UPC · Release
Arvo Pärt
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The UPC for “The Silence of Being: The Music of Arvo Pärt” by Arvo Pärt is 0747313601530. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2008-01-01. Label: Naxos. This release contains 59 tracks, each with its own ISRC. Tracks include DEL421901270, HKI199615702, HKI199615703.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fratres (for strings and percussion) (1991 revision) | Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich, Miklós Kovács | — | |
| 2 | Fratres for Violin, Strings and Percussion | Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich, Miklós Kovács, Béla Nagy | — | |
| 3 | Festina Lente for Strings and Harp ad lib. | Hungarian State Opera Orchestra, Tamás Benedek, Márta Haraszti | — | |
| 4 | Fratres for String Quartet | Judit Kis Domonkos, Rezső Hajna, Béla Nagy, Katalin Schneider | — | |
| 5 | Fratres for Cello and Piano | Tibor Parkanyi, Sándor Falvay | — | |
| 6 | Summa for Strings | Hungarian State Opera Orchestra, Tamás Benedek, Tibor Parkanyi | — | |
| 7 | Fratres for Eight Cellos | Péter Arató, Judit Faludi, Ágnes Fodor, Eszter Kendi, Béla Melis, Katalin Aldobólyi Nagy, Tibor Wambach | — | |
| 8 | Fratres for Wind Octet and Percussion | László Kiss Gy, István Hartenstein, László Hunyadi, Géza Bánhegyi, József Erős, Károly Ambrus, Antal Szuromi, Béla Horváth, Antal Eisrich, Miklós Kovács | — | |
| 9 | Cantus in Memory of Benjamin Britten for Strings and Bells | Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich | — | |
| 2-1 | Tabula Rasa: Ludus (excerpt) | Lesley Hatfield, Rebecca Hirsch, Ulster Orchestra, Takuo Yuasa | — | |
| 2-2 | Tabula Rasa: Silentium | Lesley Hatfield, Rebecca Hirsch, Ulster Orchestra, Takuo Yuasa | — | |
| 2-3 | Collage über BACH: Toccata | Ulster Orchestra, Takuo Yuasa | — | |
| 2-4 | Collage über BACH: Sarabande | Ulster Orchestra, Takuo Yuasa | — | |
| 2-5 | Collage über BACH: Ricercar | Ulster Orchestra, Takuo Yuasa | — | |
| 2-6 | Symphony no. 3: First Movement | Ulster Orchestra, Takuo Yuasa | — | |
| 2-7 | Symphony no. 3: Second Movement | Ulster Orchestra, Takuo Yuasa | — | |
| 2-8 | Symphony no. 3: Third Movement | Ulster Orchestra, Takuo Yuasa | — | |
| 3-1 | Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Betrayed and Arrested in Gethsemane | Tonus Peregrinus, Antony Pitts | — | |
| 3-2 | Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Interrogated by the High Priest and Denied by Peter | Tonus Peregrinus, Antony Pitts | — | |
| 3-3 | Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Judged by Pilate and Reviled by the People | Tonus Peregrinus, Antony Pitts | — | |
| 3-4 | Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Crucified at Golgotha | Tonus Peregrinus, Antony Pitts | — | |
| 4-1 | Triodion: I. Introduction: Ad Libitum - Ode I: O Jesus the Son of God, Have Mercy Upon Us | — | ||
| 4-2 | Triodion: II. Ode II: O Most Holy Birth - Giver of God, Save Us | — | ||
| 4-3 | Triodion: III. Ode III: O Holy Saint Nicholas, Pray to God for Us - Coda: Ad Libitum | — | ||
| 4-4 | Tribute to Caesar | — | ||
| 4-5 | Nunc Dimittis | — | ||
| 4-6 | Kanon Pokajanen: Ode VII: Memento | — | ||
| 4-7 | I Am the True Vine | — | ||
| 4-8 | The Woman With the Alabaster Box | — | ||
| 4-9 | Dopo la vittoria | — | ||
| 4-10 | Bogoroditse Djevo | — | ||
| 5-1 | Cantate Domino canticum novum (Psalm 95) | — | ||
| 5-2 | Berliner Messe: Kyrie | — | ||
| 5-3 | Berliner Messe: Gloria | — | ||
| 5-4 | Berliner Messe: Alleluia Verses I & II | — | ||
| 5-5 | Berliner Messe: Veni Sancte Spiritus | Elora Festival Singers, Elora Festival Orchestra, Noel Edison | T-329.588.378-8 | |
| 5-6 | Berliner Messe: Credo | — | ||
| 5-7 | Berliner Messe: Sanctus | — | ||
| 5-8 | Berliner Messe: Agnus Dei | — | ||
| 5-9 | De profundis | Elora Festival Singers, Elora Festival Orchestra, Noel Edison, Jurgen Petrenko | T-800.859.803-7 | |
| 5-10 | Summa | — | ||
| 5-11 | The Beatitudes | — | ||
| 5-12 | Magnificat | — | ||
| 6-1 | Symphony No. 4, “Heroes”: V. Neuköln | Bournemouth Symphony Orchestra, Marin Alsop | T-070.883.023-2 | |
| 6-2 | Threnody for the Victims of Hiroshima for 52 Stringed Instruments | National Polish Radio Symphony Orchestra (Katowice), Antoni Wit | — | |
| 6-3 | Toccata for Violin and Player Piano | Continuum | — | |
| 6-4 | Sonatas and Interludes for Prepared Piano: First Interlude | Boris Berman | — | |
| 6-5 | Fünf Nachtstücke: Elegie | Aaron Shorr, Peter Sheppard Skærved | — | |
| 6-6 | Quattro pezzi su una nota sola: I. | Rundfunk-Sinfonieorchester Saarbrücken, Hans Zender | — | |
| 6-7 | In C (excerpt) | Terry Riley | — | |
| 6-8 | Second String Quartet | The Group for Contemporary Music | — | |
| 6-9 | Déserts: Third Electronic Interpolation (Beginning) | Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee | — | |
| 6-10 | Songs, Drones & Refrains of Death: Death-Drone II | Ensemble New Art, Fuat Kent | — | |
| 6-11 | Six Bagatelles for Wind Quintet, no. 3: Allegro grazioso | Albert Schweitzer Quintet | — | |
| 6-12 | Silenzio: II | Maria Kliegel, Kathrin Rabus, Elsbeth Moser | — | |
| 6-13 | Beta | Jørgen Plaetner | — | |
| 6-14 | Shaker Loops: IV. A Final Shaking | Bournemouth Symphony Orchestra, Marin Alsop | T-901.134.571-4 | |
| 6-15 | Piano Concerto no. 1, op. 45: I. Con grandezza | Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | — | |
| 6-16 | Fratres (for strings and percussion) (1991 revision) | Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich, Miklós Kovács | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
0747313601530 is a Universal Product Code (UPC) assigned to The Silence of Being: The Music of Arvo Pärt by Arvo Pärt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 59 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Tabula Rasa: Ludus | Lesley Hatfield, Rebecca Hirsch, Ulster Orchestra, Takuo Yuasa | — |
| Fratres (for strings and percussion) (1991 revision) | Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich, Miklós Kovács | — |
Creative Contributors (ISNI)
The UPC for “The Silence of Being: The Music of Arvo Pärt” by Arvo Pärt is 0747313601530. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2008-01-01. Label: Naxos. This release contains 59 tracks, each with its own ISRC. Tracks include DEL421901270, HKI199615702, HKI199615703.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fratres (for strings and percussion) (1991 revision) | Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich, Miklós Kovács | — | |
| 2 | Fratres for Violin, Strings and Percussion | Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich, Miklós Kovács, Béla Nagy | — | |
| 3 | Festina Lente for Strings and Harp ad lib. | Hungarian State Opera Orchestra, Tamás Benedek, Márta Haraszti | — | |
| 4 | Fratres for String Quartet | Judit Kis Domonkos, Rezső Hajna, Béla Nagy, Katalin Schneider | — | |
| 5 | Fratres for Cello and Piano | Tibor Parkanyi, Sándor Falvay | — | |
| 6 | Summa for Strings | Hungarian State Opera Orchestra, Tamás Benedek, Tibor Parkanyi | — | |
| 7 | Fratres for Eight Cellos | Péter Arató, Judit Faludi, Ágnes Fodor, Eszter Kendi, Béla Melis, Katalin Aldobólyi Nagy, Tibor Wambach | — | |
| 8 | Fratres for Wind Octet and Percussion | László Kiss Gy, István Hartenstein, László Hunyadi, Géza Bánhegyi, József Erős, Károly Ambrus, Antal Szuromi, Béla Horváth, Antal Eisrich, Miklós Kovács | — | |
| 9 | Cantus in Memory of Benjamin Britten for Strings and Bells | Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich | — | |
| 2-1 | Tabula Rasa: Ludus (excerpt) | Lesley Hatfield, Rebecca Hirsch, Ulster Orchestra, Takuo Yuasa | — | |
| 2-2 | Tabula Rasa: Silentium | Lesley Hatfield, Rebecca Hirsch, Ulster Orchestra, Takuo Yuasa | — | |
| 2-3 | Collage über BACH: Toccata | Ulster Orchestra, Takuo Yuasa | — | |
| 2-4 | Collage über BACH: Sarabande | Ulster Orchestra, Takuo Yuasa | — | |
| 2-5 | Collage über BACH: Ricercar | Ulster Orchestra, Takuo Yuasa | — | |
| 2-6 | Symphony no. 3: First Movement | Ulster Orchestra, Takuo Yuasa | — | |
| 2-7 | Symphony no. 3: Second Movement | Ulster Orchestra, Takuo Yuasa | — | |
| 2-8 | Symphony no. 3: Third Movement | Ulster Orchestra, Takuo Yuasa | — | |
| 3-1 | Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Betrayed and Arrested in Gethsemane | Tonus Peregrinus, Antony Pitts | — | |
| 3-2 | Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Interrogated by the High Priest and Denied by Peter | Tonus Peregrinus, Antony Pitts | — | |
| 3-3 | Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Judged by Pilate and Reviled by the People | Tonus Peregrinus, Antony Pitts | — | |
| 3-4 | Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Crucified at Golgotha | Tonus Peregrinus, Antony Pitts | — | |
| 4-1 | Triodion: I. Introduction: Ad Libitum - Ode I: O Jesus the Son of God, Have Mercy Upon Us | — | ||
| 4-2 | Triodion: II. Ode II: O Most Holy Birth - Giver of God, Save Us | — | ||
| 4-3 | Triodion: III. Ode III: O Holy Saint Nicholas, Pray to God for Us - Coda: Ad Libitum | — | ||
| 4-4 | Tribute to Caesar | — | ||
| 4-5 | Nunc Dimittis | — | ||
| 4-6 | Kanon Pokajanen: Ode VII: Memento | — | ||
| 4-7 | I Am the True Vine | — | ||
| 4-8 | The Woman With the Alabaster Box | — | ||
| 4-9 | Dopo la vittoria | — | ||
| 4-10 | Bogoroditse Djevo | — | ||
| 5-1 | Cantate Domino canticum novum (Psalm 95) | — | ||
| 5-2 | Berliner Messe: Kyrie | — | ||
| 5-3 | Berliner Messe: Gloria | — | ||
| 5-4 | Berliner Messe: Alleluia Verses I & II | — | ||
| 5-5 | Berliner Messe: Veni Sancte Spiritus | Elora Festival Singers, Elora Festival Orchestra, Noel Edison | T-329.588.378-8 | |
| 5-6 | Berliner Messe: Credo | — | ||
| 5-7 | Berliner Messe: Sanctus | — | ||
| 5-8 | Berliner Messe: Agnus Dei | — | ||
| 5-9 | De profundis | Elora Festival Singers, Elora Festival Orchestra, Noel Edison, Jurgen Petrenko | T-800.859.803-7 | |
| 5-10 | Summa | — | ||
| 5-11 | The Beatitudes | — | ||
| 5-12 | Magnificat | — | ||
| 6-1 | Symphony No. 4, “Heroes”: V. Neuköln | Bournemouth Symphony Orchestra, Marin Alsop | T-070.883.023-2 | |
| 6-2 | Threnody for the Victims of Hiroshima for 52 Stringed Instruments | National Polish Radio Symphony Orchestra (Katowice), Antoni Wit | — | |
| 6-3 | Toccata for Violin and Player Piano | Continuum | — | |
| 6-4 | Sonatas and Interludes for Prepared Piano: First Interlude | Boris Berman | — | |
| 6-5 | Fünf Nachtstücke: Elegie | Aaron Shorr, Peter Sheppard Skærved | — | |
| 6-6 | Quattro pezzi su una nota sola: I. | Rundfunk-Sinfonieorchester Saarbrücken, Hans Zender | — | |
| 6-7 | In C (excerpt) | Terry Riley | — | |
| 6-8 | Second String Quartet | The Group for Contemporary Music | — | |
| 6-9 | Déserts: Third Electronic Interpolation (Beginning) | Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee | — | |
| 6-10 | Songs, Drones & Refrains of Death: Death-Drone II | Ensemble New Art, Fuat Kent | — | |
| 6-11 | Six Bagatelles for Wind Quintet, no. 3: Allegro grazioso | Albert Schweitzer Quintet | — | |
| 6-12 | Silenzio: II | Maria Kliegel, Kathrin Rabus, Elsbeth Moser | — | |
| 6-13 | Beta | Jørgen Plaetner | — | |
| 6-14 | Shaker Loops: IV. A Final Shaking | Bournemouth Symphony Orchestra, Marin Alsop | T-901.134.571-4 | |
| 6-15 | Piano Concerto no. 1, op. 45: I. Con grandezza | Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | — | |
| 6-16 | Fratres (for strings and percussion) (1991 revision) | Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich, Miklós Kovács | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Tabula Rasa: Ludus | Lesley Hatfield, Rebecca Hirsch, Ulster Orchestra, Takuo Yuasa | — |
| Fratres (for strings and percussion) (1991 revision) | Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich, Miklós Kovács | — |
