UPC · Release
Dinah Washington
Last verified:
0724385433450 is the Universal Product Code (UPC barcode) for the release “Back to the Blues” by Dinah Washington. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 15 tracks, each with its own ISRC. Tracks include GBAYE9701876, GBAYE6200201, GBAYE9702399.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Blues Ain’t Nothin’ but a Woman Cryin’ for Her Man | Dinah Washington | — |
| 2 | Romance in the Dark | Dinah Washington | — |
| 3 | You’ve Been a Good Ole Wagon | Dinah Washington | — |
| 4 | Let Me Be the First to Know | Dinah Washington | T-700.036.495-6 |
| 5 | How Long | Dinah Washington | T-071.396.166-0 |
| 6 | Don’t Come Running Back to Me | Dinah Washington | — |
| 7 | It’s a Mean Old Man’s World | Dinah Washington | — |
| 8 | Key to the Highway | Dinah Washington | — |
| 9 | If I Never Get to Heaven | Dinah Washington | — |
| 10 | Duck Before You Drown | Dinah Washington | — |
| 11 | No Hard Feelings | Dinah Washington | T0701526739 |
| 12 | Nobody Knows the Way I Feel This Morning | Dinah Washington | — |
| 13 | Don’t Say Nothing at All | Dinah Washington | — |
| 14 | No One Man | Dinah Washington | T9014638938 |
| 15 | Me and My Gin | Dinah Washington | T-070.112.465-3 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
0724385433450 is a Universal Product Code (UPC) assigned to Back to the Blues by Dinah Washington. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 15 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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