UPC · Release
The Essential Prokofiev
Prokofiev
0730099089913
29 tracks
Last verified:
0730099089913 is the Universal Product Code (UPC barcode) for the release “The Essential Prokofiev” by Prokofiev. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 29 tracks, each with its own ISRC. Tracks include HKI191625806, HKI191531309, HKI191628019.
Format
073GS1 prefix
0099Company prefix
08991Product
3Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Essential Prokofiev
ISRC29 recordings
ISWC2 works
Track List (29)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Love for Three Oranges Suite, op. 33bis: III. March | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 2 | Waltz Suite, op. 110: VI. Happiness (from Cinderella) | Orquestra Sinfônica do Estado de São Paulo, Marin Alsop | — | |
| 3 | Romeo and Juliet, op. 64: Act I: Balcony Scene | Baltimore Symphony Orchestra, Marin Alsop | T0035067436 | |
| 4 | Piano Sonata no. 8 in B-flat major, op. 84: II. Andante sognando | Bernd Glemser | — | |
| 5 | Peter and the Wolf: Peter in the Meadow | Czechoslovak Radio Symphony Orchestra, Ondrej Lenárd | T9178057539 | |
| 6 | Peter and the Wolf, op. 67: The Bird - | Slovak Radio Symphony Orchestra, Ondrej Lenárd | T9178057539 | |
| 7 | Lieutenant Kijé Suite, op. 60: IV. Troika | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 8 | Violin Concerto no. 2 in G minor, op. 63: II. Andante assai – Allegretto – Andante assai | Tianwa Yang, ORF Radio-Symphonieorchester Wien, Jun Märkl | — | |
| 9 | Symphony no. 1 in D major, op. 25 "Classical": I. Allegro | Orquestra Sinfônica do Estado de São Paulo, Marin Alsop | — | |
| 10 | The Year 1941, op. 90 (Symphonic Suite): II. In the Night | Orquestra Sinfônica do Estado de São Paulo, Marin Alsop | — | |
| 11 | Ten Pieces from Romeo and Juliet, op. 75: Juliet as a Young Girl | Bernd Glemser | — | |
| 12 | Alexander Nevsky, op. 78: VII. Alexander's Entry into Pskov | Stanislavsky Chorus, Russian State Symphony Orchestra, Dmitry Yablonsky | — | |
| 13 | Scythian Suite, op. 20 “Ala i Lolli”: II. Le dieu ennemi et la danse des esprits noirs (The Enemy God and Dance of the Spirits of Darkness) | Orquestra Sinfônica do Estado de São Paulo, Marin Alsop | — | |
| 14 | Pesenki, Series 2: No. 7. Melody in E-flat major | Alexandre Dossin | — | |
| 15 | Cinderella Suite no. 1, op. 107: Fairy Godmother and the Winter Fairy | Ukrainian State Symphony Orchestra, Theodore Kuchar | — | |
| 16 | Symphony no. 7 in C-sharp minor, op. 131: II. Allegretto - Allegro | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 17 | L'enfant prodigue, op. 46: Scene I. L'enjôleuse | São Paulo Symphony Orchestra, Marin Alsop | — | |
| 18 | 12 Russian Folksongs, Op. 104: No. 6, Katerina | Margarita Gritskova, Maria Prinz | — | |
| 19 | Romeo and Juliet, op. 64: Act I: Dance of the Knights (Montagues and Capulets) | Baltimore Symphony Orchestra, Marin Alsop | T0035067436 | |
| 20 | The Year 1941, op. 90 (Symphonic Suite): I. In the Struggle | Orquestra Sinfônica do Estado de São Paulo, Marin Alsop | — | |
| 21 | Waltz Suite, op. 110: III. Mephisto Waltz (from Lermontov) | Orquestra Sinfônica do Estado de São Paulo, Marin Alsop | — | |
| 22 | String Quartet no. 1 in B minor, op. 50: I. Allegro | Aurora String Quartet | — | |
| 23 | Sonata no. 3 in A minor, op. 28 | Bernd Glemser | — | |
| 24 | Alexander Nevsky, op. 78: V. The Battle on the Ice | Stanislavsky Chorus, Russian State Symphony Orchestra, Dmitry Yablonsky | — | |
| 25 | Two Pushkin Waltzes, op. 120: II. Allegro meditativo | Tampere Philharmonic Orchestra, Leonid Grin | — | |
| 26 | Cinderella Suite no. 3, op. 109: Amoroso | Ukranian State Symphony Orchestra, Theodore Kuchar | — | |
| 27 | Violin Concerto no. 1 in D major, op. 19: I. Andantino: Andante assai | Tedi Papavrami, Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Antoni Wit | — | |
| 28 | Symphony no. 5 in B-flat major, op. 100: I. Andante | Orquestra Sinfônica do Estado de São Paulo, Marin Alsop | — | |
| 29 | Sonata in C major for Cello and Piano, op. 119: I. Andante grave | Michael Grebanier, Janet Guggenheim | — |
The Love for Three Oranges Suite, op. 33bis: III. March
São Paulo Symphony Orchestra, Marin Alsop
—
Waltz Suite, op. 110: VI. Happiness (from Cinderella)
Orquestra Sinfônica do Estado de São Paulo, Marin Alsop
—
Piano Sonata no. 8 in B-flat major, op. 84: II. Andante sognando
Bernd Glemser
—
Czechoslovak Radio Symphony Orchestra, Ondrej Lenárd
Lieutenant Kijé Suite, op. 60: IV. Troika
São Paulo Symphony Orchestra, Marin Alsop
—
Violin Concerto no. 2 in G minor, op. 63: II. Andante assai – Allegretto – Andante assai
Tianwa Yang, ORF Radio-Symphonieorchester Wien, Jun Märkl
—
Symphony no. 1 in D major, op. 25 "Classical": I. Allegro
Orquestra Sinfônica do Estado de São Paulo, Marin Alsop
—
The Year 1941, op. 90 (Symphonic Suite): II. In the Night
Orquestra Sinfônica do Estado de São Paulo, Marin Alsop
—
Ten Pieces from Romeo and Juliet, op. 75: Juliet as a Young Girl
Bernd Glemser
—
Alexander Nevsky, op. 78: VII. Alexander's Entry into Pskov
Stanislavsky Chorus, Russian State Symphony Orchestra, Dmitry Yablonsky
—
Scythian Suite, op. 20 “Ala i Lolli”: II. Le dieu ennemi et la danse des esprits noirs (The Enemy God and Dance of the Spirits of Darkness)
Orquestra Sinfônica do Estado de São Paulo, Marin Alsop
—
Pesenki, Series 2: No. 7. Melody in E-flat major
Alexandre Dossin
—
Cinderella Suite no. 1, op. 107: Fairy Godmother and the Winter Fairy
Ukrainian State Symphony Orchestra, Theodore Kuchar
—
Symphony no. 7 in C-sharp minor, op. 131: II. Allegretto - Allegro
São Paulo Symphony Orchestra, Marin Alsop
—
L'enfant prodigue, op. 46: Scene I. L'enjôleuse
São Paulo Symphony Orchestra, Marin Alsop
—
12 Russian Folksongs, Op. 104: No. 6, Katerina
Margarita Gritskova, Maria Prinz
—
Baltimore Symphony Orchestra, Marin Alsop
The Year 1941, op. 90 (Symphonic Suite): I. In the Struggle
Orquestra Sinfônica do Estado de São Paulo, Marin Alsop
—
Waltz Suite, op. 110: III. Mephisto Waltz (from Lermontov)
Orquestra Sinfônica do Estado de São Paulo, Marin Alsop
—
String Quartet no. 1 in B minor, op. 50: I. Allegro
Aurora String Quartet
—
Sonata no. 3 in A minor, op. 28
Bernd Glemser
—
Alexander Nevsky, op. 78: V. The Battle on the Ice
Stanislavsky Chorus, Russian State Symphony Orchestra, Dmitry Yablonsky
—
Two Pushkin Waltzes, op. 120: II. Allegro meditativo
Tampere Philharmonic Orchestra, Leonid Grin
—
Cinderella Suite no. 3, op. 109: Amoroso
Ukranian State Symphony Orchestra, Theodore Kuchar
—
Violin Concerto no. 1 in D major, op. 19: I. Andantino: Andante assai
Tedi Papavrami, Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Antoni Wit
—
Symphony no. 5 in B-flat major, op. 100: I. Andante
Orquestra Sinfônica do Estado de São Paulo, Marin Alsop
—
Sonata in C major for Cello and Piano, op. 119: I. Andante grave
Michael Grebanier, Janet Guggenheim
—
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto no. 2 in G minor, op. 16: IV. Finale: Allegro tempestoso | Kun Woo Paik, Polish National Radio Symphony Orchestra, Antoni Wit | — |
| Sonata no. 3 in A minor, op. 28 | Bernd Glemser | — |
Concerto no. 2 in G minor, op. 16: IV. Finale: Allegro tempestoso
Kun Woo Paik, Polish National Radio Symphony Orchestra, Antoni Wit
—
Sonata no. 3 in A minor, op. 28
Bernd Glemser
—
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What is UPC 0730099089913?
0730099089913 is a Universal Product Code (UPC) assigned to The Essential Prokofiev by Prokofiev. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 29 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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