UPC · Release
Chess Blues
Various Artists
Last verified:
076732934029 is the Universal Product Code (UPC barcode) for the release “Chess Blues” by Various Artists, released 1992-01-01 on MCA Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 101 tracks, each with its own ISRC. Tracks include GBSWE0707103, USMC14852038, SEWDL9506104.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (101)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lollypop Mama | — | ||
| 2 | Bilbo Is Dead | — | ||
| 3 | Johnson Machine Gun | — | ||
| 4 | Fly Right, Little Girl | — | ||
| 5 | Little Anna Mae | — | ||
| 6 | I Can’t Be Satisfied | Muddy Waters | T-070.240.476-9 | |
| 7 | My Sweet Lovin’ Woman | — | ||
| 8 | I Feel Like Going Home | Muddy Waters | T-070.254.423-7 | |
| 9 | She Ain’t Nowhere | — | ||
| 10 | Florida Hurricane | — | ||
| 11 | Memory of Sonny Boy | — | ||
| 12 | Tonky Boogie | — | ||
| 13 | Cryin’ the Blues | — | ||
| 14 | My Head Can’t Rest Anymore | — | ||
| 15 | Big Town Playboy | — | ||
| 16 | Sweet Black Angel | — | ||
| 17 | Rollin’ Stone | Muddy Waters | T-070.243.255-0 | |
| 18 | Luedella | — | ||
| 19 | Mother Earth | Memphis Slim | — | |
| 20 | Dr. Ross’ Boogie | — | ||
| 21 | Joliet Blues | — | ||
| 22 | Moanin’ at Midnight | Howlin’ Wolf | T-700.044.424-8 | |
| 23 | All Night Long (alternate) | — | ||
| 24 | Mr. Commissioner (alternate) | — | ||
| 25 | Gettin’ Old and Grey | — | ||
| 2-1 | Walkin’ the Boogie (alternate) | John Lee Hooker | T-700.077.062-9 | |
| 2-2 | Juke | Little Walter | T-070.241.392-0 | |
| 2-3 | Conjur Man | — | ||
| 2-4 | Who’s Gonna Be Your Sweet Man When I’m Gone | — | ||
| 2-5 | Broken Heart (alternate) | — | ||
| 2-6 | Truckin’ Little Woman | — | ||
| 2-7 | Funeral Hearse at My Door | — | ||
| 2-8 | Hard Time Gettin’ Started | — | ||
| 2-9 | Don’t Need No Horse | — | ||
| 2-10 | Eight Ball | — | ||
| 2-11 | Fast Boogie | — | ||
| 2-12 | I’m Mad | — | ||
| 2-13 | Ice Cream Man | John Brim | T-070.241.027-2 | |
| 2-14 | Whose Muddy Shoes | — | ||
| 2-15 | Got to Have It | — | ||
| 2-16 | I Declare That Ain’t Right | — | ||
| 2-17 | Remember | — | ||
| 2-18 | Untitled Instrumental | — | ||
| 2-19 | Blues With a Feeling | Little Walter | T-070.233.074-2 | |
| 2-20 | I’m Your Hoochie Coochie Man | Muddy Waters | T-060.569.990-8 | |
| 2-21 | Forty‐Four | Howlin’ Wolf | — | |
| 2-22 | Got to Find My Baby (alternate) | — | ||
| 2-23 | Evil | Howlin’ Wolf | T-060.570.106-1 | |
| 2-24 | Reconsider Baby | Lowell Fulson | T-070.243.114-8 | |
| 2-25 | Mama Talk to Your Daughter | — | ||
| 3-1 | Mellow Down Easy | — | ||
| 3-2 | My Eyes (Keep Me in Trouble) | — | ||
| 3-3 | My Babe | — | ||
| 3-4 | You Got to Love Me | — | ||
| 3-5 | Walking the Blues | — | ||
| 3-6 | Don’t Start Me to Talkin’ | Sonny Boy Williamson | T-070.881.193-1 | |
| 3-7 | Smokestack Lightning | Howlin’ Wolf | T-070.243.695-0 | |
| 3-8 | 29 Ways | — | ||
| 3-9 | Right to Love You | — | ||
| 3-10 | Ain’t Nobody’s Business | — | ||
| 3-11 | I’m Leaving You | — | ||
| 3-12 | Break of Day | — | ||
| 3-13 | Please Don’t Go | — | ||
| 3-14 | Keep It to Yourself | — | ||
| 3-15 | Walkin’ by Myself | Jimmy Rogers | T-070.247.654-7 | |
| 3-16 | Got My Mojo Working | Muddy Waters | T-070.240.925-3 | |
| 3-17 | Fattening Frogs for Snakes (alternate) | — | ||
| 3-18 | Slow Leake | — | ||
| 3-19 | Sittin’ on Top of the World | Howlin’ Wolf | T-070.940.249-2 | |
| 3-20 | She Don’t Know | — | ||
| 3-21 | Your Funeral and My Trial | — | ||
| 3-22 | Key to the Highway | — | ||
| 3-23 | Double Trouble (alternate) | — | ||
| 3-24 | Come on Home | — | ||
| 3-25 | The Goat (band track) | — | ||
| 3-26 | So Many Roads, So Many Trains | — | ||
| 4-1 | First Time I Met the Blues | — | ||
| 4-2 | Too Poor | — | ||
| 4-3 | Blue Shadows | — | ||
| 4-4 | The Shakedown | — | ||
| 4-5 | The Sun Is Shining (alternate) | — | ||
| 4-6 | Calling on My Darling | — | ||
| 4-7 | The Red Rooster | Howlin’ Wolf | T-060.570.110-7 | |
| 4-8 | Nine Below Zero | — | ||
| 4-9 | Goin’ Down Slow | Howlin’ Wolf | T-070.881.865-8 | |
| 4-10 | Satisfied | — | ||
| 4-11 | Something's Got a Hold on Me | Etta James | T-071.017.312-8 | |
| 4-12 | Wrinkles | — | ||
| 4-13 | Bring It on Home | — | ||
| 4-14 | Good Moanin’ Blues | — | ||
| 4-15 | Killing Floor | Howlin’ Wolf | T-070.241.491-2 | |
| 4-16 | What Kind of Man Is That? | — | ||
| 4-17 | We're Gonna Make It | Little Milton | T-070.247.739-1 | |
| 4-18 | Wang Dang Doodle | Koko Taylor | T-060.570.125-4 | |
| 4-19 | Dirty Work Goin’ On | — | ||
| 4-20 | One Bourbon, One Scotch, One Beer | John Lee Hooker | T-070.242.694-5 | |
| 4-21 | Jinglin’ Baby | — | ||
| 4-22 | That’s Why I Don’t Mind | — | ||
| 4-23 | Keep It to Myself | — | ||
| 4-24 | Sitting Here Alone | — | ||
| 4-25 | I’d Rather Go Blind | Etta James | T-070.240.525-1 |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Smokestack Lightnin’ | Howlin’ Wolf | T-070.243.695-0 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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What is UPC 076732934029?
076732934029 is a Universal Product Code (UPC) assigned to Chess Blues by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 101 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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