UPC · Release
Philip Glass
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075597994698 is the Universal Product Code (UPC barcode) for the release “Glass Box: A Nonesuch Retrospective” by Philip Glass, released 2008-01-01 on Nonesuch. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 102 tracks, each with its own ISRC. Tracks include US65R1363001, US65R1363006, US65R1363009.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Music in Contrary Motion | — | ||
| 2 | Music with Changing Parts (edited) | — | ||
| 3 | Music in Similar Motion | — | ||
| 2-1 | Music in Twelve Parts: Part VII | — | ||
| 2-2 | Music in Twelve Parts: Part VIII | — | ||
| 2-3 | Music in Twelve Parts: Part IX | — | ||
| 2-4 | Music in Twelve Parts: Part X | — | ||
| 3-1 | KNEE 1 | Philip Glass | T-072.652.729-2 | |
| 3-2 | Einstein on the Beach: Train 1 (edited) | — | ||
| 3-3 | EINSTEIN ON THE BEACH: KNEE 2 | Philip Glass | — | |
| 3-4 | KNEE 3 | Philip Glass | T-318.608.512-7 | |
| 3-5 | Einstein on the Beach: Trial 2 / Prison: Prematurely Air-Conditioned Supermarket | Philip Glass | — | |
| 3-6 | EINSTEIN ON THE BEACH: KNEE 4 | Philip Glass | — | |
| 3-7 | ACT IV: BED, PRELUDE | Philip Glass | — | |
| 3-8 | ACT IV: SPACESHIP | Philip Glass | — | |
| 3-9 | EINSTEIN ON THE BEACH: KNEE 5 | Philip Glass | — | |
| 4-1 | Glassworks: I. Opening | — | ||
| 4-2 | Glassworks: V. Façades | — | ||
| 4-3 | Glassworks: II. Floe | — | ||
| 4-4 | Glassworks: VI. Closing | — | ||
| 4-5 | Étoile Polaire: Étoile Polaire | — | ||
| 4-6 | Étoile Polaire: River Run | — | ||
| 4-7 | Étoile Polaire: Are Years What? (for Marianne Moore) | — | ||
| 4-8 | Étoile Polaire: Ange des Orages | — | ||
| 4-9 | Étoile Polaire: Ave | — | ||
| 4-10 | Étoile Polaire: Montage | — | ||
| 4-11 | Dressed Like an Egg: Part IV | — | ||
| 4-12 | Dressed Like an Egg: Part V | — | ||
| 4-13 | Mad Rush for Organ | — | ||
| 5-1 | Satyagraha: Act I, Scene 1. The Kuru Field of Justice | New York City Opera Orchestra, New York City Opera Chorus, Christopher Keene | — | |
| 5-2 | Satyagraha: Act I, Scene 2. Tolstoy Farm (1910) | New York City Opera Orchestra, New York City Opera Chorus, Christopher Keene | — | |
| 5-3 | Satyagraha: Act II, Scene 1. Confrontation and Rescue (1896) | New York City Opera Orchestra, New York City Opera Chorus, Christopher Keene | — | |
| 5-4 | Satyagraha: Act II, Scene 3. Protest (1908) | New York City Opera Orchestra, New York City Opera Chorus, Christopher Keene | — | |
| 5-5 | Satyagraha: Act III. Newcastle March (1913), Part 3: Evening Song | New York City Opera Orchestra, New York City Opera Chorus, Christopher Keene | T-010.486.009-4 | |
| 6-1 | Koyaanisqatsi | Albert de Ruiter, Members of the Philip Glass Ensemble, Michael Riesman | T-011.108.445-7 | |
| 6-2 | Organic | Albert de Ruiter, Members of the Philip Glass Ensemble, Michael Riesman | T-070.163.159-5 | |
| 6-3 | Cloudscape | Members of the Philip Glass Ensemble, Michael Riesman | T-902.635.903-5 | |
| 6-4 | Resource | Members of the Philip Glass Ensemble, Michael Riesman | T-011.169.085-7 | |
| 6-5 | Vessels | The Western Wind Vocal Ensemble, Members of the Philip Glass Ensemble, Michael Riesman | T-900.118.072-9 | |
| 6-6 | The Grid | The Western Wind Vocal Ensemble, Members of the Philip Glass Ensemble, Michael Riesman | — | |
| 6-7 | Powaqqatsi: Serra Pelada | — | ||
| 6-8 | Powaqqatsi: Train to São Paulo | — | ||
| 6-9 | Powaqqatsi: Video Dream | — | ||
| 6-10 | Powaqqatsi: New Cities in Ancient Lands, China | — | ||
| 6-11 | Powaqqatsi: New Cities in Ancient Lands, Africa | — | ||
| 6-12 | Powaqqatsi: New Cities in Ancient Lands, India | — | ||
| 6-13 | Powaqqatsi: Mr Suso #2 With Reflection | — | ||
| 6-14 | Powaqqatsi: Powaqqatsi | — | ||
| 7-1 | String Quartet no. 2 “Company”: I | Kronos Quartet | T-319.072.267-5 | |
| 7-2 | String Quartet no. 2 “Company”: II | Kronos Quartet | T-319.072.267-5 | |
| 7-3 | String Quartet no. 2 “Company”: III | Kronos Quartet | T-319.072.267-5 | |
| 7-4 | String Quartet no. 2 “Company”: IV | Kronos Quartet | T-319.072.267-5 | |
| 7-5 | Étude for Piano no. 2 | — | ||
| 7-6 | Étude for Piano no. 9 | — | ||
| 7-7 | String Quartet no. 5: I | Kronos Quartet | T-070.125.562-0 | |
| 7-8 | String Quartet no. 5: II | Kronos Quartet | T-070.125.562-0 | |
| 7-9 | String Quartet no. 5: III | Kronos Quartet | T-923.005.029-0 | |
| 7-10 | String Quartet no. 5: IV | Kronos Quartet | T-070.125.562-0 | |
| 7-11 | String Quartet no. 5: V | Kronos Quartet | T-070.125.562-0 | |
| 7-12 | Étude for Piano no. 5 | — | ||
| 7-13 | Étude for Piano no. 3 | — | ||
| 7-14 | String Quartet no. 4 “Buczak”: I | Kronos Quartet | T-316.904.602-6 | |
| 7-15 | String Quartet no. 4 “Buczak”: II | Kronos Quartet | T-316.904.602-6 | |
| 7-16 | String Quartet no. 4 “Buczak”: III | Kronos Quartet | T-316.904.602-6 | |
| 8-1 | The Civil warS: a tree is best measured when it is down, Act V "The Rome Section": Prologue | — | ||
| 8-2 | Hydrogen Jukebox: Song #3: From "Iron Horse" | — | ||
| 8-3 | Hydrogen Jukebox : Song #2: "Jaweh and Allah Battle" | — | ||
| 8-4 | Hydrogen Jukebox: Song #11: From "The Green Automobile" | — | ||
| 8-5 | Hydrogen Jukebox: Song #9: From "Nagasaki Days (Numbers in Red Notebook)" | — | ||
| 8-6 | Hydrogen Jukebox: Song #10: "Aunt Rose" | — | ||
| 8-7 | Hydrogen Jukebox: Song #6: From "Wichita Vortex Sutra" | — | ||
| 8-8 | Symphony no. 5 "Requiem, Bardo, Nirmanakaya": VII. Suffering (edited) | — | ||
| 8-9 | Akhnaten, Act I "Year 1 of Akhnaten's Reign - Thebes", Scene 1: Funeral of Amenhotep III | — | ||
| 8-10 | Akhnaten: Window of Appearances | Paul Esswood, Orchester der Staatsoper Stuttgart, Chor der Staatsoper Stuttgart | T-915.710.480-8 | |
| 8-11 | Akhnaten, Act III "Year 17 and the Present - Akhnaten" , Scene 4: Epilogue | — | ||
| 9-1 | Symphony no. 3: Movement I | — | ||
| 9-2 | Symphony no. 3: Movement II | — | ||
| 9-3 | Symphony no. 3: Movement III | — | ||
| 9-4 | Symphony no. 3: Movement IV | — | ||
| 9-5 | Symphony no. 8: Movement I | — | ||
| 9-6 | Symphony no. 8: Movement II | — | ||
| 9-7 | Symphony no. 8: Movement III | — | ||
| 10-1 | Mishima / Opening | Michael Riesman | T-316.904.628-6 | |
| 10-2 | Mishima: November 25: Morning | — | ||
| 10-3 | Mishima / Closing | Michael Riesman | T-011.194.276-7 | |
| 10-4 | The Secret Agent: The First Meridian | — | ||
| 10-5 | The Secret Agent: Secret Agent | — | ||
| 10-6 | Sand Mandala | Philip Glass | T-070.926.673-8 | |
| 10-7 | Distraught | Philip Glass | — | |
| 10-8 | Lhasa at Night | Philip Glass | — | |
| 10-9 | Escape to India | Philip Glass | — | |
| 10-10 | Living Waters | Philip Glass | T-070.104.100-0 | |
| 10-11 | Anima Mundi: The Witness | — | ||
| 10-12 | La Belle et la Bête: Overture | — | ||
| 10-13 | The Thin Blue Line: Houston Skyline | — | ||
| 10-14 | Dracula: Dracula | — | ||
| 10-15 | Dracula: The Storm | — | ||
| 10-16 | Dracula: Dr. Van Helsing and Dracula | — | ||
| 10-17 | The Fog of War: The War to End All Wars | — | ||
| 10-18 | Candyman: It Was Always You, Helen | — | ||
| 10-19 | Raising the Sail | Philip Glass | — | |
| 10-20 | The Poet Acts | Philip Glass | T-010.072.246-0 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
075597994698 is a Universal Product Code (UPC) assigned to Glass Box: A Nonesuch Retrospective by Philip Glass. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 102 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
075597994698 is the Universal Product Code (UPC barcode) for the release “Glass Box: A Nonesuch Retrospective” by Philip Glass, released 2008-01-01 on Nonesuch. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 102 tracks, each with its own ISRC. Tracks include US65R1363001, US65R1363006, US65R1363009.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Music in Contrary Motion | — | ||
| 2 | Music with Changing Parts (edited) | — | ||
| 3 | Music in Similar Motion | — | ||
| 2-1 | Music in Twelve Parts: Part VII | — | ||
| 2-2 | Music in Twelve Parts: Part VIII | — | ||
| 2-3 | Music in Twelve Parts: Part IX | — | ||
| 2-4 | Music in Twelve Parts: Part X | — | ||
| 3-1 | KNEE 1 | Philip Glass | T-072.652.729-2 | |
| 3-2 | Einstein on the Beach: Train 1 (edited) | — | ||
| 3-3 | EINSTEIN ON THE BEACH: KNEE 2 | Philip Glass | — | |
| 3-4 | KNEE 3 | Philip Glass | T-318.608.512-7 | |
| 3-5 | Einstein on the Beach: Trial 2 / Prison: Prematurely Air-Conditioned Supermarket | Philip Glass | — | |
| 3-6 | EINSTEIN ON THE BEACH: KNEE 4 | Philip Glass | — | |
| 3-7 | ACT IV: BED, PRELUDE | Philip Glass | — | |
| 3-8 | ACT IV: SPACESHIP | Philip Glass | — | |
| 3-9 | EINSTEIN ON THE BEACH: KNEE 5 | Philip Glass | — | |
| 4-1 | Glassworks: I. Opening | — | ||
| 4-2 | Glassworks: V. Façades | — | ||
| 4-3 | Glassworks: II. Floe | — | ||
| 4-4 | Glassworks: VI. Closing | — | ||
| 4-5 | Étoile Polaire: Étoile Polaire | — | ||
| 4-6 | Étoile Polaire: River Run | — | ||
| 4-7 | Étoile Polaire: Are Years What? (for Marianne Moore) | — | ||
| 4-8 | Étoile Polaire: Ange des Orages | — | ||
| 4-9 | Étoile Polaire: Ave | — | ||
| 4-10 | Étoile Polaire: Montage | — | ||
| 4-11 | Dressed Like an Egg: Part IV | — | ||
| 4-12 | Dressed Like an Egg: Part V | — | ||
| 4-13 | Mad Rush for Organ | — | ||
| 5-1 | Satyagraha: Act I, Scene 1. The Kuru Field of Justice | New York City Opera Orchestra, New York City Opera Chorus, Christopher Keene | — | |
| 5-2 | Satyagraha: Act I, Scene 2. Tolstoy Farm (1910) | New York City Opera Orchestra, New York City Opera Chorus, Christopher Keene | — | |
| 5-3 | Satyagraha: Act II, Scene 1. Confrontation and Rescue (1896) | New York City Opera Orchestra, New York City Opera Chorus, Christopher Keene | — | |
| 5-4 | Satyagraha: Act II, Scene 3. Protest (1908) | New York City Opera Orchestra, New York City Opera Chorus, Christopher Keene | — | |
| 5-5 | Satyagraha: Act III. Newcastle March (1913), Part 3: Evening Song | New York City Opera Orchestra, New York City Opera Chorus, Christopher Keene | T-010.486.009-4 | |
| 6-1 | Koyaanisqatsi | Albert de Ruiter, Members of the Philip Glass Ensemble, Michael Riesman | T-011.108.445-7 | |
| 6-2 | Organic | Albert de Ruiter, Members of the Philip Glass Ensemble, Michael Riesman | T-070.163.159-5 | |
| 6-3 | Cloudscape | Members of the Philip Glass Ensemble, Michael Riesman | T-902.635.903-5 | |
| 6-4 | Resource | Members of the Philip Glass Ensemble, Michael Riesman | T-011.169.085-7 | |
| 6-5 | Vessels | The Western Wind Vocal Ensemble, Members of the Philip Glass Ensemble, Michael Riesman | T-900.118.072-9 | |
| 6-6 | The Grid | The Western Wind Vocal Ensemble, Members of the Philip Glass Ensemble, Michael Riesman | — | |
| 6-7 | Powaqqatsi: Serra Pelada | — | ||
| 6-8 | Powaqqatsi: Train to São Paulo | — | ||
| 6-9 | Powaqqatsi: Video Dream | — | ||
| 6-10 | Powaqqatsi: New Cities in Ancient Lands, China | — | ||
| 6-11 | Powaqqatsi: New Cities in Ancient Lands, Africa | — | ||
| 6-12 | Powaqqatsi: New Cities in Ancient Lands, India | — | ||
| 6-13 | Powaqqatsi: Mr Suso #2 With Reflection | — | ||
| 6-14 | Powaqqatsi: Powaqqatsi | — | ||
| 7-1 | String Quartet no. 2 “Company”: I | Kronos Quartet | T-319.072.267-5 | |
| 7-2 | String Quartet no. 2 “Company”: II | Kronos Quartet | T-319.072.267-5 | |
| 7-3 | String Quartet no. 2 “Company”: III | Kronos Quartet | T-319.072.267-5 | |
| 7-4 | String Quartet no. 2 “Company”: IV | Kronos Quartet | T-319.072.267-5 | |
| 7-5 | Étude for Piano no. 2 | — | ||
| 7-6 | Étude for Piano no. 9 | — | ||
| 7-7 | String Quartet no. 5: I | Kronos Quartet | T-070.125.562-0 | |
| 7-8 | String Quartet no. 5: II | Kronos Quartet | T-070.125.562-0 | |
| 7-9 | String Quartet no. 5: III | Kronos Quartet | T-923.005.029-0 | |
| 7-10 | String Quartet no. 5: IV | Kronos Quartet | T-070.125.562-0 | |
| 7-11 | String Quartet no. 5: V | Kronos Quartet | T-070.125.562-0 | |
| 7-12 | Étude for Piano no. 5 | — | ||
| 7-13 | Étude for Piano no. 3 | — | ||
| 7-14 | String Quartet no. 4 “Buczak”: I | Kronos Quartet | T-316.904.602-6 | |
| 7-15 | String Quartet no. 4 “Buczak”: II | Kronos Quartet | T-316.904.602-6 | |
| 7-16 | String Quartet no. 4 “Buczak”: III | Kronos Quartet | T-316.904.602-6 | |
| 8-1 | The Civil warS: a tree is best measured when it is down, Act V "The Rome Section": Prologue | — | ||
| 8-2 | Hydrogen Jukebox: Song #3: From "Iron Horse" | — | ||
| 8-3 | Hydrogen Jukebox : Song #2: "Jaweh and Allah Battle" | — | ||
| 8-4 | Hydrogen Jukebox: Song #11: From "The Green Automobile" | — | ||
| 8-5 | Hydrogen Jukebox: Song #9: From "Nagasaki Days (Numbers in Red Notebook)" | — | ||
| 8-6 | Hydrogen Jukebox: Song #10: "Aunt Rose" | — | ||
| 8-7 | Hydrogen Jukebox: Song #6: From "Wichita Vortex Sutra" | — | ||
| 8-8 | Symphony no. 5 "Requiem, Bardo, Nirmanakaya": VII. Suffering (edited) | — | ||
| 8-9 | Akhnaten, Act I "Year 1 of Akhnaten's Reign - Thebes", Scene 1: Funeral of Amenhotep III | — | ||
| 8-10 | Akhnaten: Window of Appearances | Paul Esswood, Orchester der Staatsoper Stuttgart, Chor der Staatsoper Stuttgart | T-915.710.480-8 | |
| 8-11 | Akhnaten, Act III "Year 17 and the Present - Akhnaten" , Scene 4: Epilogue | — | ||
| 9-1 | Symphony no. 3: Movement I | — | ||
| 9-2 | Symphony no. 3: Movement II | — | ||
| 9-3 | Symphony no. 3: Movement III | — | ||
| 9-4 | Symphony no. 3: Movement IV | — | ||
| 9-5 | Symphony no. 8: Movement I | — | ||
| 9-6 | Symphony no. 8: Movement II | — | ||
| 9-7 | Symphony no. 8: Movement III | — | ||
| 10-1 | Mishima / Opening | Michael Riesman | T-316.904.628-6 | |
| 10-2 | Mishima: November 25: Morning | — | ||
| 10-3 | Mishima / Closing | Michael Riesman | T-011.194.276-7 | |
| 10-4 | The Secret Agent: The First Meridian | — | ||
| 10-5 | The Secret Agent: Secret Agent | — | ||
| 10-6 | Sand Mandala | Philip Glass | T-070.926.673-8 | |
| 10-7 | Distraught | Philip Glass | — | |
| 10-8 | Lhasa at Night | Philip Glass | — | |
| 10-9 | Escape to India | Philip Glass | — | |
| 10-10 | Living Waters | Philip Glass | T-070.104.100-0 | |
| 10-11 | Anima Mundi: The Witness | — | ||
| 10-12 | La Belle et la Bête: Overture | — | ||
| 10-13 | The Thin Blue Line: Houston Skyline | — | ||
| 10-14 | Dracula: Dracula | — | ||
| 10-15 | Dracula: The Storm | — | ||
| 10-16 | Dracula: Dr. Van Helsing and Dracula | — | ||
| 10-17 | The Fog of War: The War to End All Wars | — | ||
| 10-18 | Candyman: It Was Always You, Helen | — | ||
| 10-19 | Raising the Sail | Philip Glass | — | |
| 10-20 | The Poet Acts | Philip Glass | T-010.072.246-0 |
