UPC · Release
Various Artists
Last verified:
The UPC for “Negro Prison Blues and Songs” by Various Artists is 076637032622. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1994-01-01. Label: Legacy International. This release contains 23 tracks, each with its own ISRC. Tracks include QZANV2102004, USEEC0612500, USEEC0612501.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Murder’s Home | Jimpson, five others | — | |
| 2 | No More, My Lawd | Jimpson, five others | — | |
| 3 | Old Alabama | B.B., six others | — | |
| 4 | Black Woman | B.B., six others | T-071.074.718-4 | |
| 5 | Jumpin’ Judy | Tangle Eye, Fuzzy Red, Hard Hair, others | — | |
| 6 | Whoa Buck | "88" (C.B. Cook) | — | |
| 7 | The Prettiest Train I Ever Saw | “22”, 20 others | — | |
| 8 | Dollar Mamie | “22”, 20 others | — | |
| 9 | It Makes a Long Time Man Feel Bad | “22”, 20 others | — | |
| 10 | Rosie | C.B., ten others with axes | — | |
| 11 | Levee Camp Holler | D.W. “Bama” Stuart | — | |
| 12 | What Makes a Work Song Leader? | D.W. “Bama” Stuart | — | |
| 13 | Early in the Morning | "Tangley Eye" (Walter Jackson), "Hard Hat" (Willie Lacey), "22" (Benny Will Richardson), "Little Red" (name unknown) | — | |
| 14 | How I Got in the Penitentiary | D.W. “Bama” Stuart | — | |
| 15 | Tangle Eye Blues | "Tangle Eye" (Walter Jackson) | — | |
| 16 | Stackerlee | Bama | — | |
| 17 | Prison Blues | Alex | — | |
| 18 | Duckin' and Dodgin' | Hogman Maxey | — | |
| 19 | My Baby Got to Go | John Henry Jackson | — | |
| 20 | Penitentiary Blues | Otis Webster | — | |
| 21 | Lonesome Blues | Guitar Welch | T-070.096.775-4 | |
| 22 | They'll Miss Me When I'm Gone | Jesse Butcher | — | |
| 23 | Rock Me Mama | Hogman Maxey | T-924.309.502-5 |
Musical Works (ISWC)
Identifier Graph
076637032622 is a Universal Product Code (UPC) assigned to Negro Prison Blues and Songs by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Murder’s Home | Jimpson, five others | — |
| Whoa Buck | "88" (C.B. Cook) | — |
| The Prettiest Train I Ever Saw | “22”, 20 others | — |
| Dollar Mamie | “22”, 20 others | — |
| It Makes a Long Time Man Feel Bad | “22”, 20 others | — |
| Early in the Morning | "Tangley Eye" (Walter Jackson), "Hard Hat" (Willie Lacey), "22" (Benny Will Richardson), "Little Red" (name unknown) | T-700.011.530-2 |
| Tangle Eye Blues | "Tangle Eye" (Walter Jackson) | — |
| Murder’s Home | Jimpson, five others | — |
The UPC for “Negro Prison Blues and Songs” by Various Artists is 076637032622. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1994-01-01. Label: Legacy International. This release contains 23 tracks, each with its own ISRC. Tracks include QZANV2102004, USEEC0612500, USEEC0612501.
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Murder’s Home | Jimpson, five others | — |
| Whoa Buck | "88" (C.B. Cook) | — |
| The Prettiest Train I Ever Saw | “22”, 20 others | — |
| Dollar Mamie | “22”, 20 others | — |
| It Makes a Long Time Man Feel Bad | “22”, 20 others | — |
| Early in the Morning | "Tangley Eye" (Walter Jackson), "Hard Hat" (Willie Lacey), "22" (Benny Will Richardson), "Little Red" (name unknown) | T-700.011.530-2 |
| Tangle Eye Blues | "Tangle Eye" (Walter Jackson) | — |
| Murder’s Home | Jimpson, five others | — |
