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  3. Black, Brown and Beige
Black, Brown and Beige

UPC · Release

Black, Brown and Beige

Duke Ellington and His Orchestra, Mahalia Jackson

074646556627
17 tracksReleased 1999-01-01Columbia

Last verified: September 12, 2026

074646556627 is the Universal Product Code (UPC barcode) for the release “Black, Brown and Beige” by Duke Ellington and His Orchestra, Mahalia Jackson, released 1999-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC. Tracks include DEU241408550, DEU241408551, DEU241408552.

Format

0Number system
74646Manufacturer
55662Product
7Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCBlack, Brown and Beige
ISRC17 recordings
ISWC3 works
IPI1 songwriter

Track List (17)

#Track TitleArtist(s)ISWC
Part I1Part IDuke Ellington and His Orchestra—
Part II2Part IIDuke Ellington and His Orchestra—
Part III3Part IIIDuke Ellington and His Orchestra—
Part IV (Come Sunday)4Part IV (Come Sunday)Duke Ellington and His Orchestra, Mahalia JacksonT-070.025.560-2
Part V (Come Sunday Interlude)5Part V (Come Sunday Interlude)Duke Ellington and His Orchestra, Ray Nance—
Part VI (23rd Psalm)6Part VI (23rd Psalm)Duke Ellington and His Orchestra, Mahalia Jackson—
Track 360 (Trains) (alternate take)7Track 360 (Trains) (alternate take)Duke Ellington and His Orchestra—
Blues in Orbit (Tender) (alternate take)8Blues in Orbit (Tender) (alternate take)Duke Ellington and His Orchestra—
Part I (1958 alternate take)9Part I (1958 alternate take)Duke Ellington and His Orchestra—
Part II (alternate take)10Part II (alternate take)Duke Ellington and His Orchestra—
Part III (Light) (alternate take)11Part III (Light) (alternate take)Duke Ellington and His Orchestra—
Part IV (Come Sunday) (alternate take)12Part IV (Come Sunday) (alternate take)Duke Ellington and His Orchestra, Mahalia JacksonT-070.025.560-2
Part V (Come Sunday) (alternate take)13Part V (Come Sunday) (alternate take)Duke Ellington and His Orchestra, Ray Nance—
Part VI (23rd Psalm) (alternate take)14Part VI (23rd Psalm) (alternate take)Duke Ellington and His Orchestra, Mahalia Jackson—
Studio Conversation (Mahalia swears)15Studio Conversation (Mahalia swears)Duke Ellington and His Orchestra, Mahalia JacksonT-900.000.111-6
Come Sunday (a cappella)16Come Sunday (a cappella)Duke Ellington and His Orchestra, Mahalia JacksonT-070.025.560-2
[silence]17[silence][no artist]—
Part I
Part I
Duke Ellington and His Orchestra
—
Part II
Part II
Duke Ellington and His Orchestra
—
Part III
Part III
Duke Ellington and His Orchestra
—
Part IV (Come Sunday)
Part IV (Come Sunday)
Duke Ellington and His Orchestra, Mahalia Jackson
T-070.025.560-2
Part V (Come Sunday Interlude)
Part V (Come Sunday Interlude)
Duke Ellington and His Orchestra, Ray Nance
—
Part VI (23rd Psalm)
Part VI (23rd Psalm)
Duke Ellington and His Orchestra, Mahalia Jackson
—
Track 360 (Trains) (alternate take)
Track 360 (Trains) (alternate take)
Duke Ellington and His Orchestra
—
Blues in Orbit (Tender) (alternate take)
Blues in Orbit (Tender) (alternate take)
Duke Ellington and His Orchestra
—
Part I (1958 alternate take)
Part I (1958 alternate take)
Duke Ellington and His Orchestra
—
Part II (alternate take)
Part II (alternate take)
Duke Ellington and His Orchestra
—
Part III (Light) (alternate take)
Part III (Light) (alternate take)
Duke Ellington and His Orchestra
—
Part IV (Come Sunday) (alternate take)
Part IV (Come Sunday) (alternate take)
Duke Ellington and His Orchestra, Mahalia Jackson
T-070.025.560-2
Part V (Come Sunday) (alternate take)
Part V (Come Sunday) (alternate take)
Duke Ellington and His Orchestra, Ray Nance
—
Part VI (23rd Psalm) (alternate take)
Part VI (23rd Psalm) (alternate take)
Duke Ellington and His Orchestra, Mahalia Jackson
—
Studio Conversation (Mahalia swears)
Studio Conversation (Mahalia swears)
Duke Ellington and His Orchestra, Mahalia Jackson
T-900.000.111-6
Come Sunday (a cappella)
Come Sunday (a cappella)
Duke Ellington and His Orchestra, Mahalia Jackson
T-070.025.560-2
[silence]
[silence]
[no artist]
—

Additional database matches (5)

Track TitleArtist(s)ISWC
Part IDuke Ellington and His Orchestra—
Part IIDuke Ellington and His Orchestra—
Part IIIDuke Ellington and His Orchestra—
Part V (Come Sunday Interlude)Duke Ellington and His Orchestra, Ray Nance—
Part VI (23rd Psalm)Duke Ellington and His Orchestra, Mahalia Jackson—
Part I
Duke Ellington and His Orchestra
—
Part II
Duke Ellington and His Orchestra
—
Part III
Duke Ellington and His Orchestra
—
Part V (Come Sunday Interlude)
Duke Ellington and His Orchestra, Ray Nance
—
Part VI (23rd Psalm)
Duke Ellington and His Orchestra, Mahalia Jackson
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-070.025.560-2T-070.025.560-2T-900.000.111-6

Songwriters/Publishers (IPI)

00400911605

Creative Contributors (ISNI)

000000008394310000000001081609040000000120991727
SourcesMusicBrainzDiscogsMusicBrainz✓3 sources

Verified on

  • MusicBrainz release search

Identifier Graph

UPCBlack, Brown an…ISRCPart IISRCPart IIISRCPart IIIISRCPart IV (Come S…ISRCPart V (Come Su…

People also ask

What is UPC 074646556627?+
UPC 074646556627 is the Universal Product Code (barcode) for "Black, Brown and Beige" by Duke Ellington and His Orchestra, Mahalia Jackson, released on Columbia.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 074646556627?+
UPC 074646556627 contains 17 tracks, each with its own ISRC.

What is UPC 074646556627?

074646556627 is a Universal Product Code (UPC) assigned to Black, Brown and Beige by Duke Ellington and His Orchestra, Mahalia Jackson. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Duke Ellington and His Orchestra, Mahalia Jackson

074646556627 is the Universal Product Code (UPC barcode) for the release “Black, Brown and Beige” by Duke Ellington and His Orchestra, Mahalia Jackson, released 1999-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC. Tracks include DEU241408550, DEU241408551, DEU241408552.

Track List (17)

#Track TitleArtist(s)ISWC
Part I1Part IDuke Ellington and His Orchestra—
Part II2Part IIDuke Ellington and His Orchestra—
Part III3Part IIIDuke Ellington and His Orchestra—
Part IV (Come Sunday)4Part IV (Come Sunday)Duke Ellington and His Orchestra, Mahalia JacksonT-070.025.560-2
Part V (Come Sunday Interlude)5Part V (Come Sunday Interlude)Duke Ellington and His Orchestra, Ray Nance—
Part VI (23rd Psalm)6Part VI (23rd Psalm)Duke Ellington and His Orchestra, Mahalia Jackson—
Track 360 (Trains) (alternate take)7Track 360 (Trains) (alternate take)Duke Ellington and His Orchestra—
Blues in Orbit (Tender) (alternate take)8Blues in Orbit (Tender) (alternate take)Duke Ellington and His Orchestra—
Part I (1958 alternate take)9Part I (1958 alternate take)Duke Ellington and His Orchestra—
Part II (alternate take)10Part II (alternate take)Duke Ellington and His Orchestra—
Part III (Light) (alternate take)11Part III (Light) (alternate take)Duke Ellington and His Orchestra—
Part IV (Come Sunday) (alternate take)12Part IV (Come Sunday) (alternate take)Duke Ellington and His Orchestra, Mahalia JacksonT-070.025.560-2
Part V (Come Sunday) (alternate take)13Part V (Come Sunday) (alternate take)Duke Ellington and His Orchestra, Ray Nance—
Part VI (23rd Psalm) (alternate take)14Part VI (23rd Psalm) (alternate take)Duke Ellington and His Orchestra, Mahalia Jackson—
Studio Conversation (Mahalia swears)15Studio Conversation (Mahalia swears)Duke Ellington and His Orchestra, Mahalia JacksonT-900.000.111-6
Come Sunday (a cappella)16Come Sunday (a cappella)Duke Ellington and His Orchestra, Mahalia JacksonT-070.025.560-2
[silence]17[silence][no artist]—
Part I
Part I
Duke Ellington and His Orchestra
—
Part II
Part II
Duke Ellington and His Orchestra
—
Part III
Part III
Duke Ellington and His Orchestra
—
Part IV (Come Sunday)
Part IV (Come Sunday)
Duke Ellington and His Orchestra, Mahalia Jackson
T-070.025.560-2
Part V (Come Sunday Interlude)
Part V (Come Sunday Interlude)
Duke Ellington and His Orchestra, Ray Nance
—
Part VI (23rd Psalm)
Part VI (23rd Psalm)
Duke Ellington and His Orchestra, Mahalia Jackson
—
Track 360 (Trains) (alternate take)
Track 360 (Trains) (alternate take)
Duke Ellington and His Orchestra
—
Blues in Orbit (Tender) (alternate take)
Blues in Orbit (Tender) (alternate take)
Duke Ellington and His Orchestra
—
Part I (1958 alternate take)
Part I (1958 alternate take)
Duke Ellington and His Orchestra
—
Part II (alternate take)
Part II (alternate take)
Duke Ellington and His Orchestra
—
Part III (Light) (alternate take)
Part III (Light) (alternate take)
Duke Ellington and His Orchestra
—
Part IV (Come Sunday) (alternate take)
Part IV (Come Sunday) (alternate take)
Duke Ellington and His Orchestra, Mahalia Jackson
T-070.025.560-2
Part V (Come Sunday) (alternate take)
Part V (Come Sunday) (alternate take)
Duke Ellington and His Orchestra, Ray Nance
—
Part VI (23rd Psalm) (alternate take)
Part VI (23rd Psalm) (alternate take)
Duke Ellington and His Orchestra, Mahalia Jackson
—
Studio Conversation (Mahalia swears)
Studio Conversation (Mahalia swears)
Duke Ellington and His Orchestra, Mahalia Jackson
T-900.000.111-6
Come Sunday (a cappella)
Come Sunday (a cappella)
Duke Ellington and His Orchestra, Mahalia Jackson
T-070.025.560-2
[silence]
[silence]
[no artist]
—

Additional database matches (5)

Track TitleArtist(s)ISWC
Part IDuke Ellington and His Orchestra—
Part IIDuke Ellington and His Orchestra—
Part IIIDuke Ellington and His Orchestra—
Part V (Come Sunday Interlude)Duke Ellington and His Orchestra, Ray Nance—
Part VI (23rd Psalm)Duke Ellington and His Orchestra, Mahalia Jackson—
Part I
Duke Ellington and His Orchestra
—
Part II
Duke Ellington and His Orchestra
—
Part III
Duke Ellington and His Orchestra
—
Part V (Come Sunday Interlude)
Duke Ellington and His Orchestra, Ray Nance
—
Part VI (23rd Psalm)
Duke Ellington and His Orchestra, Mahalia Jackson
—