UPC · Release
Steve Reich
Last verified:
The UPC for “Collected Works” by Steve Reich is 075597904185. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2025-03-14. This release contains 218 tracks, each with its own ISRC. Tracks include DEN961403680, FRX087020001, FRX087020002.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Come Out | — | ||
| 2 | Piano Phase | — | ||
| 3 | Clapping Music | — | ||
| 4 | It's Gonna Rain, Pt. I | — | ||
| 5 | It's Gonna Rain, Pt. II | — | ||
| 2-1 | Piano Phase for Two Pianos | Mahan Esfahani | — | |
| 2-2 | Pendulum Music | — | ||
| 2-3 | Four Organs | Steve Chambers, Jon Gibson, Philip Glass, Art Murphy, Steve Reich | T-700.057.248-7 | |
| 2-4 | Phase Patterns | Steve Chambers, Jon Gibson, Art Murphy, Steve Reich | T-700.057.266-9 | |
| 3-1 | Drumming: Part I | Steve Reich and Musicians | T-802.401.913-5 | |
| 3-2 | Drumming: Part II | Steve Reich and Musicians | T-072.283.280-5 | |
| 3-3 | Drumming: Part III | Steve Reich and Musicians | — | |
| 3-4 | Drumming: Part IV | Steve Reich and Musicians | — | |
| 4-1 | Duet | — | ||
| 4-2 | Music for Mallet Instruments, Voices and Organ | — | ||
| 4-3 | Six Pianos | — | ||
| 4-4 | Variations for Winds, Strings and Keyboards | — | ||
| 4-5 | Vermont Counterpoint | — | ||
| 5-1 | Music for 18 Musicians: Pulses | Steve Reich and Musicians | — | |
| 5-2 | Music for 18 Musicians: Section I | Steve Reich and Musicians | — | |
| 5-3 | Music for 18 Musicians: Section II | Steve Reich and Musicians | — | |
| 5-4 | Music for 18 Musicians: Section IIIA | Steve Reich and Musicians | — | |
| 5-5 | Music for 18 Musicians: Section IIIB | Steve Reich and Musicians | — | |
| 5-6 | Music for 18 Musicians: Section IV | Steve Reich and Musicians | — | |
| 5-7 | Music for 18 Musicians: Section V | Steve Reich and Musicians | — | |
| 5-8 | Music for 18 Musicians: Section VI | Steve Reich and Musicians | — | |
| 5-9 | Music for 18 Musicians: Section VII | Steve Reich and Musicians | — | |
| 5-10 | Music for 18 Musicians: Section VIII | Steve Reich and Musicians | — | |
| 5-11 | Music for 18 Musicians: Section IX | Steve Reich and Musicians | — | |
| 5-12 | Music for 18 Musicians: Section X | Steve Reich and Musicians | — | |
| 5-13 | Music for 18 Musicians: Section XI | Steve Reich and Musicians | — | |
| 5-14 | Music for 18 Musicians: Pulses | Steve Reich and Musicians | — | |
| 6-1 | New York Counterpoint: I. Fast | — | ||
| 6-2 | New York Counterpoint: II. Slow | — | ||
| 6-3 | New York Counterpoint: III. Fast | — | ||
| 6-4 | Eight Lines (Octet) | — | ||
| 6-5 | Four Organs | — | ||
| 7-1 | Tehillim, Part I: Fast | Barbara Borden, Schönberg Ensemble, Percussion Group The Hague, Reinbert de Leeuw | — | |
| 7-2 | Tehillim, Part II: Fast | Barbara Borden, Schönberg Ensemble, Percussion Group The Hague, Reinbert de Leeuw | — | |
| 7-3 | Tehillim, Part III: Slow | Barbara Borden, Schönberg Ensemble, Percussion Group The Hague, Reinbert de Leeuw | — | |
| 7-4 | Tehillim, Pt. IV (Fast) | — | ||
| 7-5 | Three Movements: I. Quarter Note=176 | — | ||
| 7-6 | Three Movements: II. Quarter Note=88 | — | ||
| 7-7 | Three Movements: III. Quarter Note=176 | — | ||
| 8-1 | The Desert Music: I. Fast | Steve Reich | — | |
| 8-2 | The Desert Music: II. Moderate | Steve Reich | — | |
| 8-3 | The Desert Music: III. Part One: Slow | Steve Reich | — | |
| 8-4 | The Desert Music: III. Part Two: Moderate | Steve Reich | — | |
| 8-5 | The Desert Music: III. Part Three: Slow | Steve Reich | — | |
| 8-6 | The Desert Music: IV. Moderate | Steve Reich | — | |
| 8-7 | The Desert Music: V. Fast | Steve Reich | — | |
| 9-1 | Sextet: 1st Movement | — | ||
| 9-2 | Sextet: 2nd Movement | — | ||
| 9-3 | Sextet: 3rd Movement | — | ||
| 9-4 | Sextet: 4th Movement | — | ||
| 9-5 | Sextet: 5th Movement | — | ||
| 9-6 | Six Marimbas | — | ||
| 10-1 | Different Trains: I. America - Before the War | Kronos Quartet | — | |
| 10-2 | Different Trains: II. Europe - During the War | Kronos Quartet | — | |
| 10-3 | Different Trains: III. After the War | Kronos Quartet | — | |
| 10-4 | Electric Counterpoint: I. Fast | Pat Metheny | — | |
| 10-5 | Electric Counterpoint: II. Slow | Pat Metheny | — | |
| 10-6 | Electric Counterpoint: III. Fast | Pat Metheny | — | |
| 11-1 | The Four Sections: I. Strings (with Winds and Brass) | — | ||
| 11-2 | The Four Sections: II. Percussion | — | ||
| 11-3 | The Four Sections: III. Winds and Brass (with Strings) | — | ||
| 11-4 | The Four Sections: IV. Full Orchestra | — | ||
| 11-5 | Music for Mallet Instruments, Voices and Organ | — | ||
| 12-1 | The Cave, Act 1 Scene 1: Typing Music (Genesis XVI) | — | ||
| 12-2 | The Cave, Act 1 Scene 2: Who Is Abraham? | — | ||
| 12-3 | The Cave, Act 1 Scene 3: Genesis XII | — | ||
| 12-4 | The Cave, Act 1 Scene 4: Who Is Sarah? | — | ||
| 12-5 | The Cave, Act 1 Scene 5: Who Is Hagar? | — | ||
| 12-6 | The Cave, Act 1 Scene 6: Typing Music Repeat | — | ||
| 12-7 | The Cave, Act 1 Scene 7: Who Is Ishmael? | — | ||
| 12-8 | The Cave, Act 1 Scene 8: Genesis XVIII | — | ||
| 12-9 | The Cave, Act 1 Scene 9: Who Is Isaac? | — | ||
| 12-10 | The Cave, Act 1 Scene 10: Genesis XX | — | ||
| 12-11 | The Cave, Act 1 Scene 11: The Casting Out of Ishmael and Hagar | — | ||
| 12-12 | The Cave, Act 1 Scene 12: Machpelah Commentary | — | ||
| 12-13 | The Cave, Act 1 Scene 13: Genesis XXV | — | ||
| 12-14 | The Cave, Act 1 Scene 14: Interior of the Cave | — | ||
| 12-15 | The Cave, Act 2 Scene 1: Surah 3 | — | ||
| 13-1 | The Cave, Act 2 Scene 2: Who Is Ibrahim? | — | ||
| 13-2 | The Cave, Act 2 Scene 3: Who Is Hajar? | — | ||
| 13-3 | The Cave, Act 2 Scene 4: The Near Sacrifice | — | ||
| 13-4 | The Cave, Act 2 Scene 5: El Khalil Commentary | — | ||
| 13-5 | The Cave, Act 2 Scene 6: Interior of the Cave | — | ||
| 13-6 | The Cave, Act 3 Scene 1: Who Is Abraham? | — | ||
| 13-7 | The Cave, Act 3 Scene 2: Who Is Sarah? | — | ||
| 13-8 | The Cave, Act 3 Scene 3: Who Is Hagar? | — | ||
| 13-9 | The Cave, Act 3 Scene 4: Who Is Ishmael? | — | ||
| 13-10 | The Cave, Act 3 Scene 5: The Binding of Isaac | — | ||
| 13-11 | The Cave, Act 3 Scene 6: The Cave of Machpelah | — | ||
| 14-1 | Proverb | Steve Reich | — | |
| 14-2 | Nagoya Marimba | — | ||
| 14-3 | City Life: I. Check It Out | — | ||
| 14-4 | City Life: II. Pile Driver / Alarms | — | ||
| 14-5 | City Life: III. It's Been a Honeymoon - Can't Take No Mo | — | ||
| 14-6 | City Life: IV. Heartbeats / Boats & Buoys | — | ||
| 14-7 | City Life: V. Heavy Smoke | — | ||
| 15-1 | Triple Quartet: First Movement | Kronos Quartet | T-070.160.313-5 | |
| 15-2 | Triple Quartet: Second Movement | Kronos Quartet | — | |
| 15-3 | Triple Quartet: 3. Third Movement | Steve Reich | — | |
| 15-4 | Electric Guitar Phase | — | ||
| 15-5 | Music for a Large Ensemble | — | ||
| 15-6 | Tokyo / Vermont Counterpoint | — | ||
| 16-1 | Three Tales, Act 1 - Hindenburg: Nibelung Zeppelin | — | ||
| 16-2 | Three Tales, Act 1 - Hindenburg: A Very Impressive Thing to See | — | ||
| 16-3 | Three Tales, Act 1 - Hindenburg: I Couldn't Understand It | — | ||
| 16-4 | Three Tales, Act 2 - Bikini: In the Air - 1 | — | ||
| 16-5 | Three Tales, Act 2 - Bikini: The Atoll - 1 | — | ||
| 16-6 | Three Tales, Act 2 - Bikini: On the Ships - 1 | — | ||
| 16-7 | Three Tales, Act 2 - Bikini: In the Air - 2 | — | ||
| 16-8 | Three Tales, Act 2 - Bikini: The Atoll - 2 | — | ||
| 16-9 | Three Tales, Act 2 - Bikini: On the Ships - 2 | — | ||
| 16-10 | Three Tales, Act 2 - Bikini: In the Air - 3 | — | ||
| 16-11 | Three Tales, Act 2 - Bikini: The Atoll - 3 | — | ||
| 16-12 | Three Tales, Act 2 - Bikini: On the Ships - 3 | — | ||
| 16-13 | Three Tales, Act 2 - Bikini: Coda | — | ||
| 16-14 | Three Tales, Act 3 - Dolly: Cloning | — | ||
| 16-15 | Three Tales, Act 3 - Dolly: Dolly | — | ||
| 16-16 | Three Tales, Act 3 - Dolly: Human Body Machine | — | ||
| 16-17 | Three Tales, Act 3 - Dolly: Darwin | — | ||
| 16-18 | Three Tales, Act 3 - Dolly (interlude) | — | ||
| 16-19 | Three Tales, Act 3 - Dolly: Robot / Cyborgs / Immortality | — | ||
| 17-1 | It Could Not Have Been a Technical Matter | — | ||
| 17-2 | Nibelung Zeppelin | — | ||
| 17-3 | A Very Impressive Thing to See | — | ||
| 17-4 | I Couldn't Understand It | — | ||
| 17-5 | In the Air - 1 | — | ||
| 17-6 | The Atoll - 1 | — | ||
| 17-7 | On the Ships - 1 | — | ||
| 17-8 | In the Air - 2 | — | ||
| 17-9 | The Atoll - 2 | — | ||
| 17-10 | On the Ships - 2 | — | ||
| 17-11 | In the Air - 3 | — | ||
| 17-12 | The Atoll - 3 | — | ||
| 17-13 | On the Ships - 3 | — | ||
| 17-14 | Coda | — | ||
| 17-15 | Cloning | — | ||
| 17-16 | Dolly | — | ||
| 17-17 | Human Body Machine | — | ||
| 17-18 | Darwin | — | ||
| 17-19 | Interlude | — | ||
| 17-20 | Robot / Cyborgs / Immortality | — | ||
| 18-1 | You Are (Variations): I. You Are Wherever Your Thoughts Are | — | ||
| 18-2 | You Are (Variations): II. Shiviti Hashem L'negdi (I Place The Eternal Before Me) | — | ||
| 18-3 | You Are (Variations): III. Explanations Come To An End Somewhere | — | ||
| 18-4 | You Are (Variations): IV. Ehmor M'aht, V'ahsay Harbay (Say Little And Do Much) | — | ||
| 18-5 | Cello Counterpoint | — | ||
| 19-1 | Daniel Variations: I. I Saw a Dream | — | ||
| 19-2 | Daniel Variations: II. My Name Is Daniel Pearl (I'm a Jewish American From Encino, California) | — | ||
| 19-3 | Daniel Variations: III. Let the Dream Fall Back on the Dreaded | — | ||
| 19-4 | Daniel Variations: IV. I Sure Hope Gabriel Likes My Music, When the Day Is Done | — | ||
| 19-5 | Variations for Vibes, Pianos, and Strings: I. Fast | — | ||
| 19-6 | Variations for Vibes, Pianos, and Strings: II. Slow | — | ||
| 19-7 | Variations for Vibes, Pianos, and Strings: III. Fast | — | ||
| 20-1 | Double Sextet: I. Fast | eighth blackbird | — | |
| 20-2 | Double Sextet: II. Slow | eighth blackbird | — | |
| 20-3 | Double Sextet: III. Fast | eighth blackbird | — | |
| 20-4 | 2x5: I. Fast | Bang on a Can | — | |
| 20-5 | 2x5: II. Slow | Bang on a Can | — | |
| 20-6 | 2x5: III. Fast | Bang on a Can | — | |
| 21-1 | WTC 9/11: I. 9/11 | Steve Reich | — | |
| 21-2 | WTC 9/11: II. 2010 | Steve Reich | — | |
| 21-3 | WTC 9/11: III. WTC | Steve Reich | — | |
| 21-4 | Mallet Quartet: I. Fast | Steve Reich | — | |
| 21-5 | Mallet Quartet: II. Slow | Steve Reich | — | |
| 21-6 | Mallet Quartet: III. Fast | Steve Reich | — | |
| 21-7 | Dance Patterns | Steve Reich | — | |
| 22-1 | Electric Counterpoint: I. Fast | Jonny Greenwood | — | |
| 22-2 | Electric Counterpoint: II. Slow | Jonny Greenwood | — | |
| 22-3 | Electric Counterpoint: III. Fast | Jonny Greenwood | — | |
| 22-4 | Piano Counterpoint | Vicky Chow | — | |
| 22-5 | Radio Rewrite: I. Fast | Alarm Will Sound, Alan Pierson | — | |
| 22-6 | Radio Rewrite: II. Slow | Alarm Will Sound, Alan Pierson | — | |
| 22-7 | Radio Rewrite: III. Fast | Alarm Will Sound, Alan Pierson | — | |
| 22-8 | Radio Rewrite: IV. Slow | Alarm Will Sound, Alan Pierson | — | |
| 22-9 | Radio Rewrite: V. Fast | Alarm Will Sound, Alan Pierson | — | |
| 23-1 | Pulse | Steve Reich | — | |
| 23-2 | Quartet: I. Fast | Steve Reich | — | |
| 23-3 | Quartet: II. Slow | Steve Reich | — | |
| 23-4 | Quartet: III. Fast | Steve Reich | — | |
| 24-1 | Runner: I. Sixteenths | Los Angeles Philharmonic, Susanna Mälkki | — | |
| 24-2 | Runner: II. Eighths | Los Angeles Philharmonic, Susanna Mälkki | — | |
| 24-3 | Runner: III. Quarters | Los Angeles Philharmonic, Susanna Mälkki | — | |
| 24-4 | Runner: IV. Eighths | Los Angeles Philharmonic, Susanna Mälkki | — | |
| 24-5 | Runner: V. Sixteenths | Los Angeles Philharmonic, Susanna Mälkki | — | |
| 24-6 | Music for Ensemble and Orchestra: I. Sixteenths | Los Angeles Philharmonic, Susanna Mälkki | — | |
| 24-7 | Music for Ensemble and Orchestra: II. Eighths | Los Angeles Philharmonic, Susanna Mälkki | — | |
| 24-8 | Music for Ensemble and Orchestra: III. Quarters | Los Angeles Philharmonic, Susanna Mälkki | — | |
| 24-9 | Music for Ensemble and Orchestra: IV. Eighths | Los Angeles Philharmonic, Susanna Mälkki | — | |
| 24-10 | Music for Ensemble and Orchestra: V. Sixteenths | Los Angeles Philharmonic, Susanna Mälkki | — | |
| 25-1 | Reich/Richter: Opening | — | ||
| 25-2 | Reich/Richter: Patterns & Scales | — | ||
| 25-3 | Reich/Richter: Cross Fades | — | ||
| 25-4 | Reich/Richter: Ending | — | ||
| 26-1 | Jacob’s Ladder: I. Genesis 28:12 | Synergy Vocals, New York Philharmonic, Jaap van Zweden | — | |
| 26-2 | Jacob’s Ladder: II. Vayachalom (And he dreamed) | Synergy Vocals, New York Philharmonic, Jaap van Zweden | — | |
| 26-3 | Jacob’s Ladder: III. V’hinei, sulam mutzav artza (And behold, a ladder set up on the Earth) | Synergy Vocals, New York Philharmonic, Jaap van Zweden | — | |
| 26-4 | Jacob’s Ladder: IV. V’rosho magia hashamayima (And its top reached heaven) | Synergy Vocals, New York Philharmonic, Jaap van Zweden | — | |
| 26-5 | Jacob’s Ladder: V. V’hinei, malachei Elokim olim v’yordim bo (And behold, messengers of G-d ascending and descending on it) | Synergy Vocals, New York Philharmonic, Jaap van Zweden | — | |
| 26-6 | Traveler’s Prayer | Colin Currie, Synergy Vocals, Colin Currie Group | T-932.789.850-0 | |
| 27-1 | Music for 18 Musicians: Pulses | Steve Reich and Musicians | — | |
| 27-2 | Music For 18 Musicians: Section 1 | — | ||
| 27-3 | Music For 18 Musicians: Section 2 | — | ||
| 27-4 | Music For 18 Musicians: Section 3a | — | ||
| 27-5 | Music For 18 Musicians: Section 3b | — | ||
| 27-6 | Music For 18 Musicians: Section 4 | — | ||
| 27-7 | Music For 18 Musicians: Section 5 | — | ||
| 27-8 | Music For 18 Musicians: Section 6 | — | ||
| 27-9 | Music For 18 Musicians: Section 7 | — | ||
| 27-10 | Music For 18 Musicians: Section 8 | — | ||
| 27-11 | Music For 18 Musicians: Section 9 | — | ||
| 27-12 | Music For 18 Musicians: Section 10 | — | ||
| 27-13 | Music For 18 Musicians: Section 11 | — | ||
| 27-14 | Music for 18 Musicians: Pulses | Steve Reich and Musicians | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
075597904185 is a Universal Product Code (UPC) assigned to Collected Works by Steve Reich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 218 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| 2x5: I. Fast | Bang on a Can | — |
| 2x5: II. Slow | Bang on a Can | — |
| 2x5: III. Fast | Bang on a Can | — |
| Music for 18 Musicians: Section I | Steve Reich and Musicians | — |
| Music for 18 Musicians: Section II | Steve Reich and Musicians | — |
| Music for 18 Musicians: Section IIIA | Steve Reich and Musicians | — |
| Music for 18 Musicians: Section IIIB | Steve Reich and Musicians | — |
| Music for 18 Musicians: Section IV | Steve Reich and Musicians | — |
| Music for 18 Musicians: Section V | Steve Reich and Musicians | — |
| Music for 18 Musicians: Section VI | Steve Reich and Musicians | — |
| Music for 18 Musicians: Section VII | Steve Reich and Musicians | — |
| Music for 18 Musicians: Section VIII | Steve Reich and Musicians | — |
| Music for 18 Musicians: Section IX | Steve Reich and Musicians | — |
| Music for 18 Musicians: Section X | Steve Reich and Musicians | — |
| Music for 18 Musicians: Section XI | Steve Reich and Musicians | — |
Creative Contributors (ISNI)
The UPC for “Collected Works” by Steve Reich is 075597904185. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2025-03-14. This release contains 218 tracks, each with its own ISRC. Tracks include DEN961403680, FRX087020001, FRX087020002.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Come Out | — | ||
| 2 | Piano Phase | — | ||
| 3 | Clapping Music | — | ||
| 4 | It's Gonna Rain, Pt. I | — | ||
| 5 | It's Gonna Rain, Pt. II | — | ||
| 2-1 | Piano Phase for Two Pianos | Mahan Esfahani | — | |
| 2-2 | Pendulum Music | — | ||
| 2-3 | Four Organs | Steve Chambers, Jon Gibson, Philip Glass, Art Murphy, Steve Reich | T-700.057.248-7 | |
| 2-4 | Phase Patterns | Steve Chambers, Jon Gibson, Art Murphy, Steve Reich | T-700.057.266-9 | |
| 3-1 | Drumming: Part I | Steve Reich and Musicians | T-802.401.913-5 | |
| 3-2 | Drumming: Part II | Steve Reich and Musicians | T-072.283.280-5 | |
| 3-3 | Drumming: Part III | Steve Reich and Musicians | — | |
| 3-4 | Drumming: Part IV | Steve Reich and Musicians | — | |
| 4-1 | Duet | — | ||
| 4-2 | Music for Mallet Instruments, Voices and Organ | — | ||
| 4-3 | Six Pianos | — | ||
| 4-4 | Variations for Winds, Strings and Keyboards | — | ||
| 4-5 | Vermont Counterpoint | — | ||
| 5-1 | Music for 18 Musicians: Pulses | Steve Reich and Musicians | — | |
| 5-2 | Music for 18 Musicians: Section I | Steve Reich and Musicians | — | |
| 5-3 | Music for 18 Musicians: Section II | Steve Reich and Musicians | — | |
| 5-4 | Music for 18 Musicians: Section IIIA | Steve Reich and Musicians | — | |
| 5-5 | Music for 18 Musicians: Section IIIB | Steve Reich and Musicians | — | |
| 5-6 | Music for 18 Musicians: Section IV | Steve Reich and Musicians | — | |
| 5-7 | Music for 18 Musicians: Section V | Steve Reich and Musicians | — | |
| 5-8 | Music for 18 Musicians: Section VI | Steve Reich and Musicians | — | |
| 5-9 | Music for 18 Musicians: Section VII | Steve Reich and Musicians | — | |
| 5-10 | Music for 18 Musicians: Section VIII | Steve Reich and Musicians | — | |
| 5-11 | Music for 18 Musicians: Section IX | Steve Reich and Musicians | — | |
| 5-12 | Music for 18 Musicians: Section X | Steve Reich and Musicians | — | |
| 5-13 | Music for 18 Musicians: Section XI | Steve Reich and Musicians | — | |
| 5-14 | Music for 18 Musicians: Pulses | Steve Reich and Musicians | — | |
| 6-1 | New York Counterpoint: I. Fast | — | ||
| 6-2 | New York Counterpoint: II. Slow | — | ||
| 6-3 | New York Counterpoint: III. Fast | — | ||
| 6-4 | Eight Lines (Octet) | — | ||
| 6-5 | Four Organs | — | ||
| 7-1 | Tehillim, Part I: Fast | Barbara Borden, Schönberg Ensemble, Percussion Group The Hague, Reinbert de Leeuw | — | |
| 7-2 | Tehillim, Part II: Fast | Barbara Borden, Schönberg Ensemble, Percussion Group The Hague, Reinbert de Leeuw | — | |
| 7-3 | Tehillim, Part III: Slow | Barbara Borden, Schönberg Ensemble, Percussion Group The Hague, Reinbert de Leeuw | — | |
| 7-4 | Tehillim, Pt. IV (Fast) | — | ||
| 7-5 | Three Movements: I. Quarter Note=176 | — | ||
| 7-6 | Three Movements: II. Quarter Note=88 | — | ||
| 7-7 | Three Movements: III. Quarter Note=176 | — | ||
| 8-1 | The Desert Music: I. Fast | Steve Reich | — | |
| 8-2 | The Desert Music: II. Moderate | Steve Reich | — | |
| 8-3 | The Desert Music: III. Part One: Slow | Steve Reich | — | |
| 8-4 | The Desert Music: III. Part Two: Moderate | Steve Reich | — | |
| 8-5 | The Desert Music: III. Part Three: Slow | Steve Reich | — | |
| 8-6 | The Desert Music: IV. Moderate | Steve Reich | — | |
| 8-7 | The Desert Music: V. Fast | Steve Reich | — | |
| 9-1 | Sextet: 1st Movement | — | ||
| 9-2 | Sextet: 2nd Movement | — | ||
| 9-3 | Sextet: 3rd Movement | — | ||
| 9-4 | Sextet: 4th Movement | — | ||
| 9-5 | Sextet: 5th Movement | — | ||
| 9-6 | Six Marimbas | — | ||
| 10-1 | Different Trains: I. America - Before the War | Kronos Quartet | — | |
| 10-2 | Different Trains: II. Europe - During the War | Kronos Quartet | — | |
| 10-3 | Different Trains: III. After the War | Kronos Quartet | — | |
| 10-4 | Electric Counterpoint: I. Fast | Pat Metheny | — | |
| 10-5 | Electric Counterpoint: II. Slow | Pat Metheny | — | |
| 10-6 | Electric Counterpoint: III. Fast | Pat Metheny | — | |
| 11-1 | The Four Sections: I. Strings (with Winds and Brass) | — | ||
| 11-2 | The Four Sections: II. Percussion | — | ||
| 11-3 | The Four Sections: III. Winds and Brass (with Strings) | — | ||
| 11-4 | The Four Sections: IV. Full Orchestra | — | ||
| 11-5 | Music for Mallet Instruments, Voices and Organ | — | ||
| 12-1 | The Cave, Act 1 Scene 1: Typing Music (Genesis XVI) | — | ||
| 12-2 | The Cave, Act 1 Scene 2: Who Is Abraham? | — | ||
| 12-3 | The Cave, Act 1 Scene 3: Genesis XII | — | ||
| 12-4 | The Cave, Act 1 Scene 4: Who Is Sarah? | — | ||
| 12-5 | The Cave, Act 1 Scene 5: Who Is Hagar? | — | ||
| 12-6 | The Cave, Act 1 Scene 6: Typing Music Repeat | — | ||
| 12-7 | The Cave, Act 1 Scene 7: Who Is Ishmael? | — | ||
| 12-8 | The Cave, Act 1 Scene 8: Genesis XVIII | — | ||
| 12-9 | The Cave, Act 1 Scene 9: Who Is Isaac? | — | ||
| 12-10 | The Cave, Act 1 Scene 10: Genesis XX | — | ||
| 12-11 | The Cave, Act 1 Scene 11: The Casting Out of Ishmael and Hagar | — | ||
| 12-12 | The Cave, Act 1 Scene 12: Machpelah Commentary | — | ||
| 12-13 | The Cave, Act 1 Scene 13: Genesis XXV | — | ||
| 12-14 | The Cave, Act 1 Scene 14: Interior of the Cave | — | ||
| 12-15 | The Cave, Act 2 Scene 1: Surah 3 | — | ||
| 13-1 | The Cave, Act 2 Scene 2: Who Is Ibrahim? | — | ||
| 13-2 | The Cave, Act 2 Scene 3: Who Is Hajar? | — | ||
| 13-3 | The Cave, Act 2 Scene 4: The Near Sacrifice | — | ||
| 13-4 | The Cave, Act 2 Scene 5: El Khalil Commentary | — | ||
| 13-5 | The Cave, Act 2 Scene 6: Interior of the Cave | — | ||
| 13-6 | The Cave, Act 3 Scene 1: Who Is Abraham? | — | ||
| 13-7 | The Cave, Act 3 Scene 2: Who Is Sarah? | — | ||
| 13-8 | The Cave, Act 3 Scene 3: Who Is Hagar? | — | ||
| 13-9 | The Cave, Act 3 Scene 4: Who Is Ishmael? | — | ||
| 13-10 | The Cave, Act 3 Scene 5: The Binding of Isaac | — | ||
| 13-11 | The Cave, Act 3 Scene 6: The Cave of Machpelah | — | ||
| 14-1 | Proverb | Steve Reich | — | |
| 14-2 | Nagoya Marimba | — | ||
| 14-3 | City Life: I. Check It Out | — | ||
| 14-4 | City Life: II. Pile Driver / Alarms | — | ||
| 14-5 | City Life: III. It's Been a Honeymoon - Can't Take No Mo | — | ||
| 14-6 | City Life: IV. Heartbeats / Boats & Buoys | — | ||
| 14-7 | City Life: V. Heavy Smoke | — | ||
| 15-1 | Triple Quartet: First Movement | Kronos Quartet | T-070.160.313-5 | |
| 15-2 | Triple Quartet: Second Movement | Kronos Quartet | — | |
| 15-3 | Triple Quartet: 3. Third Movement | Steve Reich | — | |
| 15-4 | Electric Guitar Phase | — | ||
| 15-5 | Music for a Large Ensemble | — | ||
| 15-6 | Tokyo / Vermont Counterpoint | — | ||
| 16-1 | Three Tales, Act 1 - Hindenburg: Nibelung Zeppelin | — | ||
| 16-2 | Three Tales, Act 1 - Hindenburg: A Very Impressive Thing to See | — | ||
| 16-3 | Three Tales, Act 1 - Hindenburg: I Couldn't Understand It | — | ||
| 16-4 | Three Tales, Act 2 - Bikini: In the Air - 1 | — | ||
| 16-5 | Three Tales, Act 2 - Bikini: The Atoll - 1 | — | ||
| 16-6 | Three Tales, Act 2 - Bikini: On the Ships - 1 | — | ||
| 16-7 | Three Tales, Act 2 - Bikini: In the Air - 2 | — | ||
| 16-8 | Three Tales, Act 2 - Bikini: The Atoll - 2 | — | ||
| 16-9 | Three Tales, Act 2 - Bikini: On the Ships - 2 | — | ||
| 16-10 | Three Tales, Act 2 - Bikini: In the Air - 3 | — | ||
| 16-11 | Three Tales, Act 2 - Bikini: The Atoll - 3 | — | ||
| 16-12 | Three Tales, Act 2 - Bikini: On the Ships - 3 | — | ||
| 16-13 | Three Tales, Act 2 - Bikini: Coda | — | ||
| 16-14 | Three Tales, Act 3 - Dolly: Cloning | — | ||
| 16-15 | Three Tales, Act 3 - Dolly: Dolly | — | ||
| 16-16 | Three Tales, Act 3 - Dolly: Human Body Machine | — | ||
| 16-17 | Three Tales, Act 3 - Dolly: Darwin | — | ||
| 16-18 | Three Tales, Act 3 - Dolly (interlude) | — | ||
| 16-19 | Three Tales, Act 3 - Dolly: Robot / Cyborgs / Immortality | — | ||
| 17-1 | It Could Not Have Been a Technical Matter | — | ||
| 17-2 | Nibelung Zeppelin | — | ||
| 17-3 | A Very Impressive Thing to See | — | ||
| 17-4 | I Couldn't Understand It | — | ||
| 17-5 | In the Air - 1 | — | ||
| 17-6 | The Atoll - 1 | — | ||
| 17-7 | On the Ships - 1 | — | ||
| 17-8 | In the Air - 2 | — | ||
| 17-9 | The Atoll - 2 | — | ||
| 17-10 | On the Ships - 2 | — | ||
| 17-11 | In the Air - 3 | — | ||
| 17-12 | The Atoll - 3 | — | ||
| 17-13 | On the Ships - 3 | — | ||
| 17-14 | Coda | — | ||
| 17-15 | Cloning | — | ||
| 17-16 | Dolly | — | ||
| 17-17 | Human Body Machine | — | ||
| 17-18 | Darwin | — | ||
| 17-19 | Interlude | — | ||
| 17-20 | Robot / Cyborgs / Immortality | — | ||
| 18-1 | You Are (Variations): I. You Are Wherever Your Thoughts Are | — | ||
| 18-2 | You Are (Variations): II. Shiviti Hashem L'negdi (I Place The Eternal Before Me) | — | ||
| 18-3 | You Are (Variations): III. Explanations Come To An End Somewhere | — | ||
| 18-4 | You Are (Variations): IV. Ehmor M'aht, V'ahsay Harbay (Say Little And Do Much) | — | ||
| 18-5 | Cello Counterpoint | — | ||
| 19-1 | Daniel Variations: I. I Saw a Dream | — | ||
| 19-2 | Daniel Variations: II. My Name Is Daniel Pearl (I'm a Jewish American From Encino, California) | — | ||
| 19-3 | Daniel Variations: III. Let the Dream Fall Back on the Dreaded | — | ||
| 19-4 | Daniel Variations: IV. I Sure Hope Gabriel Likes My Music, When the Day Is Done | — | ||
| 19-5 | Variations for Vibes, Pianos, and Strings: I. Fast | — | ||
| 19-6 | Variations for Vibes, Pianos, and Strings: II. Slow | — | ||
| 19-7 | Variations for Vibes, Pianos, and Strings: III. Fast | — | ||
| 20-1 | Double Sextet: I. Fast | eighth blackbird | — | |
| 20-2 | Double Sextet: II. Slow | eighth blackbird | — | |
| 20-3 | Double Sextet: III. Fast | eighth blackbird | — | |
| 20-4 | 2x5: I. Fast | Bang on a Can | — | |
| 20-5 | 2x5: II. Slow | Bang on a Can | — | |
| 20-6 | 2x5: III. Fast | Bang on a Can | — | |
| 21-1 | WTC 9/11: I. 9/11 | Steve Reich | — | |
| 21-2 | WTC 9/11: II. 2010 | Steve Reich | — | |
| 21-3 | WTC 9/11: III. WTC | Steve Reich | — | |
| 21-4 | Mallet Quartet: I. Fast | Steve Reich | — | |
| 21-5 | Mallet Quartet: II. Slow | Steve Reich | — | |
| 21-6 | Mallet Quartet: III. Fast | Steve Reich | — | |
| 21-7 | Dance Patterns | Steve Reich | — | |
| 22-1 | Electric Counterpoint: I. Fast | Jonny Greenwood | — | |
| 22-2 | Electric Counterpoint: II. Slow | Jonny Greenwood | — | |
| 22-3 | Electric Counterpoint: III. Fast | Jonny Greenwood | — | |
| 22-4 | Piano Counterpoint | Vicky Chow | — | |
| 22-5 | Radio Rewrite: I. Fast | Alarm Will Sound, Alan Pierson | — | |
| 22-6 | Radio Rewrite: II. Slow | Alarm Will Sound, Alan Pierson | — | |
| 22-7 | Radio Rewrite: III. Fast | Alarm Will Sound, Alan Pierson | — | |
| 22-8 | Radio Rewrite: IV. Slow | Alarm Will Sound, Alan Pierson | — | |
| 22-9 | Radio Rewrite: V. Fast | Alarm Will Sound, Alan Pierson | — | |
| 23-1 | Pulse | Steve Reich | — | |
| 23-2 | Quartet: I. Fast | Steve Reich | — | |
| 23-3 | Quartet: II. Slow | Steve Reich | — | |
| 23-4 | Quartet: III. Fast | Steve Reich | — | |
| 24-1 | Runner: I. Sixteenths | Los Angeles Philharmonic, Susanna Mälkki | — | |
| 24-2 | Runner: II. Eighths | Los Angeles Philharmonic, Susanna Mälkki | — | |
| 24-3 | Runner: III. Quarters | Los Angeles Philharmonic, Susanna Mälkki | — | |
| 24-4 | Runner: IV. Eighths | Los Angeles Philharmonic, Susanna Mälkki | — | |
| 24-5 | Runner: V. Sixteenths | Los Angeles Philharmonic, Susanna Mälkki | — | |
| 24-6 | Music for Ensemble and Orchestra: I. Sixteenths | Los Angeles Philharmonic, Susanna Mälkki | — | |
| 24-7 | Music for Ensemble and Orchestra: II. Eighths | Los Angeles Philharmonic, Susanna Mälkki | — | |
| 24-8 | Music for Ensemble and Orchestra: III. Quarters | Los Angeles Philharmonic, Susanna Mälkki | — | |
| 24-9 | Music for Ensemble and Orchestra: IV. Eighths | Los Angeles Philharmonic, Susanna Mälkki | — | |
| 24-10 | Music for Ensemble and Orchestra: V. Sixteenths | Los Angeles Philharmonic, Susanna Mälkki | — | |
| 25-1 | Reich/Richter: Opening | — | ||
| 25-2 | Reich/Richter: Patterns & Scales | — | ||
| 25-3 | Reich/Richter: Cross Fades | — | ||
| 25-4 | Reich/Richter: Ending | — | ||
| 26-1 | Jacob’s Ladder: I. Genesis 28:12 | Synergy Vocals, New York Philharmonic, Jaap van Zweden | — | |
| 26-2 | Jacob’s Ladder: II. Vayachalom (And he dreamed) | Synergy Vocals, New York Philharmonic, Jaap van Zweden | — | |
| 26-3 | Jacob’s Ladder: III. V’hinei, sulam mutzav artza (And behold, a ladder set up on the Earth) | Synergy Vocals, New York Philharmonic, Jaap van Zweden | — | |
| 26-4 | Jacob’s Ladder: IV. V’rosho magia hashamayima (And its top reached heaven) | Synergy Vocals, New York Philharmonic, Jaap van Zweden | — | |
| 26-5 | Jacob’s Ladder: V. V’hinei, malachei Elokim olim v’yordim bo (And behold, messengers of G-d ascending and descending on it) | Synergy Vocals, New York Philharmonic, Jaap van Zweden | — | |
| 26-6 | Traveler’s Prayer | Colin Currie, Synergy Vocals, Colin Currie Group | T-932.789.850-0 | |
| 27-1 | Music for 18 Musicians: Pulses | Steve Reich and Musicians | — | |
| 27-2 | Music For 18 Musicians: Section 1 | — | ||
| 27-3 | Music For 18 Musicians: Section 2 | — | ||
| 27-4 | Music For 18 Musicians: Section 3a | — | ||
| 27-5 | Music For 18 Musicians: Section 3b | — | ||
| 27-6 | Music For 18 Musicians: Section 4 | — | ||
| 27-7 | Music For 18 Musicians: Section 5 | — | ||
| 27-8 | Music For 18 Musicians: Section 6 | — | ||
| 27-9 | Music For 18 Musicians: Section 7 | — | ||
| 27-10 | Music For 18 Musicians: Section 8 | — | ||
| 27-11 | Music For 18 Musicians: Section 9 | — | ||
| 27-12 | Music For 18 Musicians: Section 10 | — | ||
| 27-13 | Music For 18 Musicians: Section 11 | — | ||
| 27-14 | Music for 18 Musicians: Pulses | Steve Reich and Musicians | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| 2x5: I. Fast | Bang on a Can | — |
| 2x5: II. Slow | Bang on a Can | — |
| 2x5: III. Fast | Bang on a Can | — |
| Music for 18 Musicians: Section I | Steve Reich and Musicians | — |
| Music for 18 Musicians: Section II | Steve Reich and Musicians | — |
| Music for 18 Musicians: Section IIIA | Steve Reich and Musicians | — |
| Music for 18 Musicians: Section IIIB | Steve Reich and Musicians | — |
| Music for 18 Musicians: Section IV | Steve Reich and Musicians | — |
| Music for 18 Musicians: Section V | Steve Reich and Musicians | — |
| Music for 18 Musicians: Section VI | Steve Reich and Musicians | — |
| Music for 18 Musicians: Section VII | Steve Reich and Musicians | — |
| Music for 18 Musicians: Section VIII | Steve Reich and Musicians | — |
| Music for 18 Musicians: Section IX | Steve Reich and Musicians | — |
| Music for 18 Musicians: Section X | Steve Reich and Musicians | — |
| Music for 18 Musicians: Section XI | Steve Reich and Musicians | — |
