UPC · Release
Greatest Hits of the 60’s
Various Artists
Last verified:
0724389908527 is the Universal Product Code (UPC barcode) for the release “Greatest Hits of the 60’s” by Various Artists, released 2000-01-01 on Disky. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 144 tracks, each with its own ISRC. Tracks include GBAYE0201570, GBAYE6300050, GBAYE0201642.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (144)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | How Do You Do It? | Gerry and the Pacemakers | T-900.103.108-9 | |
| 2 | I’m Telling You Now | Freddie & the Dreamers | T-010.434.774-1 | |
| 3 | Baby I Need Your Loving | — | ||
| 4 | Stay | — | ||
| 5 | Hanky Panky | — | ||
| 6 | I’m Into Something Good | Herman’s Hermits | T-070.919.023-7 | |
| 7 | High Time | Paul Jones | T-924.816.688-3 | |
| 8 | Michelle | — | ||
| 9 | Confessin’ (That I Love You) | Frank Ifield | T-926.429.120-5 | |
| 10 | Sloop John B | The Beach Boys | T-070.243.675-6 | |
| 11 | Have I the Right | The Honeycombs | T-010.233.025-5 | |
| 12 | Friday on My Mind | The Easybeats | T-060.114.492-6 | |
| 13 | Out of Time | Chris Farlowe | T-010.065.905-9 | |
| 14 | Bang Bang (My Baby Shot Me Down) | Cher | T-070.232.912-1 | |
| 15 | It Might as Well Rain Until September | Carole King | T-070.939.555-0 | |
| 16 | The First Cut Is the Deepest | P.P. Arnold | T-900.023.755-8 | |
| 17 | The House of the Rising Sun | The Animals | T-010.434.468-4 | |
| 18 | On the Road Again | Canned Heat | T-070.160.717-1 | |
| 2-1 | Itchycoo Park | Small Faces | T-010.162.692-9 | |
| 2-2 | Tobacco Road | The Nashville Teens | T-070.247.387-7 | |
| 2-3 | Don’t Let Me Be Misunderstood | The Animals | T-070.261.139-9 | |
| 2-4 | I Put a Spell on You | — | ||
| 2-5 | She’s Not There | The Zombies | T-010.241.990-8 | |
| 2-6 | Going Up the Country | Canned Heat | T-070.234.280-0 | |
| 2-7 | It’s Good News Week | — | ||
| 2-8 | Happy Together | The Turtles | T-070.234.423-7 | |
| 2-9 | Do You Want to Know a Secret | Billy J. Kramer, The Dakotas | T-010.164.441-0 | |
| 2-10 | A World Without Love | Peter & Gordon | T-010.162.875-4 | |
| 2-11 | Where Do You Go To (My Lovely) | Peter Sarstedt | T-010.162.596-0 | |
| 2-12 | God Only Knows | The Beach Boys | T-070.234.264-0 | |
| 2-13 | I’m a Tiger | Lulu | T-010.163.122-4 | |
| 2-14 | 5‐4‐3‐2‐1 | Manfred Mann | T-010.435.193-0 | |
| 2-15 | Dance On | — | ||
| 2-16 | Shakin’ All Over | Johnny Kidd and the Pirates | T-010.158.773-8 | |
| 2-17 | Hippy Hippy Shake | The Swinging Blue Jeans | T-911.061.257-2 | |
| 2-18 | Telstar | The Tornados | T-010.162.623-6 | |
| 3-1 | Shout Shout (Knock Yourself Out) | — | ||
| 3-2 | I Like It | Gerry and the Pacemakers | T-010.187.800-5 | |
| 3-3 | Do Wah Diddy Diddy | Manfred Mann | T-070.233.683-1 | |
| 3-4 | A Little Loving | The Fourmost | — | |
| 3-5 | Bad to Me | Billy J. Kramer, The Dakotas | T-010.162.722-8 | |
| 3-6 | You Were Made for Me | Freddie & the Dreamers | — | |
| 3-7 | Venus | Shocking Blue | T-030.275.121-8 | |
| 3-8 | I Can’t Let Maggie Go | Honeybus | T-010.162.624-7 | |
| 3-9 | Lovesick Blues | — | ||
| 3-10 | Backstage (I’m Lonely) | — | ||
| 3-11 | Silhouettes | Herman’s Hermits | T-070.243.609-6 | |
| 3-12 | I’ll Never Get Over You | — | ||
| 3-13 | Google Eye | — | ||
| 3-14 | Boom Bang‐A‐Bang | Lulu | T-010.433.550-3 | |
| 3-15 | I'm Alive | The Hollies | T-070.079.397-0 | |
| 3-16 | Hello How Are You | — | ||
| 3-17 | Angel of the Morning | — | ||
| 3-18 | Handbags and Gladrags | Chris Farlowe | T-010.052.374-7 | |
| 4-1 | Good Golly Miss Molly | — | ||
| 4-2 | F.B.I. | The Shadows | T-010.435.306-1 | |
| 4-3 | Got to Get You Into My Life | Cliff Bennett & the Rebel Rousers | T-010.162.856-1 | |
| 4-4 | Super Girl | Graham Bonney | T-800.183.194-4 | |
| 4-5 | The House That Jack Built | — | ||
| 4-6 | True Love Ways | Peter & Gordon | T-070.181.341-3 | |
| 4-7 | Put a Little Love in Your Heart | — | ||
| 4-8 | Ain’t Misbehavin’ | Tommy Bruce and The Bruisers | T-071.056.299-4 | |
| 4-9 | Somewhere (from West Side Story) | P.J. Proby | T-070.136.739-6 | |
| 4-10 | Tin Soldier | — | ||
| 4-11 | She’d Rather Be With Me | The Turtles | T-070.940.192-2 | |
| 4-12 | Hi Ho Silver Lining | Jeff Beck | — | |
| 4-13 | Let’s Go to San Francisco | — | ||
| 4-14 | Spooky | Classics IV | T-070.243.889-8 | |
| 4-15 | Time of the Season | The Zombies | T-010.273.492-8 | |
| 4-16 | The Weight | The Band | T-070.201.915-5 | |
| 4-17 | I’m the Urban Spaceman | The Bonzo Dog Band | — | |
| 4-18 | Paradise Lost | — | ||
| 5-1 | Working in a Coalmine | Lee Dorsey | T-070.248.132-0 | |
| 5-2 | Israelites | Desmond Dekker & the Aces | T-901.131.131-2 | |
| 5-3 | Wonderful World, Beautiful People | Jimmy Cliff | T-071.017.463-2 | |
| 5-4 | The Birds and the Bees | Jewel Akens | T-070.013.529-0 | |
| 5-5 | Good Vibrations | The Beach Boys | T-700.017.898-5 | |
| 5-6 | Hooked on a Feeling | B.J. Thomas | T-070.918.837-3 | |
| 5-7 | Melting Pot | — | ||
| 5-8 | Peppermint Twist, Part 1 | — | ||
| 5-9 | Yesterday Man | Chris Andrews | — | |
| 5-10 | Town Without Pity | Gene Pitney | T-070.181.873-6 | |
| 5-11 | A Must to Avoid | Herman’s Hermits | T-070.270.156-1 | |
| 5-12 | Carrie Anne | The Hollies | T-010.433.962-9 | |
| 5-13 | Anyone Who Had a Heart | Cilla Black | T-070.002.588-2 | |
| 5-14 | Good Morning Starshine | Oliver | T-900.754.906-6 | |
| 5-15 | Don’t Let the Sun Catch You Crying | Gerry & the Pacemakers | T-070.261.074-9 | |
| 5-16 | I’ve Been Drinking | Jeff Beck | — | |
| 5-17 | We’ve Gotta Get Out of This Place | The Animals | T-071.017.430-3 | |
| 5-18 | Little Green Bag | George Baker Selection | T-900.803.074-8 | |
| 6-1 | Bus Stop | The Hollies | T-010.141.455-4 | |
| 6-2 | Think | — | ||
| 6-3 | Mony Mony | Tommy James & the Shondells | T-071.001.016-4 | |
| 6-4 | She’s Gone | — | ||
| 6-5 | Honey | Bobby Goldsboro | T-070.075.730-7 | |
| 6-6 | Michael Row the Boat Ashore | — | ||
| 6-7 | I’ve Been a Bad Bad Boy | Paul Jones | — | |
| 6-8 | I Understand (Just How You Feel) | — | ||
| 6-9 | Apache | The Shadows | T-010.271.376-7 | |
| 6-10 | Pretty Flamingo | Manfred Mann | T-070.939.917-6 | |
| 6-11 | From the Underworld | — | ||
| 6-12 | Kites | — | ||
| 6-13 | Way of Life | — | ||
| 6-14 | Man of the World | Fleetwood Mac | T-010.163.028-7 | |
| 6-15 | Little Children | Billy J. Kramer, The Dakotas | T-070.268.701-1 | |
| 6-16 | Everyone’s Gone to the Moon | — | ||
| 6-17 | Wonderful World | Herman’s Hermits | T-070.201.137-7 | |
| 6-18 | You’ll Never Walk Alone | Gerry & the Pacemakers | T-010.519.159-0 | |
| 7-1 | Johnny Remember Me | John Leyton | T-010.163.383-3 | |
| 7-2 | Leader of the Pack | — | ||
| 7-3 | The Carnival Is Over | The Seekers | T-010.023.591-3 | |
| 7-4 | If You Gotta Go, Go Now | — | ||
| 7-5 | He Ain’t Heavy, He’s My Brother | The Hollies | T-070.075.910-9 | |
| 7-6 | It Must Be Him | — | ||
| 7-7 | Walkin’ Back to Happiness | Helen Shapiro | T-010.162.723-9 | |
| 7-8 | Poison Ivy | The Paramounts | T-010.436.574-3 | |
| 7-9 | Crystal Blue Persuasion | Tommy James & the Shondells | T-071.679.277-6 | |
| 7-10 | Keep Searching (We’ll Follow the Sun) | — | ||
| 7-11 | Jenny Take a Ride! | Mitch Ryder & The Detroit Wheels | T-070.241.342-0 | |
| 7-12 | Games People Play | Joe South | T-070.234.176-1 | |
| 7-13 | Lazy Sunday | Small Faces | T-010.162.688-3 | |
| 7-14 | Maria | — | ||
| 7-15 | Elenore | The Turtles | — | |
| 7-16 | Go Now | The Moody Blues | T-011.776.908-0 | |
| 7-17 | America | The Nice | — | |
| 7-18 | Thank U Very Much | — | ||
| 8-1 | No Milk Today | Herman’s Hermits | T-070.242.525-9 | |
| 8-2 | If You Gotta Make a Fool of Somebody | — | ||
| 8-3 | Ferry Cross the Mersey | Gerry and the Pacemakers | — | |
| 8-4 | You’re No Good | The Swinging Blue Jeans | T-070.211.582-9 | |
| 8-5 | Poetry in Motion | — | ||
| 8-6 | You’re My World (Il mio mondo) | Cilla Black | T-071.288.423-5 | |
| 8-7 | The Night Has a Thousand Eyes | Bobby Vee, The Johnny Mann Singers | T-070.271.797-2 | |
| 8-8 | Tribute to Buddy Holly | — | ||
| 8-9 | All I Really Want to Do | Cher | T-070.249.942-0 | |
| 8-10 | Excerpt From a Teenage Opera | — | ||
| 8-11 | On a Carousel | The Hollies | T-010.436.949-4 | |
| 8-12 | Elusive Butterfly | Bob Lind | T-070.233.882-6 | |
| 8-13 | I’ll Keep You Satisfied | — | ||
| 8-14 | Hello Little Girl | — | ||
| 8-15 | Lily the Pink | — | ||
| 8-16 | Bring It On Home to Me | The Animals | T-070.233.152-9 | |
| 8-17 | My Friend Jack Eats Sugarlumps | — | ||
| 8-18 | I Don’t Want Our Loving to Die | The Herd | T-070.241.071-6 |
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Yesterday Man | Chris Andrews | — |
| Lazy Sunday | Small Faces | — |
| Ferry Cross the Mersey | Gerry and the Pacemakers | T-900.009.506-7 |
| Do You Want to Know a Secret? | Billy J. Kramer, The Dakotas | T-010.164.441-0 |
| You Were Made for Me | Freddie & the Dreamers | — |
| Ferry Cross the Mersey | Gerry and the Pacemakers | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+20 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+20 more
Identifier Graph
People also ask
Verified on
What is UPC 0724389908527?
0724389908527 is a Universal Product Code (UPC) assigned to Greatest Hits of the 60’s by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 144 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm