UPC · Release
Sounds of the South: A Musical Journey From the Georgia Sea Islands to the Mississippi Delta. Recorded in the Field by Alan Lomax
Various Artists
Last verified:
075678249624 is the Universal Product Code (UPC barcode) for the release “Sounds of the South: A Musical Journey From the Georgia Sea Islands to the Mississippi Delta. Recorded in the Field by Alan Lomax” by Various Artists, released 1993-01-01 on Atlantic. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 105 tracks, each with its own ISRC. Tracks include GBHVK1400186, USRO29770307, GBCKK1802906.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (105)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Banks of the Arkansas / Wave the Ocean | — | ||
| 2 | Hen Duck | — | ||
| 3 | The Farmer's Curst Wife | — | ||
| 4 | Boll Weevil Holler | — | ||
| 5 | Jesse James | — | ||
| 6 | Jesse James | — | ||
| 7 | Kenny Wagner | — | ||
| 8 | Trouble So Hard | Vera Hall | — | |
| 9 | Baptizing Scene | — | ||
| 10 | Is There Anybody Here That Loves My Jesus | — | ||
| 11 | Windham | — | ||
| 12 | Keep Your Lamp Trimmed and Burning | Fred McDowell | T-901.801.915-3 | |
| 13 | Come on Boys, Let’s Go to the Ball | Sid Hemphill, Lucius Smith | — | |
| 14 | Join the Band | John Davis, Group | — | |
| 15 | Lucky Holler | — | ||
| 16 | I Be So Glad When the Sun Goes Down | — | ||
| 17 | Cotton Eyed Joe | — | ||
| 18 | Big Tilda | — | ||
| 19 | Jennie Jenkins | — | ||
| 20 | John Henry | — | ||
| 21 | Rosewood Casket | — | ||
| 22 | Silly Bill | — | ||
| 23 | Big Ball in Boston | — | ||
| 24 | Chilly Winds | — | ||
| 25 | The Old Hickory Cane | — | ||
| 26 | John Brown | — | ||
| 27 | Poor Ellen Smith | — | ||
| 28 | Shady Grove | — | ||
| 2-1 | Jim and John | — | ||
| 2-2 | The Wild Ox Moan | — | ||
| 2-3 | Been Drinkin' Water Out of a Hollow Log | — | ||
| 2-4 | All Night Long | — | ||
| 2-5 | Shake 'em on Down | — | ||
| 2-6 | Levee Camp Reminiscence | — | ||
| 2-7 | Chevrolet | — | ||
| 2-8 | Levee Camp Holler | — | ||
| 2-9 | Eighteen Hammers | — | ||
| 2-10 | Drink on Little Girl | — | ||
| 2-11 | Drop Down Mama | — | ||
| 2-12 | Boogie Children | — | ||
| 2-13 | She Lived Her Life Too Fast | — | ||
| 2-14 | Sittin' On Top of the World | — | ||
| 2-15 | Cool Water Blues | — | ||
| 2-16 | She Don't Love Me That Way | — | ||
| 2-17 | Stop Breaking Down | — | ||
| 2-18 | Joe Lee's Rock | — | ||
| 2-19 | Bullyin' Well | — | ||
| 2-20 | When You Get Home, Write Me a Few Little Lines | — | ||
| 2-21 | Red Cross Store | — | ||
| 2-22 | Forrest City Jump | — | ||
| 3-1 | Death, Have Mercy | — | ||
| 3-2 | I Want Jesus to Walk With Me | — | ||
| 3-3 | Jesus Is Real to Me | — | ||
| 3-4 | I Love the Lord | — | ||
| 3-5 | A Sermon Fragment | — | ||
| 3-6 | I'm Goin' Home on the Mornin' Train | — | ||
| 3-7 | Power | — | ||
| 3-8 | On That Rock | — | ||
| 3-9 | Jesus on the Main Line | — | ||
| 3-10 | I'm Gonna Sail Like a Ship on the Ocean | — | ||
| 3-11 | Blow Gabriel | John Davis, Bessie Jones, St. Simon's Island Singers | — | |
| 3-12 | What Do You Think About Jesus (He's All Right) | — | ||
| 3-13 | Tribulations | — | ||
| 3-14 | When I Get Home | — | ||
| 3-15 | The Poor Wayfaring Stranger | — | ||
| 3-16 | Baptizing Down by the Creek | — | ||
| 3-17 | Sermon and Lining Hymn | — | ||
| 3-18 | Antioch | — | ||
| 3-19 | Calvary | — | ||
| 3-20 | Please Let Me Stay a Little Longer | — | ||
| 3-21 | Father, Jesus Loves You | — | ||
| 3-22 | Lonesome Valley | — | ||
| 3-23 | Father Adieu | — | ||
| 3-24 | The Old Country Church | — | ||
| 3-25 | The Cabin on the Hill | — | ||
| 4-1 | Johnson's Old Gray Mule | — | ||
| 4-2 | My Little Rooster | — | ||
| 4-3 | Whoa Mule | — | ||
| 4-4 | Frog Went A-Courtin' | — | ||
| 4-5 | Glenn's Chimes | — | ||
| 4-6 | Chick-A-Li-Lee-Lo | — | ||
| 4-7 | Old Joe Clark | — | ||
| 4-8 | Go Tell Aunt Nancy | — | ||
| 4-9 | Train III | — | ||
| 4-10 | Johnny Cuckoo | — | ||
| 4-11 | Mama Buy Me a Chiney Doll | — | ||
| 4-12 | Soldier, Soldier | — | ||
| 4-13 | Mary Mack | — | ||
| 4-14 | Hambone | — | ||
| 4-15 | Banging Breakdown | — | ||
| 4-16 | Green Sally, Up | — | ||
| 4-17 | Sometimes | Bessie Jones | T-072.164.829-8 | |
| 4-18 | The Arkansas Traveler | — | ||
| 4-19 | Paper of Pins | — | ||
| 4-20 | The Little Dappled Cow | — | ||
| 4-21 | Go to Sleep Little Baby | — | ||
| 4-22 | Paddy on the Turnpike | — | ||
| 4-23 | Jimmy Sutton | — | ||
| 4-24 | Liza Jane | — | ||
| 4-25 | Oree | — | ||
| 4-26 | Train Time | — | ||
| 4-27 | Freight Train Blues | — | ||
| 4-28 | This Little Light of Mine | — | ||
| 4-29 | Motherless Children | — | ||
| 4-30 | Little Moses | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Join the Band | John Davis, Group | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Credits Graph
People also ask
Verified on
What is UPC 075678249624?
075678249624 is a Universal Product Code (UPC) assigned to Sounds of the South: A Musical Journey From the Georgia Sea Islands to the Mississippi Delta. Recorded in the Field by Alan Lomax by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 105 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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