UPC · Album
The Essential Verdi
Verdi
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0730099089715 is the Universal Product Code (UPC barcode) for the release “The Essential Verdi” by Verdi. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 33 tracks, each with its own ISRC. Tracks include DEB261400188, DEB269900036, DEB951488501.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (47)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Ave Maria | Ramón Vargas, Charles Spencer | DEB261400188 |
| Simon Boccanegra: Prologue: “Il lacerato spirito” | Franz Hawlata, WDR Sinfonieorchester Köln, Helmuth Froschauer | DEB269900036 |
| Aida: “Ritorna vincitor!” | Krassimira Stoyanova, Munich Radio Orchestra, Pavel Baleff | DEB951488501 |
| Don Carlo: “Non pianger, mia compagna” | Krassimira Stoyanova, Munich Radio Orchestra, Pavel Baleff | DEB951488508 |
| La forza del destino: “Pace, pace, mio Dio!” | Júlia Várady, Bayerisches Staatsorchester, Dietrich Fischer-Dieskau | DEB959518608 |
| Messa da Requiem: Dies irae, dies illa | Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | FR47Q0101340 |
| Nabucco: “Va, pensiero” (Chorus of Hebrew Slaves) | Slovenský filharmonický zbor, Symfonický orchester Slovenského rozhlasu, Oliver von Dohnányi | HKI190023717 |
| Falstaff, Act II: “E sogno? O realita?” – “Eccomi qua. Son pronto” | Julia Faulkner, Domenico Trimarchi, Anna Bonitatibus, Maurizio Comencini, Alessandro Cosentino, Dilbèr, Enrico Facini, Franco de Grandis, Anna Maria di Micco, Roberto Servile, Hungarian State Opera, Will Humburg | HKI190102008 |
| Ernani: Atto I, scena 2: “Surta è la notte” – “Ernani, involami” | Marina Mescheriakova, Slovak Radio Symphony Orchestra, Michael Halász | HKI190316409 |
| Luisa Miller, Atto II: “Quando le sere al placido” | Marcello Giordani, Orchestra of the Bellini Theatre, Catania, Steven Mercurio | HKI190318410 |
| 6 Romanze: No. 2, “More, Elisa, lo stanco poeta” | Dennis O'Neill, Ingrid Surgenor | HKI190527404 |
| Songs for Voice and Piano: No. 2. La seduzione | Dennis O'Neill, Ingrid Surgenor | HKI190527412 |
| Don Carlo, Act I: Romance. “Io la vidi e al suo sorriso” (Don Carlos) | Lars Cleveman, Peter Mattei, Bengt Rundgren, Hillevi Martinpelto, Iwa Sörenson, Klas Hedlund, Martti Wallén, Hilde Leidland, Jaakko Ryhänen, Ingrid Tobiasson, Royal Swedish Opera Chorus, Royal Swedish Opera Orchestra, Alberto Hold-Garrido | HKI190619802 |
| Otello, Act III Scene 7: Ballabile | Bournemouth Symphony Orchestra, José Serebrier | HKI191146601 |
| Jerusalem, Act III Scene 1: Pas solo | Bournemouth Symphony Orchestra, José Serebrier | HKI191146607 |
| I vespri siciliani, Act III Scene 2: Le quattro stagioni: L’autunno | Bournemouth Symphony Orchestra, José Serebrier | HKI191146714 |
| La traviata: Act I: Brindisi: Libiamo ne'lieti calici, "Drinking Song" (Alfredo, Chorus, Violetta) | Monika Krause, Yordy Ramiro, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | HKI199190105 |
| Rigoletto: “Caro nome” | Alida Ferrarini, Slovak Philharmonic Chorus, Czecko-Slovak Radio Symphony Orchestra, Alexander Rahbari | HKI199190319 |
| La forza del destino: “Solenne in quest’ora” | Giacomo Aragall, Eduard Tumagian, Slovak Radio Symphony Orchestra, Ali Rahbari | HKI199242902 |
| La traviata: Act I: Brindisi: Libiamo ne'lieti calici, "Drinking Song" (Alfredo, Chorus, Violetta) | Monika Krause, Yordy Ramiro, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | HKI199320712 |
| Nabucco: “Va, pensiero” (Chorus of Hebrew Slaves) | Slovenský filharmonický zbor, Symfonický orchester Slovenského rozhlasu, Oliver von Dohnányi | HKI199320716 |
| Nabucco: “Va, pensiero” (Chorus of Hebrew Slaves) | Slovenský filharmonický zbor, Symfonický orchester Slovenského rozhlasu, Oliver von Dohnányi | HKI199326501 |
| Otello: “Fuoco di gioia!” | Slovenský filharmonický zbor, Symfonický orchester Slovenského rozhlasu, Oliver von Dohnányi | HKI199326508 |
| Aida: “Gloria all’ Egitto” | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnányi | HKI199326514 |
| La forza del destino: Overture to Act I | Magyar Állami Operaház zenekara, Pier Giorgio Morandi | HKI199326811 |
| Aida: “Celeste Aida” | Thomas Harper, Symfonický orchester Slovenského rozhlasu, Michael Halász | HKI199327103 |
| Nabucco: “Va, pensiero” (Chorus of Hebrew Slaves) | Slovenský filharmonický zbor, Symfonický orchester Slovenského rozhlasu, Oliver von Dohnányi | HKI199327104 |
| La traviata, Act I: Prelude | Monika Krause, Yordy Ramiro, Slovak Radio Symphony Orchestra, Alexander Rahbari | HKI199327105 |
| Rigoletto: “Caro nome” | Alida Ferrarini, Slovak Philharmonic Chorus, Czecko-Slovak Radio Symphony Orchestra, Alexander Rahbari | HKI199327110 |
| Otello: “Fuoco di gioia!” | Slovenský filharmonický zbor, Symfonický orchester Slovenského rozhlasu, Oliver von Dohnányi | HKI199327113 |
| Aida: “Gloria all’ Egitto” | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnányi | HKI199327116 |
| Otello: “Fuoco di gioia!” | Slovenský filharmonický zbor, Symfonický orchester Slovenského rozhlasu, Oliver von Dohnányi | HKI199358011 |
| La traviata, Act I: Prelude | Monika Krause, Yordy Ramiro, Slovak Radio Symphony Orchestra, Alexander Rahbari | HKI199400501 |
| La traviata: Act I: Brindisi: Libiamo ne'lieti calici, "Drinking Song" (Alfredo, Chorus, Violetta) | Monika Krause, Yordy Ramiro, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | HKI199400502 |
| La traviata, Act I: “Sempre libera” | Monika Krause, Yordy Ramiro, Slovak Radio Symphony Orchestra, Alexander Rahbari | HKI199400505 |
| La forza del destino: Overture to Act I | Magyar Állami Operaház zenekara, Pier Giorgio Morandi | HKI199421001 |
| Il trovatore, Act I: “Di tale amor che dirsi” (Leonora, Ines) | Daniela Longhi, Zsuzsa Csonka, Hungarian State Opera Orchestra, Will Humburg | HKI199591106 |
| Il Trovatore: “Vedi, le fosche notturne” | Budapest Festival Chorus, Hungarian State Opera, Will Humburg | HKI199591111 |
| Il trovatore, Act IV: “D’amor sull’ali rosee vanne” (Leonora) | Daniela Longhi, Hungarian State Opera Orchestra, Will Humburg | HKI199591136 |
| La forza del destino: Overture to Act I | Magyar Állami Operaház zenekara, Pier Giorgio Morandi | HKI199632001 |
| Nabucco: Overture | Hungarian State Opera, Pier Giorgio Morandi | HKI199632002 |
| Rigoletto: “La donna è mobile” | Yordy Ramiro, Slovak Radio Symphony Orchestra, Ali Rahbari | HKI199707803 |
| Un ballo in maschera: “Di’ tu se fedele” | Jan Rozehnal, Thomas Harper, Slovenský filharmonický zbor, Symfonický orchester Slovenského rozhlasu, Michael Halász | HKI199707804 |
| Messa da Requiem: Dies irae, dies illa | Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | HKI199713902 |
| Messa da Requiem: Tuba mirum | Carlo Colombara, Hungarian State Opera Chorus, Hungarian State Opera Orchestra, Pier Giorgio Morandi | HKI199713903 |
| Macbeth: “La luce langue” | Janáček Philharmonic Orchestra, Amarilli Nizza, Gianluca Martinenghi | ITN321515378 |
| La forza del destino: Overture to Act I | Magyar Állami Operaház zenekara, Pier Giorgio Morandi | USB8U1611137 |
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What is UPC 0730099089715?
0730099089715 is a Universal Product Code (UPC) assigned to The Essential Verdi by Verdi. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 33 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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