UPC · Release
The Duke - The Essential Collection (1927-1962)
Duke Ellington
Last verified:
074646584125 is the Universal Product Code (UPC barcode) for the release “The Duke - The Essential Collection (1927-1962)” by Duke Ellington, released 2000-01-01 on Columbia. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 66 tracks, each with its own ISRC. Tracks include USSM13000035, USSM12700057, USSM12700058.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (66)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Hot and Bothered | Mills' Ten Blackberries | T-070.074.353-8 | |
| 2 | East St. Louis Toodle-oo | The Washingtonians | — | |
| 3 | Black and Tan Fantasy | Duke Ellington & His Washingtonians | — | |
| 4 | Black Beauty | Duke Ellington | — | |
| 5 | Ring Dem Bells | The Harlem Music Masters | T-070.126.740-4 | |
| 6 | The Mooche | Duke Ellington & His Orchestra | T-071.066.536-3 | |
| 7 | It Don’t Mean a Thing (If It Ain’t Got That Swing) | Duke Ellington & His Orchestra | T-071.064.010-0 | |
| 8 | Slippery Horn | Duke Ellington & His Orchestra | — | |
| 9 | Saddest Tale | Duke Ellington & His Orchestra | T-070.142.281-2 | |
| 10 | Showboat Shuffle | Duke Ellington | — | |
| 11 | In a Sentimental Mood | Duke Ellington | T-011.245.032-4 | |
| 12 | In a Jam | Duke Ellington | T-070.906.106-2 | |
| 13 | Caravan | Barney Bigard and His Jazzopaters | T-072.208.071-8 | |
| 14 | The Gal From Joe's | Duke Ellington | — | |
| 15 | Braggin' in Brass | Duke Ellington | T-071.057.306-0 | |
| 16 | I Let a Song Go Out of My Heart | Duke Ellington | T-071.063.774-3 | |
| 17 | Battle of Swing | Duke Ellington | — | |
| 18 | Prelude to a Kiss | Duke Ellington | T-071.068.525-8 | |
| 19 | Slap Happy | Duke Ellington | — | |
| 20 | Old King Dooji | Duke Ellington | — | |
| 21 | Portrait of the Lion | Duke Ellington | T-903.273.376-9 | |
| 22 | Country Gal | Duke Ellington | — | |
| 23 | Little Posey | Duke Ellington | — | |
| 24 | Tootin' Through the Roof | Duke Ellington | T-070.180.878-7 | |
| 25 | Sophisticated Lady | Duke Ellington & His Orchestra | T-071.070.417-8 | |
| 2-1 | Hy'a Sue | Duke Ellington | — | |
| 2-2 | Lady of the Lavender Mist | Duke Ellington & His Orchestra | — | |
| 2-3 | You're Just an Old Antidisestablishmentarianismist | Duke Ellington | — | |
| 2-4 | Golden Cress | Duke Ellington | — | |
| 2-5 | Sultry Serenade | Duke Ellington | T-070.074.560-3 | |
| 2-6 | Maybe I Should Change My Ways | Duke Ellington | — | |
| 2-7 | Stomp, Look and Listen | Duke Ellington | T-010.164.924-4 | |
| 2-8 | On a Turquoise Cloud | Duke Ellington | T-072.435.159-0 | |
| 2-9 | Three Cent Stomp | Duke Ellington | — | |
| 2-10 | Don't Get Around Much Anymore | Duke Ellington | T-070.039.705-2 | |
| 2-11 | Progressive Gavotte | Duke Ellington | — | |
| 2-12 | I Can't Believe That You're in Love With Me | Duke Ellington | T-071.063.735-6 | |
| 2-13 | I Like the Sunrise (From "Liberian Suite") | Duke Ellington | T-070.903.301-1 | |
| 2-14 | Snibor | Duke Ellington | T-070.136.185-4 | |
| 2-15 | Creole Love Call | Duke Ellington | T-921.935.893-7 | |
| 2-16 | The Tattooed Bride | Duke Ellington | — | |
| 2-17 | Brown Betty | Duke Ellington | — | |
| 2-18 | Primpin' at the Prom | Duke Ellington | — | |
| 2-19 | Monologue (Pretty and the Wolf) | Duke Ellington | — | |
| 2-20 | Take the 'A' Train | Duke Ellington | T-070.177.920-5 | |
| 3-1 | Jeep’s Blues | Duke Ellington | — | |
| 3-2 | Solitude | Duke Ellington | T-071.070.380-2 | |
| 3-3 | Blue Rose | Duke Ellington | — | |
| 3-4 | The Star-Crossed Lovers (aka Pretty Girl) | Duke Ellington | T-070.137.553-2 | |
| 3-5 | Mood Indigo | Duke Ellington | T-901.136.164-1 | |
| 3-6 | Dancers in Love | Duke Ellington | T-070.038.213-3 | |
| 3-7 | Come Sunday | Duke Ellington & His Orchestra | T-070.025.560-2 | |
| 3-8 | Satin Doll | Duke Ellington | T-070.134.197-0 | |
| 3-9 | Flirtibird | Duke Ellington | T-070.000.919-3 | |
| 3-10 | Perdido | Duke Ellington | T-072.279.636-2 | |
| 3-11 | C Jam Blues | Duke Ellington | T-070.023.587-5 | |
| 3-12 | Things Ain't What They Used to Be | Duke Ellington | T-900.305.483-9 | |
| 3-13 | Happy Go Lucky Local | Duke Ellington | T-914.807.304-5 | |
| 3-14 | Something to Live For | Duke Ellington | T-070.924.066-3 | |
| 3-15 | Creole Blues (excerpt From "Creole Rhapsody") | Duke Ellington | — | |
| 3-16 | Dance of the Floreadores (Waltz of the Flowers) | Duke Ellington | — | |
| 3-17 | Lotus Blossom | Duke Ellington | — | |
| 3-18 | A Midnight in Paris | Duke Ellington | — | |
| 3-19 | Asphalt Jungle Theme | Duke Ellington & His Orchestra | — | |
| 3-20 | Battle Royal | Duke Ellington, Count Basie | T-917.615.064-4 | |
| 3-21 | Duke Loves You Madly | Duke Ellington | — |
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Blue Rose | Duke Ellington | — |
| The Star-Crossed Lovers | Duke Ellington | T-070.137.553-2 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 074646584125?
074646584125 is a Universal Product Code (UPC) assigned to The Duke - The Essential Collection (1927-1962) by Duke Ellington. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 66 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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