UPC · Release
Sylvain Cambreling, Berlioz, Debussy, Ravel, Stravinsky, Schönberg, Webern, Berg, Bartók, Janáček, Dutilleux, Ives, Messiaen, SWR Sinfonieorchester Baden‐Baden und Freiburg
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0747313913589 is the Universal Product Code (UPC barcode) for the release “Sylvain Cambreling Conducts” by Sylvain Cambreling, Berlioz, Debussy, Ravel, Stravinsky, Schönberg, Webern, Berg, Bartók, Janáček, Dutilleux, Ives, Messiaen, SWR Sinfonieorchester Baden‐Baden und Freiburg. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 104 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Waverley, Op. 1, H. 26 | — | ||
| 2 | Les Francs - Juges, Op. 3, H. 23 | — | ||
| 3 | Le Roi Lear, Op. 4, H. 53 | — | ||
| 4 | Intrata Di Rob - Roy Macgregor, H. 54 | — | ||
| 5 | Le carnaval romain, Op. 9, H. 95 | — | ||
| 6 | Le Corsaire, Op. 21, H. 101b | — | ||
| 2-1 | Images, L. 122: No. 1, Gigues | — | ||
| 2-2 | Images, L. 122: No. 2a, Ibéria. Par les rues et par les chemins | — | ||
| 2-3 | Images, L. 122: No. 2b, Ibéria. Les parfums de la nuit | — | ||
| 2-4 | Images, L. 122: No. 2c, Ibéria. Le matin d'un jour de fête | — | ||
| 2-5 | Images, L. 122: No. 3, Rondes de printemps | — | ||
| 2-6 | Danse sacrée et danse profane, L. 103: I. Danse sacrée | — | ||
| 2-7 | Danse sacrée et danse profane, L. 103: II. Danse profane | — | ||
| 2-8 | La mer, L. 109: I. De l'aube à midi sur la mer | — | ||
| 2-9 | La mer, L. 109: II. Jeux de vagues | — | ||
| 2-10 | La mer, L. 109: III. Dialogue du vent et de la mer | — | ||
| 3-1 | La valse, M. 72 (Version for Orchestra) | — | ||
| 3-2 | Valses nobles et sentimentales, M. 61 (Version for Orchestra): I. Modéré | — | ||
| 3-3 | Valses nobles et sentimentales, M. 61 (Version for Orchestra): II. Assez lent | — | ||
| 3-4 | Valses nobles et sentimentales, M. 61 (Version for Orchestra): III. Modéré | — | ||
| 3-5 | Valses nobles et sentimentales, M. 61 (Version for Orchestra): IV. Assez animé | — | ||
| 3-6 | Valses nobles et sentimentales, M. 61 (Version for Orchestra): V. Presque lent | — | ||
| 3-7 | Valses nobles et sentimentales, M. 61 (Version for Orchestra): VI. Vif | — | ||
| 3-8 | Valses nobles et sentimentales, M. 61 (Version for Orchestra): VII. Moins vif | — | ||
| 3-9 | Valses nobles et sentimentales, M. 61 (Version for Orchestra): VIII. Épilogue | — | ||
| 3-10 | Miroirs, M. 43: No. 4, Alborada del gracioso (Version for Orchestra) | — | ||
| 3-11 | Boléro, M. 81 | — | ||
| 4-1 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Introduction | — | ||
| 4-2 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Les Augures printaniers (Dances des adolescentes) | — | ||
| 4-3 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Jeu du rapt | — | ||
| 4-4 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Rondes pinrtanières | — | ||
| 4-5 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Jeux des cités rivales | — | ||
| 4-6 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Cortège du Sage | — | ||
| 4-7 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Le Sage | — | ||
| 4-8 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Danse de la terre | — | ||
| 4-9 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Introduction | — | ||
| 4-10 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Cercles mystérieux des adolescentes | — | ||
| 4-11 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Glorification de l'Élue | — | ||
| 4-12 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Évocation des ancétres | — | ||
| 4-13 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Action rituelle des ancétres | — | ||
| 4-14 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Danse sacrale (L'Élue) | — | ||
| 4-15 | Petrushka, K012: I. The Shrovetide Fair | — | ||
| 4-16 | Petrushka, K012: II. Petrushka's Cell | — | ||
| 4-17 | Petrushka, K012: III. The Moor's Room | — | ||
| 4-18 | Petrushka, K012: IV. The Shrovetide Fair | — | ||
| 5-1 | Chamber Symphony No. 2, Op. 38: I. Adagio | — | ||
| 5-2 | Chamber Symphony No. 2, Op. 38: II. Con fuoco | — | ||
| 5-3 | 6 Pieces for Large Orchestra, Op. 6: No. 3, Zart bewegt | — | ||
| 5-4 | 6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 1, Pour invoquer Pan, dieu du vent d'été | — | ||
| 5-5 | 6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 3, Pour que la nuit soit propice | — | ||
| 5-6 | 6 Pieces for Large Orchestra, Op. 6: No. 5, Sehr langsam | — | ||
| 5-7 | 6 Pieces for Large Orchestra, Op. 6: No. 6, Zart bewegt | — | ||
| 5-8 | 6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 4, Pour la danseuse aux crotales | — | ||
| 5-9 | 6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 2, Pour un tombeau sans nom | — | ||
| 5-10 | 6 Pieces for Large Orchestra, Op. 6: No. 1, Etwas bewegte Achtel | — | ||
| 5-11 | 6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 5, Pour l'égyptienne | — | ||
| 5-12 | 6 Pieces for Large Orchestra, Op. 6: No. 4, Langsam, Marcia funebre | — | ||
| 5-13 | 6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 6, Pour remercier la pluie au matin | — | ||
| 5-14 | 6 Pieces for Large Orchestra, Op. 6: No. 2, Bewegt | — | ||
| 5-15 | 3 Orchesterstücke, Op. 6: No. 1, Präludium | — | ||
| 5-16 | 3 Orchesterstücke, Op. 6: No. 2, Reigen | — | ||
| 5-17 | 3 Orchesterstücke, Op. 6: No. 3, Marsch | — | ||
| 6-1 | The Miraculous Mandarin, Op. 19, Sz. 73: I. Beginning | — | ||
| 6-2 | The Miraculous Mandarin, Op. 19, Sz. 73: II. First Seduction Game | — | ||
| 6-3 | The Miraculous Mandarin, Op. 19, Sz. 73: III. Second Seduction Game | — | ||
| 6-4 | The Miraculous Mandarin, Op. 19, Sz. 73: IV. Third Seduction Game | — | ||
| 6-5 | The Miraculous Mandarin, Op. 19, Sz. 73: V. Dance of the Girl | — | ||
| 6-6 | The Miraculous Mandarin, Op. 19, Sz. 73: VI. The Chase | — | ||
| 6-7 | 2 Pictures, Op. 10, Sz. 46: No. 1, In Full Flower | — | ||
| 6-8 | 2 Pictures, Op. 10, Sz. 46: No. 2, Village Dance | — | ||
| 6-9 | Viola Concerto, Sz. 120: I. Moderato | — | ||
| 6-10 | Viola Concerto, Sz. 120: II. Adagio religioso | — | ||
| 6-11 | Viola Concerto, Sz. 120: III. Allegro vivace | — | ||
| 7-1 | Sinfonietta, JW VI/18: I. Allegretto | — | ||
| 7-2 | Sinfonietta, JW VI/18: II. Andante | — | ||
| 7-3 | Sinfonietta, JW VI/18: III. Moderato | — | ||
| 7-4 | Sinfonietta, JW VI/18: IV. Allegretto | — | ||
| 7-5 | Sinfonietta, JW VI/18: V. Andante con moto | — | ||
| 7-6 | Šumařovo dítě, JW VI/14 | — | ||
| 8-1 | Symphony No. 2 "Le double": I. Animato, ma misterioso | — | ||
| 8-2 | Symphony No. 2 "Le double": II. Andantino sostenuto | — | ||
| 8-3 | Symphony No. 2 "Le double": III. Allegro fuocoso - Calmato | — | ||
| 8-4 | Métaboles: I. Incantatoire | — | ||
| 8-5 | Métaboles: II. Linéaire | — | ||
| 8-6 | Métaboles: III. Obsessionnel | — | ||
| 8-7 | Métaboles: IV. Torpide | — | ||
| 8-8 | Métaboles: V. Flamboyant | — | ||
| 9-1 | Symphony No. 4: I. Prelude | — | ||
| 9-2 | Symphony No. 4: II. Comedy | — | ||
| 9-3 | Symphony No. 4: III. Fugue | — | ||
| 9-4 | Symphony No. 4: IV. Finale | — | ||
| 9-5 | Orchestral Set No. 1 "3 Places in New England": I. The St. Gaudens in Boston Common | — | ||
| 9-6 | Orchestral Set No. 1 "3 Places in New England": II. Putnam's Camp, Redding, Connecticut | — | ||
| 9-7 | Orchestral Set No. 1 "3 Places in New England": III. The Housatonic at Stockbridge | — | ||
| 9-8 | The Unanswered Question | — | ||
| 10-1 | Réveil des oiseaux (1953) | — | ||
| 10-2 | Oiseaux exotiques (1956) | — | ||
| 10-3 | Chronochromie (1960): I. Introduction | — | ||
| 10-4 | Chronochromie (1960): II. Strophe I | — | ||
| 10-5 | Chronochromie (1960): III. Antistrophe I | — | ||
| 10-6 | Chronochromie (1960): IV. Strophe II | — | ||
| 10-7 | Chronochromie (1960): V. Antistrophe II | — | ||
| 10-8 | Chronochromie (1960): VI. Épôde | — | ||
| 10-9 | Chronochromie (1960): VII. Coda | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
0747313913589 is a Universal Product Code (UPC) assigned to Sylvain Cambreling Conducts by Sylvain Cambreling, Berlioz, Debussy, Ravel, Stravinsky, Schönberg, Webern, Berg, Bartók, Janáček, Dutilleux, Ives, Messiaen, SWR Sinfonieorchester Baden‐Baden und Freiburg. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 104 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
0747313913589 is the Universal Product Code (UPC barcode) for the release “Sylvain Cambreling Conducts” by Sylvain Cambreling, Berlioz, Debussy, Ravel, Stravinsky, Schönberg, Webern, Berg, Bartók, Janáček, Dutilleux, Ives, Messiaen, SWR Sinfonieorchester Baden‐Baden und Freiburg. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 104 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Waverley, Op. 1, H. 26 | — | ||
| 2 | Les Francs - Juges, Op. 3, H. 23 | — | ||
| 3 | Le Roi Lear, Op. 4, H. 53 | — | ||
| 4 | Intrata Di Rob - Roy Macgregor, H. 54 | — | ||
| 5 | Le carnaval romain, Op. 9, H. 95 | — | ||
| 6 | Le Corsaire, Op. 21, H. 101b | — | ||
| 2-1 | Images, L. 122: No. 1, Gigues | — | ||
| 2-2 | Images, L. 122: No. 2a, Ibéria. Par les rues et par les chemins | — | ||
| 2-3 | Images, L. 122: No. 2b, Ibéria. Les parfums de la nuit | — | ||
| 2-4 | Images, L. 122: No. 2c, Ibéria. Le matin d'un jour de fête | — | ||
| 2-5 | Images, L. 122: No. 3, Rondes de printemps | — | ||
| 2-6 | Danse sacrée et danse profane, L. 103: I. Danse sacrée | — | ||
| 2-7 | Danse sacrée et danse profane, L. 103: II. Danse profane | — | ||
| 2-8 | La mer, L. 109: I. De l'aube à midi sur la mer | — | ||
| 2-9 | La mer, L. 109: II. Jeux de vagues | — | ||
| 2-10 | La mer, L. 109: III. Dialogue du vent et de la mer | — | ||
| 3-1 | La valse, M. 72 (Version for Orchestra) | — | ||
| 3-2 | Valses nobles et sentimentales, M. 61 (Version for Orchestra): I. Modéré | — | ||
| 3-3 | Valses nobles et sentimentales, M. 61 (Version for Orchestra): II. Assez lent | — | ||
| 3-4 | Valses nobles et sentimentales, M. 61 (Version for Orchestra): III. Modéré | — | ||
| 3-5 | Valses nobles et sentimentales, M. 61 (Version for Orchestra): IV. Assez animé | — | ||
| 3-6 | Valses nobles et sentimentales, M. 61 (Version for Orchestra): V. Presque lent | — | ||
| 3-7 | Valses nobles et sentimentales, M. 61 (Version for Orchestra): VI. Vif | — | ||
| 3-8 | Valses nobles et sentimentales, M. 61 (Version for Orchestra): VII. Moins vif | — | ||
| 3-9 | Valses nobles et sentimentales, M. 61 (Version for Orchestra): VIII. Épilogue | — | ||
| 3-10 | Miroirs, M. 43: No. 4, Alborada del gracioso (Version for Orchestra) | — | ||
| 3-11 | Boléro, M. 81 | — | ||
| 4-1 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Introduction | — | ||
| 4-2 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Les Augures printaniers (Dances des adolescentes) | — | ||
| 4-3 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Jeu du rapt | — | ||
| 4-4 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Rondes pinrtanières | — | ||
| 4-5 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Jeux des cités rivales | — | ||
| 4-6 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Cortège du Sage | — | ||
| 4-7 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Le Sage | — | ||
| 4-8 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Danse de la terre | — | ||
| 4-9 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Introduction | — | ||
| 4-10 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Cercles mystérieux des adolescentes | — | ||
| 4-11 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Glorification de l'Élue | — | ||
| 4-12 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Évocation des ancétres | — | ||
| 4-13 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Action rituelle des ancétres | — | ||
| 4-14 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Danse sacrale (L'Élue) | — | ||
| 4-15 | Petrushka, K012: I. The Shrovetide Fair | — | ||
| 4-16 | Petrushka, K012: II. Petrushka's Cell | — | ||
| 4-17 | Petrushka, K012: III. The Moor's Room | — | ||
| 4-18 | Petrushka, K012: IV. The Shrovetide Fair | — | ||
| 5-1 | Chamber Symphony No. 2, Op. 38: I. Adagio | — | ||
| 5-2 | Chamber Symphony No. 2, Op. 38: II. Con fuoco | — | ||
| 5-3 | 6 Pieces for Large Orchestra, Op. 6: No. 3, Zart bewegt | — | ||
| 5-4 | 6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 1, Pour invoquer Pan, dieu du vent d'été | — | ||
| 5-5 | 6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 3, Pour que la nuit soit propice | — | ||
| 5-6 | 6 Pieces for Large Orchestra, Op. 6: No. 5, Sehr langsam | — | ||
| 5-7 | 6 Pieces for Large Orchestra, Op. 6: No. 6, Zart bewegt | — | ||
| 5-8 | 6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 4, Pour la danseuse aux crotales | — | ||
| 5-9 | 6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 2, Pour un tombeau sans nom | — | ||
| 5-10 | 6 Pieces for Large Orchestra, Op. 6: No. 1, Etwas bewegte Achtel | — | ||
| 5-11 | 6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 5, Pour l'égyptienne | — | ||
| 5-12 | 6 Pieces for Large Orchestra, Op. 6: No. 4, Langsam, Marcia funebre | — | ||
| 5-13 | 6 Épigraphes antiques, L. 131 (Arr. for Orchestra by Rudolf Escher): No. 6, Pour remercier la pluie au matin | — | ||
| 5-14 | 6 Pieces for Large Orchestra, Op. 6: No. 2, Bewegt | — | ||
| 5-15 | 3 Orchesterstücke, Op. 6: No. 1, Präludium | — | ||
| 5-16 | 3 Orchesterstücke, Op. 6: No. 2, Reigen | — | ||
| 5-17 | 3 Orchesterstücke, Op. 6: No. 3, Marsch | — | ||
| 6-1 | The Miraculous Mandarin, Op. 19, Sz. 73: I. Beginning | — | ||
| 6-2 | The Miraculous Mandarin, Op. 19, Sz. 73: II. First Seduction Game | — | ||
| 6-3 | The Miraculous Mandarin, Op. 19, Sz. 73: III. Second Seduction Game | — | ||
| 6-4 | The Miraculous Mandarin, Op. 19, Sz. 73: IV. Third Seduction Game | — | ||
| 6-5 | The Miraculous Mandarin, Op. 19, Sz. 73: V. Dance of the Girl | — | ||
| 6-6 | The Miraculous Mandarin, Op. 19, Sz. 73: VI. The Chase | — | ||
| 6-7 | 2 Pictures, Op. 10, Sz. 46: No. 1, In Full Flower | — | ||
| 6-8 | 2 Pictures, Op. 10, Sz. 46: No. 2, Village Dance | — | ||
| 6-9 | Viola Concerto, Sz. 120: I. Moderato | — | ||
| 6-10 | Viola Concerto, Sz. 120: II. Adagio religioso | — | ||
| 6-11 | Viola Concerto, Sz. 120: III. Allegro vivace | — | ||
| 7-1 | Sinfonietta, JW VI/18: I. Allegretto | — | ||
| 7-2 | Sinfonietta, JW VI/18: II. Andante | — | ||
| 7-3 | Sinfonietta, JW VI/18: III. Moderato | — | ||
| 7-4 | Sinfonietta, JW VI/18: IV. Allegretto | — | ||
| 7-5 | Sinfonietta, JW VI/18: V. Andante con moto | — | ||
| 7-6 | Šumařovo dítě, JW VI/14 | — | ||
| 8-1 | Symphony No. 2 "Le double": I. Animato, ma misterioso | — | ||
| 8-2 | Symphony No. 2 "Le double": II. Andantino sostenuto | — | ||
| 8-3 | Symphony No. 2 "Le double": III. Allegro fuocoso - Calmato | — | ||
| 8-4 | Métaboles: I. Incantatoire | — | ||
| 8-5 | Métaboles: II. Linéaire | — | ||
| 8-6 | Métaboles: III. Obsessionnel | — | ||
| 8-7 | Métaboles: IV. Torpide | — | ||
| 8-8 | Métaboles: V. Flamboyant | — | ||
| 9-1 | Symphony No. 4: I. Prelude | — | ||
| 9-2 | Symphony No. 4: II. Comedy | — | ||
| 9-3 | Symphony No. 4: III. Fugue | — | ||
| 9-4 | Symphony No. 4: IV. Finale | — | ||
| 9-5 | Orchestral Set No. 1 "3 Places in New England": I. The St. Gaudens in Boston Common | — | ||
| 9-6 | Orchestral Set No. 1 "3 Places in New England": II. Putnam's Camp, Redding, Connecticut | — | ||
| 9-7 | Orchestral Set No. 1 "3 Places in New England": III. The Housatonic at Stockbridge | — | ||
| 9-8 | The Unanswered Question | — | ||
| 10-1 | Réveil des oiseaux (1953) | — | ||
| 10-2 | Oiseaux exotiques (1956) | — | ||
| 10-3 | Chronochromie (1960): I. Introduction | — | ||
| 10-4 | Chronochromie (1960): II. Strophe I | — | ||
| 10-5 | Chronochromie (1960): III. Antistrophe I | — | ||
| 10-6 | Chronochromie (1960): IV. Strophe II | — | ||
| 10-7 | Chronochromie (1960): V. Antistrophe II | — | ||
| 10-8 | Chronochromie (1960): VI. Épôde | — | ||
| 10-9 | Chronochromie (1960): VII. Coda | — |
