Lake Suite: Dance of the Cygnets, Act 2 | — | ||
| 6-9 | Swan Lake Suite: Introduction & Second Dance of the Queen, Act 2 | — | ||
| 6-10 | Swan Lake Suite: Scene, Act 4 | — | ||
| 6-11 | Piano Concerto No. 2 in C minor, Op. 18: I. Moderato | — | ||
| 7-1 | Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppo – Andante – Moderato mosso – Adagio mosso – Allegro vivo – Andante come prima – Andante mosso | — | ||
| 7-2 | Piano Concerto No. 3 in D minor, Op. 30: III. Finale (Alla breve) | — | ||
| 7-3 | Spartacus: Adagio (Spartacus and Phrygia) | — | ||
| 7-4 | Violin Concerto in D major, Op. 35: II. Canzonetta. Andante | — | ||
| 7-5 | Symphony No. 3 in F major, Op. 90: I. Allegro con brio | — | ||
| 7-6 | The Nutcracker, Waltz of the Flowers | — | ||
| 7-7 | Die Walkure: The Ride of the Valkyries | — | ||
| 8-1 | Danse macabre, op. 40 | Orchestre National de France, Georges Prêtre | T-003.008.160-7 | |
| 8-2 | Carnaval des Animaux: The Swan | — | ||
| 8-3 | Violin Concerto No. 1 in G minor, Op. 26: I. Allegro Moderato | — | ||
| 8-4 | Violin Concerto No. 1 in G minor, Op. 26: II. Adagio | — | ||
| 8-5 | Violin Concerto No. 1 in G minor, Op. 26: III. Finale (Allegro energico) | — | ||
| 8-6 | Clair de lune | — | ||
| 8-7 | Concierto de Aranjuez: II. Adagio | — | ||
| 8-8 | Symphony No. 5 in C-sharp minor: IV. Adagietto | — | ||
| 8-9 | Bolero | — | ||
| 9-1 | Rhapsody in Blue | — | ||
| 9-2 | Adagio for Strings | — | ||
| 9-3 | West Side Story Prologue | — | ||
| 9-4 | West Side Story: Somewhere | — | ||
| 9-5 | West Side Story: Cha cha | — | ||
| 9-6 | West Side Story: Meeting scene | — | ||
| 9-7 | West Side Story: Cool | — | ||
| 9-8 | West Side Story: Finale | — | ||
| 9-9 | Gymnopedie: I. Lent et douloureux | — | ||
| 9-10 | Gymnopedie: II. Lent et triste | — | ||
| 9-11 | Gymnopedie: III. Lent et grave | — | ||
| 9-12 | Suite for Jazz Orchestra no. 2, op. 50b: VI. Waltz: Tempo di valse | The Philadelphia Orchestra, Mariss Jansons | — | |
| 9-13 | Carmina Burana: Fortuna Imperatrix Mundi: No. 1. O Fortuna | New Philharmonia Chorus, New Philharmonia Orchestra, Rafael Frühbeck de Burgos | T-800.639.771-4 | |
| 9-14 | Carmina Burana: I. Uf dem Anger: Tanz | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-15 | Carmina Burana: I. Uf dem Anger: Floret silva nobilis | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-16 | Carmina Burana: I. Uf dem Anger: Chramer, gip die varwe mir | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-17 | Carmina Burana: I. Uf dem Anger: Reie - Swaz hie gat umbe - Chume, chum geselle min - Swaz hie gat umbe | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-18 | Carmina Burana: I. Uf dem Anger: Were diu werlt alle min | Carl Orff, Camerata Salzburg, Kurt Prestel, Gerda Hartmann, Richard Brünner, Rudolf Knoll | T-800.639.771-4 | |
| 9-19 | Masscapella, No. 3 | — | ||
| 10-1 | Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) | Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink | — | |
| 10-2 | Les pêcheurs de perles: Au fond du temple saint (Act I) | — | ||
| 10-3 | Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-316.901.758-3 | |
| 10-4 | Carmen: Votre toast (Air du Toréador) | — | ||
| 10-5 | Die Zauberflöte: Der Vogelfanger bin ich ja (Akt I) | — | ||
| 10-6 | Die Zauberflöte: Zweiter Aufzug: Nr. 14: Arie: Der Hölle Rache kocht in meinem Herzen (Königin der Nacht) | Edda Moser, Orchester der Bayerischen Staatsoper München, Wolfgang Sawallisch | — | |
| 10-7 | Le Nozze di Figaro, K.492: Voi che sapete (Atto II) | — | ||
| 10-8 | Cavalleria Rusticana: Regina coeli | — | ||
| 10-9 | II Barbiere di Siviglia: Largo al factotum (Atto I) | — | ||
| 10-10 | Tosca: Vissi d'arte (Atoo II) | — | ||
| 10-11 | Tosca: E lucevan le stelle (Atto III) | — | ||
| 10-12 | Rigoletto: La donna è mobile (Atto III) | — | ||
| 10-13 | La Traviata: Brindisi, Libiamo ne'liete calici (Atto I) | — | ||
| 10-14 | Norma: Sediziose voci..Casta Diva (Atto I) | — | ||
| 10-15 | Turandot: Nessun dorma (Atto III) | — | ||
| 10-16 | Aida: Gloria all'Egitto (Atto II) | — |
