UPC · Release
Le Chant du violon
Various Artists
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0724358688528 is the Universal Product Code (UPC barcode) for the release “Le Chant du violon” by Various Artists, released 2005-04-25. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 9 tracks, each with its own ISRC. Tracks include GBAYC1500687, GBAYD8500049, GBAYC0300165.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (9)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Carmen-Fantasie, op. 25 | Itzhak Perlman, Royal Philharmonic Orchestra, Lawrence Foster | — | |
| 2 | Méditation de Thaïs | — | ||
| 3 | Concerto pour violon en ré majeur, op. 61 : III. Rondo. Allegro | — | ||
| 4 | Violin Concerto in D major, op. 35: II. Canzonetta. Andante | Nigel Kennedy, London Philharmonic Orchestra, Okko Kamu | — | |
| 5 | Violin Concerto in D op.77: III. Allegro giocoso, ma non troppo vivace | David Oistrakh, Cleveland Orchestra, George Szell | — | |
| 6 | Concerto pour violon en mi mineur, op. 64 : I. Allegro appassionato | — | ||
| 7 | Symphonie espagnole in D minor, op. 21: III. Intermezzo (Allegro non troppo) | Anne-Sophie Mutter, Orchestre national de France, Seiji Ozawa | — | |
| 8 | Havanaise, Op. 25 | Itzhak Perlman, Orchestre de Paris, Jean Martinon | T9279891246 | |
| 9 | Violin Concerto no. 2 in B minor, op 6: III. Rondo ('La campanella') | Yehudi Menuhin, Royal Philharmonic Orchestra, Alberto Erede | — |
Additional database matches (17)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| 24 Caprices, op. 1: No. 3 in E minor | Frank Peter Zimmermann | — |
| Berceuse, op. 16 | Augustin Dumay, Orchestre Philharmonique de Monte-Carlo, Manuel Rosenthal | — |
| La Ronde des lutins, op. 25 | Maxim Vengerov, Vag Papian, Virtuosi | — |
| Violin Sonata no. 2 in G: II. Blues | Renaud Capuçon, Frank Braley | — |
| Schön Rosmarin | Itzhak Perlman, Samuel Sanders | — |
| Violin Concerto in D op.77: III. Allegro giocoso, ma non troppo vivace | David Oistrakh, Cleveland Orchestra, George Szell | — |
| Concerto no. 3 in G major for Violin, K. 216 "Strassburg": III. Rondeau. Allegro - andante - allegretto | David Oistrakh, Berliner Philharmoniker | — |
| Perpetuum mobile, op. 5 no. 4 | Itzhak Perlman, Samuel Sanders | T9104058028 |
| Concerto no. 3 in G major for Violin, K. 216 "Strassburg": III. Rondeau. Allegro - andante - allegretto | David Oistrakh, Berliner Philharmoniker | T-312542566-9 |
| Concerto for 2 Violins in D minor, BWV 1043: I. Vivace | Sally Heath, Jane Murdoch, Jonathan Rees, Scottish Ensemble | — |
| Partita no. 2 in D minor, BWV 1004: V. Chaconne | Christian Tetzlaff | — |
| Partita no. 3 in E major, BWV 1006: I. Preludio | Christian Tetzlaff | — |
| Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": I. Adagio sostenuto – Presto | Daniel Barenboim, Pinchas Zukerman | — |
| Concerto no. 2 in G minor, RV 315 “L’estate”: I. Allegro non molto | Nigel Kennedy, English Chamber Orchestra | — |
| Concerto no. 2 in G minor, RV 315 “L’estate”: II. Adagio | Nigel Kennedy, English Chamber Orchestra | T3125425669 |
| Concerto no. 2 in G minor, RV 315 “L’estate”: III. Presto | Nigel Kennedy, English Chamber Orchestra | — |
| The Tale of Tsar Sultan, Op. 57: III. The Flight of the Bumble-Bee | Nigel Kennedy, English Chamber Orchestra | — |
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What is UPC 0724358688528?
0724358688528 is a Universal Product Code (UPC) assigned to Le Chant du violon by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 9 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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