UPC · Release
A Nonesuch Retrospective
Elliott Carter
075597992212
62 tracksReleased 2009-01-01Nonesuch
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075597992212 is the Universal Product Code (UPC barcode) for the release “A Nonesuch Retrospective” by Elliott Carter, released 2009-01-01 on Nonesuch. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 62 tracks, each with its own ISRC.
Format
0Number system
75597Manufacturer
99221Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (62)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Sonata: I. Maestoso | — | ||
| 2 | Piano Sonata: II. Andante | — | ||
| 3 | Dust of Snow | — | ||
| 4 | The Rose Family | — | ||
| 5 | The Minotaur: Scene 1, King Minos' Palace in Crete: I. Overture | — | ||
| 6 | The Minotaur: Scene 1, King Minos' Palace in Crete: II. Queen Pasiphaë Prepares for a Tryst With the Sacred Bull | — | ||
| 7 | The Minotaur: Scene 1, King Minos' Palace in Crete: III. Entrance of the Bulls and the Sacred Bull | — | ||
| 8 | The Minotaur: Scene 1, King Minos' Palace in Crete: IV. Dance of the Bulls and Pasiphaë with the Sacred Bull | — | ||
| 9 | The Minotaur: Scene 1, King Minos' Palace in Crete: V. Interlude: Pasiphaë's heartbeat becomes the Pounding of Hammers Used in Building the Labyrinth | — | ||
| 10 | The Minotaur: Scene 2, Before the Labyrinth: I. Building the Labyrinth to Imprison the Minotaur who Destroys Men | — | ||
| 11 | The Minotaur: Scene 2, Before the Labyrinth: II. Entrance of King Minos | — | ||
| 12 | The Minotaur: Scene 2, Before the Labyrinth: III. Selection of Greek Victims to be Sent Into the Labyrinth | — | ||
| 13 | The Minotaur: Scene 2, Before the Labyrinth: IV. Ariadne, Princess of Crete, Dances with Theseus, a Greek Victim | — | ||
| 14 | The Minotaur: Scene 2, Before the Labyrinth: V. Greek Victims are Driven Into the Labyrinth | — | ||
| 15 | The Minotaur: Scene 2, Before the Labyrinth: VI. Theseus' Farewell to Ariadne as He Enters the Labyrinth | — | ||
| 16 | The Minotaur: Scene 2, Before the Labyrinth: VII. Ariadne Unwinds Her Thread as Theseus, Entering the Labyrinth, Pulls the Thread After Him | — | ||
| 17 | The Minotaur: Scene 2, Before the Labyrinth: VIII. Theseus Fights and Kills the Minotaur (as His Movements are Transmitted to Ariadne who is Holding the Other End of the Thread) | — | ||
| 18 | The Minotaur: Scene 2, Before the Labyrinth: IX. Ariadne Rewinds Her Thread to Lead Theseus out of the Labyrinth | — | ||
| 19 | The Minotaur: Scene 2, Before the Labyrinth: X. The Thread Breaks. Ariadne is Greatly Dismayed | — | ||
| 20 | The Minotaur: Scene 2, Before the Labyrinth: XI. Theseus and Some of the Greeks Emerge From the Labyrinth and Rejoice | — | ||
| 21 | The Minotaur: Scene 2, Before the Labyrinth: XII. The Greeks and Theseus, Forgetting Ariadne, Leave Crete | — | ||
| 22 | Elegy for String Orchestra | — | ||
| 2-1 | Sonata for Cello and Piano: I. Moderato | — | ||
| 2-2 | Sonata for Cello and Piano: II. Vivace, molto leggiero | — | ||
| 2-3 | Sonata for Cello and Piano: III. Adagio | — | ||
| 2-4 | Sonata for Cello and Piano: IV. Allegro | — | ||
| 2-5 | String Quartet no. 1: I. Fantasia: Maestoso - Allegro scorrevole | — | ||
| 2-6 | String Quartet no. 1: II. Allegro scorrevole - Adagio | — | ||
| 2-7 | String Quartet no. 1: III. Variations | — | ||
| 2-8 | Sonata for Flute, Oboe, Cello and Harpsichord: I. Risoluto | — | ||
| 2-9 | Sonata for Flute, Oboe, Cello and Harpsichord: II. Lento | — | ||
| 2-10 | Sonata for Flute, Oboe, Cello and Harpsichord: III. Allegro | — | ||
| 3-1 | Variations for Orchestra | — | ||
| 3-2 | String Quartet no. 2: I. Introduction | — | ||
| 3-3 | String Quartet no. 2: II. (I) Allegro fantastico | — | ||
| 3-4 | String Quartet no. 2: III. Cadenza for Viola | — | ||
| 3-5 | String Quartet no. 2: IV. (II) Presto scherzando | — | ||
| 3-6 | String Quartet no. 2: V. Cadenza for Cello | — | ||
| 3-7 | String Quartet no. 2: VI. (III) Andante espressivo | — | ||
| 3-8 | String Quartet no. 2: VII. Cadenza for First Violin | — | ||
| 3-9 | String Quartet no. 2: VIII. (IV) Allegro | — | ||
| 3-10 | String Quartet no. 2: IX. Conclusion | — | ||
| 3-11 | Double Concerto for Harpsichord and Piano with Two Chamber Orchestras: I. Introduction | — | ||
| 3-12 | Double Concerto for Harpsichord and Piano with Two Chamber Orchestras: II. Cadenza for Harpsichord | — | ||
| 3-13 | Double Concerto for Harpsichord and Piano with Two Chamber Orchestras: III. Allegro scherzando | — | ||
| 3-14 | Double Concerto for Harpsichord and Piano with Two Chamber Orchestras: IV. Adagio | — | ||
| 3-15 | Double Concerto for Harpsichord and Piano with Two Chamber Orchestras: V. Presto | — | ||
| 3-16 | Double Concerto for Harpsichord and Piano with Two Chamber Orchestras: VI. Cadenzas for Piano | — | ||
| 3-17 | Double Concerto for Harpsichord and Piano with Two Chamber Orchestras: VII. Coda | — | ||
| 4-1 | Night Fantasies | — | ||
| 4-2 | Triple Duo: I. Allegro | — | ||
| 4-3 | Triple Duo: II. Vivo - Animato | — | ||
| 4-4 | Triple Duo: III. Allegretto | — | ||
| 4-5 | Triple Duo: IV. Vivo | — | ||
| 4-6 | Triple Duo: V. Maestoso - Lento - Maestoso - Scherzoso | — | ||
| 4-7 | Triple Duo: VI. Allegro fantastico | — | ||
| 4-8 | In Sleep, in Thunder: I. Dolphins | — | ||
| 4-9 | In Sleep, in Thunder: II. Across the Yard: La Ignota | — | ||
| 4-10 | In Sleep, in Thunder: III. Harriet | — | ||
| 4-11 | In Sleep, in Thunder: IV. Dies Irae | — | ||
| 4-12 | In Sleep, in Thunder: V. Careless Night | — | ||
| 4-13 | In Sleep, in Thunder: VI. In Genesis | — |
Piano Sonata: I. Maestoso
—
Piano Sonata: II. Andante
—
Dust of Snow
—
The Rose Family
—
The Minotaur: Scene 1, King Minos' Palace in Crete: I. Overture
—
The Minotaur: Scene 1, King Minos' Palace in Crete: II. Queen Pasiphaë Prepares for a Tryst With the Sacred Bull
—
The Minotaur: Scene 1, King Minos' Palace in Crete: III. Entrance of the Bulls and the Sacred Bull
—
The Minotaur: Scene 1, King Minos' Palace in Crete: IV. Dance of the Bulls and Pasiphaë with the Sacred Bull
—
The Minotaur: Scene 1, King Minos' Palace in Crete: V. Interlude: Pasiphaë's heartbeat becomes the Pounding of Hammers Used in Building the Labyrinth
—
The Minotaur: Scene 2, Before the Labyrinth: I. Building the Labyrinth to Imprison the Minotaur who Destroys Men
—
The Minotaur: Scene 2, Before the Labyrinth: II. Entrance of King Minos
—
The Minotaur: Scene 2, Before the Labyrinth: III. Selection of Greek Victims to be Sent Into the Labyrinth
—
The Minotaur: Scene 2, Before the Labyrinth: IV. Ariadne, Princess of Crete, Dances with Theseus, a Greek Victim
—
The Minotaur: Scene 2, Before the Labyrinth: V. Greek Victims are Driven Into the Labyrinth
—
The Minotaur: Scene 2, Before the Labyrinth: VI. Theseus' Farewell to Ariadne as He Enters the Labyrinth
—
The Minotaur: Scene 2, Before the Labyrinth: VII. Ariadne Unwinds Her Thread as Theseus, Entering the Labyrinth, Pulls the Thread After Him
—
The Minotaur: Scene 2, Before the Labyrinth: VIII. Theseus Fights and Kills the Minotaur (as His Movements are Transmitted to Ariadne who is Holding the Other End of the Thread)
—
The Minotaur: Scene 2, Before the Labyrinth: IX. Ariadne Rewinds Her Thread to Lead Theseus out of the Labyrinth
—
The Minotaur: Scene 2, Before the Labyrinth: X. The Thread Breaks. Ariadne is Greatly Dismayed
—
The Minotaur: Scene 2, Before the Labyrinth: XI. Theseus and Some of the Greeks Emerge From the Labyrinth and Rejoice
—
The Minotaur: Scene 2, Before the Labyrinth: XII. The Greeks and Theseus, Forgetting Ariadne, Leave Crete
—
Elegy for String Orchestra
—
Sonata for Cello and Piano: I. Moderato
—
Sonata for Cello and Piano: II. Vivace, molto leggiero
—
Sonata for Cello and Piano: III. Adagio
—
Sonata for Cello and Piano: IV. Allegro
—
String Quartet no. 1: I. Fantasia: Maestoso - Allegro scorrevole
—
String Quartet no. 1: II. Allegro scorrevole - Adagio
—
String Quartet no. 1: III. Variations
—
Sonata for Flute, Oboe, Cello and Harpsichord: I. Risoluto
—
Sonata for Flute, Oboe, Cello and Harpsichord: II. Lento
—
Sonata for Flute, Oboe, Cello and Harpsichord: III. Allegro
—
Variations for Orchestra
—
String Quartet no. 2: I. Introduction
—
String Quartet no. 2: II. (I) Allegro fantastico
—
String Quartet no. 2: III. Cadenza for Viola
—
String Quartet no. 2: IV. (II) Presto scherzando
—
String Quartet no. 2: V. Cadenza for Cello
—
String Quartet no. 2: VI. (III) Andante espressivo
—
String Quartet no. 2: VII. Cadenza for First Violin
—
String Quartet no. 2: VIII. (IV) Allegro
—
String Quartet no. 2: IX. Conclusion
—
Double Concerto for Harpsichord and Piano with Two Chamber Orchestras: I. Introduction
—
Double Concerto for Harpsichord and Piano with Two Chamber Orchestras: II. Cadenza for Harpsichord
—
Double Concerto for Harpsichord and Piano with Two Chamber Orchestras: III. Allegro scherzando
—
Double Concerto for Harpsichord and Piano with Two Chamber Orchestras: IV. Adagio
—
Double Concerto for Harpsichord and Piano with Two Chamber Orchestras: V. Presto
—
Double Concerto for Harpsichord and Piano with Two Chamber Orchestras: VI. Cadenzas for Piano
—
Double Concerto for Harpsichord and Piano with Two Chamber Orchestras: VII. Coda
—
Night Fantasies
—
Triple Duo: I. Allegro
—
Triple Duo: II. Vivo - Animato
—
Triple Duo: III. Allegretto
—
Triple Duo: IV. Vivo
—
Triple Duo: V. Maestoso - Lento - Maestoso - Scherzoso
—
Triple Duo: VI. Allegro fantastico
—
In Sleep, in Thunder: I. Dolphins
—
In Sleep, in Thunder: II. Across the Yard: La Ignota
—
In Sleep, in Thunder: III. Harriet
—
In Sleep, in Thunder: IV. Dies Irae
—
In Sleep, in Thunder: V. Careless Night
—
In Sleep, in Thunder: VI. In Genesis
—
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What is UPC 075597992212?
075597992212 is a Universal Product Code (UPC) assigned to A Nonesuch Retrospective by Elliott Carter. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 62 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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