UPC · Release
Chess Blues Guitar: Two Decades of Killer Fretwork, 1949–1969
Various Artists
Last verified:
076732939321 is the Universal Product Code (UPC barcode) for the release “Chess Blues Guitar: Two Decades of Killer Fretwork, 1949–1969” by Various Artists, released 1998-01-01 on MCA Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include USMC14907196, USMC15007269, USMC15007280.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (23)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Anna Lee | Robert Nighthawk | T-901.126.360-8 | |
| 2 | That’s All Right | Jimmy Rogers | T-070.940.524-2 | |
| 3 | So Glad I Found You | Johnny Shines | — | |
| 4 | When I Am Gone | Joe Hill Lewis | — | |
| 5 | Walkin’ the Boogie (alternate) | John Lee Hooker | T7000770629 | |
| 6 | Date Bait | Blue Smitty | — | |
| 7 | Tired of Crying Over You | Morris Pejoe | — | |
| 8 | Sad, Sad Day | Muddy Waters | T0712126298 | |
| 9 | It Was a Dream | John Brim | — | |
| 10 | Forty Cups of Coffee | Danny Overbea | — | |
| 11 | Just a Fool | Eddie Boyd | — | |
| 12 | Loving Man | Muddy Waters | — | |
| 13 | I’ve Got a Woman | Howlin’ Wolf | — | |
| 14 | Reconsider Baby | Lowell Fulson | T0702431148 | |
| 15 | Give Me One More Shot | J.B. Lenoir | — | |
| 16 | Rollin’ Blues | Lowell Fulson | — | |
| 17 | Who Do You Love? | Bo Diddley | T-070.247.967-1 | |
| 18 | Guitar Rumba | Earl Hooker | — | |
| 19 | What Kind of Gal Is That? | Jody Williams | — | |
| 20 | Frog Hop | Earl Hooker | — | |
| 21 | Lucky Lou | Jody Williams | — | |
| 22 | Old Memories | Lafayette Thomas | — | |
| 23 | Guitar Boogie | Chuck Berry | T-700.018.848-9 |
Additional database matches (26)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| I Can’t Hold Out | Elmore James | T-010.245.390-6 |
| I Still Got the Blues | Chuck Berry | — |
| Treat Me Like I Treat You | Eddie Burns | — |
| Claim on You | Lafayette Thomas | — |
| Walkin’ Thru the Park | Muddy Waters | T7000771406 |
| Walkin' Thru the Park | Muddy Waters | — |
| Rock This House | Jimmy Rogers | — |
| I’m Satisified | Albert King, Otis Rush | T0700836118 |
| Broken Hearted Blues | Buddy Guy | — |
| I Still Got the Blues | Chuck Berry | T0103250947 |
| Won’t Be Hangin’ Around | Albert King | — |
| My Babe | Bo Diddley | T-060.570.112-9 |
| I Can Tell | Bo Diddley | T-700.024.649-3 |
| Buddy’s Boogie | Buddy Guy | — |
| Hidden Charms | Howlin’ Wolf | T-700.021.813-5 |
| What Kind of Love Is This? | Little Milton | — |
| Someday | Robert Nighthawk | — |
| Killing Floor | Howlin’ Wolf | T-070241491-2 |
| Cross My Heart | Clarence “Gatemouth” Brown | T0700331425 |
| Leave My Girl Alone | Buddy Guy | T0710006884 |
| Watch Out | Hound Dog Taylor & the HouseRockers | — |
| One Sunny Day | Lonnie Brooks | — |
| I Can’t Quit You Baby | Little Milton | T-060.570.120-9 |
| She’s Too Much | Johnny Littlejohn | — |
| I Can’t Hold Out | Elmore James | T-010.245.390-6 |
| I Can’t Hold Out | Elmore James | T-010.245.390-6 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
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What is UPC 076732939321?
076732939321 is a Universal Product Code (UPC) assigned to Chess Blues Guitar: Two Decades of Killer Fretwork, 1949–1969 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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