UPC · Release
Various Artists
Last verified:
The UPC for “Anthology of Renaissance & Medieval Music: The Gold Collection” by Various Artists is 076119880727. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2000-01-01. This release contains 63 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Chanson do ill mot son plan e prim (counter-tenor: Russell Oberlin, viola da gamba: Seymour Barab) | — | ||
| 2 | Atressì com la chandella (counter-tenor: Russell Oberlin, viola da gamba: Seymour Barab) | — | ||
| 3 | Trop ai estat (soprano: Graziella Benini, lute: Walter Benvenuti) | — | ||
| 4 | Bem pac d'invern (soprano: Graziella Benini, lute: Walter Benvenuti) | — | ||
| 5 | D'un sonet vau pensan (soprano: Graziella Benini, lute: Walter Benvenuti) | — | ||
| 6 | Per dan (soprano: Graziella Benini, lute: Walter Benvenuti) | — | ||
| 7 | Ab joi (soprano: Graziella Benini, lute: Walter Benvenuti) | — | ||
| 8 | Qan amor trobet partit (soprano: Graziella Benini, lute: Walter Benvenuti) | — | ||
| 9 | Dances and Arias: Italiana (Mascherada - Veneziana - Gagliarda - Villanella) (lute: Paolo Possiedi) | — | ||
| 10 | Le gratie d'amore (Alemana d'amore - Bianco fiore - Catena d'amore - La fedeltà d'amore) (lute: Paolo Possiedi) | — | ||
| 11 | Bertoncina (baroque guitar: Massimo Lonardi, theorbo: Tiziano Bagnati) | — | ||
| 12 | Sua Corrente (baroque guitar: Massimo Lonardi, theorbo: Tiziano Bagnati) | — | ||
| 13 | Il Spiritello Brando (baroque guitar: Massimo Lonardi, theorbo: Tiziano Bagnati) | — | ||
| 14 | Brando dicho El Melo (baroque guitar: Massimo Lonardi, theorbo: Tiziano Bagnati) | — | ||
| 15 | Canario (baroque guitar: Massimo Lonardi, theorbo: Tiziano Bagnati) | — | ||
| 16 | Sonata No. 6 Op. 2: I. Largo allemanda (mandola: Sergio Bertasio, archlute: Massimo Lonardi, theorbo: Maurizio Piantelli) | — | ||
| 17 | Sonata No. 6 Op. 2: II. Allegro (mandola: Sergio Bertasio, archlute: Massimo Lonardi, theorbo: Maurizio Piantelli) | — | ||
| 18 | Sonata No. 6 Op. 2: III. Sarabanda (mandola: Sergio Bertasio, archlute: Massimo Lonardi, theorbo: Maurizio Piantelli) | — | ||
| 19 | Sonata No. 6 Op. 2: IV. Allegro staccato (mandola: Sergio Bertasio, archlute: Massimo Lonardi, theorbo: Maurizio Piantelli) | — | ||
| 20 | Symphony for Mandola: Allegro (mandola: Sergio Bertasio, archlute: Massimo Lonardi) | — | ||
| 21 | Symphony for Mandola: Largo (mandola: Sergio Bertasio, archlute: Massimo Lonardi) | — | ||
| 22 | Symphony for Mandola: Giga (mandola: Sergio Bertasio, archlute: Massimo Lonardi) | — | ||
| 23 | Symphony for Mandola: Minuet (mandola: Sergio Bertasio, archlute: Massimo Lonardi) | — | ||
| 24 | Sonata No. 9 Op. 2: Allegro (mandola: Sergio Bertasio, theorbo: Maurizio Piantelli) | — | ||
| 25 | Sonata No. 9 Op. 2: Adagio (mandola: Sergio Bertasio, theorbo: Maurizio Piantelli) | — | ||
| 26 | Sonata No. 9 Op. 2: Allegro (mandola: Sergio Bertasio, theorbo: Maurizio Piantelli) | — | ||
| 27 | Three Boating Songs: Col bel ciaro de sta luna (mandola: Sergio Bertasio, archlute: Massimo Lonardi, theorbo: Maurizio Piantelli) | — | ||
| 28 | Three Boating Songs: La biondina (mandola: Sergio Bertasio, archlute: Massimo Lonardi, theorbo: Maurizio Piantelli) | — | ||
| 29 | Three Boating Songs: Xe finio el mondo (mandola: Sergio Bertasio, archlute: Massimo Lonardi, theorbo: Maurizio Piantelli) | — | ||
| 2-1 | Away with these self-loving lads (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-2 | Sweet stay awhile! (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-3 | In this trembling shadow (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-4 | Come again! Sweet love (counter-tenor: Russell Oberlin, lute: Joseph Iadone) | — | ||
| 2-5 | Can she excuse my wrongs (counter-tenor: Russell Oberlin, lute: Joseph Iadone) | — | ||
| 2-6 | Flow not so fast ye fountains (counter-tenor: Russell Oberlin, lute: Joseph Iadone) | — | ||
| 2-7 | Now! Oh now I needs must part (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-8 | What if I never speed? (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-9 | Me, me and none but me (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-10 | I saw my lady weep (counter-tenor: Russell Oberlin, lute: Joseph Iadone) | — | ||
| 2-11 | Weep you no more sad fountains (counter-tenor: Russell Oberlin, lute: Joseph Iadone) | — | ||
| 2-12 | Shall I sue (counter-tenor: Russell Oberlin, lute: Joseph Iadone) | — | ||
| 2-13 | Stay, love, if ever thou did'st find (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-14 | Tell me, true love (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-15 | When Phoebus first did Daphne love (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-16 | Flow my tears (counter-tenor: Russell Oberlin, lute: Joseph Iadone) | — | ||
| 2-17 | Far from triumphing court - Lady if you so spite me - In darkness let me dwell (counter-tenor: Russell Oberlin, lute: Joseph Iadone) | — | ||
| 2-18 | Think'st thou then by thy feigning (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-19 | Where sin sore wounding (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-20 | If my complaints could passions move (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-21 | Fine knacks for ladies (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 3-1 | Dixit Dominus (Psalm 109): Primi toni | — | ||
| 3-2 | Confitebor tibi Domine (Psalm 110): Sexti toni | — | ||
| 3-3 | Beatus vir (Psalm 111): Secundi toni | — | ||
| 3-4 | Laudate pueri (Psalm 112): Tertii toni | — | ||
| 3-5 | Credidi (Psalm 115): Octavi toni | — | ||
| 3-6 | Beati omnes (Psalm 127): Septimi toni | — | ||
| 3-7 | Lauda Jerusalem (Psalm 147): Quarti toni | — | ||
| 3-8 | In convertendo (Psalm 125): Quinti toni | — | ||
| 3-9 | Domine probasti me (Psalm 138): Primi toni | — | ||
| 3-10 | Laudate Dominum (Psalm 116): Sexti toni | — | ||
| 3-11 | Lætatus sum (Psalm 121): Quinti toni | — | ||
| 3-12 | Nisi Dominus (Psalm 115): Octavi toni | — | ||
| 3-13 | In exitu Israel (Psalm 115): Tonus Peregrinus | — |
Songwriters/Publishers (IPI)
Credits Graph
076119880727 is a Universal Product Code (UPC) assigned to Anthology of Renaissance & Medieval Music: The Gold Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 63 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Anthology of Renaissance & Medieval Music: The Gold Collection” by Various Artists is 076119880727. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2000-01-01. This release contains 63 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Chanson do ill mot son plan e prim (counter-tenor: Russell Oberlin, viola da gamba: Seymour Barab) | — | ||
| 2 | Atressì com la chandella (counter-tenor: Russell Oberlin, viola da gamba: Seymour Barab) | — | ||
| 3 | Trop ai estat (soprano: Graziella Benini, lute: Walter Benvenuti) | — | ||
| 4 | Bem pac d'invern (soprano: Graziella Benini, lute: Walter Benvenuti) | — | ||
| 5 | D'un sonet vau pensan (soprano: Graziella Benini, lute: Walter Benvenuti) | — | ||
| 6 | Per dan (soprano: Graziella Benini, lute: Walter Benvenuti) | — | ||
| 7 | Ab joi (soprano: Graziella Benini, lute: Walter Benvenuti) | — | ||
| 8 | Qan amor trobet partit (soprano: Graziella Benini, lute: Walter Benvenuti) | — | ||
| 9 | Dances and Arias: Italiana (Mascherada - Veneziana - Gagliarda - Villanella) (lute: Paolo Possiedi) | — | ||
| 10 | Le gratie d'amore (Alemana d'amore - Bianco fiore - Catena d'amore - La fedeltà d'amore) (lute: Paolo Possiedi) | — | ||
| 11 | Bertoncina (baroque guitar: Massimo Lonardi, theorbo: Tiziano Bagnati) | — | ||
| 12 | Sua Corrente (baroque guitar: Massimo Lonardi, theorbo: Tiziano Bagnati) | — | ||
| 13 | Il Spiritello Brando (baroque guitar: Massimo Lonardi, theorbo: Tiziano Bagnati) | — | ||
| 14 | Brando dicho El Melo (baroque guitar: Massimo Lonardi, theorbo: Tiziano Bagnati) | — | ||
| 15 | Canario (baroque guitar: Massimo Lonardi, theorbo: Tiziano Bagnati) | — | ||
| 16 | Sonata No. 6 Op. 2: I. Largo allemanda (mandola: Sergio Bertasio, archlute: Massimo Lonardi, theorbo: Maurizio Piantelli) | — | ||
| 17 | Sonata No. 6 Op. 2: II. Allegro (mandola: Sergio Bertasio, archlute: Massimo Lonardi, theorbo: Maurizio Piantelli) | — | ||
| 18 | Sonata No. 6 Op. 2: III. Sarabanda (mandola: Sergio Bertasio, archlute: Massimo Lonardi, theorbo: Maurizio Piantelli) | — | ||
| 19 | Sonata No. 6 Op. 2: IV. Allegro staccato (mandola: Sergio Bertasio, archlute: Massimo Lonardi, theorbo: Maurizio Piantelli) | — | ||
| 20 | Symphony for Mandola: Allegro (mandola: Sergio Bertasio, archlute: Massimo Lonardi) | — | ||
| 21 | Symphony for Mandola: Largo (mandola: Sergio Bertasio, archlute: Massimo Lonardi) | — | ||
| 22 | Symphony for Mandola: Giga (mandola: Sergio Bertasio, archlute: Massimo Lonardi) | — | ||
| 23 | Symphony for Mandola: Minuet (mandola: Sergio Bertasio, archlute: Massimo Lonardi) | — | ||
| 24 | Sonata No. 9 Op. 2: Allegro (mandola: Sergio Bertasio, theorbo: Maurizio Piantelli) | — | ||
| 25 | Sonata No. 9 Op. 2: Adagio (mandola: Sergio Bertasio, theorbo: Maurizio Piantelli) | — | ||
| 26 | Sonata No. 9 Op. 2: Allegro (mandola: Sergio Bertasio, theorbo: Maurizio Piantelli) | — | ||
| 27 | Three Boating Songs: Col bel ciaro de sta luna (mandola: Sergio Bertasio, archlute: Massimo Lonardi, theorbo: Maurizio Piantelli) | — | ||
| 28 | Three Boating Songs: La biondina (mandola: Sergio Bertasio, archlute: Massimo Lonardi, theorbo: Maurizio Piantelli) | — | ||
| 29 | Three Boating Songs: Xe finio el mondo (mandola: Sergio Bertasio, archlute: Massimo Lonardi, theorbo: Maurizio Piantelli) | — | ||
| 2-1 | Away with these self-loving lads (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-2 | Sweet stay awhile! (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-3 | In this trembling shadow (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-4 | Come again! Sweet love (counter-tenor: Russell Oberlin, lute: Joseph Iadone) | — | ||
| 2-5 | Can she excuse my wrongs (counter-tenor: Russell Oberlin, lute: Joseph Iadone) | — | ||
| 2-6 | Flow not so fast ye fountains (counter-tenor: Russell Oberlin, lute: Joseph Iadone) | — | ||
| 2-7 | Now! Oh now I needs must part (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-8 | What if I never speed? (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-9 | Me, me and none but me (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-10 | I saw my lady weep (counter-tenor: Russell Oberlin, lute: Joseph Iadone) | — | ||
| 2-11 | Weep you no more sad fountains (counter-tenor: Russell Oberlin, lute: Joseph Iadone) | — | ||
| 2-12 | Shall I sue (counter-tenor: Russell Oberlin, lute: Joseph Iadone) | — | ||
| 2-13 | Stay, love, if ever thou did'st find (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-14 | Tell me, true love (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-15 | When Phoebus first did Daphne love (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-16 | Flow my tears (counter-tenor: Russell Oberlin, lute: Joseph Iadone) | — | ||
| 2-17 | Far from triumphing court - Lady if you so spite me - In darkness let me dwell (counter-tenor: Russell Oberlin, lute: Joseph Iadone) | — | ||
| 2-18 | Think'st thou then by thy feigning (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-19 | Where sin sore wounding (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-20 | If my complaints could passions move (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 2-21 | Fine knacks for ladies (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre) | — | ||
| 3-1 | Dixit Dominus (Psalm 109): Primi toni | — | ||
| 3-2 | Confitebor tibi Domine (Psalm 110): Sexti toni | — | ||
| 3-3 | Beatus vir (Psalm 111): Secundi toni | — | ||
| 3-4 | Laudate pueri (Psalm 112): Tertii toni | — | ||
| 3-5 | Credidi (Psalm 115): Octavi toni | — | ||
| 3-6 | Beati omnes (Psalm 127): Septimi toni | — | ||
| 3-7 | Lauda Jerusalem (Psalm 147): Quarti toni | — | ||
| 3-8 | In convertendo (Psalm 125): Quinti toni | — | ||
| 3-9 | Domine probasti me (Psalm 138): Primi toni | — | ||
| 3-10 | Laudate Dominum (Psalm 116): Sexti toni | — | ||
| 3-11 | Lætatus sum (Psalm 121): Quinti toni | — | ||
| 3-12 | Nisi Dominus (Psalm 115): Octavi toni | — | ||
| 3-13 | In exitu Israel (Psalm 115): Tonus Peregrinus | — |
