UPC · Album

The Real Kansas City of the ’20s, ’30s & ’40s

Various Artists

074646485521
25 tracksReleased 1996-01-01Columbia

Last verified:

074646485521 is the Universal Product Code (UPC barcode) for the release The Real Kansas City of the ’20s, ’30s & ’40s by Various Artists, released 1996-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 25 tracks, each with its own ISRC. Tracks include DEU240805214, DEU240822480, GBSUW1517285.

Format

0Number system
74646Manufacturer
48552Product
1Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe Real Kansas City of the ’20s, ’30s & ’40s
ISRC29 recordings
ISWC26 works
IPI2 songwriters

Track List (29)

Oh, Lady Be Good!
Jones-Smith, Incorporated
Harvard Blues
Count Basie and His Orchestra
Prince of Wails
Bennie Moten, Bennie Moten’s Kansas City Orchestra
Oh, Lady Be Good!
Jones-Smith, Incorporated
Kater Street Rag
Bennie Moten’s Kansas City Orchestra
Boot to Boot
Jesse Stone & His Blues Serenaders
Won’t You Come Over to My House?
Julia Lee, George E. Lee's Novelty Singing Orchestra
Paseo Street (Strut)
George E. Lee's Novelty Singing Orchestra
Blue Devil Blues
Walter Page’s Blue Devils
Prince of Wails
Bennie Moten, Bennie Moten’s Kansas City Orchestra
Queer Notions
Fletcher Henderson & His Orchestra
Lotta Sax Appeal
Andy Kirk & His 12 Clouds of Joy
Oh, Lady Be Good!
Jones-Smith, Incorporated
Rockin’ and Swingin’
Don Albert & His Orchestra
Western (Moten) Swing
Carolina Cotton Pickers
Swinging at the Chat and Chew
Original Yellow Jackets
Life Goes to a Party
Harry James & His Orchestra
Cherry Red
Pete Johnson, His Boogie Woogie Boys
Little Joe From Chicago
Mary Lou Williams
Baby Look at You
Pete Johnson & His Boogie Woogie Boys
Long Gone Blues
Billie Holiday & Her Orchestra
Lester Leaps In
Count Basie’s Kansas City Seven
T-Town Blues
Ernie Fields & His Orchestra
I Left My Baby
Count Basie & His Orchestra
Tickle Toe
Count Basie & His Orchestra
My Gal Sal
Harlan Leonard & His Rockets
Smooth Sailing
Horace Henderson & His Orchestra
Swingmatism
Jay McShann & His Orchestra
Harvard Blues
Count Basie and His Orchestra

People also ask

What is UPC 074646485521?
UPC 074646485521 is the Universal Product Code (barcode) for "The Real Kansas City of the ’20s, ’30s & ’40s" by Various Artists, released on Columbia.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 074646485521?
UPC 074646485521 contains 25 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 074646485521?

074646485521 is a Universal Product Code (UPC) assigned to The Real Kansas City of the ’20s, ’30s & ’40s by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 25 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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