UPC · Album
The Silence of Being: The Music of Arvo Pärt
Arvo Pärt
0747313601530
59 tracksReleased 2008-01-01Naxos
Last verified:
0747313601530 is the Universal Product Code (UPC barcode) for the release “The Silence of Being: The Music of Arvo Pärt” by Arvo Pärt, released 2008-01-01 on Naxos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 59 tracks, each with its own ISRC. Tracks include DEL421901270, DKFAA0301101, HKI190014001.
Format
074GS1 prefix
7313Company prefix
60153Product
0Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Silence of Being: The Music of Arvo Pärt
ISRC40 recordings
ISWC7 works
IPI1 songwriter
Track List (40)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Fratres (for strings and percussion) (1991 revision) | Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich, Miklós Kovács | DEL421901270 |
| Beta | Jørgen Plaetner | DKFAA0301101 |
| Tabula Rasa: Ludus (excerpt) | Lesley Hatfield, Rebecca Hirsch, Ulster Orchestra, Takuo Yuasa | HKI190014001 |
| Tabula Rasa: Silentium | Lesley Hatfield, Rebecca Hirsch, Ulster Orchestra, Takuo Yuasa | HKI190014002 |
| Collage über BACH: Toccata | Ulster Orchestra, Takuo Yuasa | HKI190014003 |
| Collage über BACH: Sarabande | Ulster Orchestra, Takuo Yuasa | HKI190014004 |
| Collage über BACH: Ricercar | Ulster Orchestra, Takuo Yuasa | HKI190014005 |
| Symphony no. 3: First Movement | Ulster Orchestra, Takuo Yuasa | HKI190014006 |
| Symphony no. 3: Second Movement | Ulster Orchestra, Takuo Yuasa | HKI190014007 |
| Symphony no. 3: Third Movement | Ulster Orchestra, Takuo Yuasa | HKI190014008 |
| Déserts: Third Electronic Interpolation (Beginning) | Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee | HKI190028313 |
| Tabula Rasa: Ludus | Lesley Hatfield, Rebecca Hirsch, Ulster Orchestra, Takuo Yuasa | HKI190110809 |
| Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Betrayed and Arrested in Gethsemane | Tonus Peregrinus, Antony Pitts | HKI190150301 |
| Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Interrogated by the High Priest and Denied by Peter | Tonus Peregrinus, Antony Pitts | HKI190150302 |
| Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Judged by Pilate and Reviled by the People | Tonus Peregrinus, Antony Pitts | HKI190150303 |
| Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Crucified at Golgotha | Tonus Peregrinus, Antony Pitts | HKI190150304 |
| Berliner Messe: Veni Sancte Spiritus | Elora Festival Singers, Elora Festival Orchestra, Noel Edison | HKI190345405 |
| De profundis | Elora Festival Singers, Elora Festival Orchestra, Noel Edison, Jurgen Petrenko | HKI190345409 |
| Toccata for Violin and Player Piano | Continuum | HKI190352202 |
| Shaker Loops: IV. A Final Shaking | Bournemouth Symphony Orchestra, Marin Alsop | HKI190415507 |
| Fünf Nachtstücke: Elegie | Aaron Shorr, Peter Sheppard Skærved | HKI190540608 |
| Songs, Drones & Refrains of Death: Death-Drone II | Ensemble New Art, Fuat Kent | HKI190549806 |
| Second String Quartet | The Group for Contemporary Music | HKI190575903 |
| Symphony No. 4, “Heroes”: V. Neuköln | Bournemouth Symphony Orchestra, Marin Alsop | HKI190669106 |
| Silenzio: II | Maria Kliegel, Kathrin Rabus, Elsbeth Moser | HKI199510603 |
| Fratres (for strings and percussion) (1991 revision) | Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich, Miklós Kovács | HKI199615701 |
| Fratres for Violin, Strings and Percussion | Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich, Miklós Kovács, Béla Nagy | HKI199615702 |
| Festina Lente for Strings and Harp ad lib. | Hungarian State Opera Orchestra, Tamás Benedek, Márta Haraszti | HKI199615703 |
| Fratres for String Quartet | Judit Kis Domonkos, Rezső Hajna, Béla Nagy, Katalin Schneider | HKI199615704 |
| Fratres for Cello and Piano | Tibor Parkanyi, Sándor Falvay | HKI199615705 |
| Summa for Strings | Hungarian State Opera Orchestra, Tamás Benedek, Tibor Parkanyi | HKI199615706 |
| Fratres for Eight Cellos | Péter Arató, Judit Faludi, Ágnes Fodor, Eszter Kendi, Béla Melis, Katalin Aldobólyi Nagy, Tibor Wambach | HKI199615707 |
| Fratres for Wind Octet and Percussion | László Kiss Gy, István Hartenstein, László Hunyadi, Géza Bánhegyi, József Erős, Károly Ambrus, Antal Szuromi, Béla Horváth, Antal Eisrich, Miklós Kovács | HKI199615708 |
| Cantus in Memory of Benjamin Britten for Strings and Bells | Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich | HKI199615709 |
| Piano Concerto no. 1, op. 45: I. Con grandezza | Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | HKI199823004 |
| Sonatas and Interludes for Prepared Piano: First Interlude | Boris Berman | HKI199825205 |
| Threnody for the Victims of Hiroshima for 52 Stringed Instruments | National Polish Radio Symphony Orchestra (Katowice), Antoni Wit | HKI199917706 |
| Quattro pezzi su una nota sola: I. | Rundfunk-Sinfonieorchester Saarbrücken, Hans Zender | USB8U1035764 |
| In C (excerpt) | Terry Riley | USB8U1035765 |
| Six Bagatelles for Wind Quintet, no. 3: Allegro grazioso | Albert Schweitzer Quintet | USB8U1035766 |
Fratres (for strings and percussion) (1991 revision)
Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich, Miklós Kovács
Beta
Jørgen Plaetner
Tabula Rasa: Ludus (excerpt)
Lesley Hatfield, Rebecca Hirsch, Ulster Orchestra, Takuo Yuasa
Tabula Rasa: Silentium
Lesley Hatfield, Rebecca Hirsch, Ulster Orchestra, Takuo Yuasa
Collage über BACH: Toccata
Ulster Orchestra, Takuo Yuasa
Collage über BACH: Sarabande
Ulster Orchestra, Takuo Yuasa
Collage über BACH: Ricercar
Ulster Orchestra, Takuo Yuasa
Symphony no. 3: First Movement
Ulster Orchestra, Takuo Yuasa
Symphony no. 3: Second Movement
Ulster Orchestra, Takuo Yuasa
Symphony no. 3: Third Movement
Ulster Orchestra, Takuo Yuasa
Déserts: Third Electronic Interpolation (Beginning)
Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee
Tabula Rasa: Ludus
Lesley Hatfield, Rebecca Hirsch, Ulster Orchestra, Takuo Yuasa
Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Betrayed and Arrested in Gethsemane
Tonus Peregrinus, Antony Pitts
Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Interrogated by the High Priest and Denied by Peter
Tonus Peregrinus, Antony Pitts
Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Judged by Pilate and Reviled by the People
Tonus Peregrinus, Antony Pitts
Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Crucified at Golgotha
Tonus Peregrinus, Antony Pitts
Berliner Messe: Veni Sancte Spiritus
Elora Festival Singers, Elora Festival Orchestra, Noel Edison
De profundis
Elora Festival Singers, Elora Festival Orchestra, Noel Edison, Jurgen Petrenko
Toccata for Violin and Player Piano
Continuum
Shaker Loops: IV. A Final Shaking
Bournemouth Symphony Orchestra, Marin Alsop
Fünf Nachtstücke: Elegie
Aaron Shorr, Peter Sheppard Skærved
Songs, Drones & Refrains of Death: Death-Drone II
Ensemble New Art, Fuat Kent
Second String Quartet
The Group for Contemporary Music
Symphony No. 4, “Heroes”: V. Neuköln
Bournemouth Symphony Orchestra, Marin Alsop
Silenzio: II
Maria Kliegel, Kathrin Rabus, Elsbeth Moser
Fratres (for strings and percussion) (1991 revision)
Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich, Miklós Kovács
Fratres for Violin, Strings and Percussion
Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich, Miklós Kovács, Béla Nagy
Festina Lente for Strings and Harp ad lib.
Hungarian State Opera Orchestra, Tamás Benedek, Márta Haraszti
Fratres for String Quartet
Judit Kis Domonkos, Rezső Hajna, Béla Nagy, Katalin Schneider
Fratres for Cello and Piano
Tibor Parkanyi, Sándor Falvay
Summa for Strings
Hungarian State Opera Orchestra, Tamás Benedek, Tibor Parkanyi
Fratres for Eight Cellos
Péter Arató, Judit Faludi, Ágnes Fodor, Eszter Kendi, Béla Melis, Katalin Aldobólyi Nagy, Tibor Wambach
Fratres for Wind Octet and Percussion
László Kiss Gy, István Hartenstein, László Hunyadi, Géza Bánhegyi, József Erős, Károly Ambrus, Antal Szuromi, Béla Horváth, Antal Eisrich, Miklós Kovács
Cantus in Memory of Benjamin Britten for Strings and Bells
Hungarian State Opera Orchestra, Tamás Benedek, Antal Eisrich
Piano Concerto no. 1, op. 45: I. Con grandezza
Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu
Sonatas and Interludes for Prepared Piano: First Interlude
Boris Berman
Threnody for the Victims of Hiroshima for 52 Stringed Instruments
National Polish Radio Symphony Orchestra (Katowice), Antoni Wit
Quattro pezzi su una nota sola: I.
Rundfunk-Sinfonieorchester Saarbrücken, Hans Zender
In C (excerpt)
Terry Riley
Six Bagatelles for Wind Quintet, no. 3: Allegro grazioso
Albert Schweitzer Quintet
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000002802091000000002498110700000000415286620000000045657904000000004668135900000000582301680000000078390003000000008159746X00000000841369250000000108455796
+19 more
00000001094130370000000110065877000000011010686X000000011015385000000001103401620000000110341659000000011442970300000001146634280000000114671516000000011475814400000001155469280000000116162248000000011691354X000000011871831800000001203427270000000123210594000000012321903800000003854440590000000469366633
People also ask
SourcesMusicBrainzNotesDiscogs3 sources
Verified on
What is UPC 0747313601530?
0747313601530 is a Universal Product Code (UPC) assigned to The Silence of Being: The Music of Arvo Pärt by Arvo Pärt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 59 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm