UPC · Release
Led Zeppelin
Last verified:
075678237126 is the Universal Product Code (UPC barcode) for the release “Remasters” by Led Zeppelin, released 1992-01-01 on Atlantic. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 69 tracks, each with its own ISRC. Tracks include USAT20703864, USAT20703866, USAT20703863.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Communication Breakdown | Led Zeppelin | T-070.027.657-8 | |
| 2 | Babe I’m Gonna Leave You | Led Zeppelin | T-071.854.298-3 | |
| 3 | Good Times Bad Times | Led Zeppelin | T-070.066.161-5 | |
| 4 | Dazed and Confused | Led Zeppelin | T-070.041.166-0 | |
| 5 | Whole Lotta Love | Led Zeppelin | T-070.202.109-7 | |
| 6 | Heartbreaker | Led Zeppelin | T-070.075.916-5 | |
| 7 | Ramble On | Led Zeppelin | T-070.128.240-7 | |
| 8 | Immigrant Song | Led Zeppelin | T-070.080.286-3 | |
| 9 | Celebration Day | Led Zeppelin | T-070.027.876-7 | |
| 10 | Since I’ve Been Loving You | Led Zeppelin | T-070.141.229-4 | |
| 11 | Black Dog | Led Zeppelin | T-070.014.416-6 | |
| 12 | Rock and Roll | Led Zeppelin | T-070.128.189-1 | |
| 13 | The Battle of Evermore | Led Zeppelin | T-070.014.431-5 | |
| 14 | Misty Mountain Hop | Led Zeppelin | T-070.113.072-4 | |
| 15 | Stairway to Heaven | Led Zeppelin | T-070.141.490-5 | |
| 2-1 | The Song Remains the Same | Led Zeppelin | T-070.141.868-9 | |
| 2-2 | The Rain Song | Led Zeppelin | T-070.128.339-7 | |
| 2-3 | D’yer Mak’er | Led Zeppelin | T-070.041.537-7 | |
| 2-4 | No Quarter | Led Zeppelin | T-070.153.935-6 | |
| 2-5 | Houses of the Holy | Led Zeppelin | T-070.076.540-7 | |
| 2-6 | Kashmir | Led Zeppelin | T-070.093.074-0 | |
| 2-7 | Trampled Under Foot | Led Zeppelin | T-070.184.055-2 | |
| 2-8 | Nobody’s Fault but Mine | Led Zeppelin | T-070.154.131-2 | |
| 2-9 | Achilles Last Stand | Led Zeppelin | T-070.003.698-1 | |
| 2-10 | All My Love | Led Zeppelin | T-070.004.098-7 | |
| 2-11 | In the Evening | Led Zeppelin | T-070.082.125-5 | |
| 3-1 | Led Zeppelin Profile | — | ||
| 3-2 | Station Liner: “Hello this is Jimmy Page and you’re listening to the station that made rock classic.” | — | ||
| 3-3 | Station Liner: “Hi there, this is Jimmy Page. Hold on to your seats, here comes Led Zeppelin.” | — | ||
| 3-4 | Station Liner: “Good morning, this is Jimmy Page. Come on, it’s time to wake up and get the Led out.” | — | ||
| 3-5 | Station Liner: “Hi this is Jimmy Page and this deejay is insane.” | — | ||
| 3-6 | Station Liner: “Hello, I’m Jimmy Page and this is Led Zeppelin.” | — | ||
| 3-7 | Station Liner: “Hello this is Jimmy Page and I wanna hear some rock and roll.” | — | ||
| 3-8 | Station Liner: “Hello, this is Jimmy Page. Keep your radio tuned right here.” | — | ||
| 3-9 | Q: How did the Led Zeppelin 4-CD set come about? A: “Actually what happened…I think y’know.” | — | ||
| 3-10 | Q: Where did you find all the old Led Zeppelin tapes? A: “Oh they were…was fortunate.” | — | ||
| 3-11 | Q: What was the hardest part of the project? A: “I guess…myself y’know.” | — | ||
| 3-12 | Q: What is the difference between these versions and the originals? A: “Well the clarity…pretty positive.” | — | ||
| 3-13 | Q: Did you have any old unreleased numbers left over? A: “We didn’t…included that one.” | — | ||
| 3-14 | Q: Do any of the re-EQ’d songs stand out? A: “I think…really great y’know.” | — | ||
| 3-15 | Q: Is it true that Elvis Presley’s “Baby Let’s Play House” got you into rock and roll? A: “I was really…went on from there.” | — | ||
| 3-16 | Q: What was your idea when you put Led Zeppelin together? A: “I had in my…from there.” | — | ||
| 3-17 | Q: How long did Led Zeppelin I take to record? A: “The first…changed the name.” | — | ||
| 3-18 | Q: What was your first U.S. tour like? A: “We went over…like dynamite.” | — | ||
| 3-19 | Q: As a producer, what studio techniques did you come up with? A: “Backwards echo…‘You Shook Me’.” | — | ||
| 3-20 | Q: What is the most satisfying thing about Led Zeppelin to you? A: “The most…it’s wonderful.” | — | ||
| 3-21 | Q: What do you remember about Led Zeppelin’s first rehearsal? A: “I remember…the power.” | — | ||
| 3-22 | Q: What influences did everyone bring to Led Zeppelin? A: “Well we’d pick…really good.” | — | ||
| 3-23 | Q: Tell us how Led Zeppelin replaced Jeff Beck’s group for their first U.S. tour. A: “Yeah, well Jeff…just happened.” | — | ||
| 3-24 | Q: How do you feel about the first Led Zeppelin album? A: “If I’d been…it was great.” | — | ||
| 3-25 | Q: What was the Led Zeppelin stage show like? A: “The element…about the music.” | — | ||
| 3-26 | Q: Were there any set areas of expertise for the members of Led Zeppelin? A: “No not really…all the time.” | — | ||
| 3-27 | Q: What was it like recording the second Led Zeppelin album on the road? A: “When we were…I think.” | — | ||
| 3-28 | Q: Why did you go to Wales to come up with material for Led Zeppelin III? A: “All we wanted…a fine moment.” | — | ||
| 3-29 | Q: Tell us about Houses of the Holy. A: “Houses of the…schoolboy tricks.” | — | ||
| 3-30 | Q: How did “Kashmir” come about? A: “Following the…that road somewhere.” | — | ||
| 3-31 | Q: Tell us about “Traveling Riverside Blues”. A: “‘Traveling Riverside…’…was murdered.” | — | ||
| 3-32 | Q: How would you like Led Zeppelin to be remembered? A: “I’d like to…been measured.” | — | ||
| 3-33 | Q: How did you start playing bass guitar? A: “My father was…run of things.” | — | ||
| 3-34 | Q: As a session musician, who did you play for? A: “Everybody…quite often yeah.” | — | ||
| 3-35 | Q: How did you get into arranging? A: “The only real…I think.” | — | ||
| 3-36 | Q: Tell us about Led Zeppelin’s first rehearsal. A: “We first played…first number.” | — | ||
| 3-37 | Q: How did the name Led Zeppelin come about? A: “The name…could use it.” | — | ||
| 3-38 | Q: What was the stage set like? A: “As far as…enjoyable stuff.” | — | ||
| 3-39 | Q: What was your keyboard set up like? A: “A nightmare…on the road.” | — | ||
| 3-40 | Q: What was it like being the low profile member of Led Zeppelin? A: “The main…prefer it.” | — | ||
| 3-41 | Q: Why did you start using mobile recording facilities? A: “Just like the…making music.” | — | ||
| 3-42 | Q: What do you consider one of the best moments of Led Zeppelin? A: “The early…really steaming.” | — | ||
| 3-43 | Q: Tell us about Led Zeppelin’s studio techniques. A: “We used to…through experimentation.” | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
075678237126 is a Universal Product Code (UPC) assigned to Remasters by Led Zeppelin. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 69 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
075678237126 is the Universal Product Code (UPC barcode) for the release “Remasters” by Led Zeppelin, released 1992-01-01 on Atlantic. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 69 tracks, each with its own ISRC. Tracks include USAT20703864, USAT20703866, USAT20703863.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Communication Breakdown | Led Zeppelin | T-070.027.657-8 | |
| 2 | Babe I’m Gonna Leave You | Led Zeppelin | T-071.854.298-3 | |
| 3 | Good Times Bad Times | Led Zeppelin | T-070.066.161-5 | |
| 4 | Dazed and Confused | Led Zeppelin | T-070.041.166-0 | |
| 5 | Whole Lotta Love | Led Zeppelin | T-070.202.109-7 | |
| 6 | Heartbreaker | Led Zeppelin | T-070.075.916-5 | |
| 7 | Ramble On | Led Zeppelin | T-070.128.240-7 | |
| 8 | Immigrant Song | Led Zeppelin | T-070.080.286-3 | |
| 9 | Celebration Day | Led Zeppelin | T-070.027.876-7 | |
| 10 | Since I’ve Been Loving You | Led Zeppelin | T-070.141.229-4 | |
| 11 | Black Dog | Led Zeppelin | T-070.014.416-6 | |
| 12 | Rock and Roll | Led Zeppelin | T-070.128.189-1 | |
| 13 | The Battle of Evermore | Led Zeppelin | T-070.014.431-5 | |
| 14 | Misty Mountain Hop | Led Zeppelin | T-070.113.072-4 | |
| 15 | Stairway to Heaven | Led Zeppelin | T-070.141.490-5 | |
| 2-1 | The Song Remains the Same | Led Zeppelin | T-070.141.868-9 | |
| 2-2 | The Rain Song | Led Zeppelin | T-070.128.339-7 | |
| 2-3 | D’yer Mak’er | Led Zeppelin | T-070.041.537-7 | |
| 2-4 | No Quarter | Led Zeppelin | T-070.153.935-6 | |
| 2-5 | Houses of the Holy | Led Zeppelin | T-070.076.540-7 | |
| 2-6 | Kashmir | Led Zeppelin | T-070.093.074-0 | |
| 2-7 | Trampled Under Foot | Led Zeppelin | T-070.184.055-2 | |
| 2-8 | Nobody’s Fault but Mine | Led Zeppelin | T-070.154.131-2 | |
| 2-9 | Achilles Last Stand | Led Zeppelin | T-070.003.698-1 | |
| 2-10 | All My Love | Led Zeppelin | T-070.004.098-7 | |
| 2-11 | In the Evening | Led Zeppelin | T-070.082.125-5 | |
| 3-1 | Led Zeppelin Profile | — | ||
| 3-2 | Station Liner: “Hello this is Jimmy Page and you’re listening to the station that made rock classic.” | — | ||
| 3-3 | Station Liner: “Hi there, this is Jimmy Page. Hold on to your seats, here comes Led Zeppelin.” | — | ||
| 3-4 | Station Liner: “Good morning, this is Jimmy Page. Come on, it’s time to wake up and get the Led out.” | — | ||
| 3-5 | Station Liner: “Hi this is Jimmy Page and this deejay is insane.” | — | ||
| 3-6 | Station Liner: “Hello, I’m Jimmy Page and this is Led Zeppelin.” | — | ||
| 3-7 | Station Liner: “Hello this is Jimmy Page and I wanna hear some rock and roll.” | — | ||
| 3-8 | Station Liner: “Hello, this is Jimmy Page. Keep your radio tuned right here.” | — | ||
| 3-9 | Q: How did the Led Zeppelin 4-CD set come about? A: “Actually what happened…I think y’know.” | — | ||
| 3-10 | Q: Where did you find all the old Led Zeppelin tapes? A: “Oh they were…was fortunate.” | — | ||
| 3-11 | Q: What was the hardest part of the project? A: “I guess…myself y’know.” | — | ||
| 3-12 | Q: What is the difference between these versions and the originals? A: “Well the clarity…pretty positive.” | — | ||
| 3-13 | Q: Did you have any old unreleased numbers left over? A: “We didn’t…included that one.” | — | ||
| 3-14 | Q: Do any of the re-EQ’d songs stand out? A: “I think…really great y’know.” | — | ||
| 3-15 | Q: Is it true that Elvis Presley’s “Baby Let’s Play House” got you into rock and roll? A: “I was really…went on from there.” | — | ||
| 3-16 | Q: What was your idea when you put Led Zeppelin together? A: “I had in my…from there.” | — | ||
| 3-17 | Q: How long did Led Zeppelin I take to record? A: “The first…changed the name.” | — | ||
| 3-18 | Q: What was your first U.S. tour like? A: “We went over…like dynamite.” | — | ||
| 3-19 | Q: As a producer, what studio techniques did you come up with? A: “Backwards echo…‘You Shook Me’.” | — | ||
| 3-20 | Q: What is the most satisfying thing about Led Zeppelin to you? A: “The most…it’s wonderful.” | — | ||
| 3-21 | Q: What do you remember about Led Zeppelin’s first rehearsal? A: “I remember…the power.” | — | ||
| 3-22 | Q: What influences did everyone bring to Led Zeppelin? A: “Well we’d pick…really good.” | — | ||
| 3-23 | Q: Tell us how Led Zeppelin replaced Jeff Beck’s group for their first U.S. tour. A: “Yeah, well Jeff…just happened.” | — | ||
| 3-24 | Q: How do you feel about the first Led Zeppelin album? A: “If I’d been…it was great.” | — | ||
| 3-25 | Q: What was the Led Zeppelin stage show like? A: “The element…about the music.” | — | ||
| 3-26 | Q: Were there any set areas of expertise for the members of Led Zeppelin? A: “No not really…all the time.” | — | ||
| 3-27 | Q: What was it like recording the second Led Zeppelin album on the road? A: “When we were…I think.” | — | ||
| 3-28 | Q: Why did you go to Wales to come up with material for Led Zeppelin III? A: “All we wanted…a fine moment.” | — | ||
| 3-29 | Q: Tell us about Houses of the Holy. A: “Houses of the…schoolboy tricks.” | — | ||
| 3-30 | Q: How did “Kashmir” come about? A: “Following the…that road somewhere.” | — | ||
| 3-31 | Q: Tell us about “Traveling Riverside Blues”. A: “‘Traveling Riverside…’…was murdered.” | — | ||
| 3-32 | Q: How would you like Led Zeppelin to be remembered? A: “I’d like to…been measured.” | — | ||
| 3-33 | Q: How did you start playing bass guitar? A: “My father was…run of things.” | — | ||
| 3-34 | Q: As a session musician, who did you play for? A: “Everybody…quite often yeah.” | — | ||
| 3-35 | Q: How did you get into arranging? A: “The only real…I think.” | — | ||
| 3-36 | Q: Tell us about Led Zeppelin’s first rehearsal. A: “We first played…first number.” | — | ||
| 3-37 | Q: How did the name Led Zeppelin come about? A: “The name…could use it.” | — | ||
| 3-38 | Q: What was the stage set like? A: “As far as…enjoyable stuff.” | — | ||
| 3-39 | Q: What was your keyboard set up like? A: “A nightmare…on the road.” | — | ||
| 3-40 | Q: What was it like being the low profile member of Led Zeppelin? A: “The main…prefer it.” | — | ||
| 3-41 | Q: Why did you start using mobile recording facilities? A: “Just like the…making music.” | — | ||
| 3-42 | Q: What do you consider one of the best moments of Led Zeppelin? A: “The early…really steaming.” | — | ||
| 3-43 | Q: Tell us about Led Zeppelin’s studio techniques. A: “We used to…through experimentation.” | — |
