UPC · Release
Sony Music 100 Years: Soundtrack for a Century
Various Artists
074646575024
547 tracksReleased 1999-01-01Sony Music
Last verified:
074646575024 is the Universal Product Code (UPC barcode) for the release “Sony Music 100 Years: Soundtrack for a Century” by Various Artists, released 1999-01-01 on Sony Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 547 tracks, each with its own ISRC. Tracks include USSM11900002, DEU240802087, GBAJD0190846.
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74646Manufacturer
57502Product
4Check digit
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Credit Chain
UPCSony Music 100 Years: Soundtrack for a Century
ISRC350 recordings
ISWC30 works
IPI30 songwriters
Track List (547)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Washington Post March | — | ||
| 2 | King of the Bungaloos | — | ||
| 3 | How Ya Gonna Keep ’em Down on the Farm? | — | ||
| 4 | When the Moon Shines on the Moonshine | Bert Williams | — | |
| 5 | Swanee | — | ||
| 6 | Oh! Lady Be Good | — | ||
| 7 | Yes Sir! That’s My Baby | — | ||
| 8 | If You Knew Susie | — | ||
| 9 | Some of These Days | — | ||
| 10 | My Blue Heaven | — | ||
| 11 | My Melancholy Baby | — | ||
| 12 | Can’t Help Lovin’ Dat Man | — | ||
| 13 | The Blue Room | — | ||
| 14 | Makin’ Whoopee | — | ||
| 15 | Ain’t Misbehavin’ | Louis Armstrong & His Orch. | T-071.056.299-4 | |
| 16 | Lovable and Sweet | — | ||
| 17 | Happy Days Are Here Again | — | ||
| 18 | Ten Cents a Dance | — | ||
| 19 | The Peanut Vendor | — | ||
| 20 | Black and Blue | — | ||
| 21 | When the Moon Comes Over the Mountain | — | ||
| 22 | You Rascal You | — | ||
| 23 | Everybody Loves My Baby | — | ||
| 24 | Minnie the Moocher’s Wedding Day | Cab Calloway and His Orchestra | T-070.109.438-3 | |
| 25 | Brother, Can You Spare a Dime? | Bing Crosby | T-070.012.596-7 | |
| 2-1 | Diga Diga Doo | — | ||
| 2-2 | I Gotta Right to Sing the Blues | — | ||
| 2-3 | Easter Parade | — | ||
| 2-4 | The Object of My Affection | — | ||
| 2-5 | The Lady in Red | — | ||
| 2-6 | The Music Goes Round and Round | — | ||
| 2-7 | I Can’t Get Started | — | ||
| 2-8 | These Foolish Things | — | ||
| 2-9 | The Toy Trumpet | — | ||
| 2-10 | Nightmare | — | ||
| 2-11 | The Flat Foot Floogie | — | ||
| 2-12 | My Heart Belongs to Daddy | — | ||
| 2-13 | September Song | — | ||
| 2-14 | I Thought About You | — | ||
| 2-15 | Down the Road a Piece | — | ||
| 2-16 | Prisoner of Love | Lena Horne, Teddy Wilson and His Orchestra | T-912.699.814-9 | |
| 2-17 | Why Don’t You Do Right? | — | ||
| 2-18 | Praise the Lord and Pass the Ammunition | Kay Kyser and His Orchestra | T-070.166.480-3 | |
| 2-19 | Comin’ in on a Wing and a Prayer | — | ||
| 2-20 | I’m Beginning to See the Light | Harry James and His Orchestra, Kitty Kallen | T-900.304.990-9 | |
| 2-21 | Laura | — | ||
| 2-22 | Linda | — | ||
| 2-23 | Buttons and Bows | Dinah Shore and Her Happy Valley Boys | T-070.012.920-9 | |
| 2-24 | Rudolph the Red‐Nosed Reindeer | Gene Autry, The Pinafores | T-031.834.032-7 | |
| 2-25 | One for My Baby | — | ||
| 3-1 | Il Barbiere di Siviglia: “Largo al factotum“ | — | ||
| 3-2 | Mazurka in G major "Obertass", op. 19 no. 1 | — | ||
| 3-3 | Contrasts for Violin, Clarinet and Piano: II. Pilenő | — | ||
| 3-4 | String Quartet in C minor, Op. 18, No. 4: Allegro – Prestissimo | — | ||
| 3-5 | Bachiana Brasileira No. 5: Aria – Cantilena | — | ||
| 3-6 | Violin Concerto in E minor, Op. 64: Allegro molto vivace | — | ||
| 3-7 | Rigoletto: “La donna è mobile” | — | ||
| 3-8 | String Quartet No. 4: Prestissimo, con sordino | — | ||
| 3-9 | Carnival of the Animals: Fossils | — | ||
| 3-10 | Concerto for Violin and Orchestra, No. 1: Rondo, allegro spirituoso | — | ||
| 3-11 | Le Tombeau de Couperin: Prélude | — | ||
| 3-12 | Hermit Songs, Op. 29: The Desire for Hermitage | — | ||
| 3-13 | Goldberg Variations: Variation 30 Quodlibet | — | ||
| 3-14 | Goldberg Variations: Aria | — | ||
| 3-15 | Die Dreigroschenoper: Moritat vom Mackie Messer | Lotte Lenya, Roger Bean und sein Orchester, Roger Bean | T-071.314.125-3 | |
| 3-16 | Symphony No. 36 in C major “Linz”: Menuetto – Trio | — | ||
| 3-17 | Piano Concerto No. 21 in C major: Allegro vivace assai | — | ||
| 3-18 | Symphonie espagnole: Rondo (Allegro) | — | ||
| 3-19 | Battle Hymn of the Republic | — | ||
| 3-20 | Madama Butterfly: “Un bel dì” | — | ||
| 4-1 | Danse Sacrale – Le Sacre Du Printemps | — | ||
| 4-2 | Ritual Fire Dance – El Amor Brujo | — | ||
| 4-3 | Hoe‐Down – Rodeo (Four dance Episodes) | — | ||
| 4-4 | Fugue in G minor, “Little” | — | ||
| 4-5 | Prelude and Fugue no. 1 in C major, BWV 846: I. Praeludium | Glenn Gould | T-910.415.372-2 | |
| 4-6 | Allegretto Scherzando – Symphony No. 8 | — | ||
| 4-7 | Slavonic Dance No. 1 in C major, Op. 46 "Bohemian Furiant": Presto | The Cleveland Orchestra, George Szell | T-312.527.003-9 | |
| 4-8 | Urlicht – Symphony No. 2 “Resurrection” | — | ||
| 4-9 | Psalm 108 (Verse 2) And Psalm 100 – Chichester Psalms | — | ||
| 4-10 | Scherzo: Allegro Leggierissimo – Octet in E‐flat major | — | ||
| 4-11 | Étude in C‐sharp minor, Op. 2, No. 1 | — | ||
| 4-12 | Étude in A‐flat major, Op. 72, No. 11 | — | ||
| 4-13 | Allegro Gentile – Concierto de Aranjuez | — | ||
| 4-14 | Alla Marcia. Moderato – Karelia Suite, Op. 11 | — | ||
| 4-15 | Canzon Septimi Toni No. 2 | — | ||
| 4-16 | Fanfare for the Common Man | — | ||
| 4-17 | Beau Soir | — | ||
| 4-18 | Baroque and Blue – Suite for Flute and Jazz Piano | — | ||
| 4-19 | Piano Concerto No. 20 in D minor, K. 466: III. Rondo. Allegro assai (cadenza: Perahia) | Murray Perahia, English Chamber Orchestra | — | |
| 4-20 | Danse Générale- Daphnis Et Chloé | — | ||
| 5-1 | Eubie’s Classical Rag | — | ||
| 5-2 | Intermezzo in B minor, Op. 119, No. 1 | — | ||
| 5-3 | Allegro – Cello Concerto No. 2 in D major | — | ||
| 5-4 | Behind the Gardens – Behind the Wall – Under the Tree | — | ||
| 5-5 | Perhaps Love | — | ||
| 5-6 | Facades – Glassworks | — | ||
| 5-7 | O Mio Babbino Caro – Gianni Schicchi | — | ||
| 5-8 | Passo Pel Prat – Chants D’Auvergne | — | ||
| 5-9 | Finale. Allegro – Trumpet Concerto in E‐flat major | — | ||
| 5-10 | Allegro – Flute Concerto in D major “Il Gardellino” | — | ||
| 5-11 | Promenade (Walking the Dog) | — | ||
| 5-12 | Allegro Fugato – Sonata No. 5 in D major for Cello and Piano | — | ||
| 5-13 | Turangalîla II – Turangalîla Symphony | — | ||
| 5-14 | IV. Rondo Alla Zingarese. Presto – Piano Quartet in G minor, Op. 25 | — | ||
| 5-15 | Mazurka in C minor, Op. 56, No. 3 | — | ||
| 5-16 | String Quartet in D minor, op. 56 "Voces Intimae": II. Vivace | Juilliard String Quartet, Joel Krosnick, Robert Mann, Samuel Rhodes, Joel Smirnoff | — | |
| 5-17 | Ch’Ella MI Creda Libero E Lontano – La Fanciulla Del West | — | ||
| 6-1 | Main Theme From Star Wars | — | ||
| 6-2 | Andante – Concerto in D minor for 2 Mandolins | — | ||
| 6-3 | Salut D’Amour, Op. 12 | — | ||
| 6-4 | Minuet – String Quintet No. 1 in E major | — | ||
| 6-5 | Für Elise | — | ||
| 6-6 | Appalachia Waltz | — | ||
| 6-7 | Opening Section – Rhapsody in Blue | — | ||
| 6-8 | All the Delights of the Season | — | ||
| 6-9 | Steam Engine | — | ||
| 6-10 | Summon the Heroes | — | ||
| 6-11 | Prélude from Suite no. 1 in G major, BWV 1007 | Yo-Yo Ma | — | |
| 6-12 | Brünnhilde’s “Battle Cry” – Die Walküre | — | ||
| 6-13 | Sonata in A major, K.537 | — | ||
| 6-14 | The Murder – Psycho: A Suite for Strings | — | ||
| 6-15 | Flight of the Bumblebee | — | ||
| 6-16 | Prelude to Suite No. 3 in E major | — | ||
| 6-17 | Libertango | — | ||
| 6-18 | Angel (Lust) | — | ||
| 6-19 | Theme From Schindler’s List | — | ||
| 6-20 | Three Preludes: No. 1. Allegro ben ritmato e deciso | Joshua Bell, John Williams | — | |
| 6-21 | La Donna È Mobile – Rigoletto | — | ||
| 6-22 | Gymnopédie No. 3 (For Guitar and Small Orchestra) | — | ||
| 6-23 | Song of Peace – Symphony 1997: Heaven Earth Mankind" | — | ||
| 7-1 | Indiana | Original Dixieland Jazz Band | T-900.363.111-6 | |
| 7-2 | St. Louis Blues | Bessie Smith | T-802.458.253-5 | |
| 7-3 | Dippermouth Blues | King Oliver’s Jazz Band | — | |
| 7-4 | The Stampede | Fletcher Henderson and His Orchestra | — | |
| 7-5 | Wild Cat Blues | Clarence Williams’ Blue Five, Sidney Bechet | T-070.280.895-4 | |
| 7-6 | Singin’ the Blues | Frankie Trumbauer and His Orchestra | T-914.831.970-4 | |
| 7-7 | West End Blues | Louis Armstrong and His Hot Five | — | |
| 7-8 | Tiger Rag | Art Tatum | — | |
| 7-9 | God Bless the Child (take 3) | Billie Holiday and Her Orchestra | T-070.234.259-3 | |
| 7-10 | Lester Leaps In | Count Basie and the Kansas City 7 | T-070.095.363-4 | |
| 7-11 | Flying Home | Benny Goodman Sextet | T-070.054.973-0 | |
| 7-12 | I Can’t Get Started | Dizzy Gillespie | T-031.885.275-3 | |
| 7-13 | It Don’t Mean a Thing (If It Ain’t Got That Swing) | Duke Ellington & His Orchestra | T-071.064.010-0 | |
| 7-14 | 9:20 Special | Count Basie & His Orchestra, Coleman Hawkins | T-071.067.410-4 | |
| 7-15 | Let Me Off Uptown | Gene Krupa and His Orchestra | T-914.809.673-5 | |
| 7-16 | ’Tain’t What You Do (It’s the Way That You Do It) | Jimmie Lunceford and His Orchestra | T-070.177.786-7 | |
| 7-17 | Four Brothers | Woody Herman & His Orchestra, Stan Getz | — | |
| 7-18 | Nica’s Dream | Art Blakey & The Jazz Messengers, Horace Silver | T-070.152.411-9 | |
| 7-19 | So What | — | ||
| 7-20 | Goodbye Pork Pie Hat | Charles Mingus | T-070.234.335-8 | |
| 8-1 | Take Five | The Dave Brubeck Quartet | T-070.940.469-2 | |
| 8-2 | It’s All Right With Me | Erroll Garner | T-072.106.554-8 | |
| 8-3 | Straight, No Chaser | Thelonious Monk | T-700.067.566-3 | |
| 8-4 | Searching (Pleading for Love) | Duke Ellington | — | |
| 8-5 | Sanctuary | Miles Davis | T-073.092.847-8 | |
| 8-6 | Meeting of the Spirits | The Mahavishnu Orchestra, John McLaughlin | T-903.703.211-4 | |
| 8-7 | Watermelon Man | Herbie Hancock | T-072.755.063-1 | |
| 8-8 | Birdland | Weather Report | T-700.002.457-9 | |
| 8-9 | The Artist in America | Ornette Coleman | T-004.059.899-9 | |
| 8-10 | 'Round Midnight | Herbie Hancock | T-070.002.363-7 | |
| 8-11 | JAZZ: THE DEFINITIVE PERFORMANCES | TONY BENNETT,DAVID KAHNE,IRVING BERLIN,TONY BENNET,DANNY BENNETT,CLAYTON CAMERON,RALPH SHARON,DOUG RICHARDSON | T-070.137.762-9 | |
| 8-12 | A Thousand Autumns | Branford Marsalis Trio | — | |
| 8-13 | Freedom Is in the Trying | Wynton Marsalis, The Lincoln Center Jazz Orchestra | — | |
| 9-1 | Ezekiel Saw de Wheel | Fisk Jubilee Singers | T-070.283.848-9 | |
| 9-2 | Crazy Blues | Mamie Smith and Her Jazz Hounds | T-902.085.993-2 | |
| 9-3 | Careless Love | Bessie Smith | T-900.304.340-1 | |
| 9-4 | Frankie | Mississippi John Hurt | — | |
| 9-5 | Lord I Just Can't Keep From Crying | Blind Willie Johnson | — | |
| 9-6 | What Are They Doing in Heaven Today | Washington Phillips | — | |
| 9-7 | Sitting on Top of the World | Mississippi Sheiks | T-302.341.957-6 | |
| 9-8 | Blues Before Sunrise | Leroy Carr, Scrapper Blackwell | T-902.308.233-9 | |
| 9-9 | If You See My Savior | Thomas A. Dorsey | T-700.029.313-2 | |
| 9-10 | Broke Down Engine | Blind Willie McTell | T-070.249.963-5 | |
| 9-11 | Mister Tom Hughes’s Town | Lead Belly | — | |
| 9-12 | Cross Road Blues | Robert Johnson | T-072.368.239-0 | |
| 9-13 | Key to the Highway | Big Bill Broonzy | — | |
| 9-14 | Nine Foot Shovel | Josh White | T-914.554.972-0 | |
| 9-15 | Cowboy’s Lament | Burl Ives | T-700.067.792-1 | |
| 9-16 | Me and My Chauffeur Blues | Memphis Minnie | T-902.185.585-6 | |
| 9-17 | Swing Down Chariot | The Golden Gate Quartet | — | |
| 9-18 | Dere’s a Man Goin’ Round / I Know de Lord | Paul Robeson | — | |
| 9-19 | Baby, Please Don’t Go | Big Joe Williams | T-070.278.618-2 | |
| 9-20 | Hard Day Blues | Muddy Waters | T-900.756.759-1 | |
| 9-21 | I’ll Never Forget | Ira Tucker, The Dixie Hummingbirds | — | |
| 9-22 | I’ll Fly Away | The Trumpeteers | T-306.380.949-0 | |
| 9-23 | I Will Move on Up a Little Higher | Mahalia Jackson | — | |
| 9-24 | Greenfields | The Brothers Four | T-070.234.356-3 | |
| 10-1 | Blowin’ in the Wind | Bob Dylan | T-070.249.957-7 | |
| 10-2 | The Patriot Game | The Clancy Brothers and Tommy Makem | — | |
| 10-3 | Green, Green | The New Christy Minstrels | T-070.881.927-5 | |
| 10-4 | We Shall Overcome | Pete Seeger | T-071.433.624-9 | |
| 10-5 | The Sound of Silence | Simon & Garfunkel | T-070.940.329-1 | |
| 10-6 | Death Letter | Son House | T-073.190.588-6 | |
| 10-7 | Little Boxes | Pete Seeger | T-070.098.205-3 | |
| 10-8 | Will the Circle Be Unbroken | The Staple Singers | T-030.121.788-8 | |
| 10-9 | Suzanne | Leonard Cohen | T-070.940.442-1 | |
| 10-10 | Going Up to the Country, Paint My Mailbox Blue | Taj Mahal | — | |
| 10-11 | These Days | Tom Rush | T-070.278.784-5 | |
| 10-12 | Mean Mistreater | — | ||
| 10-13 | I’m Your Hoochie Coochie Man | Willie Dixon | T-060.569.990-8 | |
| 10-14 | Blue River | Eric Andersen | T-070.014.520-5 | |
| 10-15 | Longer | Dan Fogelberg | T-070.100.692-9 | |
| 10-16 | Romeo’s Tune | Steve Forbert | T-072.786.499-4 | |
| 10-17 | Pride and Joy | Stevie Ray Vaughan and Double Trouble | T-070.119.893-7 | |
| 10-18 | Steady On | Shawn Colvin | T-070.926.799-1 | |
| 10-19 | Galileo | Indigo Girls | T-070.234.171-6 | |
| 10-20 | Stand Still | Shirley Caesar | T-070.139.172-1 | |
| 10-21 | Every Morning | Keb’ Mo’ | — | |
| 11-1 | Little Old Log Cabin in the Lane | — | ||
| 11-2 | Cindy in the Meadows | — | ||
| 11-3 | Don’t Let Your Deal Go Down Blues | Charlie Poole, The North Carolina Ramblers | — | |
| 11-4 | Soldier’s Joy | — | ||
| 11-5 | Lafayette (Allons a Lafayette) | — | ||
| 11-6 | Lovesick Blues | Emmett Miller & His Georgia Crackers | T-071.065.647-5 | |
| 11-7 | Hobo’s Lullaby | — | ||
| 11-8 | Can the Circle Be Unbroken (Bye and Bye) | The Carter Family | T-902.386.413-3 | |
| 11-9 | I Want to Be a Cowboy’s Sweetheart | Patsy Montana | T-070.266.407-0 | |
| 11-10 | Great Speckled Bird | Roy Acuff and His Crazy Tennesseans | T-900.028.059-1 | |
| 11-11 | A Beautiful Life | — | ||
| 11-12 | Song of the Bandit | — | ||
| 11-13 | Orange Blossom Special | — | ||
| 11-14 | Back in the Saddle Again | Gene Autry | T-070.257.462-6 | |
| 11-15 | New San Antonio Rose | Bob Wills and His Texas Playboys | T-070.134.078-4 | |
| 11-16 | Born to Lose | — | ||
| 11-17 | Pistol Packin’ Mama | Al Dexter and His Troopers | T-070.242.915-9 | |
| 11-18 | Blue Moon of Kentucky | Bill Monroe and the Bluegrass Boys | T-919.295.544-5 | |
| 11-19 | Slippin’ Around | — | ||
| 11-20 | The Fields Have Turned Brown | — | ||
| 11-21 | Hillbilly Fever | — | ||
| 11-22 | Always Late (with Your Kisses) | — | ||
| 11-23 | Loose Talk | — | ||
| 11-24 | Crazy Arms | — | ||
| 11-25 | Hop, Skip and Jump | — | ||
| 11-26 | The Battle of New Orleans | Johnny Horton | T-070.256.194-1 | |
| 11-27 | El Paso | — | ||
| 12-1 | Big Bad John | Jimmy Dean | T-070.880.807-4 | |
| 12-2 | Ring of Fire | — | ||
| 12-3 | Flowers on the Wall | The Statler Brothers | T-070.881.444-1 | |
| 12-4 | Foggy Mountain Breakdown | Lester Flatt & Earl Scruggs | — | |
| 12-5 | Almost Persuaded | David Houston | T-070.880.604-5 | |
| 12-6 | Hickory Wind | The Byrds | T-070.918.785-8 | |
| 12-7 | Stand by Your Man | Tammy Wynette | T-071.017.323-1 | |
| 12-8 | Rose Garden | — | ||
| 12-9 | Loving Her Was Easier (Than Anything I’ll Ever Do Again) | Kris Kristofferson | T-070.242.006-1 | |
| 12-10 | Behind Closed Doors | Charlie Rich | T-070.232.962-1 | |
| 12-11 | Would You Lay With Me (in a Field of Stone) | Tanya Tucker | T-070.248.144-4 | |
| 12-12 | Blue Eyes Crying in the Rain | Willie Nelson | T-070.011.668-2 | |
| 12-13 | Golden Ring | George Jones & Tammy Wynette | T-071.133.287-4 | |
| 12-14 | Take This Job and Shove It | Johnny Paycheck | T-070.244.185-7 | |
| 12-15 | The Devil Went Down to Georgia | The Charlie Daniels Band | T-070.233.628-4 | |
| 12-16 | He Stopped Loving Her Today | George Jones | T-070.234.471-5 | |
| 12-17 | Seven Year Ache | Rosanne Cash | T-070.243.448-7 | |
| 12-18 | Crying My Heart Out Over You | Ricky Skaggs | — | |
| 12-19 | Pancho and Lefty | Merle Haggard, Willie Nelson | T-070.119.126-5 | |
| 12-20 | I Couldn’t Leave You If I Tried | Rodney Crowell | — | |
| 12-21 | He Thinks He’ll Keep Her | — | ||
| 12-22 | How Can I Help You Say Goodbye | — | ||
| 12-23 | Third Rock From the Sun | — | ||
| 12-24 | Wide Open Spaces | Dixie Chicks | T-070.942.517-1 | |
| 13-1 | Music for Silent Movies | Charlie Young | — | |
| 13-2 | Singin’ in the Rain | Cliff Edwards | T-900.301.991-8 | |
| 13-3 | You Are Too Beautiful | Al Jolson | T-070.210.331-8 | |
| 13-4 | A Guy What Takes His Time | Mae West | — | |
| 13-5 | Temptation | Bing Crosby, Lennie Hayton and His Orchestra | T-070.178.376-7 | |
| 13-6 | Inka Dinka Doo | Jimmy Durante | T-071.397.839-2 | |
| 13-7 | Rock and Roll | Boswell Sisters | — | |
| 13-8 | Lullaby of Broadway | Dick Powell | T-070.097.827-3 | |
| 13-9 | The Way You Look To-Night | Fred Astaire | T-070.197.723-2 | |
| 13-10 | A Lovely Way to Spend an Evening | Frank Sinatra | T-070.097.646-0 | |
| 13-11 | Secret Love | Doris Day | T-070.134.575-6 | |
| 13-12 | The Man That Got Away | Judy Garland | T-070.108.167-5 | |
| 13-13 | Giant | Warner Bros. Orchestra | T-070.064.052-3 | |
| 13-14 | March From the River Kwai | Mitch Miller | — | |
| 13-15 | An Affair to Remember | Vic Damone | T-070.000.265-8 | |
| 13-16 | A Certain Smile | Johnny Mathis | T-070.024.293-8 | |
| 13-17 | My Heart Belongs to Daddy | Marilyn Monroe | T-070.110.901-4 | |
| 13-18 | Overture | Johnny Green | T-070.160.095-4 | |
| 13-19 | With a Little Bit of Luck | Stanley Holloway | T-070.200.490-7 | |
| 13-20 | To Sir With Love | Lulu | T-010.923.905-5 | |
| 13-21 | Mrs. Robinson | Simon & Garfunkel | T-071.001.053-9 | |
| 13-22 | Ballad of Easy Rider | The Byrds | T-070.232.903-0 | |
| 13-23 | Be | Neil Diamond | T-070.249.783-3 | |
| 13-24 | The Way We Were | Barbra Streisand | T-070.202.745-9 | |
| 14-1 | Suicide Is Painless | The Mash | T-070.141.133-7 | |
| 14-2 | Knockin’ on Heaven’s Door | Bob Dylan | T-070.250.192-5 | |
| 14-3 | Love Theme From “A Star Is Born” (Evergreen) | Barbra Streisand | T-070.050.740-9 | |
| 14-4 | On the Road Again | Willie Nelson | T-070.242.676-3 | |
| 14-5 | Tender Years | — | ||
| 14-6 | Footloose | Kenny Loggins | T-070.058.407-1 | |
| 14-7 | Take My Breath Away (Love Theme From “Top Gun”) | Berlin | T-071.407.806-4 | |
| 14-8 | It Had to Be You | Harry Connick, Jr. | T-010.275.498-2 | |
| 14-9 | The John Dunbar Theme | John Barry | — | |
| 14-10 | State of Love and Trust | Pearl Jam | T-070.169.456-5 | |
| 14-11 | When I Fall in Love | Céline Dion, Clive Griffin | T-070.198.862-6 | |
| 14-12 | Streets of Philadelphia | Bruce Springsteen | T-070.170.403-1 | |
| 14-13 | I’m Forrest… Forrest Gump | Alan Silvestri | T-902.756.427-8 | |
| 14-14 | Childhood (theme from “Free Willy 2”) | Michael Jackson | T-903.396.439-5 | |
| 14-15 | The Sweetest Thing | Refugee Camp Allstars, Lauryn Hill | T-070.051.807-5 | |
| 14-16 | Men in Black | Will Smith | T-070.915.602-4 | |
| 14-17 | I Say a Little Prayer | Diana King | T-070.079.723-4 | |
| 14-18 | Southampton | James Horner | T-070.277.466-0 | |
| 14-19 | My Heart Will Go On | Céline Dion | T-042.107.751-1 | |
| 14-20 | I Don’t Want to Miss a Thing | Aerosmith | T-070.267.398-0 | |
| 15-1 | Bill | — | ||
| 15-2 | Can’t Help Lovin’ Dat Man | — | ||
| 15-3 | How Are Things in Glocca Morra? | — | ||
| 15-4 | Wunderbar | — | ||
| 15-5 | Some Enchanted Evening | — | ||
| 15-6 | A Wonderful Guy | — | ||
| 15-7 | Diamonds Are a Girl’s Best Friend | Carol Channing | T-070.038.925-8 | |
| 15-8 | Bewitched, Bothered and Bewildered | — | ||
| 15-9 | Stranger in Paradise | — | ||
| 15-10 | Hey There | — | ||
| 15-11 | Hernando’s Hideaway | — | ||
| 15-12 | The Rain in Spain | — | ||
| 15-13 | I Could Have Danced All Night | Julie Andrews, Phillipa Bevan | T-070.902.566-0 | |
| 15-14 | I’ve Grown Accustomed to Her Face | — | ||
| 15-15 | Standing on the Corner | — | ||
| 15-16 | The Party’s Over | — | ||
| 15-17 | Tonight | Larry Kert, Carol Lawrence | T-901.072.962-1 | |
| 15-18 | America | Chita Rivera, Marilyn Cooper, Reri Grist | T-070.001.097-4 | |
| 15-19 | Somewhere | — | ||
| 15-20 | Conga! | Rosalind Russell | T-070.233.464-2 | |
| 15-21 | I Enjoy Being a Girl | — | ||
| 15-22 | Everything’s Coming Up Roses | Ethel Merman | T-070.049.846-9 | |
| 16-1 | My Favorite Things | Mary Martin, Patricia Neway | T-070.110.801-1 | |
| 16-2 | Do Re MI | — | ||
| 16-3 | Put on a Happy Face | — | ||
| 16-4 | Camelot | Richard Burton, Franz Allers | T-072.247.625-6 | |
| 16-5 | Anyone Can Whistle | — | ||
| 16-6 | Do I Hear a Waltz? | — | ||
| 16-7 | Big Spender | — | ||
| 16-8 | Mame | — | ||
| 16-9 | Willkommen | Joel Grey & Company, Harold Hastings | T-070.248.037-2 | |
| 16-10 | Cabaret | Jill Haworth, Harold Hastings | T-070.880.975-9 | |
| 16-11 | The Ladies Who Lunch | Elaine Stritch, Harold Hastings | — | |
| 16-12 | I Want to Be Happy | — | ||
| 16-13 | Send in the Clowns | — | ||
| 16-14 | What I Did for Love | — | ||
| 16-15 | One | — | ||
| 16-16 | Tomorrow | Andrea McArdle | T-070.184.469-0 | |
| 16-17 | Folies Bergeres | — | ||
| 16-18 | Never Met a Man I Didn’t Like | — | ||
| 16-19 | My Friend | — | ||
| 17-1 | The Birth of the Blues | Frank Sinatra | T-070.884.042-9 | |
| 17-2 | Because of You | Tony Bennett | T-070.010.743-2 | |
| 17-3 | Jezebel | Frankie Laine | T-070.088.397-1 | |
| 17-4 | Come On‐a My House | Rosemary Clooney | T-072.764.166-8 | |
| 17-5 | Cry | Johnny Ray, The Four Lads | T-070.026.435-2 | |
| 17-6 | You Belong to Me | Jo Stafford | T-070.248.207-2 | |
| 17-7 | Yellow Rose of Texas | Mitch Miller | T-902.935.080-9 | |
| 17-8 | Mack the Knife | Louis Armstrong | T-071.314.125-3 | |
| 17-9 | Standing on the Corner | The Four Lads | T-070.137.542-9 | |
| 17-10 | Whatever Will Be, Will Be (Que será, será) | Doris Day | T-070.198.718-9 | |
| 17-11 | Singing the Blues | Guy Mitchell | T-070.940.240-3 | |
| 17-12 | Chances Are | Johnny Mathis | T-070.024.365-7 | |
| 17-13 | Summertime, Summertime | The Jamies | T-070.138.333-6 | |
| 17-14 | Theme From "A Summer Place" | Percy Faith & His Orchestra | T-070.175.016-4 | |
| 17-15 | Moon River | Andy Williams | T-070.111.569-6 | |
| 17-16 | Bless You | Tony Orlando | T-070.880.842-7 | |
| 17-17 | I Left My Heart in San Francisco | Tony Bennett | T-070.907.950-4 | |
| 17-18 | Blue Velvet | Bobby Vinton | T-070.880.863-2 | |
| 17-19 | People | Barbra Streisand | T-037.662.382-3 | |
| 17-20 | Ruby Baby | Dion | T-010.433.540-1 | |
| 17-21 | The Monkey Time | Major Lance | T-070.242.260-3 | |
| 17-22 | Hey Little Cobra | The Rip Chords | — | |
| 17-23 | Before and After | Chad & Jeremy | — | |
| 17-24 | For Your Love | The Yardbirds | T-010.162.968-8 | |
| 17-25 | Down in the Boondocks | Billy Joe Royal | T-070.881.225-2 | |
| 17-26 | Kicks | Paul Revere and the Raiders | T-070.939.690-6 | |
| 17-27 | Like a Rolling Stone | Bob Dylan | T-031.878.590-8 | |
| 18-1 | Turn! Turn! Turn! (To Everything There Is a Season) | The Byrds | T-070.940.593-5 | |
| 18-2 | Red Rubber Ball | The Cyrkle | T-060.086.796-6 | |
| 18-3 | Sunshine Superman | Donovan | T-010.163.334-4 | |
| 18-4 | Don’t You Care | The Buckinghams | T-070.233.769-6 | |
| 18-5 | San Francisco (Be Sure to Wear Flowers in Your Hair) | Scott McKenzie | T-070.248.479-4 | |
| 18-6 | Carrie Anne | The Hollies | T-010.433.962-9 | |
| 18-7 | Itchycoo Park | Small Faces | T-010.162.692-9 | |
| 18-8 | Stoned Soul Picnic | Laura Nyro | T-070.242.897-4 | |
| 18-9 | Time of the Season | The Zombies | T-010.273.492-8 | |
| 18-10 | Young Girl | Gary Puckett & the Union Gap | T-070.248.352-0 | |
| 18-11 | You’ve Made Me So Very Happy | Blood, Sweat & Tears | T-070.211.764-3 | |
| 18-12 | Hot Fun in the Summertime | Sly & the Family Stone | T-070.240.383-5 | |
| 18-13 | Evil Ways | Santana | T-070.881.359-5 | |
| 18-14 | Bridge Over Troubled Water | Simon & Garfunkel | T-070.880.931-7 | |
| 18-15 | Make Me Smile | Chicago | T-070.112.935-2 | |
| 18-16 | Me and Bobby McGee | Janis Joplin | T-071.000.950-9 | |
| 18-17 | My Sweet Lord | George Harrison | T-010.025.445-2 | |
| 18-18 | I Can See Clearly Now | Johnny Nash | T-070.080.593-1 | |
| 18-19 | Your Mama Don’t Dance | Loggins & Messina | T-070.282.308-2 | |
| 18-20 | I Can Help | Billy Swan | T-070.918.891-9 | |
| 18-21 | Love Train | The O’Jays | T-070.241.972-4 | |
| 18-22 | That Lady, Pt. 1 | The Isley Brothers | T-904.202.792-9 | |
| 18-23 | Lady Marmalade | LaBelle | T-070.099.675-3 | |
| 18-24 | Shining Star | Earth, Wind & Fire | T-070.275.988-3 | |
| 19-1 | Subterranean Homesick Blues | Bob Dylan | T-070.250.131-2 | |
| 19-2 | Mr. Tambourine Man | The Byrds | T-042.625.833-4 | |
| 19-3 | Why Do I Cry? | The Remains | T-700.080.534-7 | |
| 19-4 | Over, Under, Sideways, Down | The Yardbirds | — | |
| 19-5 | Omaha | Moby Grape | T-700.050.344-8 | |
| 19-6 | Down on Me | Big Brother & the Holding Company | T-902.885.487-7 | |
| 19-7 | Time Has Come Today | The Chambers Brothers | T-070.247.368-4 | |
| 19-8 | I Ain’t Superstitious | Jeff Beck | T-060.570.119-6 | |
| 19-9 | Albatross | Fleetwood Mac | T-010.162.847-0 | |
| 19-10 | I Got a Line on You | Spirit | T-070.079.953-6 | |
| 19-11 | I Want to Take You Higher | Sly & the Family Stone | T-070.240.968-4 | |
| 19-12 | Black Magic Woman | Santana | T-010.134.179-0 | |
| 19-13 | All the Young Dudes | Mott the Hoople | T-010.741.051-4 | |
| 19-14 | Raw Power | Iggy & The Stooges | T-910.220.038-4 | |
| 19-15 | Frankenstein | The Edgar Winter Group | T-070.881.494-1 | |
| 19-16 | Born to Run | Bruce Springsteen | T-070.014.903-6 | |
| 19-17 | Carry On Wayward Son | Kansas | T-070.233.265-7 | |
| 19-18 | More Than a Feeling | Boston | T-070.113.723-6 | |
| 19-19 | (Don’t Fear) The Reaper | — | ||
| 19-20 | Walk This Way | Aerosmith | T-070.203.060-1 | |
| 19-21 | Cat Scratch Fever | — | ||
| 19-22 | Barracuda | Heart | T-070.015.255-1 | |
| 19-23 | Surrender | Cheap Trick | T-070.244.092-3 | |
| 20-1 | Paradise by the Dashboard Light | Meat Loaf | T-070.242.834-9 | |
| 20-2 | Pump It Up | Elvis Costello | T-010.469.609-4 | |
| 20-3 | London Calling | The Clash | T-011.401.601-1 | |
| 20-4 | Breaking the Law | Judas Priest | T-010.473.474-8 | |
| 20-5 | Pretty in Pink | The Psychedelic Furs | T-010.187.879-8 | |
| 20-6 | Don’t Stop Believin’ | Journey | T-070.261.240-5 | |
| 20-7 | Beds Are Burning | Midnight Oil | T-060.049.337-5 | |
| 20-8 | Learning to Fly | Pink Floyd | T-071.653.375-3 | |
| 20-9 | Cult of Personality | Living Colour | T-070.031.667-1 | |
| 20-10 | No More Tears | Ozzy Osbourne | T-070.917.205-3 | |
| 20-11 | Black | Pearl Jam | T-070.018.064-8 | |
| 20-13 | Would? | Alice in Chains | T-070.206.404-7 | |
| 20-14 | Killing in the Name | Rage Against the Machine | T-070.248.626-7 | |
| 20-15 | Wonderwall | Oasis | T-011.496.029-0 | |
| 20-16 | Got the Life | Korn | T-905.771.351-6 | |
| 20-17 | Love Sick | Bob Dylan | T-070.250.400-4 | |
| 21-1 | My Baby’s Gone | The Ravens | — | |
| 21-2 | It Rocks! It Rolls! It Swings! | The Treniers | — | |
| 21-3 | My Story | Chuck Willis, The Royals | T-913.324.624-9 | |
| 21-4 | Whole Lotta Shakin’ Goin’ On | Big Maybelle | T-070.199.897-1 | |
| 21-5 | I Put a Spell on You | Screamin’ Jay Hawkins | T-010.751.678-8 | |
| 21-6 | Don’t Let Go | Roy Hamilton | T-070.881.840-9 | |
| 21-7 | This Bitter Earth | Aretha Franklin | T-070.247.279-4 | |
| 21-8 | My Ship Is Comin’ In | Walter Jackson | — | |
| 21-9 | Everyday People | Sly & the Family Stone | T-070.051.787-8 | |
| 21-10 | It’s Your Thing | The Isley Brothers | T-070.080.002-7 | |
| 21-11 | Back Stabbers | The O’Jays | T-070.232.874-2 | |
| 21-12 | Me and Mrs. Jones | Billy Paul | T-070.242.121-3 | |
| 21-13 | Lovin’ You | Minnie Riperton | T-071.000.874-4 | |
| 21-14 | That’s the Way of the World | Earth, Wind & Fire | T-070.244.321-7 | |
| 21-15 | Wake Up Everybody, Part I | Harold Melvin & The Blue Notes | T-070.247.628-5 | |
| 21-16 | Kiss and Say Goodbye | The Manhattans | T-070.241.497-8 | |
| 21-17 | Disco Lady | Johnnie Taylor | T-071.059.887-0 | |
| 21-18 | Enjoy Yourself | The Jacksons | T-070.233.891-7 | |
| 21-19 | Best of My Love | The Emotions | T-070.884.483-0 | |
| 21-20 | Got to Be Real | Cheryl Lynn | T-070.256.226-2 | |
| 21-21 | Don’t Stop ’Til You Get Enough | Michael Jackson | T-070.233.750-5 | |
| 22-1 | Sexual Healing | Marvin Gaye | T-070.145.005-6 | |
| 22-2 | Never Too Much | Luther Vandross | T-070.154.573-4 | |
| 22-3 | Juicy Fruit | Mtume | T-070.241.391-9 | |
| 22-4 | Lovergirl | Teena Marie | T-902.707.673-9 | |
| 22-5 | I Wonder If I Take You Home | Lisa Lisa & Cult Jam | T-072.021.012-7 | |
| 22-6 | I Can’t Live Without My Radio | LL Cool J | T-070.083.694-7 | |
| 22-7 | Bring the Noise | Public Enemy | T-070.233.153-0 | |
| 22-8 | Baby Come to Me | Regina Belle | T-070.017.506-9 | |
| 22-9 | Gonna Make You Sweat (Everybody Dance Now) | C+C Music Factory, Freedom Williams | T-070.895.048-4 | |
| 22-10 | Jump | Kris Kross | T-070.090.852-6 | |
| 22-11 | Just Kickin’ It | Xscape | T-070.091.002-6 | |
| 22-12 | FOR THE COOL IN YOU (ALBUM VERSION) | BABYFACE | T-071.243.556-7 | |
| 22-13 | Fantasy | Mariah Carey, O.D.B. | T-070.893.419-3 | |
| 22-14 | Ascension (Don’t Ever Wonder) | Maxwell | T-070.007.356-8 | |
| 22-15 | The World Is Yours | Nas | T-070.207.029-8 | |
| 22-16 | The Crossroads | — | ||
| 22-17 | Fu‐Gee‐La | Fugees | T-071.182.349-2 | |
| 22-18 | Pony | Ginuwine | T-030.237.883-1 | |
| 23-1 | María | Ricky Martin | T-070.249.298-5 | |
| 23-2 | Estoy aquí | — | ||
| 23-3 | Ella y él | — | ||
| 23-4 | Poquita fe | — | ||
| 23-5 | Si tú supieras | — | ||
| 23-6 | Garota Nacional | — | ||
| 23-7 | A don Ata | — | ||
| 23-8 | Eres mi canción | Rubén Blades | — | |
| 23-9 | Suavemente | — | ||
| 23-10 | Colours of the World | 李玟 | — | |
| 23-11 | Love You/Don't Love You | Leon Lai | T-001.785.147-6 | |
| 23-12 | LA・LA・LA LOVE SONG | 久保田利伸, ナオミ・キャンベル | T-101.303.498-3 | |
| 23-13 | Janji | — | ||
| 23-14 | Helpless Love | — | ||
| 23-15 | Jaa Re Jaa | — | ||
| 23-16 | Burn | — | ||
| 23-17 | Jerks of Attention | Jebediah | T-060.315.733-0 | |
| 23-18 | Sway | — | ||
| 24-1 | Not Like Other Girls | S.O.A.P. | — | |
| 24-2 | Antidoto | — | ||
| 24-3 | Lal | — | ||
| 24-4 | Altre forme di vita | — | ||
| 24-5 | Die Flut | Witt, Heppner | T-801.117.104-4 | |
| 24-6 | Eden | — | ||
| 24-7 | Was Wäri Wänn | — | ||
| 24-8 | Some People | — | ||
| 24-9 | Desátame | — | ||
| 24-10 | Break My Stride | Unique II | T-070.884.664-3 | |
| 24-11 | I Would | E'velyne | T-801.968.788-9 | |
| 24-12 | En sång om oss | Peter Jöback | T-000.065.237-8 | |
| 24-13 | Jardins Prohibídos (Versão ’97) | — | ||
| 24-14 | Kiedy Powiem Sobie Dosc | — | ||
| 24-15 | Superflu | — | ||
| 24-16 | Whatever Gets You True | — | ||
| 24-17 | Since When | 54-40 | — | |
| 24-18 | Untold Story | — | ||
| 25-1 | Dream On | Aerosmith | T-070.881.238-7 | |
| 25-2 | Play That Funky Music | Wild Cherry | T-070.920.275-4 | |
| 25-3 | Lowdown | Boz Scaggs | T-070.099.941-2 | |
| 25-4 | Boogie Nights | Heatwave | T-070.884.482-9 | |
| 25-5 | Your Smiling Face | James Taylor | T-070.282.320-8 | |
| 25-6 | Just the Way You Are | Billy Joel | T-070.089.952-0 | |
| 25-7 | Two Tickets to Paradise | Eddie Money | T-070.247.555-5 | |
| 25-8 | Shake Your Body (Down to the Ground) | The Jacksons | T-070.233.568-9 | |
| 25-9 | Don’t Bring Me Down | Electric Light Orchestra | T-010.470.300-5 | |
| 25-10 | Hungry Heart | Bruce Springsteen | T-070.077.381-4 | |
| 25-11 | Guilty | Barbra Streisand, Barry Gibb | T-070.918.621-9 | |
| 25-12 | Keep On Loving You | REO Speedwagon | T-070.911.197-6 | |
| 25-13 | Open Arms | Journey | T-070.242.775-5 | |
| 25-14 | Ebony and Ivory | Paul McCartney, Stevie Wonder | T-010.476.623-5 | |
| 25-15 | Rosanna | Toto | T-070.129.194-2 | |
| 25-16 | Who Can It Be Now? | Men at Work | T-060.058.792-5 | |
| 25-17 | Heartlight | Neil Diamond | T-070.077.752-1 | |
| 25-18 | Rockit | Herbie Hancock | T-700.058.608-5 | |
| 25-19 | Girls Just Want to Have Fun | Cyndi Lauper | T-070.067.685-2 | |
| 25-20 | Billie Jean | Michael Jackson | T-070.233.007-1 | |
| 26-1 | Careless Whisper | George Michael | T-070.030.613-3 | |
| 26-2 | To All the Girls I’ve Loved Before | Willie Nelson, Julio Iglesias | T-070.184.646-9 | |
| 26-3 | Smooth Operator | Sade | T-010.571.443-9 | |
| 26-4 | Wishing Well | Terence Trent D’Arby | T-010.315.470-6 | |
| 26-5 | Anything for You | — | ||
| 26-6 | Eternal Flame | Bangles | T-070.051.807-5 | |
| 26-7 | We Didn’t Start the Fire | Billy Joel | T-070.205.702-0 | |
| 26-8 | How Am I Supposed to Live Without You | Michael Bolton | T-070.240.400-9 | |
| 26-9 | Step by Step | — | ||
| 26-10 | Black or White | Michael Jackson | T-070.018.054-6 | |
| 26-11 | You Gotta Be | Des’ree | T-010.870.134-3 | |
| 26-12 | Because You Loved Me | Céline Dion | T-070.019.364-1 | |
| 26-13 | Sunny Came Home | Shawn Colvin | T-070.172.162-1 | |
| 26-14 | Virtual Insanity | Jamiroquai | T-010.255.890-6 | |
| 26-15 | MY ALL [ALBUM VERSION] | MARIAH CAREY | T-070.915.713-0 | |
| 26-16 | Criminal | Fiona Apple | T-070.034.698-0 | |
| 26-17 | Gettin’ Jiggy Wit It | Will Smith | T-071.090.502-4 | |
| 26-18 | Doo Wop (That Thing) | Lauryn Hill | T-070.890.611-9 |
The Washington Post March
—
King of the Bungaloos
—
How Ya Gonna Keep ’em Down on the Farm?
—
When the Moon Shines on the Moonshine
Bert Williams
—
Swanee
—
Oh! Lady Be Good
—
Yes Sir! That’s My Baby
—
If You Knew Susie
—
Some of These Days
—
My Blue Heaven
—
My Melancholy Baby
—
Can’t Help Lovin’ Dat Man
—
The Blue Room
—
Makin’ Whoopee
—
Lovable and Sweet
—
Happy Days Are Here Again
—
Ten Cents a Dance
—
The Peanut Vendor
—
Black and Blue
—
When the Moon Comes Over the Mountain
—
You Rascal You
—
Everybody Loves My Baby
—
Diga Diga Doo
—
I Gotta Right to Sing the Blues
—
Easter Parade
—
The Object of My Affection
—
The Lady in Red
—
The Music Goes Round and Round
—
I Can’t Get Started
—
These Foolish Things
—
The Toy Trumpet
—
Nightmare
—
The Flat Foot Floogie
—
My Heart Belongs to Daddy
—
September Song
—
I Thought About You
—
Down the Road a Piece
—
Why Don’t You Do Right?
—
Comin’ in on a Wing and a Prayer
—
Laura
—
Linda
—
One for My Baby
—
Il Barbiere di Siviglia: “Largo al factotum“
—
Mazurka in G major "Obertass", op. 19 no. 1
—
Contrasts for Violin, Clarinet and Piano: II. Pilenő
—
String Quartet in C minor, Op. 18, No. 4: Allegro – Prestissimo
—
Bachiana Brasileira No. 5: Aria – Cantilena
—
Violin Concerto in E minor, Op. 64: Allegro molto vivace
—
Rigoletto: “La donna è mobile”
—
String Quartet No. 4: Prestissimo, con sordino
—
Carnival of the Animals: Fossils
—
Concerto for Violin and Orchestra, No. 1: Rondo, allegro spirituoso
—
Le Tombeau de Couperin: Prélude
—
Hermit Songs, Op. 29: The Desire for Hermitage
—
Goldberg Variations: Variation 30 Quodlibet
—
Goldberg Variations: Aria
—
Lotte Lenya, Roger Bean und sein Orchester, Roger Bean
Symphony No. 36 in C major “Linz”: Menuetto – Trio
—
Piano Concerto No. 21 in C major: Allegro vivace assai
—
Symphonie espagnole: Rondo (Allegro)
—
Battle Hymn of the Republic
—
Madama Butterfly: “Un bel dì”
—
Danse Sacrale – Le Sacre Du Printemps
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Ritual Fire Dance – El Amor Brujo
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Hoe‐Down – Rodeo (Four dance Episodes)
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Fugue in G minor, “Little”
—
Allegretto Scherzando – Symphony No. 8
—
The Cleveland Orchestra, George Szell
Urlicht – Symphony No. 2 “Resurrection”
—
Psalm 108 (Verse 2) And Psalm 100 – Chichester Psalms
—
Scherzo: Allegro Leggierissimo – Octet in E‐flat major
—
Étude in C‐sharp minor, Op. 2, No. 1
—
Étude in A‐flat major, Op. 72, No. 11
—
Allegro Gentile – Concierto de Aranjuez
—
Alla Marcia. Moderato – Karelia Suite, Op. 11
—
Canzon Septimi Toni No. 2
—
Fanfare for the Common Man
—
Beau Soir
—
Baroque and Blue – Suite for Flute and Jazz Piano
—
Piano Concerto No. 20 in D minor, K. 466: III. Rondo. Allegro assai (cadenza: Perahia)
Murray Perahia, English Chamber Orchestra
—
Danse Générale- Daphnis Et Chloé
—
Eubie’s Classical Rag
—
Intermezzo in B minor, Op. 119, No. 1
—
Allegro – Cello Concerto No. 2 in D major
—
Behind the Gardens – Behind the Wall – Under the Tree
—
Perhaps Love
—
Facades – Glassworks
—
O Mio Babbino Caro – Gianni Schicchi
—
Passo Pel Prat – Chants D’Auvergne
—
Finale. Allegro – Trumpet Concerto in E‐flat major
—
Allegro – Flute Concerto in D major “Il Gardellino”
—
Promenade (Walking the Dog)
—
Allegro Fugato – Sonata No. 5 in D major for Cello and Piano
—
Turangalîla II – Turangalîla Symphony
—
IV. Rondo Alla Zingarese. Presto – Piano Quartet in G minor, Op. 25
—
Mazurka in C minor, Op. 56, No. 3
—
String Quartet in D minor, op. 56 "Voces Intimae": II. Vivace
Juilliard String Quartet, Joel Krosnick, Robert Mann, Samuel Rhodes, Joel Smirnoff
—
Ch’Ella MI Creda Libero E Lontano – La Fanciulla Del West
—
Main Theme From Star Wars
—
Andante – Concerto in D minor for 2 Mandolins
—
Salut D’Amour, Op. 12
—
Minuet – String Quintet No. 1 in E major
—
Für Elise
—
Appalachia Waltz
—
Opening Section – Rhapsody in Blue
—
All the Delights of the Season
—
Steam Engine
—
Summon the Heroes
—
Prélude from Suite no. 1 in G major, BWV 1007
Yo-Yo Ma
—
Brünnhilde’s “Battle Cry” – Die Walküre
—
Sonata in A major, K.537
—
The Murder – Psycho: A Suite for Strings
—
Flight of the Bumblebee
—
Prelude to Suite No. 3 in E major
—
Libertango
—
Angel (Lust)
—
Theme From Schindler’s List
—
Three Preludes: No. 1. Allegro ben ritmato e deciso
Joshua Bell, John Williams
—
La Donna È Mobile – Rigoletto
—
Gymnopédie No. 3 (For Guitar and Small Orchestra)
—
Song of Peace – Symphony 1997: Heaven Earth Mankind"
—
Dippermouth Blues
King Oliver’s Jazz Band
—
The Stampede
Fletcher Henderson and His Orchestra
—
West End Blues
Louis Armstrong and His Hot Five
—
Tiger Rag
Art Tatum
—
Four Brothers
Woody Herman & His Orchestra, Stan Getz
—
So What
—
Searching (Pleading for Love)
Duke Ellington
—
TONY BENNETT,DAVID KAHNE,IRVING BERLIN,TONY BENNET,DANNY BENNETT,CLAYTON CAMERON,RALPH SHARON,DOUG RICHARDSON
A Thousand Autumns
Branford Marsalis Trio
—
Freedom Is in the Trying
Wynton Marsalis, The Lincoln Center Jazz Orchestra
—
Frankie
Mississippi John Hurt
—
Lord I Just Can't Keep From Crying
Blind Willie Johnson
—
What Are They Doing in Heaven Today
Washington Phillips
—
Mister Tom Hughes’s Town
Lead Belly
—
Key to the Highway
Big Bill Broonzy
—
Swing Down Chariot
The Golden Gate Quartet
—
Dere’s a Man Goin’ Round / I Know de Lord
Paul Robeson
—
I’ll Never Forget
Ira Tucker, The Dixie Hummingbirds
—
I Will Move on Up a Little Higher
Mahalia Jackson
—
The Patriot Game
The Clancy Brothers and Tommy Makem
—
Going Up to the Country, Paint My Mailbox Blue
Taj Mahal
—
Mean Mistreater
—
Every Morning
Keb’ Mo’
—
Little Old Log Cabin in the Lane
—
Cindy in the Meadows
—
Don’t Let Your Deal Go Down Blues
Charlie Poole, The North Carolina Ramblers
—
Soldier’s Joy
—
Lafayette (Allons a Lafayette)
—
Hobo’s Lullaby
—
A Beautiful Life
—
Song of the Bandit
—
Orange Blossom Special
—
Born to Lose
—
Slippin’ Around
—
The Fields Have Turned Brown
—
Hillbilly Fever
—
Always Late (with Your Kisses)
—
Loose Talk
—
Crazy Arms
—
Hop, Skip and Jump
—
El Paso
—
Ring of Fire
—
Foggy Mountain Breakdown
Lester Flatt & Earl Scruggs
—
Rose Garden
—
Crying My Heart Out Over You
Ricky Skaggs
—
I Couldn’t Leave You If I Tried
Rodney Crowell
—
He Thinks He’ll Keep Her
—
How Can I Help You Say Goodbye
—
Third Rock From the Sun
—
Music for Silent Movies
Charlie Young
—
A Guy What Takes His Time
Mae West
—
Rock and Roll
Boswell Sisters
—
March From the River Kwai
Mitch Miller
—
Tender Years
—
The John Dunbar Theme
John Barry
—
Bill
—
Can’t Help Lovin’ Dat Man
—
How Are Things in Glocca Morra?
—
Wunderbar
—
Some Enchanted Evening
—
A Wonderful Guy
—
Bewitched, Bothered and Bewildered
—
Stranger in Paradise
—
Hey There
—
Hernando’s Hideaway
—
The Rain in Spain
—
I’ve Grown Accustomed to Her Face
—
Standing on the Corner
—
The Party’s Over
—
Somewhere
—
I Enjoy Being a Girl
—
Do Re MI
—
Put on a Happy Face
—
Anyone Can Whistle
—
Do I Hear a Waltz?
—
Big Spender
—
Mame
—
The Ladies Who Lunch
Elaine Stritch, Harold Hastings
—
I Want to Be Happy
—
Send in the Clowns
—
What I Did for Love
—
One
—
Folies Bergeres
—
Never Met a Man I Didn’t Like
—
My Friend
—
Hey Little Cobra
The Rip Chords
—
Before and After
Chad & Jeremy
—
Over, Under, Sideways, Down
The Yardbirds
—
(Don’t Fear) The Reaper
—
Cat Scratch Fever
—
My Baby’s Gone
The Ravens
—
It Rocks! It Rolls! It Swings!
The Treniers
—
My Ship Is Comin’ In
Walter Jackson
—
The Crossroads
—
Estoy aquí
—
Ella y él
—
Poquita fe
—
Si tú supieras
—
Garota Nacional
—
A don Ata
—
Eres mi canción
Rubén Blades
—
Suavemente
—
Colours of the World
李玟
—
Janji
—
Helpless Love
—
Jaa Re Jaa
—
Burn
—
Sway
—
Not Like Other Girls
S.O.A.P.
—
Antidoto
—
Lal
—
Altre forme di vita
—
Eden
—
Was Wäri Wänn
—
Some People
—
Desátame
—
Jardins Prohibídos (Versão ’97)
—
Kiedy Powiem Sobie Dosc
—
Superflu
—
Whatever Gets You True
—
Since When
54-40
—
Untold Story
—
Anything for You
—
Step by Step
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| EBONY AND IVORY - 2022 REMASTER | PAUL MCCARTNEY,STEVIE WONDER | T-010.476.623-5 |
PAUL MCCARTNEY,STEVIE WONDER
What other identifiers does this connect to?
Musical Works (ISWC)
T-000.065.237-8T-004.011.563-6T-010.025.445-2T-010.134.179-0T-010.162.692-9T-010.162.847-0T-010.162.968-8T-010.163.334-4T-010.187.879-8T-010.255.890-6
+20 more
T-010.273.492-8T-010.275.498-2T-010.315.470-6T-010.433.540-1T-010.433.962-9T-010.469.609-4T-010.470.300-5T-010.473.474-8T-010.476.623-5T-010.571.443-9T-010.741.051-4T-010.751.678-8T-010.870.134-3T-010.923.905-5T-010.025.445-2T-010.134.179-0T-010.162.692-9T-010.162.847-0T-010.162.968-8T-010.163.334-4
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
000000000128769X000000000337888600000000048330780000000019420567000000002497122400000000267534150000000029712272000000003123054700000000313311960000000031827087
+20 more
00000000327984680000000035283275000000003691120200000000376869750000000038230654000000004190367X00000000502514660000000051902689000000005433783000000000549127270000000055132108000000005513515700000000551364750000000055137304000000005513950200000000551434640000000055145662000000005514629400000000551539370000000055156580
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What is UPC 074646575024?
074646575024 is a Universal Product Code (UPC) assigned to Sony Music 100 Years: Soundtrack for a Century by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 547 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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