075992352710 is the Universal Product Code (UPC barcode) for the release “Still Feels Good” by Tom Johnston, released 1981-01-01 on Warner Bros. Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 8 tracks, each with its own ISRC. Tracks include USWB10402304, USWB10402305, USWB10402306.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (8)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | MADMAN | T-700.041.201-3 | ||
| 2 | WASTIN' TIME | T-071.232.506-8 | ||
| 3 | BABY, TAKE ME IN | T-070.226.717-1 | ||
| 4 | LAST DESPERADO | T-072.522.805-6 | ||
| 5 | UP ON THE STAGE | T-071.230.809-2 | ||
| 6 | Excuse Me Ma'am | — | ||
| 7 | WISHING | T-071.237.522-8 | ||
| 8 | ONE-WAY TICKET | T-071.204.330-5 |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| EXCUSE ME MAAM | T-071.084.071-3 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
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What is UPC 075992352710?
075992352710 is a Universal Product Code (UPC) assigned to Still Feels Good by Tom Johnston. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 8 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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