UPC · Release
Blues Connection, Vol 3: After Midnite
Various Artists
Last verified:
0724357630429 is the Universal Product Code (UPC barcode) for the release “Blues Connection, Vol 3: After Midnite” by Various Artists, released 2001-01-01 on EMI Plus. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 72 tracks, each with its own ISRC. Tracks include GBAJD0701006.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (72)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Three O'Clock Blues | — | ||
| 2 | Long Long Way From Home | — | ||
| 3 | My Baby Left Me | — | ||
| 4 | It Comes In Like A Lion | — | ||
| 5 | Oo-Oo-Wee | — | ||
| 6 | Mad Blues | — | ||
| 7 | Early Morning Blues | — | ||
| 8 | Solid Potato Salad | — | ||
| 9 | After Midnite | — | ||
| 10 | Long Distance Telephone Blues | — | ||
| 11 | Walkin' Blues | — | ||
| 12 | Baby You Messed Up | — | ||
| 13 | I'm Gonna Get Married | — | ||
| 14 | Moon Is Rising | — | ||
| 15 | Blues At Sundown | — | ||
| 16 | Don't Come Too Soon | — | ||
| 17 | Baby What You Want Me To Do | — | ||
| 18 | The Things I Used To Do | — | ||
| 2-1 | This Joint's Too Hip For Me | — | ||
| 2-2 | She's Going To Ruin Me | — | ||
| 2-3 | Gotta Good Reason For Being Bad | — | ||
| 2-4 | Play The Blues | — | ||
| 2-5 | Wabash Blues | — | ||
| 2-6 | Sax Shack Boogie | — | ||
| 2-7 | Never Satisfied (Just Like A Woman) | — | ||
| 2-8 | Jack's Town | — | ||
| 2-9 | Walkin' And Talkin' Blues | — | ||
| 2-10 | My Baby's Boogying | — | ||
| 2-11 | Key To My Door | — | ||
| 2-12 | She's Understanding | — | ||
| 2-13 | He's A Real Gone Guy | — | ||
| 2-14 | Confessin' The Blues | — | ||
| 2-15 | Leavin' Blues | — | ||
| 2-16 | Bad Neighborhood | — | ||
| 2-17 | Blues For The Lowlands | — | ||
| 2-18 | My Babe | — | ||
| 3-1 | The Hustle Is On | — | ||
| 3-2 | Hot Sauce | — | ||
| 3-3 | Lollypop Mama | — | ||
| 3-4 | Empty Stocking Blues | — | ||
| 3-5 | Sweet Lorraine | — | ||
| 3-6 | Let's Dance | — | ||
| 3-7 | My Baby Done Left Me | — | ||
| 3-8 | Cryin' The Blues | — | ||
| 3-9 | Luedella | — | ||
| 3-10 | You Played Me For A Fool | — | ||
| 3-11 | Little Anna Mae | — | ||
| 3-12 | New Early in the Morning | Sonny Boy Williamson | — | |
| 3-13 | Miss Eloise | — | ||
| 3-14 | Riff And Harmonica Jump | — | ||
| 3-15 | My Sweet Lovin' Woman | — | ||
| 3-16 | Juice Headed Baby | — | ||
| 3-17 | On The Sunny Side Of The Street | — | ||
| 3-18 | Chittlin' Ball | — | ||
| 4-1 | Wino Blues | — | ||
| 4-2 | Amos' Blues | — | ||
| 4-3 | Nasty Attitude | — | ||
| 4-4 | Bilbo Is Dead | — | ||
| 4-5 | Good Woman Blues | — | ||
| 4-6 | Sad Journey | — | ||
| 4-7 | All That Wine Is Gone | — | ||
| 4-8 | Easy Listening Blues | — | ||
| 4-9 | I Want You To Be My Guy | — | ||
| 4-10 | Real Lovin' Mama | — | ||
| 4-11 | Draggin' My Heart Around | — | ||
| 4-12 | Best Friend Blues | — | ||
| 4-13 | If You Don't, Why Don't Ya | — | ||
| 4-14 | Crying All Night | — | ||
| 4-15 | Trouble In Mind | — | ||
| 4-16 | Johnson Machine Gun | — | ||
| 4-17 | We'll Be Together | — | ||
| 4-18 | Wrong Neighborhood | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Credits Graph
People also ask
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What is UPC 0724357630429?
0724357630429 is a Universal Product Code (UPC) assigned to Blues Connection, Vol 3: After Midnite by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 72 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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