UPC · Release
The New Method for Afro-Cuban Drumming
Jimmy Branly
073999776232
97 tracksReleased 2004-01-01
Last verified:
073999776232 is the Universal Product Code (UPC barcode) for the release “The New Method for Afro-Cuban Drumming” by Jimmy Branly, released 2004-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 97 tracks, each with its own ISRC.
Format
0Number system
73999Manufacturer
77623Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (97)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 1. 3-2 Son Clave | — | ||
| 2 | 2. 2.3 Son Clave | — | ||
| 3 | 3. 3-2 Rumba Clave | — | ||
| 4 | 4. 2-3 Rumba Clave | — | ||
| 5 | 1. The Cáscara | — | ||
| 6 | 2. The Cáscara | — | ||
| 7 | 3. The Cáscara | — | ||
| 8 | 1. The Bombo Note | — | ||
| 9 | 2. The Bombo Note | — | ||
| 10 | 3. The Bombo Note | — | ||
| 11 | 4. The Bombo Note | — | ||
| 12 | 5. The Bombo Note | — | ||
| 13 | 6. The Bombo Note | — | ||
| 14 | 7. The Bombo Note | — | ||
| 15 | 1. Hi-Hat Variations | — | ||
| 16 | 2. Hi-Hat Variations | — | ||
| 17 | 3. Hi-Hat Variations | — | ||
| 18 | 4. Hi-Hat Variations | — | ||
| 19 | 5. Hi-Hat Variations | — | ||
| 20 | 6. Hi-Hat Variations | — | ||
| 21 | 7. Hi-Hat Variations | — | ||
| 22 | 8. Hi-Hat Variations | — | ||
| 23 | 9. Hi-Hat Variations | — | ||
| 24 | 10. Hi-Hat Variations | — | ||
| 25 | 11. Hi-Hat Variations | — | ||
| 26 | 12. Hi-Hat Variations | — | ||
| 27 | 13. Hi-Hat Variations | — | ||
| 28 | 14. Hi-Hat Variations | — | ||
| 29 | 15. Hi-Hat Variations | — | ||
| 30 | 16. Hi-Hat Variations | — | ||
| 31 | 17. Hi-Hat Variations | — | ||
| 32 | 18. Hi-Hat Variations | — | ||
| 33 | 19. Hi-Hat Variations | — | ||
| 34 | 20. Hi-Hat Variations | — | ||
| 35 | 21. Hi-Hat Variations | — | ||
| 36 | 22. Hi-Hat Variations | — | ||
| 37 | 23. Hi-Hat Variations | — | ||
| 38 | 24. Hi-Hat Variations | — | ||
| 39 | 25. Hi-Hat Variations | — | ||
| 40 | 26. Hi-Hat Variations | — | ||
| 41 | 27. Hi-Hat Variations | — | ||
| 42 | 28. Hi-Hat Variations | — | ||
| 43 | 29. Hi-Hat Variations | — | ||
| 44 | 30. Hi-Hat Variations | — | ||
| 45 | 1. The Bongo Bell | — | ||
| 46 | 2. The Bongo Bell | — | ||
| 47 | 3. The Bongo Bell | — | ||
| 48 | 4. The Bongo Bell | — | ||
| 49 | 5. The Bongo Bell | — | ||
| 50 | 6. The Bongo Bell | — | ||
| 51 | 7. The Bongo Bell | — | ||
| 52 | 8. The Bongo Bell | — | ||
| 53 | 9. The Bongo Bell | — | ||
| 54 | 10. The Bongo Bell | — | ||
| 55 | 11. The Bongo Bell | — | ||
| 56 | 12. The Bongo Bell | — | ||
| 57 | 13. The Bongo Bell | — | ||
| 58 | Bass Drum Combinations | — | ||
| 59 | 1. Ideas for Soloing | — | ||
| 60 | 2. Ideas for Soloing | — | ||
| 61 | 3. Ideas for Soloing | — | ||
| 62 | 4. Ideas for Soloing | — | ||
| 63 | 5. Ideas for Soloing | — | ||
| 64 | 6. Ideas for Soloing | — | ||
| 65 | 7. Ideas for Soloing | — | ||
| 66 | 8. Ideas for Soloing | — | ||
| 67 | 9. Ideas for Soloing | — | ||
| 68 | 1. Guaguancó | — | ||
| 69 | 2. Guaguancó | — | ||
| 70 | 3. Guaguancó | — | ||
| 71 | 4. Guaguancó | — | ||
| 72 | 5. Guaguancó | — | ||
| 73 | 1. Cha Cha Cha | — | ||
| 74 | 2. Cha Cha Cha | — | ||
| 75 | 3. Cha Cha Cha | — | ||
| 76 | 4. Cha Cha Cha | — | ||
| 77 | 5. Cha Cha Cha | — | ||
| 78 | 1. Afro Cuban 6/8 Clave | — | ||
| 79 | 2. Afro Cuban 6/8 Bell Patetrn | — | ||
| 80 | 3. Bell Variation | — | ||
| 81 | 4. Add bass drum, snare and hi-hat. | — | ||
| 82 | 5. Add bass drum, snare and hi-hat. | — | ||
| 83 | 6. Add bass drum, snare and hi-hat. | — | ||
| 84 | 7. Take note of the double stroke with the left hand in measures 1 and 3 | — | ||
| 85 | 8. Take note of the double stroke with the left hand in measures 1 and 3 | — | ||
| 86 | 9. These final examples incorporate hits on the 2nd and 5th beats of each measure. | — | ||
| 87 | 10. These final examples incorporate hits on the 2nd and 5th beats of each measure. | — | ||
| 88 | 11. These final examples incorporate hits on the 2nd and 5th beats of each measure. | — | ||
| 89 | 12. Example 12 is the same as 11, only played at a faster tempo. | — | ||
| 90 | 13. Examples 13-15 use the 6/8 bell pattern in the right hand. | — | ||
| 91 | 14. Examples 13-15 use the 6/8 bell pattern in the right hand. | — | ||
| 92 | 15. Examples 13-15 use the 6/8 bell pattern in the right hand. | — | ||
| 93 | Short example, but full of combinations | — | ||
| 94 | Same as track 93 (no drums). | — | ||
| 95 | A short rumba solo in 3-2 clave. | — | ||
| 96 | For the last solo I play a brief example of grooves and solos in 6/8 clave. | — | ||
| 97 | Same as track 96 but no drums. | — |
1. 3-2 Son Clave
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2. 2.3 Son Clave
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3. 3-2 Rumba Clave
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4. 2-3 Rumba Clave
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1. The Cáscara
—
2. The Cáscara
—
3. The Cáscara
—
1. The Bombo Note
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2. The Bombo Note
—
3. The Bombo Note
—
4. The Bombo Note
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5. The Bombo Note
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6. The Bombo Note
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7. The Bombo Note
—
1. Hi-Hat Variations
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2. Hi-Hat Variations
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3. Hi-Hat Variations
—
4. Hi-Hat Variations
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5. Hi-Hat Variations
—
6. Hi-Hat Variations
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7. Hi-Hat Variations
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8. Hi-Hat Variations
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9. Hi-Hat Variations
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10. Hi-Hat Variations
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11. Hi-Hat Variations
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12. Hi-Hat Variations
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13. Hi-Hat Variations
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14. Hi-Hat Variations
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15. Hi-Hat Variations
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16. Hi-Hat Variations
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17. Hi-Hat Variations
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18. Hi-Hat Variations
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19. Hi-Hat Variations
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20. Hi-Hat Variations
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21. Hi-Hat Variations
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22. Hi-Hat Variations
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23. Hi-Hat Variations
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24. Hi-Hat Variations
—
25. Hi-Hat Variations
—
26. Hi-Hat Variations
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27. Hi-Hat Variations
—
28. Hi-Hat Variations
—
29. Hi-Hat Variations
—
30. Hi-Hat Variations
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1. The Bongo Bell
—
2. The Bongo Bell
—
3. The Bongo Bell
—
4. The Bongo Bell
—
5. The Bongo Bell
—
6. The Bongo Bell
—
7. The Bongo Bell
—
8. The Bongo Bell
—
9. The Bongo Bell
—
10. The Bongo Bell
—
11. The Bongo Bell
—
12. The Bongo Bell
—
13. The Bongo Bell
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Bass Drum Combinations
—
1. Ideas for Soloing
—
2. Ideas for Soloing
—
3. Ideas for Soloing
—
4. Ideas for Soloing
—
5. Ideas for Soloing
—
6. Ideas for Soloing
—
7. Ideas for Soloing
—
8. Ideas for Soloing
—
9. Ideas for Soloing
—
1. Guaguancó
—
2. Guaguancó
—
3. Guaguancó
—
4. Guaguancó
—
5. Guaguancó
—
1. Cha Cha Cha
—
2. Cha Cha Cha
—
3. Cha Cha Cha
—
4. Cha Cha Cha
—
5. Cha Cha Cha
—
1. Afro Cuban 6/8 Clave
—
2. Afro Cuban 6/8 Bell Patetrn
—
3. Bell Variation
—
4. Add bass drum, snare and hi-hat.
—
5. Add bass drum, snare and hi-hat.
—
6. Add bass drum, snare and hi-hat.
—
7. Take note of the double stroke with the left hand in measures 1 and 3
—
8. Take note of the double stroke with the left hand in measures 1 and 3
—
9. These final examples incorporate hits on the 2nd and 5th beats of each measure.
—
10. These final examples incorporate hits on the 2nd and 5th beats of each measure.
—
11. These final examples incorporate hits on the 2nd and 5th beats of each measure.
—
12. Example 12 is the same as 11, only played at a faster tempo.
—
13. Examples 13-15 use the 6/8 bell pattern in the right hand.
—
14. Examples 13-15 use the 6/8 bell pattern in the right hand.
—
15. Examples 13-15 use the 6/8 bell pattern in the right hand.
—
Short example, but full of combinations
—
Same as track 93 (no drums).
—
A short rumba solo in 3-2 clave.
—
For the last solo I play a brief example of grooves and solos in 6/8 clave.
—
Same as track 96 but no drums.
—
SourcesMusicBrainzMusicBrainz2 sources
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People also ask
What is UPC 073999776232?
073999776232 is a Universal Product Code (UPC) assigned to The New Method for Afro-Cuban Drumming by Jimmy Branly. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 97 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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