UPC · Release
The Complete Recordings, Volume 3
Bessie Smith
Last verified:
074644747423 is the Universal Product Code (UPC barcode) for the release “The Complete Recordings, Volume 3” by Bessie Smith, released 1992-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC. Tracks include USSM10027599, USSM10024346, USSM10024347.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (21)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Red Mountain Blues | Bessie Smith | — | |
| 2 | Golden Rule Blues | Bessie Smith | — | |
| 3 | Lonesome Desert Blues | Bessie Smith | — | |
| 4 | Them 'Has Been' Blues | Bessie Smith | — | |
| 5 | Squeeze Me | Bessie Smith | T-070.275.716-1 | |
| 6 | What's the Matter Now? | Bessie Smith | T9029328265 | |
| 7 | I Want Every Bit of It | Bessie Smith | T-900.984.672-4 | |
| 8 | Jazzbo Brown From Memphis Town | Bessie Smith | — | |
| 9 | The Gin House Blues | Bessie Smith | — | |
| 10 | Money Blues | Bessie Smith | T-302.075.487-0 | |
| 11 | Baby Doll | Bessie Smith | T9263230122 | |
| 12 | Hard Driving Papa | Bessie Smith | — | |
| 13 | Lost Your Head Blues | Bessie Smith | T0700971136 | |
| 14 | Hard Time Blues | Bessie Smith & Her Blue Boys | T0700765123 | |
| 15 | Honey Man Blues | Bessie Smith & Her Blue Boys | T0701132366 | |
| 16 | One and Two Blues | Bessie Smith & Her Blue Boys | — | |
| 17 | Young Woman’s Blues | Bessie Smith & Her Blue Boys | T9027368930 | |
| 18 | Preachin' the Blues | Bessie Smith & Her Band | T0701189903 | |
| 19 | Backwater Blues | Bessie Smith, James P. Johnson | T-070.010.119-4 | |
| 20 | After You’ve Gone | Bessie Smith & Her Band | T-900.008.578-9 | |
| 21 | Alexander’s Ragtime Band | Bessie Smith & Her Band | T-070.007.927-1 |
Additional database matches (19)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| I Used to Be Your Sweet Mama | Bessie Smith | — |
| Thinking Blues | Bessie Smith | T9028794470 |
| Pickpocket Blues | Bessie Smith | T9028708103 |
| Them's Graveyard Words | Bessie Smith | — |
| Mean Old Bedbug Blues | Bessie Smith | — |
| Muddy Water (A Mississippi Moan) | Bessie Smith | T-070.110.436-0 |
| Foolish Man Blues | Bessie Smith | T0700550806 |
| Dyin' By the Hour | Bessie Smith | — |
| Send Me to the 'Lectric Chair | Bessie Smith | — |
| There’ll Be a Hot Time in the Old Town Tonight | Bessie Smith | T9220684457 |
| Trombone Cholly | Bessie Smith | T-302.304.750-5 |
| Hot Spring Blues | Bessie Smith | — |
| Sweet Mistreater | Bessie Smith | — |
| Lock and Key | Bessie Smith | — |
| A Good Man Is Hard to Find | Bessie Smith | T-926.350.864-1 |
| Homeless Blues | Bessie Smith | — |
| Looking for My Man Blues | Bessie Smith | T0701132366 |
| I'd Rather Be Dead and Buried in My Grave | Bessie Smith | — |
| Muddy Water (A Mississippi Moan) | Bessie Smith | T-070.110.436-0 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
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What is UPC 074644747423?
074644747423 is a Universal Product Code (UPC) assigned to The Complete Recordings, Volume 3 by Bessie Smith. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 21 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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